RIP David Quammen

David Quammen passed away yesterday... Some eloquent words about this fixture of the DMV art scene by DMV art critic and artist Kevin Mellema, and at the bottom a painting of Quammen by DMV uber artist Erik Sandberg.

RIP ... We lost Dave today... Folks outside the DC arts community won't know him, but Dave was... Dave was.... well, Dave was Dave.

To say the least, Dave was a unique character. He didn't leave any gas in the tank when he left. We should all be so inspired. 

He entered our lives when he became a figure model posing around the DC area. Later on, he took over the MOCA gallery in Georgetown. 

After years spent around him, there certainty will be no shortage of Dave stories to tell. His epic battles with the MOCA landlord became city wide PR battles gone wild that spilled over into the City Paper. .... They alone were worth the price of admission. This photo, as an example, was done in the midst of one such skirmish. 

But my favorite Dave tale comes from his modeling days before all that.. He was a tenacious model that simply would not give up on a pose no matter how bad it hurt to go on holding it. ...

One night he was on the model stand with another model who had her back to him. She took a fairly simple standing pose, while Dave took a semi-reclining pose akin to the 'Dying Gaul' from the Parthenon... His entire weight held up by one arm for 20 minutes.

Somewhere towards the middle of that, it started to wear on him. Sometimes you bite off more than you can chew, but Dave wouldn't spit it out no matter what. It was a point of pride with him, and we all respected and appreciated such.

Everybody has their limits, and clearly Dave was in well over his head on this one... .. A few more minutes ticked by, and Dave's arm started to give it up for him... By the end of the twenty minutes the entire modeling stand was shaking rapidly from the considerable muscle spasms in Dave's arm.

The buzzer went off, and his torture ended. He sat up, his torso beet red, flush with blood from the exertion. Wiped out, he sat there trying to regain his breath and composure before the call for a new pose... When the other model turned around and said to him... "That wasn't so bad!"... It was a classic line. Couldn't have been more contrast between the average model, and Dave's efforts. Nobody put it all on the line the way he would.

He went on to run MOCA with the same no holds barred gusto....

Underneath the outrageous antics, and occasional irascible episodes, Dave was a genuinely kind and generous man. He prided himself on making MOCA an equal opportunity place for all comers. The art world hates that sort of thing, but Dave stuck to his guns to the bitter end. In some fundamental way, the people were more important to him than the art. He was a curator of people. Nobody could put together a wild collection of people the way Dave could....

It's common to hear people eulogized as 'unique' and 'irreplaceable'. In Dave's case, it's all true. In fact, it's simply unthinkable that we'll see the likes of him again in our lifetimes...

Dave made the DC art scene more colorful, and less buttoned-down boring. We often take **art** as some deathly serious affair. Dave was having none of that, he was all about having fun with it.

We could all do well to remember such, and carry a bit of that with us going forward.... God speed Dave.

                                                                           - Kevin Mellema

Anger. Oil on Canvas, 2009 by Erik Thor Sandberg

An Abbreviated History of Moca DC

MOCA DC as we have known it for 21 years will end this week... There is a farewell party at Art Overnight - at 2328 Ontario Rd in Adams Morgan on Saturday, Dec 21st starting at 6 pm. Be on the lookout for the Grand Opening of Big Moca in the Sky.

Here is a guest post by MOCA's director David R. Quammen:

December 1, 2013

An Abbreviated History of Moca DC

Part One: 1992 to 2004 – The Formative Years

I’ve been sifting through records and media accounts of Moca DC from the time that Michael V. Clark started it in 1992, except he called it Clark & Company. That changed in 1995 after he married Felicity Hogan and they incorporated it as a 501 (c) (3) nonprofit corporation, naming it the Museum of Contemporary Art.

It has always been a gallery, never a museum so over time the name was shortened to MOCA DC, since it’s a bit of a stretch answering the phone or discussing it in any other context. Michael changed his given name to Clark Hogan, later shortening it to Clark when he and Felicity split in 2003. He was going to close the gallery December 31^st, 2004, having a tough time keeping it going, what with health issues and the divorce. He now calls himself Clark V. Fox, a name chosen when he was a co-exhibitor at a gallery in Houston.

I started modeling Halloween day 2000, shortly after turning 60; I enjoyed being part of a creative process but there were no directions for a novice and no list of places to model so I accumulated as much information as I could and started publishing a newsletter, Artists & Models, in February, 2002. It was well received but I published only 6 issues, terminating it after finding that it was going to take $300 a month to publish and deliver; I closed it the same month that the Figure Models Guild was formed.

