Best of Bethesda Magazine (redux)

I'm in broken record mode...

About two years ago, after going through the January 2014 issue (Best of Bethesda issue) of Bethesda Magazine, I started this trail:

1. Read this first.

2.Then I wrote this open letter to the magazine.

3. And then Bethesda Magazine's editor responded to my letter; read the response here.

To summarize, for decades now, I've been complaining about this beautiful magazine's lack of interest and coverage in their focus area's visual arts. 

If the magazine gave the visual arts 5% of the attention that it gives to restaurants, theatres, books, and even cinema, perhaps the area's always struggling, but once promising visual art scene, wouldn't have collapsed as it did a few years ago with the closure of nearly all of Bethesda's independently owned fine art galleries. 

I know, I know... probably from their internal research, the mag's staff believes that their readers probably could care less about their visual art scene... the magazine is giving its readers (and advertisers) what they want to read, blah, blah, blah.

The January 2016 Best of Bethesda issue magazine itself is beautiful, always offering a deep insight into the social, culinary, educational, political (there's a major piece in the current issue pretty much painting (no pun intended) a glowing portrait of Congressman Van Hollen, who is currently campaigning for a move up the Congressional food chain, and is running for Senator), etc. take of Bethesda, Maryland. From the article I learned that he's apparently never held a private industry job (other than part time summer jobs in college) in his life and has apparently always worked for politicians in government until he also became a career politician.

There are two tiny, peripheral mentions of the visual arts in this issue (none of them as part of the Best of), but they are glancing at best - but better than nothing, as it has been in the past. 

That's an improvement over last year!

In his response to my open letter about the magazine's track record of largely ignoring the area's visual arts, the magazine's editor wrote that we would be "seeing more coverage of the arts in Bethesda Magazine..." and that he also agreed with me "about the Best of Bethesda, and we will have at least one arts category in next year's issue."

Cough, cough... There has been some slight improvement, but I think that the magazine has a long way to go.

At the risk of repeating myself:

Here's a small slice of what the magazines' editors generally ignore, and because of their apathy towards the visual arts, what the magazine's readers are essentially missing:

- The Bethesda Fine Arts Festival is one of the highest ranked outdoor arts festivals in the nation and it is the highest ranked outdoor fine art show in all of Maryland. There are other significant outdoor art festivals in Bethesda Row and in Rockville. There was this coverage in 2015... as a listed event, not as a focus piece.

- The Bethesda Contemporary Art Awards (also known as The Trawick Prize in honor of Ms. Carol Trawick, a Bethesda supporter of the arts who sponsors the prize) is a visual art prize produced by the Bethesda Arts & Entertainment District that honors artists from Maryland, Washington, D.C. and Virginia. The annual juried competition awards $14,000 in prize monies to selected artists and features the work of the finalists in a group exhibition. It has been going on for over a decade and it produces an exhibition that is usually one of the highlights of the Greater DC area visual art calendar. The prize winners didn't even get a mention in 2015.

- The Bethesda Painting Awards is downtown Bethesda's annual juried art competition that exclusively honors painters from Maryland, Virginia and Washington, D.C. $14,000 in prize monies are awarded to the top four painters annually. It also produces an exhibition that is again one of the highlights of the Greater DC area visual art calendar. The prize winners didn't even get a mention in 2015.

I wish that the magazine could go back in time and cover the once struggling Bethesda art gallery scene, but in the last few years most Bethesda art galleries have closed their doors due to lack of sales or local interest. Closed are the physical spaces for Fraser Gallery, once the DC area's largest commercial art gallery. Gone are Orchard Gallery, Neptune Gallery, Discovery Gallery, Zenith Gallery, Heineman-Myers Contemporary, and several other galleries. Nonetheless, Waverly Gallery, Strathmore, VisArts, Gallery B, and others continue to offer monthly visual art shows that are routinely ignored by the magazine... other than for their calendar.

I understand that running a glossy magazine like this one depends on a tenuous relationship between its advertisers' ability to pay for full page ads, and thus try to reach the area's readers with disposable income. 

And I also know that art galleries generally do not have the financial ability to advertise in a glossy such as this beautiful magazine is, and thus a chicken and the egg syndrome exists from that angle.  

Unless the magazine has an "insider" who can see this, and thus champion the fact that exposing the visual arts to its readers should be an expected condiment to the magazine's final soup recipe, the problem/issue will never be solved, and as far as readers (and would be advertisers) can infer, the visual arts does not exist in the area.

