(e)merge opens tomorrow

(e)merge art fair opens tomorrow!

Opening Preview
Thursday, October 3:
7pm - 9pm: Preview Party
9pm - 11pm: Concert by the Pool with MAIMOUNA YOUSSEF (live set) and John Thornley of U.S. Royalty (DJ set)

Details here.

Come see us in Rooms 215-216.

Opportunity for Public Artists

The Ballston Business Improvement District (Ballston BID), in Arlington, Virginia, seeks to commission multiple temporary public art installations that explore the interaction of art, science and technology in public space. The projects would be presented as an ongoing series in Spring 2014. We are primarily seeking responses from artists and innovators living or working in the Mid-Atlantic area.

The Ballston BID seeks to commission up to nine projects, for which it would provide stipends ranging from $2,000 to $12,000. The Ballston BID is seeking a mix of projects, in regard to their duration, media, location and budget; however, all projects must be located in or viewable from key streets and public spaces in the Ballston core. Questions will be accepted through September 30, and responses are due on October 7, 2013, 4 p.m. EDT. Responses will be evaluated by a committee of curators, arts administrators and artists familiar with this field.

For more information, contact their project coordinator Todd Bressi at art@ballstonbid.com or view their  Frequently Asked Questions.

Two fairs at once

We've never done two art fairs at once... but New York's Affordable Art Fair and DC's (e)merge art fair happen to happen at the same time and so for the first time ever, a DC area art dealer is punching the ticket for two art fairs at once in two different cities (gulp!).

It's all about the Benjamins... we've been doing exceptionally well with our art fair program at the art fairs over the last few years... even in this stinking economy... so why not?

And thus, you can see us this week at both of these:

Booth A-14

Rooms 215-216

Fall for the Arts at the Katzen

American University's Fall for the Arts will bring neighbors, students, faculty, and friends together through art. It's on exhibition now through Oct. 5th at the Katzen.

The day will feature an afternoon of dynamic Courses and Workshops including orchestral conducting, the history of audio recording, a playwriting class, and a discussion of the role of interruption as a catalyst for art, to name just a few. Classes suitable for children are so noted in the descriptions. 

Surprise performances will pop up when you least expect them. The day will conclude with an early evening cocktail reception in the Katzen Arts Center and a Live Art Auction featuring local artists. 

The event is open to the public and an invitation is extended to local residents, patrons of the arts, parents of AU students, and the entire AU community.

Check out the details, the artists, and the terrific artwork here. There's an amazing Alan Feltus that someone will get for a steal! Also check out this gorgeous Tim Tate!

You can register here.

Today at 2PM

Later today, Sunday, September 29, at 2PM I will delivering a lecture titled "On Identity in the Arts: What Does It Mean to be Latino?" at the Ridderhof Martin Gallery at the University of Mary Washington in Fredericksburg, VA.

The lecture is free and open to the general public, and from past deliveries of this lecture, I expect that it will continue to be informative, irreverent and eye-opening.

Directions to the gallery here.

Turn Art Lookers into Art Buyers

I go to a lot of art openings and typically don't hang around all that long at any one place. I look at the art and, when possible, have a few words with the artist, after which it's on to the next show. I recently had a chance encounter with an artist whose opening I had been to several nights before. We exchanged pleasantries, and I mentioned how much I enjoyed the show. The artist thanked me and, as we were about to part, asked somewhat cryptically, "Did you look at the art?" with emphasis on the word "look." Without thinking, I answered, "Of course," but then felt a curious twinge of guilt as I walked off wondering, well... did I really look at it? Yes I did, but the artist's implication seemed to be that perhaps I didn't look at it long enough. Hmmm. 

So I got to thinking-- what does it mean to "look at the art," and even more to the point, what does it mean to look at it enough? And even more importantly, what does it mean to look at art enough to become so excited about it that you decide to buy it? Enough according to whom? Who decides when enough is enough? And how does looking at art progress to buying that art? In particular, what does this "act of looking" mean from the artist's perspective as distinguished from that of the viewer (potential buyer)?

Read the entire fascinating piece here.

