Tuesday, October 17, 2006

Shauna Turnbull Joins Mid Atlantic Art News

When I began splitting my time between PA and DC, I announced that I would be getting help in covering the Mid Atlantic span between Philadelphia and the Greater DC region by a couple of additional writers.

Below is the first contribution by Shauna Turnbull, who will be helping me to cover the Greater DC area's art openings and art events. This piece by Shauna will be hopefully the first of many.



Annie Leibovitz: Politics and Prose Bookstore – October 17, 2006

By Shauna Turnbull, Art Addicts

The good folks over at Politics and Prose Bookstore in Northwest DC had us packed in like sweltering sardines and the standing room only crowd gathered for one of the store’s most exciting author events ever. You never knew so many people could fit into such a cramped space without the fire department rushing in, but none of us cared very much.

We were all there (some of us up to three hours early) to stake out our own personal square footage just to see, hear, and be in the same room as American born celebrity photographer and portrait artist Annie Leibovitz.

A popular culturist and a modernist, Ms. Leibovitz (born Anna-Lou), was honored in 1991 with a major exhibition at the National Portrait Gallery. Her work has received major acclaim and criticism largely centered on the fact she’s concentrated on celebrities continuing since her early work with Rolling Stone Magazine.

Ms. Leibovitz read for about a half an hour from her new, highly praised retrospective "A Photographer’s Life."

The retrospective is a collection of work from 1990 – 2005. It is inspired in part, due to the death of Annie’s long time companion, Susan Sontag, and the death of Leibovitz’s father a mere few weeks after Sontag's death. Both black and white and color images span personality novelties of the rich and famous to more personal and intimate relational works on the author’s family. Of particular note is a photograph of Ms. Leibovitz’s mother in her late seventies, one the photographer loves because of its authenticity and its absence of pretension.

Ms. Leibovitz appeared unpretentiously to be in a mixed state of joy over her young children (she gave birth to her first daughter at the age of 51 and was 8 ½ months pregnant during September 11, 2001), while at the same time also fighting the clutches of resigned and unrelenting grieving. She bares her soul and describes her experience as being not primarily that of a photographer, but rather one as an observer of life.

Most interesting were her perspectives on the effect of engaging a subject in conversation prior to taking a photo. Leibovitz says no matter what you say to a person, it changes their face, changes their emotion, and changes the expression in the eyes. This is one of the reasons she most prefers unstaged and unposed photography.

She’s searching for who the person is – what’s their statement. When asked by aspiring photographers what the key to a successful life in photography is, she quips, "stay close to home."

So it seems the retrospective may be asking – who, where and what is home – does the definition of home change as people die – is home within – and can you find your home through Liebovitz’s expression and years of work?

Interns

The new Randall Scott Gallery in Washington, DC is looking for interns. Give him a call at 202/332-0806.

Two New DC Galleries

Meat Market Gallery opened at the end of September with a group show of its gallery artists. The new gallery is located at 1636 17th Street, NW in DC.

Opening this weekend is Dissident Gallery, located at 416 H Street, NE. The grand opening is Oct. 20 at 7PM.

DCing

I'm in and around DC today. Several posts coming later.

Art Review magazine has gone digital and they're offering six free issues.

Sign up here.

Monday, October 16, 2006

The Evolution of Beauty

Watch this video is you want to know (in part) why our perception of a woman's beauty is so fucked up.

Why Blake is Wrong (Again)

When an art critic hangs his or her entire reputation on joining in early on his writing career with a traditional anchoring art criticism agenda, and for years and years pounds this agenda forth as the true (and only) Gospel for contemporary art, it takes either:

(a) A huge amount of professional courage to realize that the times have left your founding ideas (and the foundation of your agenda) behind as a quaint, and once revolutionary concept, or

(b) Ignore the present, and continue to pound your dated agenda and discredited, once collective ideas and communal concepts as if they're still new, and novel and applicable.