Also repeating myself: What can Bethesda Magazine do to help to kindle awareness (and thus develop support) for the Bethesda visual art scene and Bethesda artists?

- Two or three visual art stories and/or reviews a year... stories or reviews, not social scene pieces.

- Two or three small highlights a year on Bethesda artists (like you do routinely for authors, and doctors, and chefs, etc.) - like this one, but with an art (rather than just social) approach.

- In each issue, highlight one piece of art that is being displayed somewhere in Bethesda; like the outdoor mural mentioned in the current issue, but do not just focus on public art: spread the wealth and highlight a piece hanging in one of the area's few remaining art spaces. It is curious that this particular mural received not one, not two, but three mentions in the magazine throughout the past year! In fact, from looking at this search, one easy way for an artist to get into the magazine is by creating a mural!

- And for the love of art, please create art a category dealing with the visual arts in your Best of Bethesda issues!

Bethesda Magazine and Bethesda Art

As I noted a few days ago, I thumbed through the Jan/Feb issue of the annual Best of Bethesda issue from  Bethesda magazine.

As usual, this in an ad-filled, beautiful, glossy, magazine! It featured the editors' and readers' picks in 86 categories... and it really painted and offered a deep insight into the social, culinary, educational, etc. take of Bethesda, Maryland, with an under laying current that as usual seeks to offer a view of the town's cultural tapestry.

There are a couple of huge holes in that tapestry, and since the holes keep coming back year after year, I've written an open letter to Bethesda magazine and I'm also publishing it here and also intend to mail it to them. I wrote a very similar letter almost a decade ago on this exact subject, and since that letter was ignored, I suspect the same fate awaits this one:

Steve Hull
Editor-in-Chief and Publisher
Bethesda Magazine
7768 Woodmont Avenue #204
Bethesda, MD 20814

Dear Mr. Hull,

I've just finished reading the 2014 Best of Bethesda issue, and once again, I am immensely disappointed to see zero coverage or attention for the once thriving Bethesda visual art scene.

Unless one considers "Children's Photographer" or "Food Art Contest at Walter Johnson High School" to be what your editors see as the best of the Bethesda visual art scene, this huge cultural hole in your otherwise gorgeous magazine is unfortunately a trend that I've noticed with the magazine's apathy towards its art galleries, art spaces, art festivals and visual artists.

Not that your readers do much better; in fact, they ignore (or are not aware) of the city's rich visual art scene. But it is a vicious loop: if the magazine ignores the visual art scene, then it is natural for the readers to be mostly unaware of it.

Unfortunately, this is a trend with Bethesda Magazine. In 2013 the closest that your Best of Bethesda issue came to the visual arts was "Best Plating as Art" under the "Food & Restaurants" category.

That's a real stretch on my part, but, hey! food as visual art seems to be a topic of interest to your editors... if only one of them took a peek at "art as art..."

In 2012, not even food made it as visual art.

It was zip for visual art again in 2011.

And also in 2010.

Here's a small slice of what your editors, and because of their apathy towards the visual arts, what your readers are missing:

- The Bethesda Fine Arts Festival is one of the highest ranked outdoor arts festivals in the nation and it is the highest ranked outdoor fine art show in all of Maryland. There are other significant outdoor art festivals in Bethesda Row and in Rockville.

- The Bethesda Contemporary Art Awards (also known as The Trawick Prize in honor of Ms. Carol Trawick, a Bethesda supporter of the arts who sponsors the prize) is a visual art prize produced by the Bethesda Arts & Entertainment District that honors artists from Maryland, Washington, D.C. and Virginia. The annual juried competition awards $14,000 in prize monies to selected artists and features the work of the finalists in a group exhibition. It has been going on for over a decade and it produces an exhibition that is usually one of the highlights of the Greater DC area visual art calendar.


- The Bethesda Painting Awards is downtown Bethesda's annual juried art competition that exclusively honors painters from Maryland, Virginia and Washington, D.C. $14,000 in prize monies are awarded to the top four painters annually. It also produces an exhibition that is again one of the highlights of the Greater DC area visual art calendar.