Judith Peck at (e)merge

Dialogue
Oil and Plaster on board
18 x14 inches
2013 Judith Peck
Will be in Room 215 at the (e)merge art fair next week

Transitory Window
Oil and Plaster on board
14 x11 inches
2013 Judith Peck
Will be in Room 215 at the (e)merge art fair next week

Art fairs in NYC and DC

This coming week is a double art fair week... here in DC is the third iteration of the (e)merge art fair, come check us out in rooms 215-216. And in New York is the Affordable Art Fair Fall version, and we're also there in booth A-14. Drop me an email if you need passes to AAFNYC.

In NYC we will be featuring the works of three vastly talented and well-known DMV artists: Anne Marchand, Jodi Walsh and Tim Vermeulen.

In DC we will have an equally talented group of artists, including the UK's Simon Monk, and the DMV's Christopher Baer, Judith Peck, Elissa Farrow-Savos, Ric Garcia and yours truly.

Moby Dick: Queequeg's Fast. Oil on Panel by Tim Vermeulen

Moving On. Ceramic on Textured Panel by Jodi Walsh

Pulse. Acrylic and mixed media on canvas by Anne Marchand

Lecture this Sunday at UMW

This coming Sunday, September 29, at 2PM I will delivering a lecture titled "On Identity in the Arts: What Does It Mean to be Latino?" at the Ridderhof Martin Gallery at the University of Mary Washington in Fredericksburg, VA.

The lecture is free and open to the general public, and from past deliveries of this lecture, I expect that it will continue to be informative, irreverent and eye-opening.

Directions to the gallery here.

The Phillips Collection to award Emerging Artist Prize

On October 5th, Phillips Director Dorothy Kosinski and Curators Klaus Ottmann and Vesela Sretenovic will select the winner of The Phillips Collection Emerging Artist Prize from works on display at the third annual (e)merge art fair. The award is the first of its kind for the museum.

“We are honored and thrilled that The Phillips Collection will award a prize to an artist exhibiting at (e)merge this year. The Phillips Collection Emerging Artist Prize will provide curatorial recognition and financial support for an emerging artist at a critical moment in his or her international career, said Jamie Smith, co-director of the (e)merge art fair  and one of the equally hardworking co-owners of Connersmith.

The winner will be announced during a panel discussion at (e)merge art fair, and the chosen work will become part of the Phillips’s permanent collection.

“This prize gives the Phillips the opportunity to support not only DC’s local creative community, but also to benefit from the international reach of this fast-rising art fair. We’re excited to continue the Phillips’s long history of supporting emerging artists through this partnership," added Klaus Ottmann, Director of the Center for the Study of Modern Art at the Phillips.

This is a very positive new development for the DMV's relationship with our local museums; well done to the Phillips!

After I stroll through (e)merge next week, I will try to predict, within three works, which piece the Phillips will acquire.

The Heart of the World opens this Friday

Opening Reception for "The Heart of the World" 

Over 50 works of art to be exhibited by artist Michael Francis Reagan.

Date: Friday, October 4

Time: 6pm-8:30pm

Location: Gallery A

2106 R St. NW

Washington, D.C 20008

This exhibit will run from October 4-October 31 and it open to the general public from 11am-5pm Tuesday-Saturday. 

This exhibit has already been reviewed by the WaPo's gallery critic, Mark Jenkins as one of the top 10 fall exhibits in Washington D.C. 

Trapped Batman

Trapped Batman III
Oil and Alkyds on Wood
11.8 x 11.8 inches
2013 Simon Monk
Will be in Room 216 of the (e)merge art fair next week

Art Installer Job

Artisphere in Arlington County, VAseeks an experienced and capable technical assistant providing art installation services. This will ensure the smooth operation of the visual arts areas of Artisphere. Artisphere, Arlington's cultural center, offers a wide range of visual and performing arts programs, including music, dance, visual arts and theater. The 62,000 sq foot campus includes a ballroom, three performance venues, three visual arts galleries, Wi-Fi town hall, and is located in the heart of Rosslyn, a major transit hub for bus and metro rail.
 
