Sharon's Letter

Dear Friends, 

Please donate $30+ TODAY to fight cancer!  Read below to see why!

In 2012, I participated in the Marin Olympic Triathalon with Team in Training.  I swam .93 miles, biked 22 miles, and ran 6.2 miles in 3.5 hours.  In support of my efforts, 49 people helped me raise over $2,500 to find better cures and treatments for cancer.

It is 2013 and it is time for me to up the ante!  I am going to do TWO Olympic Triathalons, with Team in Training, which have more difficult courses and a larger monetary goal of $3000.

May 5th - Wildflower, CA - .93 mile swim, 24.8 mile bike, 6.2 mile run

June 30th - Pacific Crest, OR - .93 mile swim, 28 mile bike, 6.2 mile run

Last fundraising letter, I told you all about how I have a piece of my ass where my toe used to be. Threatened by a possible future spreading Melanoma, half of my toe was chopped off and a piece of my backside was put in its place. But that's ancient history.

Unfortunately, what isn't history...is cancer.  It is still kicking around affecting the people we know and love.  I can think of three of my peers (women in their 30's) who had to endure chemotherapy this year.  And that pisses me off!

If cancer also makes you mad, take 2 minutes and donate $30+ to the Leukemia & Lymphoma Society from my fundraising page:

http://pages.teamintraining.org/sf/paccrstr13/spieczenik

In the great words of my favorite author Dr. Seuss, 

 

“You're off to Great Places!
Today is your day!
Your mountain is waiting,
So... get on your way!” 

So, I'm going to take my half-toe,

And we're going to have fun.  

Kicking Cancer's ass 

As I Swim, Bike, and Run! 

Thank you for the love and support.  Even if you can only donate one dime, please add your donation to the cause.  Ever cent counts.

Sincerely,

Sharon Pieczenik

Young Photographer

This is the latest work in my series of paintings/drawings with embedded electronic components. It is titled "Young Photographer Worshiping at the Altar of Contemporary Photography." It has three small LCD screens embedded into the piece that play about 200+ images of famous photographs, rotating every 3 seconds or so.

Young Photographer Worshiping at the Altar of Contemporary Photography
Watercolor, charcoal and gesso with embedded electronics
8x20 inches, matted and framed to 20x28 inches.

Detail

States of Mind at UM

OPENING RECEPTION THIS THURSDAY -  MAY 9, 5-8PM

MAY 9 – JUNE 22, 2013

States of Mind is the University of Maryland's first nationally juried exhibition, juried and curated by the Stamp Gallery’s student staff. Please join them in celebrating the opening of this fantastic show!  

For more information about the show visit their website.

My pick for this show?: Check out Adam Bradley's work

Gateway Open Studio Tour & WGS Annual Open House

Gateway Community Development Corporation (CDC) presents the 9th Annual Gateway Open Studio Tour on Saturday, May 11, 2013, from 12 p.m. to 5 p.m., in Prince George's County's Gateway Arts District. 

Home to one of the D.C. metro area's most innovative and exciting arts scenes, the Gateway Arts District brings together professional artists representing almost every visual arts medium. 

The day will end with an Opening Reception and After-Party at the Brentwood Arts Exchange (5pm - 8pm) and the 39th Street Gallery (5:30pm - 8pm). Both are located at 3901 Rhode Island Avenue, Brentwood, MD.

Reserve your seat for the Open Studio Tour Complimentary Shuttle here.

And as you go around these tours, this Saturday it will be also the Washington Glass School's annual Anniversary Party and Open House....12 years and counting!  

While you're there do not forget to drop by Red Dirt and Flux Studios! It will be a great day to drop by and see what makes this area so hot for art and sculpture!

What : Washington Glass School Annual Open House and Anniversary Party
When : Saturday, May 11th from Noon to 5pm.
Where : Washington Glass School
             3700 Otis. St.
             Mt. Rainier, Md  20712
             202-744-8222

Go Gallery-Hopping with a Contemporary Art Collector

How do you get started collecting art if you’ve never done it before? Go from art outsider to insider in a single afternoon with Laura Roulet.

 Guided by Laura, visit five or six contemporary art galleries in the bustling 14th Street-U Street NW corridor. Meet with gallery directors to learn about the art on view. Laura will show you how to approach forming a collection, how to get invited to openings, how to evaluate galleries and more. Once you’re sufficiently embedded in the scene, finish with a glass of wine on your last stop.

Details here.