Blake Gopnik, the intelligent and erudite chief art critic of the Washington Post, has told his readers time and time again that:

- Painting is Dead

- Video, Installation Art and Photography are the only contemporary genres worth exploring

- There's something "icky" about nudes

- The holy grail of the art market is a non-existing "new" painting art movement

- Being "up to date" and "new" are key things in contemporary art (nevermind that Video, Installation Art and Photography are quite aged in years now and not the "new kids on the art block" that maybe they once were when Gopnik started writing).

- There's nothing "new" that painting can offer that would have looked much out of place over the past five or ten years in any high-end New York gallery.

- Skill is "banal"

- There's something "icky" about nudes (did I mention that already? Well... he harps on this aversion over and over).

See how many of these Gopnikisms you can find in this traditional Gopnik review of a painting show, in this case his review of "Life After Death: New Leipzig Paintings From the Rubell Family Collection" at the American University Museum at the Katzen Arts Center.

2006 DC Gallery Tally

The capital area's gallery sky is not falling!

As far as I know:

DC Area Galleries that have closed (or will close) so far in 2006:

Robert Brown
Fusebox
Fraser Georgetown (moved to Bethesda)
JET Gallery (moved to Chicago)
Numark
Ozmosis

DC Area Art Galleries that have opened (or will open) in 2006:

Galerie Myrtis
Heineman-Myers
Hillyer Art Space
Long View Gallery
Ninth Street Gallery
Nowuno
Project 4
Randall Scott Gallery
Elizabeth Stone
Woman's Story Gallery

If I've missed anyone, please let me know.

Update: See updated info about Nowuno at ArtDC.org

New Alexandria Gallery

After 15 years in Michigan, Elizabeth Stone has recently relocated her art gallery to King Street in Old Town Alexandria.

The Elizabeth Stone Gallery focuses on children's art, and (as far as I know) is the only art gallery in the Greater DC area, maybe even the whole Mid Atlantic to do so. The gallery specializes in original art, signed limited editions, prints, and children's books by more than one hundred internationally known children's book illustrators.

We'll have a review of the current show later today.

Saturday, October 14, 2006

The Most Popular Contemporary Political Art in the World

Came from a DC area artist in 2004!

A handful of readers emailed me commenting on yesterday's post on the issue of political art by DC area art venues and artists, reminding me that the most popular (measured by the spectacular and record-setting number of times the image was downloaded from the Internet and from the worldwide news deluge that it received) political artwork from recent times was this painting by the fair Kayti Didriksen:


George Bush by Kayti Didriksen

I wonder who ended up with this wildly popular work? Kayti: Email me!

Friday, October 13, 2006

Sandberg at Conner

Alexandra has a very good visit to Erik Sandberg's show at Conner Contemporary in DC.

Read it here.

Peace Show

For many years now, the Warehouse Galleries on 7th Street in Washington, DC, have been the capital region's bastion for political, activist and progressive art exhibitions focused on themes such as war, peace and how artists view the world around them.

Over in nearby Arlington, John Aaron's Museum of Modern ARF has been pounding out one political show after another (and has been apparently also been in the past the subject of vandalism because of it), and many DC area artists have for many years focused a lot (if not all) of their creativity on political art, people such as Stephen Lewis, Tom Nakashima, Jefferson Pinder, Nekisha Durrett and let's not forget that Lebanese-born artist Chawky Frenn (who teaches at GMU) seldom paints anything that doesn't have a sharp political comment to it (he had a solo scheduled in late 2001 that was cancelled when his then Boston gallerist allegedly told Frenn that he couldn't show his work after 9/11).

But getting back to Warehouse...

Opening on Election Day at 8pm, Molly Ruppert brings us her Fifth Annual Peace Show, and this year's show will offer a worldview of disturbance and destruction and will feature the work of many artists spread throughout the Warehouse's eight distinct galleries.