Duties and responsibilities: 
• Partner with both in-house and outside curators for preparation and planning of exhibition installation. Installation and de-installation of a variety of works of art, in all media, for up to 30 exhibits per year.
• Maintain inventory and storage of works of art on display. 
• Maintain inventory of installation supplies and tools. 
• Participate in and/or manage process for drop off/ pick up of art work for juried exhibitions, special exhibitions, and site-specific installations. 
• Complete condition reports on all works of art received and shipped. 
• Assist in the training of volunteers and interns in gallery procedures. 
• Assist in maintaining the appearance of exhibition space including dusting, sweeping, cleaning of plexi, paint touch-up, as well as care and cleaning of miscellaneous exhibition furniture.
• Assist in maintaining ongoing exhibitions with works of art that may require daily examination, repair and maintenance. As needed, consult with curator and artist on most appropriate method of maintenance.
• Collect, organize and present data for price sheets and labels for exhibition.
• Assist with the installation/deinstallation of stationary and new-media based donor/sponsor initiatives.

 The employee must have the following:
• Excellent planning and organizational skills.
• Ability to read floor plans specifications and diagrams.
• Familiarity with the use of power tools.
• Skills in patching and painting walls.
• Able to lift and carry up to 50 lbs.
 
The employee must understand proper handling of fine artwork of a variety of mediums, including digital media and the installation of video/electrical equipment.

Details here.

At the Affordable Art Fair NYC next week...

This coming week is a double art fair week... here in DC is the third iteration of the (e)merge art fair, come check us out in rooms 215-216. And in New York is the Affordable Art Fair Fall version, and we're also there in booth A-14.

There are 57 galleries from all over the planet at the fair.

In NYC we will be featuring the works of three vastly talented and well-known DMV artists: Anne Marchand, Jodi Walsh and Tim Vermeulen. Drop me an email if you need passes to AAFNYC.

Moby Dick: Queequeg's Fast. Oil on Panel by Tim Vermeulen

Moving On. Ceramic on Textured Panel by Jodi Walsh

Pulse. Acrylic and mixed media on canvas by Anne Marchand

Congrats to Matt Sesow!

The United Nations Postal Administration (UNPA) released six new postage stamps on Friday, 20 September 2013, focusing on the talents of artists with disabilities. The stamps were issued in conjunction with the United Nations High Level Meeting of the General Assembly on disability and development on 23 September in New York City. You can see images of the event here.

The stamp images, titled Break Barriers, Open Doors, include a painting by the DMV's own Matt Sesow, self portraits by artists Chuck Close and Josephine King, a painting and Sargy Mann, a group photograph of the China Disabled People’s Performing Art Troupe, and an individual photograph by Pete Eckert.

“This project led us to an incredible pool of talented artists who provided stamp images that send powerful messages of achievement,” noted UNPA Creative Director, Rorie Katz. “Their focus on creating world-class art is an inspiration to everyone. We are pleased to pay tribute to their accomplishments through our postage stamps.”

The stamps, issued in US dollars, Swiss francs and Euros, will be sold at United Nations stamp shops in New York, Geneva and Vienna. They can also be purchased at http//unstamps.org, or by calling the New York office at 1-800-234-8672.

To learn more about the High Level Meeting of the General Assembly on disability and development go to www.un.org/disabilities. The Meeting, which includes heads of states, is expected to result in a concise, action oriented outcome document to provide policy guidance and strengthen efforts of the international community to ensure accessibility for and inclusion of persons with disabilities in all aspects of development efforts.

The Artists’ Stories

The artists, whose worked is featured on the six postage stamps, have a diverse background that is united around the visual arts. Their stories are as inspirational as their art. For detailed information about each artist, go to… http://unstamps.un.org/doc/Publication/bulletin_107.pdf

46¢
Chuck Close (USA)
Self-Portrait II (2010)
Chuck Close is an award-winning visual artist noted for his highly inventive techniques used to paint the human face. Though a rare spinal artery collapse in 1988 left him paralysed, he has continued to paint using a brush-holding device strapped to his wrist and forearm. He was presented with the prestigious National Medal of Arts by President Clinton in 2000 and was appointed by President Obama to serve on The President’s Committee on the Arts and the Humanities.