I wish that I could still also tell you about the thriving Bethesda art gallery scene, but in the last few years most Bethesda art galleries have closed their doors due to lack of sales or local interest. Closed are the physical spaces for Fraser Gallery, once the DC area's largest commercial art gallery. Gone are Orchard Gallery, Neptune Gallery, Discovery Gallery, Orchard Gallery, Heineman-Myers Contemporary and several other galleries. Nonetheless, Waverly Gallery, Strathmore, VisArts and others continue to offer monthly visual art shows that are routinely ignored.

What can Bethesda Magazine do to help to kindle awareness (and thus develop support) for the Bethesda visual art scene and Bethesda artists?

- Two or three visual art stories and/or reviews a year

- Two or three small highlights a year on Bethesda artists (like you do routinely for authors, and doctors, and chefs, etc.).

- In each issue, highlight one piece of art that is being displayed somewhere in Bethesda.

- And for the love of art, include something dealing with the visual arts in your Best of Bethesda issues!

Truly,

F. Lennox Campello

Another Bethesda Gallery Closing

Friday, July 15th was closing day for Anne and James Kim, who’ve run the Orchard Gallery and Framing shop on Norfolk Avenue for the past 10 years. Orchard Gallery was part of downtown Bethesda’s Art Walk, a monthly event whose participating galleries will now number at just eight, (and that’s including shops Bella Italia, Waygoose Redux and restaurant California Tortilla). “Though people appreciate the art, they are cautious about buying,” says James Kim, reflecting a trend that’s caused the demise of other Bethesda galleries, including the Fraser Gallery in March.

The art displayed in his gallery was all local. “There is no need to get national or international art. There are plenty of good artists here in Maryland, Virginia and D.C.,” he says.

Read the report in Bethesda Magazine here.

At Gateway this week

The Gateway Gallery and Gift Shop, is hosting its first event, the Fruit of the Vine exhibit from September 8 through October 3. The exhibit features work inspired by wine, grapes and vineyards, in a variety of media including painting, sculpture, photography, pottery, wood turning, pewter, fiberarts and jewelry.

The public is invited to a “Meet the Artists” reception at the gallery Friday September 17 from 6 pm to 9 pm, to chat with the artists about their work and enjoy refreshments. The Gateway Gallery is a new artists’ cooperative showcasing the work of thirty local artists. The gallery is located in Round Hill, Virginia in a bright and inviting space in the renovated Hill High Orchard Building, just west of Round Hill on Route 7 and next door to the Round Hill Arts Center, the Bogati Bodega Winery and the Hill High Country Store and Pie Shop. The Gateway Gallery is open Wednesdays through Sundays and holiday Mondays from 11am to 6 pm. More information is available at www.thegatewaygallery.com.

Camilo Sanin at Orchard Gallery

Camilo Sanin, who is currently a graduate student at the Maryland Institute College of Art (MICA) and also the winner of prestigious 2009 Bethesda Painting Award, is currently showing in an exhibition titled Underlying Structures at Bethesda's Orchard Gallery.

The opening reception, part of the Bethesda Art Walk, is tomorrow, September 3rd from 7-9pm.

Orchard Gallery

This terrific review by Dr. Claudia Rousseau in the Gazette newspapers discusses the paintings of Anamario Hernandez's recent show a year ago or so in Bethesda's Orchard Gallery.

Like most of Rousseau's art criticism, it's an elegant and erudite piece of writing from this well-traveled and experienced art scholar.

But the key issue here and what this review triggered in my mind is an interesting thing that is happening associated with this small, unassuming gallery and frame shop at 7917 Norfolk Avenue in Bethesda.

Most of you have probably never heard of Orchard Gallery because as far as I know it has never been written about in any of the local press. I have written about it a few times, but never in depth.

Part of that is because the owners, a very nice and unassuming Korean couple, don't seem to be too concerned with the press. As far as I know, they don't even send out press releases (at least to me), although they do participate in the monthly Bethesda Art Walks.

But they are doing something right that seems to have escaped most galleries these days: they are selling a lot of artwork.

When I first walked into Orchard a few years ago, I was expecting to find the usual mediocre art that one finds on the walls of most art venues that rely on framing as a business. I was pleasantly surprised not only by the quality of the artwork (at the time they were showing a recent MICA MFA graduate whose name escapes me now), but also by the fact that the framing business does not interfere with the art gallery space at all. It's a clean, minimalist art space.

The owners were very nice and warm, and were genuinely surprised when I identified myself (they had no idea who I was anyway), described what I do, and then told them that I really liked the work. I also noted that there were a lot of red dots.