An Open Letter from Arts on the Block

Dear Fellow Artist:

 

Both of us have rarely asked fellow artists for a contribution to any the various arts organizations we‘ve been involved with over the years, unless the artist is rolling in money (an all too rare state), but we’re making an exception now. We’re both on the board of directors of a non-profit organization called Arts on the Block (AOB), and it could use a little help financing a very important part of its mission, which as an artist we think you’ll appreciate.

 

AOB's signature program involves high school students, many of whom are  economically disadvantaged, but all of whom identify themselves as creative types and lovers of art.  Mosaics are what the students (called apprentices at AOB) focus on, and over the years they have created a number of great public and private murals in the DC area. As a team the apprentices work with a public or private client to design a mosaic, and then they build it. Through this program AOB does a truly remarkable job of fostering art, life, and business skills. (You can see some to our apprentices’ work by going to the AOB website www.artsontheblock.org and clicking on Buy & Commission Art.)

 

A unique cornerstone of the program described above has been paying the apprentices a stipend while participating in the AOB program. This stipend is a important teaching tool as it adds concrete value and incentive to their creative work. The appentices have historically been paid $30 a day for their participation in the program. 

 

So why are we asking you for money now? Arts on the Block, like the vast majority of non-profit art organizations, is trying to weather the current economic woes. Unlike most non-profit art organizations AOB consistently stays out of debt;.This, however, can lead to budget cuts. Thus, we’re hoping you will contribute $30 for one of our apprentices for one day in the AOB program. We will not stop you if you’d like to finance 2 days for $60, or even a  whole week for $150. But, again, We’re hoping you will at least  consider financing an outstanding young artist for one day’s participation in the of Arts on the Block program.

 

Here's a link for donations: https://npo.justgive.org/nonprofits/donate.jsp?ein=64-0958139  

 

Or you can mail a check to:

 

  Arts on the Block

  11501 Georgia Ave.,  Ste 104

  Wheaton, MD   20902-1952

 

Whatever you can give will be greatly appreciated.

 

 Best,

Richard Dana and June Linowitz

MCA announces Curate Maryland

Sponsored by Maryland Citizens for the Arts, Curate Maryland is a new series of "on-the-ground" experiences designed to highlight and promote the arts in cities and towns from across the state of Maryland. 
 

Each Curate Maryland event will spotlight a selection of one town's local arts organizations while fostering dialogue about issues that concern arts advocates at all levels of governance. The series is a site-specific celebration, one city or town at a time, for art lovers from around the state.

The first Curate Maryland event is May 18 in Hagerstown, and features visits to The Washington County Arts Council, The Maryland Theatre, Maryland Symphony Orchestra, Washington County Museum of Fine Arts, with performances, tours, refreshments and workshop discussions throughout.  

The event is free with RSVP to Brian Francoise at 410.467.6700 or at brian@mdarts.org.

Potomac Vallery Watercolorists

A little while ago I had the pleasure of selecting the prizewinners for the Potomac Vallery Watercolorists at the beautiful Green Spring Gardens, and although over the years I’ve had the honor and pleasure (and luck) of judging my fellow artists many, many times (by my last count almost 300 times now!), one fact is always a constant and solid, never-changing, ever-present, add some more metaphors for “you can count on this” fact: It is never easy!

A second constant is that I am always refreshed and surprised by the spectacular diversity and pluralism of visual ideas that artists can deliver. This is the main reason that I really, really like putting together, organizing and jurying art shows.

And even after all these years and all these shows, I was still astounded by the quality and wide ranging of sources used by the artists who gave me the honor to review their work for this beautiful show at Green Spring Gardens. And in case you don't already know this: the most difficult (technically) of all visual arts media is watercolor. The difference between a great watercolor painter and the rest of us is that a great watercolor painter knows how to incorporate their mistakes into the final painting.

And I can honestly say that this was not only one of the most difficult (and most fun) shows to whittle down to a select few prizewinners, but also one which truly puts together a remarkable sampling of the evolving capacity of the artistic mind to educate, entertain, baffle, lead, record, interpret, upset, delight and make us proud to be part of the visual arts component of the human race. 

The exhibition also underscores a mostly overlooked fact in this age of post-modernism: the wondrous ability of the visual arts to be both beautiful and yet remain contemporary.

This show also surprised me by how far the artists went to explore contemporary issues of all flavors as they related to the focus of the subject matter (generally speaking... flowers) and driven by the gorgeous garden settings – in some cases by delighting the viewer with a fresh and delightful take on traditional subjects such as Toni Bragg's "Bulb of a Different Sort" which delivered the visual beauty of one of my all-time favorite things on this planet (garlic) and in others by cheering the gargantuan power of color married to enviable technical skill as in Kate Niner's "Pasta for Dinner" (which won the Best of Show)... memo to Kate: You need a website!