$1.10
Josephine King (United Kingdom)
Tears And Laughter, France 2009,
Ink on paper
“My work is based on personal experience and has progressed massively since I recovered from being severely ill and suicidal during a breakdown caused by my Bipolar illness. Since that experience my painting began to reach new depths that it never had before. I was newly compelled to express my darkest feelings and my work started to avalanche. Even if I had wanted to, I would not have been able to stop its flow.” “When I am painting I reach a state of mind where I’m in another world, a world of unknown territory. I am not conscious of where I am. I paint through pure feelings.” “My voice is just one amongst millions but if there are people who identify with my work and are moved by it, then I feel I have succeeded. I tell a personal story, yet if I depict pain or suffering it is universal. I paint from the heart and with honesty.”

F.s. 1,40
Sargy Mann (United Kingdom)
See the Girl with the Red Dress On,
Oil on canvas 60” x 44”
The painter Sargy Mann was diagnosed with cataracts at 36, and went on to lose his sight completely. But in his mind’s eye, his vision did not fade. Mann found new ways to keep working and today his paintings are more acclaimed than ever. “I was saying to someone … how incredibly lucky I have been. I had about 25 years’ apprenticeship for going blind. It was a bugger, but I kept working out how to paint over those 25 years, and my brain kept finding new ways to see the world”.

F.s. 1,90
China Disabled People’s Performing Art Troupe (China)
The China Disabled People’s Performing Art Troupe was founded in 1987 to provide people living with disabilities a platform to express themselves in a special art. The Troupe’s guiding principle is the pursuit of Truth, Honesty and Virtue which it emphasizes in all of its activities. The performers, with varying degrees of hearing, visual and physical disabilities, impart their glamour through dance and performances with spectacular sets and elegant, colourful costumes. The artists are true professionals who dramatically illustrate the creative spirit and potential that lies at the heart of every person, regardless of physical challenges imposed through disability.

€ 0,70
Pete Eckert (USA)
Electro Man
“I didn’t take photography seriously until I went totally blind. I was trained in sculpture and industrial design. I have always been a visual person and planned to study architecture at Yale, but then I started to lose my sight.” “I was on my own to find a path. It took me two years to recover and figure out what to do. My first photography outing after a thousand questions at the camera store started it all. People liked the photos. I had found a medium.” “I view my work during the event of taking the shot in my mind’s eye. I ‘see’ each shot very clearly, only I use sound, touch, and memory. I am more of a conceptual artist than a photographer. My influences come from my past memory of art and what I now find in the world at large. Occasionally people refuse to believe I am blind. I am a visual person. I just can’t see.”

€ 1.70
Matt Sesow (USA)
Dive Bomb
When Matt Sesow was eight years old, he was struck by the propeller of a landing airplane near his home. The accident resulted in his left arm being severed and the loss of his left hand. Without formal art education, Matt Sesow discovered painting as a hobby while working in the computer field. In the evenings and on weekends he played with painting and began selling his work to self-taught and outsider art collectors. In 2001, after establishing himself within the art community as a powerfully diverse and independent painter, Matt Sesow retired from his computer career to pursue his art full time. He has exhibited and travelled across the United States and securing new collectors internationally including significant exhibitions in Spain, France and Slovenia. Matt continues to be an independent artist who makes a living by selling his work directly to fans

Latino Americans on PBS

PBS is currently running a fascinating six hour documentary titled "Latino Americans" that "is the first major documentary series for television to chronicle the rich and varied history and experiences of Latinos, who have helped shape North America over the last 500-plus years and have become, with more than 50 million people, the largest minority group in the U.S. The changing and yet repeating context of American history provides a backdrop for the drama of individual lives. It is a story of immigration and redemption, of anguish and celebration, of the gradual construction of a new American identity that connects and empowers millions of people today. Learn More..."