In 2002, Clark let me use the gallery to form the Guild; the first formal meeting was in July of that year, a resounding success with about 50 models and artists in attendance. It continued to grow to the point that most of the colleges, universities, schools and groups from Baltimore to Annapolis and Winchester to Richmond were using it as a guide for their models. I told Clark that I would guarantee the rent and operate the gallery. He owned a condo in New York, so he agreed, moved to New York and on January 1, 2005 my status changed from model to model-gallery operator.

Part Two – 2005 to 2010 – A New Horizon

David R. Quammen

Wanna go to an opening party?

“The Art of Political Change” is an invitational show curated by DMV area artist Roy Utley – the show is all about art and politics and has been getting quite a bit of pre-opening attention from the press in this most political of towns.

The Opening Reception is Sept 14th from 6:00 to 10:00 and runs through September 28 at the legendary MOCA DC gallery in Georgetown, and there’s an Open mike political poetry night on Sept 20 from 6:00 to 10:00, followed by a Film screening night on Sept 21 from 6:00 to 10:00 (hosted by Lucy Gebre-Egziabher) and a Closing Party on Sept 27 from 6:00 to 10:00. MOCA is at 1054 31st Street (Canal Square) in G'town.

The show features distinctive works of social commentary by a diverse group of Washington area artists, including yours truly. They come from all across the artistic landscape – painters, sculptors, poets, filmmakers and more. The dozens of works on display by the artists will connect with the viewer on a personal visual level, as only visual art can, while the live video feeds will enable everyone with internet access to view the events as they happen.

My own exposure to political art is that (in the past) it has been usually (or maybe mostly) the left doing negative artwork about the right. 

And that's cool! 

Political art is seldom "positive" (other than in Nazi Germany, the former USSR, North Korea and Cuba - that's a smiling lot ain't it?).

The Presidency of George W. Bush left behind a huge trail of political art of all genres, all harshly critical (and a lot quite threatening) of the former President. 

Some of it was very smart and intelligent and some of it downright offensive and mean, and c'mon - once you step into the White House, you sort of expect to be the target focus of harsh political criticism.

Some artists, such as Richard Serra’s crayon drawing of an Abu Ghraib prisoner with the caption "STOP BUSH”, employed that time sensitive and horrifying war issue to achieve instant fame, and now the minimalist sculptor is perhaps best known for that rather simplistic and powerful piece, which essentially got him a ticket to a Venice Biennale.

From my experience/exposure, other than a few right wing nuts here and there, anti Presidential political art has been all but AWOL during the Obama presidency, perhaps because the mainstream media has been rather successful in re-calibrating their approach to the President and also in exacting harsh revenge on anyone who dares to deviate from a overly positive depiction of our current President.

Even Shepard Fairey’s embarrassing path to the famous “HOPE” poster art from the historic 2008 campaign (he ripped off the image from DMV area photographer Manny Garcia) was not enough to stop the National Portrait Gallery from acquiring the artwork, in violation of its own rules about acquiring portraits of living persons only ifdone from the live subject. They also ignored the fact that the image had been ripped off from another artist.

I sent them an email asking for clarification on this issue, and since I never heard back, then I wrote them a letter... still waiting for a response.

In view of the current multiple woes of the administration, ranging from the NSA revelations to the IRS scandal and others, the vast left wing nuttery has begun to turn on the President, and I will be curious to see if Utley’s political show addresses the anti-Presidential venom so common to past political American art, but now with an Obama focus. 

It is clear from Dana Ellyn's always sharp eye and caustic talented brush, that the answer is apparently yes!

“He’s Making a (Kill) List” by Dana Ellyn 

I love this country! See ya there! 

The artists are:

Alicia "Decoy" Cosnahan
Roger Cutler
Gregg Deal
Cheryl Edwards
Dana Ellyn
Ric Garcia
Lucy Gebre-Egziabher
Grayson Heck
Jeannette Herrera
Regina Holliday
Kevin "Jazi" Irvin
Danny Jean-Jacques
Hanna Kebbede
Fareeha Khawaja
Peter Krško
Carolina Mayorga
David R. Quammen
Lisa Dee Schumaier
Matt Sesow
Eric “E-Baby” Smith
Henrik Sundqvist
Roy Utley
Asad "Ultra" Walker

The Art of Political Change at MOCA

“The Art of Political Change” is an invitational show curated by DMV area artist Roy Utley – the show is all about art and politics and has been getting quite a bit of pre-opening attention from the press in this most political of towns.