The exhibition includes Gabriela Bulisova's photographs of the ongoing clusterbomb devastation in Lebanon, paintings by Tom Drymon, a DC artist who moved to New Orleans before Katrina, a house wrap installation for peace by Laura Elkins, and the other artistic peace efforts of many artists.

US Air Force Memorial

US Air Force Memorial

The beautiful new US Air Force Memorial (designed after the trails left by the famous Thunderbird bomb-burst formation) will be dedicated in Arlington, Virginia in several formal dedication events that will take place tomorrow, October 14th, 2006 at 1:30 p.m. on the 3-acre promontory adjacent to Arlington National Cemetery and a short walk from the Pentagon.

The Memorial is on the grounds of the Navy Annex.

The USAF has always tried to show a very modern and futuristic views to all their designs (such as the USAF Air Force Academy in Colorado and even in their uniform insignias), almost as if they've never got over being upset that science fiction has always depicted the military ranks of the future as naval ranks, and the space war machinery of the future as "ships" and space "sailing" machines and not flying machines.

After all, it's Captain Kirk, not Colonel Kirk and Admiral Adama (in Battlestar Galactica), not General Adama.

A well-deserved salute to the men and women in blue who have served over the years and who continue to serve. They should be very proud of their very beautiful memorial, and we should be very grateful for their service.

Update: I could have predicted this, but just like the WaPo's Philip Kennicott, I am sure that all the usual leftwing nuts will find something to dislike about the new memorial, or introduce a personal political agenda into the issue, while all the usual rightwing nuts will also find something to dislike in its postmodern look and somewhat abstract design and lack of militaristic "view."

Whenever one designs and builds a public memorial, you can't please everyone, but whenever it is something to do with a military service, you can bet that all the wackjobs from the left and from the right will come out and become negative from some perspective or another, fueled by their extremist and divisive agendas.

I say that as long as it pleases the people and the families of those whom the memorial is supposed to "honor" - even if it is a just spot to take one's picture - then that's good enough for me.

Numark Gallery to close

I was in DC yesterday and didn't get home until very late (thus the lack of postings). While there I was told about Numark Gallery closing its doors.

Cheryl Numark is closing the doors to her still rather "new" award-winning space, and stepping off into the world of a private independent art advisor and curator. She states that

"After some time off to focus on my family and catch my breath, I plan to start a new venture. One of the regrets in running the gallery was that the demands of the exhibition schedule prevented me from spending as much time with my clients as I would have liked. The creative process of working with like-minded art enthusiasts in search of more exposure to artists and the art world, guidance in making smart choices in building their collections, and assistance in how to present work in its final setting, seems like a natural next step.

I hope this new art advisory venture will allow me to continue working with the community of artists, curators, collectors, critics, art lovers, and other art gallerists that have been such a big part of my life over the past eleven years. Thanks to all of you who have provided so much encouragement, friendship and support.

We would like to bring that community together one last time at Numark for a celebration of our 11 years together. We will be showing the artists with whom the gallery has worked most closely in 'The Last Show', which opens Saturday, October 28."
Having recently done precisely the exact same thing (although Fraser Gallery is still quite open under Catriona Fraser's hands), I wish Cheryl the best of luck with this next phase of her life.

Weekend Online Today

The Washington Post's Weekend online chat with the Weekend section staff starts today at 11 AM.

You can send questions in ahead of time here.

The online chat with Weekend has degenerated to the point where most people ask Weekend about where to get a good pizza or something banal like that. Hopefully some of you can ask some good, intelligent questions today.

Thursday, October 12, 2006

Factory Work: Warhol, Wyeth and Basquiat Lecture

October 15, 2006

Dr. Joyce Hill Stoner, guest curator of Factory Work: Warhol, Wyeth and Basquiat (on view at the Brandywine River Museum through November 19, 2006), will present an illustrated lecture on the little-discussed side of Pop artist Andy Warhol as mentor to realist painter Jamie Wyeth and graffiti artist Jean-Michel Basquiat. The lecture begins at 2 p.m. and is free with museum admission.