Over the next couple of years, every time that I find myself around Norfolk Avenue, I drop by into Orchard to check out their shows. I haven't been WOW'd every time, but I've never been disappointed. It is clear that the owners have a particular taste and sensibility that is working for them. And I've always seen a lot of red dots.

So after reading Rousseau's review I reached out and try to gather some info on this gallery and the one constant that comes back is that they're selling artwork. A recent show with a price point of $3,000 - $4,000 a piece sold out and the current show (I am told) is selling well.

What's even more refreshing is that in these times of austere fiscal environments, when galleries are closing all over the nation, and where they turn away new artists by the droves, Orchard's website still says: "We encourage local and emerging artists to contact us for details on our monthly gallery exhibits."

Orchard, my kudos to you. Keep doing whatever you are doing to put original artwork on peoples' walls.

Update: Read Rousseau's review of the most recent show at Orchard here.

Tomorrow: Grand Opening of new gallery in Loudoun

The Gateway Gallery is a new artists' owned and run cooperative gallery located in the Hill High Orchard Building, just west of Round Hill on Route 7 and certainly a landmark for western Loudoun.

The Grand Opening is Saturday, June 12 starting at 6PM and there will be demos from several of the 30 artist members. Look for the work of Suzanne Lago Arthur to stand out.

New gallery in Loudoun

The Gateway Gallery is a new artists' owned and run cooperative gallery located in the Hill High Orchard Building, just west of Round Hill on Route 7 and certainly a landmark for western Loudoun.

The Grand Opening is Saturday, June 12 starting at 6PM and there will be demos from several of the 30 artist members. Look for the work of Suzanne Lago Arthur to stand out.

The more galleries in our area the better!

Wanna go to a Bethesda opening this Friday?

Award winning artist Kristy Simmons opens her solo art show, Inklings to showcase her latest paintings exploring the intersection of the material world with virtual, or nonmaterial, reality. Thin glazes of underpainting are overlaid with thick brushstrokes, applied to both canvas as well as sheets of plexiglass on top of canvas – to give the audience the "inkling" of their combined and interdependent existence.

Orchard Gallery
7917 Norfolk Avenue
Bethesda, MD 20815

Orchard Gallery located at 7917 Norfolk Avenue. The opening reception is April 10, 6 – 8:30pm, and is part of Bethesda's monthly "Arts Walk."

Sarah Palin in Philly Pub

How important is Pennsylvania?

Palin will be at the Irish Pub on Walnut Street [Philadelphia] on Friday night for a public debate watching party, if the debate between John McCain and Barack Obama continues as planned.

And last week, while I was gone to Florida, McCain had a huge rally in my crib in Media, PA. A few days earlier, Biden was also in Media, but his rally was at a local orchard.

By the way, we recently went apple picking at that orchard and now we have a million pounds of apples. I could use some good apple recipes!

Dawson on Bethesda

Even while I was in gorgeous Niagara Falls, the anguished cries from DC's not-Brooklyn have followed me via emails from people emailing me "have you seen what Dawson wrote about Bethesda's galleries?"

Hey, it's her opinion and her style. She has a right to express it and an editor to guide it.

In my opinion, Dawson has developed over the years into a naturally snarky writer, and never too deep in her writing to explain away her snarkyness - mostly I suspect because of lack of proper newsprint space to address such a subject as a wander through Bethesda's art scene.

Dawson's anti-comparison of Bethesda to Brooklyn is just odd. I was raised in Brooklyn, and knew it well, so it's a waste of space to open up a article by taking a dig at the Bethesda Urban Partnership's efforts to create a gallery scene in Bethesda with an anti-comparison to Brooklyn.

Why does everything and everyone in the art world have to be compared to New York's art world?

It doesn't.

She seems baffled when she states that "declaring an arts district is a rare move in a post-gallery art world." It isn't - there are several art districts in Maryland alone; in fact I think that Silver Spring is also a recent arts district. Dawson declaration that we're already living in a "post-gallery art world," meaning that as fairs and and Internet grow, galleries are in a death spiral, may be the reason for the WaPo's tiny and ever reducing art gallery coverage - now we know: the WaPo's freelance art critic tasked with reviewing local area galleries thinks that we're in a "post-gallery art world."

I'm not so sure... and by the way, Peter Schjeldahl has already predicted the end of art fairs as well; let's see who time will prove right. So soon we will be in a "post art fair world."