The show opens on my birthday (Sept. 6) and the Opening Reception is Sept 14th from 6:00 to 10:00. The exhibition runs through September 28 at the legendary MOCA DC gallery in Georgetown, and there’s an open mike political poetry night on Sept 20 from 6:00 to 10:00, followed by a Film screening night on Sept 21 from 6:00 to 10:00 (hosted by Lucy Gebre-Egziabher) and a Closing Party on Sept 27 from 6:00 to 10:00.

The show features distinctive works of social commentary by a diverse group of Washington area artists, including yours truly. They come from all across the artistic landscape – painters, sculptors, poets, filmmakers and more. The dozens of works on display by the artists will connect with the viewer on a personal visual level, as only visual art can, while the live video feeds will enable everyone with internet access to view the events as they happen.

My own exposure to political art is that (in the past) it has been usually (or maybe mostly) the left doing negative artwork about the right. 

And that's cool! 

Political art is seldom "positive" (other than in Nazi Germany, the former USSR, North Korea and Cuba - that's a smiling lot ain't it?).

The Presidency of George W. Bush left behind a huge trail of political art of all genres, all harshly critical (and a lot quite threatening) of the former President. 

Some of it was very smart and intelligent and some of it downright offensive and mean, and c'mon - once you step into the White House, you sort of expect to be the target focus of harsh political criticism.

Some artists, such as Richard Serra’s crayon drawing of an Abu Ghraib prisoner with the caption "STOP BUSH”, employed that time sensitive and horrifying war issue to achieve instant fame, and now the minimalist sculptor is perhaps best known for that rather simplistic and powerful piece, which essentially got him a ticket to a Venice Biennale.

From my experience/exposure, other than a few right wing nuts here and there, anti Presidential political art has been all but AWOL during the Obama presidency, perhaps because the mainstream media has been rather successful in re-calibrating their approach to the President and also in exacting harsh revenge on anyone who dares to deviate from a overly positive depiction of our current President.

Even Shepard Fairey’s embarrassing path to the famous “HOPE” poster art from the historic 2008 campaign (he ripped off the image from DMV area photographer Manny Garcia) was not enough to stop the National Portrait Gallery from acquiring the artwork, in violation of its own rules about acquiring portraits of living persons only if done from the live subject. They also ignored the fact that the image had been ripped off from another artist.

I sent them an email asking for clarification on this issue, and since I never heard back, then I wrote them a letter... still waiting for a response.

In view of the current multiple woes of the administration, ranging from the NSA revelations to the IRS scandal and others, the vast left wing nuttery has begun to turn on the President, and I will be curious to see if Utley’s political show addresses the anti-Presidential venom so common to past political American art, but now with an Obama focus. 

It is clear from Dana Ellyn's always sharp eye and caustic talented brush, that the answer is apparently yes!

“He’s Making a (Kill) List” by Dana Ellyn 

I love this country! See ya there! 

The artists are:

Alicia "Decoy" Cosnahan
Roger Cutler
Gregg Deal
Cheryl Edwards
Dana Ellyn
Ric Garcia
Lucy Gebre-Egziabher
Grayson Heck
Jeannette Herrera
Regina Holliday
Kevin "Jazi" Irvin
Danny Jean-Jacques
Hanna Kebbede
Fareeha Khawaja
Peter Krško
Carolina Mayorga
David R. Quammen
Lisa Dee Schumaier
Matt Sesow
Eric “E-Baby” Smith
Henrik Sundqvist
Roy Utley
Asad "Ultra" Walker

Quammen says...

From David Quammen at MOCA:

A recent article in the Washington Post cites a study by the National Endowment for the Arts' "'National Statistics about Working Artists' taken from US Census Data for 2006 to 2010 show that the District has more working artists per capita than any state in the nation." Of course, it's not a fair comparison to make with our (DC) small population vs. all the 50 states. But comparison of city-by-city the region still ranks among the top 10 among U.S. cities.