Wednesday, October 11, 2006

Hitlerian Artworks

Roberta has a terrific review of quite an entertaining and interesting show by Dutch artist Aldert Mantje at Philadelphia's Pageant Soloveev Gallery.

"Dutch artist Aldert Mantje understands absurdity. The international artist has had more than 60 exhibitions, but he can’t get his fantasy Adolf Hitler paintings shown in his hometown of Amsterdam. So here they are in Philadelphia at Pageant Gallery. And now, he says, everyone’s calling and asking to see the works."
Read the review here. Maybe a courageous DC area gallery can step up and show these works in the capital region?

Below is Mantje's "Hitler After a Car Accident."

Hitler After a Car Accident by Aldert Mantje

US Mint Wants Artists

The United States Mint has issued a new nationwide Call for Artists, and they are inviting artists from throughout the United States to participate in its Artistic Infusion Program (AIP) to "enrich and invigorate the design of coins and medals."

The new invitations seek up to 10 Associate Designers - professional visual artists - and up to six Student Designers - undergraduate and graduate level artists - to supplement the pool of "Master Designers" currently under contract in their program.

Visit this website to access the application online, or contact the United States Mint at (202) 354-7727, or email them at art@usmint.treas.gov.

Emergency grants

Every once in a while I get emails from artists who are in extreme need of financial assistance, asking for information on where to get quick and urgent help. Funding is vailable during times of emergency, disability, or bereavement from the Artists' Fellowship, based out of NYC.

The Fellowship does not accept requests from performance artists, filmmakers, craft artists, hobbyists, commercial artists, or commercial photographers. For more information, contact:

Artists' Fellowship, Inc.
47 Fifth Ave.
New York , NY 10003

Or phone them at (646) 230-9833 or visit their website.

Grants for Photographers

Deadline: October 31, 2006

The Aftermath Project's mission is to support photographic projects that tell the other half of the story of conflict-the story of what it takes for individuals to learn to live again, to rebuild destroyed lives and homes, to restore civil societies, to address the lingering wounds of war while struggling to create new avenues for peace. Two grants will be given in 2006, one for $15,000 and one for $20,000. For more information visit this website.

Save this date

October 31, 2006.

That's when the new City Hall Art Collection at the John A. Wilson Building in Washington, DC will make its debut with a reception for the artists and the artwork from 5-7PM.

This huge new public art collection (around 175 works by approximately 100 artists) is now the key collection of Washington, DC area based artists, from the big names like Gilliam, Winslow, Tate, Christenberry, Kainen, Chao, Yamaguchi, MacKenzie, Stout and others, to the emerging artists and perhaps even a "barely emerging" artist or two.

Some nitty-gritty info:

- You must RSVP to Carolyn Parker or call 202-724-2042.

- All persons must show photo ID to enter this building.

- There are a number of parking garages nearby, but they highly recommend public transportation.

- Enter through the Pennsylvania Avenue entrance.

- Artists in the collection should enter through the D Street entrance (around back) and sign in at the VIP Center.

- Remarks begin at 6:00 — you may arrive as early as 4:30 for sign-in and looking at the artwork.

There will be "maps" of the collection at the Opening Reception and at the Security Desk in the future to help visitors find where the art is hung. Art will be on the Ground floor through the 5th Floors in public hallways.

There will be a commemorative book published to mark the occasion. Every adult visitor to the Opening Reception will be receiving one copy (as supplies last). An image of at least one work from each of the artists in this inaugural phase is included. There were five essays written (including one by yours truly) on the different topics/clusters of the collection, and many of the artists are mentioned in the text.

They are looking for volunteers to help out with the reception. To volunteer, please email Ebony Blanks at Ebony.Blanks@dc.gov.

See ya there!