But if Dawson says that we're already in a post-gallery world, and Schjeldahl predicts the end of art fairs - what do we have left for an art scene? The Internet only?

Campello does not think so. In fact it should be clear to the most casual observer of any art scene that the future is probably a combination of the three ingredients. Like it is now.

But getting back to Bethesda, what Dawson does not tell you, is how successful the Bethesda Urban Partnership has been in accomplishing their goals; that would somehow destroy her thesis - but I will try to tell you.

Around 2002, when the whole move started to have the county or state declare Bethesda as an official "arts district" (a move that brings special dispensations for cultural organizations and tax breaks for developers, etc.), there were but a couple of "real" art galleries and cultural spaces in restaurant-rich Bethesda.

To clarify: there were plenty of stores that sold pretty wall decor and had the word "gallery" in their business name, but other than Creative Partners, Marin-Price, and Sally Hansen's Glass Gallery (unless my memory here in airportland fails me) there were no other "real" galleries in the area.

Osuna earlier on had a space in the area, but this seasoned DC area "other Cuban" art dealer had closed up shop around that time frame and departed the area. He has done that a couple of times during his long illustrious gallerist career.

Since those seminal efforts began, Fraser Gallery, Neptune Gallery, Heineman-Myers Contemporary, the Washington Photography School, Orchard Gallery, the Imagination Stage, St. Elmo's Gallery, Landmark Theatre, Round House Theatre, Bethesda Theatre and others that I am surely forgetting have all opened up in Bethesda; and Osuna came back. Also in those years, a couple of other galleries opened and failed and one moved to NYC.

And the Bethesda Fine Arts Festival brings around 120 artists from all over the nation, and 40,000 people to the streets of Bethesda each May. And the very generous Carol Trawick has institutionalized the Trawick Prize and the Bethesda Painting Awards.

So it would appear to me that some sort of "art scene" is very successfully developing there, in spite of the article's announcement about the end of galleries.

And I leave you with this line from the freelance art critic to the world's second most influential newspaper, as she describes Bethesda's Neptune Gallery on her first and only visit there:

The gallery shows local glass artists, figurative sculpture and painting -- art that means well but rarely matters.

A lesson that Ms. Dawson should have picked up from her art history classes on the history of Ukiyo-e: Art always matters.

Openings

"Transitions: Photographs by Robert Creamer" opens today, October 26 and runs through June 24 at the Smithsonian Institution National Museum of Natural History, 10th Street and Constitution Avenue Northwest, Washington. The opening reception will be held Nov. 4 from 3 p.m.-5 p.m. Call 202-633-1000. A review of the exhibition by Glenn McNatt can be read online here. Creamer is represented by Hieneman Myers Contemporary in Bethesda, MD.

Also tonight Thursday, October 26, starting at 7 PM, visit the Arlington Arts Center in Virginia for a glass of wine, a bit of a snack, and conversations with: Suzi Fox, (sculpture), Akiko Kotani, (works on silk and paper), Mahasti YMudd, (installation and performance), Trish Tillman, (installation and video) and Candice Welsh, (works on paper) as they discuss their works in the Center's "Fall Solos 2006" in gallery talks throughout the building.

On October 27, 2006 at 6:00PM is the opening reception for "Meditative Vail Painting Exhibit" by Sirkku M. Sky Hiltunen (Dr. Sky) at Sangha Gallery, 7014 Westmoreland Avenue, Takoma Park, MD 20912 (302) 891-3214. The exhibit will run through November 26, 2006.

The Gallery at Flashpoint presents A. B. Miner, Ian Jehle, Nekisha Durrett: Me, You & Those Other Folks October 26 – November 22, 2006. And the opening reception is Friday, October 27, 5-7 pm. The very talented and diminutive Lucy Hogg will be moderating the artists' talk at the gallery on Saturday Nov. 22 at 3 pm. A. B. Miner is another one of my favorite DC area painters, and I think that collectors should pick up all that's for sale at this show. Additionally, Ian Jehle is easily one of the best contemporary portrait artists around.

Numark Gallery hosts the opening reception of "The Last Show," which is Numark Gallery's final exhibition celebrating 11 years in DC. Participating artists include Shimon Attie, Chan Chao, Diana Cooper, Tony Feher, Terri Friedman, Doug Hall, Peter Halley, David Jung, Robert Lazzarini, Nikki S. Lee, Sharon Louden, Carter Potter, Robin Rose, Adam Ross, Michal Rovner, David Ryan, Jim Sanborn, David Shaprio, Dan Steinhilber and Yuriko Yamaguchi. Opening Reception is Saturday, October 28 from 6:30 - 8 pm.