So what, you say? D.C. is consistently lambasted as a lousy town for the arts, but here's something not many people know: There are 21 Arts Organizations, including Art League and other community based centers, in the region; 5 community colleges, 2 of which have 3 and 4 separate locations; 2-4 year colleges; 13 universities, several with multiple locations; 3 schools; and about 2 dozen or more groups that meet weekly in the name of art. That doesn't count the number of galleries, many of which host artsy-type events every week.

Speaking of art galleries, P & C Art on M Street is gone - no more art at the Georgetown location but they have another facility nearby. And a sad day for Parish Gallery, who's founder is suffering from cancer - the last exhibit is up now, and a For Lease sign is in the window. But property owner Richard Bernstein has told them they can keep the exhibit up - or put up another one - so long as there is no tenant in the offing. Based on the situation in Georgetown businesses, that may be anywhere from a few weeks to several months. In the meantime, our hearts go out to Norm, his wife, Gwen, and the passing of a legendary gallery he founded and she keeps it going for now. God bless.

Meanwhile, Moca's prognosis is good, other than being persistently late on rent. But that should change soon - we hope. Activities include an Open Drawing Session next Wednesday, July 10 - 7 to 10 pm - model is Ramsey, a new-to-the-scene female who also teaches art for Uncork'd Art, the mainstay for Moca at the moment.

And don't forget our July exhibit, A Celebration of the Figure - now in its 10th or 11th year - I do need to learn how to count. We are still accepting art up to next Thursday, July 11. Then plan to make it for the Opening Reception on Friday, July 12th - complete with some brand new events in the Out.Back section of the gallery. Or to paraphrase an old tune, There'll be a Hot Time in the Out.Back that night!!!

Questions - contact Dave at 202.342.6230

The Nude in DC Book

The Nude in DC: The Figurative Art Scene in the Greater Washington Metropolitan Area is a new book and it features:

Over 50 institutions that deal with the nude in art - not just names and address, but descriptions, including history of some, website, logo - a full 28 pages on this feature alone.

Full text of The Art of Modeling, used for Model Training Program for Figure Models Guild.

A narrative on the nude in art, as well as society in general. Insightful information presented as an argument to counter conservative bias against nudity in general.

Includes a DVD with photos covering the Figure Models Guild since its inception in 2002 as well as many art exhibits and special events.

Also includes over 20 articles in Washington Post, Washington City Paper, Montgomery Advocate and other print media. Also video by Reuters News Service and numerous online publications including The Greatnude.tv, New York Arts Magazine, Artists-Perspectives, Artdc.org and too many to name. Includes several video clips, including Richard Takeuchi painting nude model in July 2004 exhibit - well over 2,000 images - worth the price alone.

The package is $20, including book and disc; or $15 individually. Payment may be by check made out to David R. Quammen, or PayPal - account mocadc01@comcast.net. Free Delivery - or pick up at gallery with prior notification. Proceeds will go to help fund MOCA DC.

Allow 10 days for delivery

David R. Quammen
MOCA DC
1054 31st St NW
Washington, DC 20007
202.342.6230

MOCA DC Responds to WCP Article

The following email from MOCA DC's Director David R. Quammen (posted here with his permission) complains about this article by Kriston Capps (does that sound familiar?) and asks for readers to comment on the issue:

I apologize for sending this so soon after the Sunday night email, but the City Paper has a bad reputation for doing schlock journalism; This is the 2nd time I've been victim of it - last time was in 1996 -- the article that hatchet-man Kriston Capps put a link to in his piece.

So my reason to send this now is to ask you to Send a Message to Michael (Schaffer - editor of City Paper) if you agree that I and MOCA DC were wrongly raked over the coals - I have threatened to sue, and Michael is looking into it. But a few messages here and there might make him clean up the collective City Paper act. Say what you want, but please do it now. go to this article, then let Michael know how you feel.

Michael Schaffer Email: mschaffer@washingtoncitypaper.com

Also, my email has been hacked and several messages were lost - so if you sent one and I didn't respond to it - please send it again and I definitely will reply - I always do, just out of common courtesy.

Thanks for whatever support you care to give on this.

David R. Quammen

Update: The WCP responds to the MOCA issue: Read David's letter and the CP response here (scroll to the bottom).

MOCA DC Plea

After receiving the below press release from Georgetown's MOCA DC gallery, I asked its director, Dave Quammen, for permission to post it in this blog. Although it is raw and to the bone, and courageously reveals intimate personal issues, it also goes to show the amazing extent that some gallery owners go to in an effort to keep their art spaces open and running:

June Exhibit - Why Not?
The gallery has been in the same financial straits for a long time, but I could pick up the slack before. I can't do that anymore without major changes to the way that MOCA DC operates.