When you come and see this show, you will walk away (as with any group show) with a variety of thoughts all fighting to control your private reaction to it. You may have come with a pre-conceived idea of seeing "flower" art and trying to understand what people mean by adding that adjective in front of the word "art." 

But you will walk away also with multiple new reactions, hopefully including a realization that art, regardless of the label, should and must always stand as art, first and foremost. And you will also walk away with the refreshing and never-ending breath of fresh air that good art injects into our daily lives.

Come see this show and join me in applauding the always-evolving skill and intelligence of contemporary artists who wield brushes, pencils, charcoal sticks, palette knives, computers, metal, stone, found objects and ideas to punch the solar plexus of our minds with ideas and reactions.

 Green Spring Gardens
4603 Green Spring Road
Alexandria, VA
April 29 - June 24, 2013

Reception: Sunday, May 5
1 - 3 p.m., Horticulture Center

Freya Grand at Plan B

The Doc gets good news...

Congrats to my amazing wife, Dr. Alida Anderson, who just got tenured at American University!

Art Fair dynamics

From a post almost a decade ago:

One of the more eye-opening things in attending an art fair is seeing the dynamics that go onto the decision to buy a piece of art.

Put together a few thousand people, paying an entry fee to enter the fair, an assortment of dealers, and a huge diverse variety of offerings and it's an education in people watching.

The married couple:
"Do you like it?"
"Yeah, I like it- it's just what we've been looking for."
"Where would we put it?"
"We have a couple of spots that it'd fit."
"Do you really like it."
"Yeah, how about you?"
"Yeah, I kinda of like it."
"Should we get it?"
"If you want it."
(five minutes later)
"Let's think about it."
"OK" [To me] "Do you have a business card?"

The couple (not married):
Her: "Do you like it?"
Him: "Sssoright"
Her: "Where would we put it?"
Him: "Dunno."
Her: "Do you really like it."
Him: "So'OK.. Yeah, how about you?"
Her: "Yeah, I kinda, sorta, really like it."
Him: "Dunno though"
Her: "What? You don't like it?"
Him: "If you want it."
(five minutes later)
Him: "Let's think about it."
Her or Him: "OK" [To me] "Do you have a business card?"

The Single Woman (SW) with a Woman Friend:
SW: "WOW! Now, I really like this!"
Friend: "Yeah... it's nice"
SW: "It's exactly what I've been looking for!"
Friend: "I have a friend who does work just like this..."
SW: "I am really drawn to it!"
Friend: "Are you really sure you like it?"
SW: "Uh - yeah!... why? Don't you like it?"
Friend: "Yeah... it's OK"
SW: "I think it's really good... I think it's the first piece in this whole show that I really like."
Friend: "There's a few more booths we haven't seen."
SW: "I think I'm going to buy this."
Friend: "Are you sure?"
SW: "Uh - yeah!... It's a good price too.... why? Don't you like it?"
(five minutes later)
SW: "Do you have a business card?"

The Single Woman (SW) with a Man Friend:
SW: "WOW! Now, I really like this!"
Friend: "Yeah... Cool"
SW: "It's exactly what I've been looking for!"
Friend: "I think it's a lithograph" [it's actually a charcoal]
SW: "I am really drawn to it!"
Friend: "Are you really sure you like it?"
SW: "Uh - yeah!... why? Don't you like it?"
Friend: "I have something like it... I got it cheaper though..."
SW: "I think it's really good... I think it's the first piece in this whole show that I really like."
Friend: "You like lithographs?"
SW: "I think I'm going to buy this."
Friend: "Are you sure?"
SW: "Uh - yeah!... It's a good price too.... why? Don't you like it?"
(five minutes later)
SW: "Do you have a business card?"

The Single Focus Dream Buyer:
[Walks straight up to one piece, never looks at the rest of the work in your booth]
"I'll take this"
[Me] "Thank you... it's a very striking charcoal drawing - will be that be a check or charge?"
"Charge"
[Me] "I can send you more information on this artist..."
"That will be great - I love this work - it's exactly what I'm interested in!"
[Me] "I have a few more pieces here, would you like to see them?"
"No, thanks..."

The "I'm glad you're here guy (IGYHG)":
IGYHG: "Hey! I've been looking for you!"
[Me]: "Hi, how are you?"
IGYHG: "... been walking this whole fair looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
IGYHG: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
IGYHG: "Well, let me look at what you've got!"
[three minutes later]
IGYHG: "Well... I'm glad you're here... see ya next year!"