I will have a full discussion on the documentary once that it is finished, but so far I have mixed feelings, several of which are anchored (unfortunately for PBS) on my pedantic need for historical accuracy, and while learning quite a bit about early Mexican-American history (so far most of Latino-Americans is really Mexican-Americans, and that's understandable, as Latinos of Mexican ancestry make up about 65% of all "Latino Americans"), I've shaken my head at some of the historical issues raised when they start discussing some of the rest of us... or some general pedantic teeth-grinding misnomers - "Dear PBS, it is the Medal of Honor and NOT the Congressional Medal of Honor."

By the way:

Become a part of the LATINO AMERICANS project. Make a video describing what being Latino means to you, share your family traditions, tell us how you celebrate your heritage and culture or let us know about your role models. Share your story and become part of ours.

You can submit your video here.

And another by the way, this coming Sunday, September 29, at 2PM I will delivering a lecture titled "On Identity in the Arts: What Does It Mean to be Latino?" at the Ridderhof Martin Gallery at the University of Mary Washington in Fredericksburg, VA. Free and open to the general public...

The Last Copy of The Constitution

The Last Copy of The Constitution
Charcoal and Conte on Paper
Framed to 22 x 24 inches
Circa 2013 by F. Lennox Campello
Will be in rooms 215-216 of the (e)merge art fair next week

Opportunity for Artists

A Holiday Arts Exhibit in Harbor East

Application Deadline: October 18, 2013

On behalf of Harbor East Management Group, Maryland Art Place is pleased to announce an open ‘Call to Artists’ for this year’s “Window Wonderland,” a storefront, holiday initiative within the Harbor East corridor. Storefront installations will be on view from Friday, November 29, 2013 – Friday, January 3, 2014, with a formal unveiling scheduled for Thursday, December 5.

This year fifteen retail locations are participating in this public art project. Artists will be expected to work with their partner retailer and should consider day and nighttime visibility when proposing an installation. Tours of participating retail locations will be offered on Monday, September 30 @ 6pm. Please meet in the lobby of the building at 650 S. Exeter Street. Please RSVP to sofia@mdartplace.org if you plan to attend.
Selected artists will receive a $500 honorarium and the winner of the “Best in Show” window installation will receive a $1,000 cash prize from Harbor East.

 

For more information please visit mdartplace.org and download the full prospectus and application form here.

Wodzianski and (e)merge

In the last two years, many have noted that (e)merge has somewhat carved out a niche for itself in the area of performance art. And there is some very strong merit in this assessment - after all, who can forget Andrew Wodzianski’s exhausting performance while re-enacting the shipwreck scene from Moby Dick and floating in the Skyline Hotel's pool atop a coffin for two days?

Wodzianski is back for 2013 (e)merge, this time doing “Self Portrait as Jack Torrance.” In this endurance-based performance, “the artist replicates the obsession of Stephen King’s protagonist/antagonist in The Shining. Repetitively typing a prescriptive proverb inside the hotel lobby, the artist, acting as Jack Torrance, is condemned to artistic failure.”

To help with the performance there's a Kickstarter campaign going on - Check it out and contribute here and check out Andrew's performance next week at the (e)merge art fair -- October 3-6 at the Skyline Hotel.

Celebrating Norm Parish

Millennium Arts Salon - In cooperation with many Arts organizations will join in celebrating the life of Norman Parish on Saturday Afternoon, November 2, 2013.

Norman Parish and the Parish Gallery of Georgetown has meant so much to so many: visual artists from around the world...the book signings and artist talks...the photography community...the collectors...the celebrities...the Art Dealers Association...his many, many gallerist friends...All of us have benefited from that signature smile, that stentorian voice, that wonderful jazz, and that conviviality that was so much of the experience fostered by Norm Parish and his widow Gwen through 22 years, 170 exhibitions, and countless special events at the Gallery. 

Let's celebrate Norm's life, and gather to recommit ourselves to embracing each other in the community of art fans and patrons so beautifully fostered at the Gallery.

As details firm, look to this space for details on venue and time.  Those of you who wish to support this celebration, please write back to mel@millenniumartssalon.org with your expressions of interest.