So, beginning with the June exhibit, I will accept one piece of art free from anyone, member or not. Art must be 36 x 40 max and meet the theme of the exhibit. Additional pieces may be entered for a nominal fee.

As of the June exhibit, I have kept the gallery open for 6 1/2 years, at a personal cost during that time well in excess of $25,000 - out of my pocket, not to mention the at least 70 hours per week, at no income from the gallery.

Well, folks - beginning right now, I ain't gonna do it anymore. Income this month and last has fallen a lot, mostly rental of the gallery, etc. If no one comes up with the $2,625 for rent by June 1, I ain't gonna pay it at all and let the chips fall where they may.

Same goes for the Figure Models Guild - which will be 10 years old this July. At the beginning, I made copies of the Model Registry, bought envelopes and paid the postage out of my own pocket. I also made copies of the guide I put together for models, held events and etc - all for nothing. No cost to models, no cost to all those who got a free ride - all the colleges, universities, schools, teachers, et al --- all for nothing.

I don't know how many know that in 2008 I was diagnosed with prostate and colon cancer - beat em both. In 2009, I had to have heart surgery on 2 different occasions. This year, or late last year, I was diagnosed with lung problems - emphysema and COPD, or pulmonary fibrosis. They put me on an inhaler for a while, but last month they changed it to a stronger one and added a 2nd. Problem is, this is one thing I can't beat, and it's a crap shoot as to how much time I have left - will be 72 in October, so I can't complain about longevity - I've done more in my life than most people do, so I don't have any regrets.

But I do have some other things I want to do, but I can't with this albatross around my neck. So if you want this to continue, figure out what these things are worth and come up with the cash, or I'm in the wind.

Well, Joe - this one's for you. Thanks for the push!

MOCA DC is one of the Canal Square Galleries at 1054 31st Street & M Street, NW in Georgetown.

Update: Kriston Capps reports on this issue here.

MOCA to stay in Georgetown

A while back we learned that MOCA DC was being kicked out of their spaces in Canal Square in Georgetown. Just today I found out that Dave Quammen has been able to find some leverage and has renegociated their lease with the Canal Square landlord. And they are still having a Super Party Artists & Models Ball. Make your plans now:

July 30 - Friday Night - 6 pm to Midnight - $5 entry fee - includes raffle ticket for 3 major art pieces - do not have to be present to win

6 pm - doors open

7 pm - models for artists to draw - $20 all night

7 pm - photography models to shoot $25 all night

8 pm - Body Painting - Free all night

Models will be paid from fees charged

For more info check out www.MOCADC.org.

MOCA DC closing party

MOCA DC is being kicked out of their spaces in Canal Square in Georgetown and they are having a Super Closing Party Artists & Models Ball. Make your plans now

July 30 - Friday Night - 6 pm to Midnight - $5 entry fee - includes raffle ticket for 3 major art pieces - do not have to be present to win

6 pm - doors open

7 pm - models for artists to draw - $20 all night

7 pm - photography models to shoot $25 all night

8 pm - Body Painting - Free all night

Models will be paid from fees charged

For more info check out www.MOCADC.org.

David Quammen's closing remarks:

Well, it has really been a fine experience to play host to the things that have gone on at MOCA DC over the 5 and a half years that I have managed it. It builds on the foundation laid by founder, Michael V. Clark, now Clark V. Fox,who created it about 20 years ago.

And who can forget Felicity Hogan, Clark's wife of about 8 years. She played a significant role in the gallery's evolution, which is now going into another phase.

All things considered, I believe that MOCA DC has chartered new grounds in DC's art scene through each of its iterations, always gutsy enough to take a cue from Gene Roddenberry and "boldly go where no man has gone before."

Our new web site will have an Archives section - I invite past and present members to contribute to a history of the gallery from start to finish. It will most certainly be one of the most interesting reads you can find.

MOCA DC in trouble

Georgetown has never been known for its eroticism. But in the brick courtyard of Canal Square—an upscale piece of real estate nestled between M Street NW and the C&O Canal—gallery owner David Quammen, 70, has carved out a space for the risqué. Since 2005, Quammen’s MOCA DC has exposed Georgetown passersby to paintings of childbirth, photographs of Playboy Bunnies, and sketches of Quammen’s own nude body, all via the gallery’s 12-foot-long front window.