The "I Shudda Bought It Last Year Guy (Shudda)":
Shudda: "Hey! You're here again!"
[Me]: "Hi, how are you? Yeah... It's our 7th year here..."
Shudda: "... been walking this whole fair looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
Shudda: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
Shudda: "Well, let me look at what you've got!"
[three minutes later]
Shudda: "Where's that really good watercolor of the fill-in-the-blank?"
[Me]: "Uh... I sold it last year - but I have a few more pieces by that artist."
Shudda: "Ah! - I really wanted that one! Do you have another one?"
[Me]: "Well, no... it was an original watercolor, and I sold it; but I have ---"
Shudda: "I really wanted that piece; and it was a good price too..."
[Me]: "Maybe you'd like some of his new work..."
Shudda: "I shudda bought it last year"
[Walks away]
Shudda: "You gonna be here next year?"

The "Where's That Piece Guy (WTP)":
WTP: "Hey! You're here again!"
[Me]: "Hi, how are you? Yeah... It's our 7th year here..."
WTP: "... been walking this whole fair specifically looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
WTP: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
WTP: "OK... last year I saw this piece... it was a fill-in-the-bank and I should have bought it then! "
[Me]: "Yeah... that is a nice piece."
WTP: "I've been thinking about it for a whole year"
[Looks around the booth and doesn't see it]
WTP: "Do you still have it?"
[From here there are two paths...]
Path One -
[Me]: "Uh... I sold it last year - but I have a few more pieces by that artist."
WTP: "Ah! - I really wanted that one! Do you have another one?"
[Me]: "Well, no... it was an original watercolor, and I sold it; but I have ---"
WTP: "I really wanted that piece; and it was a good price too..."
[Me]: "Maybe you'd like some of his new work..."
WTP: "I shudda bought it last year"
[Walks away]
WTP: "You gonna be here next year?"
Path Two
[Me]: "Let me get it for you... I have it in the back!"
WTP: "Great"
[I bring it out and give to WTP]
WTP: "Yeah this is it! It's great!"
[Me]: "This artist has done really well this last year and ---"
WTP: [Handing it back] "Excellent! I'm glad you still have it... until what time are you going to be here?"

SF morning

Little Junes having his morning constitutional at Cafe Bellini in San Francisco while mom was presenting two papers at a conference.

Want free artwork for your non profit agency?

The Art Connection in the Capital Region (ACCR) is currently accepting applications from nonprofit community service organizations within the Greater Metropolitan Washington, DC area interested in receiving a permanent collection of artwork for their agencies.

ACCR is a nonprofit organization that enriches lives by expanding access to original works of visual at within under served communities throughout Washington DC, Maryland and Northern Virginia.

By bringing art to more members of our community, we are contributing to the creation of nurturing environments and providing individuals who might not otherwise have the opportunity, to experience the beauty, inspiration and hope that art enables.

The types of organizations with which ACCR partners serve their clients directly and include: homeless and battered women's shelters, children's centers, mental health facilities, and low-income senior housing agencies, amongst several others.

Applicants must meet the following criteria:

* Be a nonprofit 501(c)(3) tax-exempt organization

* Provide direct services to the residents of the District of Columbia, Maryland or Northern Virginia

* Have space to place artwork in public areas of the agency that is safe and accessible (administrative offices are generally not considered unless regularly used for public programming)

* Have no funds for in-house art purchases

To learn more about ACCR, to view recent placements, or to download an application, please visit: www.artconnection-cr.org

Please direct questions to: jcavnor@artconnection-cr.org

Airborne

Heading to San Francisco for the weekend as the Professor has two papers to present at a conference there and I am hand-delivering a major video piece to one of the top video collectors in the world.

Alchemical Vessels Opens Tonight!

Join me for this exclusive benefit event at the Joan Hisaoka Healing Arts Gallery and add one of the 125 Alchemical Vessels works to your own collection! Opening is tonight - Friday from 7-9 PM.

This unique exhibition will feature the work of 125 artists, hand-selected by 16 invited curators (including yours truly) , to engage in a community dialogue on healing and transformation through the arts. Each artist will transform the ceramic bowl by means of his or her own personal aesthetic and medium, drawing inspiration from the bowl as a place of holding, open community, a circle of care, sacred space, nourishment, and even the alchemical vessel.  

100% of the ticket sale proceeds will go to support Smith Center’s life-enhancing work and programs for people living with and recovering from cancer.

Ticket information:

- Benefit tickets $125: 125 Benefit tickets will be sold, and each ticket holder at this level will be given the opportunity to select a piece of art. Priority will be given by the order in which the tickets were purchased—so the first to buy a ticket will be awarded first pick of the 125 works, and so on. All 125 works will remain in the show until after the closing of the exhibition on June 7, at which time the new owners can pick them up.