That same night, one of my favorite artists on the planet, Molly Springfield opens "Gentle Reader" with an opening reception on Saturday, October 28, 7-9 pm (and then an Artist Talk on Saturday, November 11, 2 pm) at Transformer (1404 P St NW, Washington, DC / 202-483-1102).

DCAC in Adams Morgan, DC will have "Herb's Choice: Born Again Dada," an evening of live performance, spoken word and anti-art on Sunday, 30 October starting at 7:30 PM. It's all free. The exhibit itself runs through 05 November in the DCAC gallery.

With an opening reception on Thursday, November 2, 6-9pm, and running through November 30, 2006, Orchard Gallery (7917 Norfolk Ave, Bethesda, MD 20814 tel. 240/497-1912) has "A Closer Look," collages by Sophia McCrocklin. Her color-infused collages take on a new theme relating to the late work of Monet’s nympheas. Using a technique that incorporates painterly painting with collaged fabric pieces, she also pays allegiance to Matisse’s cutouts. McCrocklin’s own heritage is her native Kentucky quilt.

The superbly talented Leo Villareal returns to Conner Contemporary in DC with an opening reception on Friday, November 3: 6-8pm. The show is titled "Origin." This is Villareal's third solo with Conner.

The Wood Turning Center, which is a Philadelphia-based not-for-profit international arts institution, gallery and resource center, has "Fabulous Art," opening on November 3, 2006 and running through January 14, 2007. The opening reception takes place during First Friday, November 3 from 5:30pm to 7:30pm. Ranging from furniture to house wares and everything in between, this exhibit shows the wide scope of wood art available today. Tables, chairs, bowls, ladles and everything in between are part of this exhibit of functional and frequently whimsical world of everyday objects.

Nic Coviello mixes "dramatic graphic elements with quiet fleeting images" in his current body of botanical works at Nexus in Philadelphia. This exhibition opens Friday, November 3 and runs through Sunday, November 26. A reception for the artist and informal talk will be held on Wednesday November 8 from 7 to 9 pm.

Also at Nexus is "Terror Begins at Home," an installation by Anne Cecil Member where she "examines the recent failures of our government and social institutions in a series of multimedia installations." This exhibition opens Friday, November 3 and runs through Sunday, November 26. A reception for the artist and informal talk will be held on Wednesday November 8 from 7 – 9 pm. Poetry reading with CA Conrad, Frank Sherlock and Greg Fuchs, on Saturday, November 18, 7 to 9 pm

On Saturday, November 4, the Delaplaine Visual Arts Education Center Frederick, MD will host "9 Artists: 25 Years," a retrospect exhibit showcasing the work of nine women artists who, beginning in the early 1980s, contributed significantly to Frederick's arts community.

At Falling Cow Gallery, "Simple-ism " opens on November 4th with a reception from 6-8 pm and will run through November 25th. The artist featured identifies himself only by the name Anonymous Artist, simultaneously "removing himself while claiming the anonymous artistic achievements of the past." Simple-ism also reexamines "Color Field" painting in a digital age. And no, it's not me. The gallery, is at 732 S. 4th Street, Philadelphia, PA 19147, 215-627-4625.

On Thursday, November 9, 2006, from 7– 9 pm, the Arlington Arts Center (3550 Wilson Boulevard, Arlington, VA) and as part of their inaugural exhibition for their new temporary outdoor site-work exhibition series, "Sculpture on the Grounds," will have curator Twylene Moyer, who will lead a forum discussion with artists Laura Amussen, Jackson Martin and Renee Rendine to speak about their works. Additional insight will be provided by Greg Zell, the Natural Resource Specialist from the Long Branch Nature Center, offering a compelling overview regarding natural resources in the Arlington area.

Bethesda's Fraser Gallery showcases the third solo exhibition by DC's best-known landscape photographer, the exceptionally talented (and highly collected) Maxwell MacKenzie. The opening reception is Friday, November 10 from 6pm - 9pm as part of the multi-gallery Bethesda Art Walk. The show runs through January 6, 2007.