- Supporter ticket: $50: This price level is good for entrance to the Benefit only. Ticket holders at this level do not get to keep a piece of art.

If you have trouble purchasing tickets, please call 202.483.8600 or email them at outreach@smithcenter.org. 

See the Facebook Event for more photos from the Artists!

Benefit attendees will also be invited to the Artists' Closing Reception for Alchemical Vessels on June 7, 2013!

My donation to this event is below. I debated what to create, and in the end, I gessoed the bowl and once again delivered the visage of the most transformative artist that I know: Frida Kahlo.

The Secret Substance of Frida Kahlo
Charcoal, conte and graphite on gessoed ceramic

Seldom has human history seen an artist so transformed by destiny, events and the agony of constant pain as Frida Kahlo. When Kahlo's young body was nearly destroyed and re-arranged by a horrible accident in her youth, where the young art student was impaled on a handrail that pierced her vagina and emerged through her chest, her agony transformed her into another being who then proceeded to gift onto the world some of the most spectacular portraits of pain that we've ever seen.

The intense brutality of pain transformed Kahlo with the same intensity that a thermonuclear reaction transforms its surroundings. She became a being submerged in constant pain for the rest of her life, both physical (she underwent dozens of surgeries) and mental (she experienced many miscarriages and was never able to have a child). And that transformation was the catalyst the propelled her to paint her own image as a mirror of the pain in her life, and in the process to become one of history’s great artists.

In the process, Kahlo transformed all of us, as a little bit of her artistic alchemic powers infect all of us who become hypnotized by her portraits; the power of her gaze, the eloquence of her eye brows and the intensity of her face, all leave a little bit of the secret substance that changes artistic matter from the mundane to an aspiration to the sublime.

Next month...

Bethesda Fine Arts Festival - May 11 & 12

Saturday, May 11, 10am - 6pm

Sunday, May 12,  10am - 5pm

130 artists from throughout the United States and Canada will converge in Bethesda's  Woodmont Triangle for the Bethesda Fine Arts Festival. Along with booths of fine art and fine craft, the festival will feature live musical, great eats from Bethesda restaurants and a children's activity area. 

Join them for a unique shopping experience in downtown Bethesda. Browse jewelry, furniture, painting, photography, sculpture and more. 

Admission to the festival is free and free parking is available in the public parking garage on Auburn Avenue. This event is held rain or shine.

More info.

Give a kid a camera and...

The below are Little June's first photographic experiments, which are generally focused (cough, cough) on his beloved Cars characters...

These are all available in a limited signed and numbered edition of five. All circa 2013... cough, cough.

One of sixteen vestal virgins who were leaving for the coast

We skipped the light fandango
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

-- Keith Reid & Gary Brooker

Landlord orders gallery to partially cover nude photo

"A nude model who used a topless tour to convince cops not to shut down a racy photo exhibit at a Lower East Side gallery has been forced to cover up after the landlord threatened to terminate the gallery’s lease.

On the owner’s orders, the operators of the ROX Gallery have put a caution sign over a lurid picture hanging in their Delancey Street window that shows model Natalie White masturbating...

... None of the other two dozen works inside the gallery has been censored, and White has not been banned from performing the live masturbation shows that are an occasional part of her act."

Initial details here and a really good report by the HuffPost's very fair Priscilla Frank (who studied Rhetoric of Narrative and Image at UC Berkeley and has written for art galleries in California and New York, as well as being the editor of the Berkeley Poetry Review and a sex columnist for the Daily Californian) is here... (Prissie call me!).

Brilliant publicity stunt on the part of the gallery or by the even more publicity-brilliant Natalie White (channeling Vito Acconci or maybe Andrea Fraser)... whatever works!

I'd like to see her invited to perform at (e)merge and see how the DMV reacts to it! They might shut down the whole fair!

Natalie!!! You're performing in the wrong place! If you want to really get arrested for simply showing your body... DO (e)merge!!!!  ......  (and the pun is sooooooo intended!).

Like mother, like son

We did a 5K race this weekend... cough, cough... 

I actually did the "One Mile Fun Run" before the actual race... together with Anderson, who in spite of a 3-5 minute all stop protest in the middle of the race about being ordered to take his hands out of his pockets while he ran, managed to finish the one mile in less than 20 minutes.

It's all about genetics folks... not mine!

His mom, Doctor Alida The A, came in second overall, while still noting that she had a "slow race because it was so freaking cold!"