A few blocks away, Bethesda's Gallery Neptune opens "Three" (Kim Bentley, Rion Hoffman,and Kirk Waldroff) with a public reception at Gallery Neptune on Friday, November 10, 6-9 PM. The artists were first "discovered" at the amazing DC area art extravaganza known as Artomatic which is easily one of the nation's best "art fairs" to discover new, emerging artistic talent.

"The Muse and the Green Fuse" are new art works by Amira Dvorah, and during the month of November, the Da Vinci Art Alliance in Philly will present the exhibition which will feature new paintings on canvas, instruments, and furniture by Dvorah. A reception for the artist will take place on Saturday, Nov. 11th from 3-6:30 pm.

Painter Jane Hahler’s solo-artist exhibit, "Color in the American Townscape," will be shown in The Art League Gallery in Old Town Alexandria, VA, November 9 – December 4, 2006. The opening reception is November 12, 2006 from 2:00 – 4:00 pm.

Wanna go to an opening?

Tonight is the Art for Life preview and opening (6:30 to 8:30 pm) at the Toro Mata Gallery (2410 18th Street NW, Washington, DC). This is one of my favorite art auctions and a major fundraiser for the Whitman-Walker Clinic. See the work online here.

Tomorrow night is the opening for the long awaited WPA/C Options 2005 exhibition. The show and reception is at the former Staples store located at 3307 M Street, NW in Georgetown. The opening reception is Thursday, October 6, 2005, from 6:30-8:30 pm. I will have have to miss the opening to this important and long awaited show, as I have martial arts classes on Thursday nights, but I certainly plan to visit and review this show later on. Of the artists chosen by the curator (Dr. Libby Lumpkin), I am only familiar with the work of the fair Amanda Sauer, so it should be a refreshing exhibition (for me); the exhibiting artists are:

Julian Bayo Abiodun
Judy Baumann
Jorge Benitez
Anne Benolken
Sheila Blake
Chadd Caldwell
Kimberly Caputo-Heath
Tim DeVoe
Suzanna Fields
Lynn Galuzzo
Emily Hall
Lori Larusso
Ryan Mulligan
Mark Robarge
Lindsay Rogers
Amanda Sauer
Gary Thompson
George "Gia" Tkbladze
Randy Toy
Susan Noyes Vaughan

Friday is the first Friday of the month and thus the openings and extended hours for the galleries of Dupont Circle. On view through October 22 at Conner Contemporary is Julee Holcombe: "Homo Bulla (Man is a Bubble)" and Mary Coble: "Note to Self." A few steps down, Washington Printmakers Gallery has Earthprints, recent monotypes, monoprints, and linocuts by Jean Barnes Downs. At Gallery 10, I am looking forward to seeing "Fortune," an exhibition of new work by Carol Lukitsch. She is donating 30% of the proceeds from sales from the show to the Katrina Artists' Fund. Over at JET Artworks, it is the last chance to catch "Go Figure," which includes the work of the amazing Alessandra Torres. Read a review of Torres by Kriston Capps here. If I were ever to buy art solely as an investment, Alessandra Torres, is one of the artists whom I'd be stocking up on now. I predict an amazing future for this exceptionally talented and driven young artist (now living in New York).

In Bethesda, Justin Pyles will be exhibiting at the Orchard Gallery through October 14, 2005. A reception will be held on Friday, October 7, from 6-9pm. The gallery is located at 7917 Woodmont Avenue in Bethesda. Call 202/497-1912 for more information.

On Saturday, it is the Capitol Hill Art League's season opening show: "Poetry in Motion." This is a juried show, open to the League's membership and it is juried by Max-Karl Winkler, a printmaker and teacher at the Smithsonian and the Waldorf School. The opening reception is Saturday, October 8 from 5-7 pm. The gallery is located at 545 7th Street, SE, at the Capitol Hill Arts Workshop.

Also on Saturday, the Gallery at Pierce School Lofts hosts the opening reception of its exhibition of photographs by Secondsight member Antonia Macedo and paintings by Bev Ryan from at 4-7PM. The exhibition runs through November 6 and the gallery is located at 1375 Maryland Ave, NE, Washington, D.C. 20002 and phone is (202) 543-3379.

If you rather hang around Alexandria, then on Saturday, Pa Dian Accents has a reception for Autumn in Color, a collection of more than 20 works by Nigerian artist Lola Akimade and Lebanese artist Jinan Jaber. The opening reception is on Saturday, October 8 from 4:00 to 7:00 pm. The event will be sponsored by D Street Desserts and runs through the 14th.

If I've missed any openings, email me.