But next month, the gallery may very well shutter its doors over a pair of nipple pasties. Why now? The modesty-preserving devices appeared on the breasts of a live woman, not in a work of art. “I think that having live nudity at an opening reception is akin to having it on the wall,” Quammen says. “But a lot of people don’t like what I do.”

On June 24, the landlord gave MOCA DC a notice to vacate the premises by July 31. Read the City Paper article by Amanda Hess here.

Amateur Stripper Contest at MOCA DC

Kitty Victorian, the "quintessence of Burlesque," will perform at the opening of the annual MOCA DC Erotic Art Show in Georgetown on March 5, 2010. Miss Kitty will emcee an amateur stripper contest and will open the show with a performance of her own featuring "extravagant costumes draped in rhinestones and feathers and wrapped in sultry boas."

The annual erotic art show at MOCA DC has become one of DC’s top crowd pleasing shows with over 300 in attendance at last year’s reception. Erotic art from artists throughout the region will be on display throughout the month.

MOCA DC’s executive director, Dave Quammen said, “All ladies from throughout the Washington, DC region are welcome to fashion their best erotic costume and come on down to shake their stuff for our crowd. By crowd response, we’ll be selecting the top three performances of the evening with three cash awards of $100 for first place, $75 for second place and $25 for third place. But regardless, win or lose, everyone will be a winner! It will be an evening with the best entertainment in town. After the amateur stripper show, the ladies are welcome to serve as human-canvases for our body painters.”

The Washington Post has called Kitty Victorian a “burlesque dancer extraordinaire bringing the saucy, seductive world of burlesque dancing to D.C., one bump and grind at a time.” Now headquartered in Chicago, Miss Kitty returns to Washington, D.C. regularly. Speaking about her upcoming performance at MOCA DC, Miss Kitty said, “Darling, I am just so excited to be coming back to Washington, D.C. and I can’t think of a place I’d rather perform than at the beginning of MOCA DC’s annual erotic art show! I’m also excited about serving as emcee for the amateur stripper contest. I might even allow myself to be body-painted after the show!”

Kitty Victorian founded Washington, DC’s Burlesque University and serves as the Headmistress teaching erotic arts to everyone. At the “university’s” website (www.burlesqueuniversity.com), Miss Kitty makes an offer most ladies can’t refuse. “What I’m saying folks is that if you want to learn the art of the tease, I’d love to teach it to you.”

On March 6, Miss Kitty will be available for a two-hour photo session with area photographers from 10 a.m. until noon. She commented, “Darling, I want to do my best for your photographers, but I really must hustle on over to my university class where I’m teaching the art of burlesque that afternoon.” Dave Quammen said, “The two-hour photo session the morning of March 6 at the MOCA DC gallery will be offered at a cost of $50 per photographer. Just contact me to sign up.”

Doors will open for the March 5 event at 6 p.m. Attendees are invited to see the special erotic art on display throughout the gallery. Then, at 7:30 p.m. when the familiar sounds of “The Stripper” begin to play, the show will open. Following the show at 8:30 p.m., the gallery will be open for body painting, art viewing, and networking with your favorite artist (or stripper). MOCA DC is located at 1054 31st St. N.W. at Canal Square in Georgetown, Washington, DC. For additional information, call (202) 342-6230 or send email inquiries to mocadc01@comcast.net.

Wanna do some body painting this Friday in DC?

Here's a party you won't want to miss! The closing of the annual 2009 Erotic Art Show at MOCA DC Gallery will begin at 6 pm on April 3 with very special contests for models and body painting enthusiasts and prizes totaling over $1,000 in value.

Models from Virginia, Maryland, Pennsylvania, West Virginia, the District of Columbia, and as far away as Delaware and New Jersey will be on hand wearing the erotic costume of their choice. A panel of judges will select the top three costumes judged on both originality and erotic flare. First, second and third place winners in the model/costume competition will each be awarded an "in-studio," two-hour portfolio-building photoshoots with one of three of the best known DC-area fashion, glamour, and fine art photographers.

Each of the winners will also be awarded a one-hour make-up session with one of three top-notch professional make-up artists! MOCA DC is fortunate to have Jerry Harke of JR Harke Photography, Inc. (Annandale, VA), Mike Cary of Mike Cary Photography (Fredericksburg, VA), and John Korb from John Korb Photography (Fairfax, VA) donate two-hour photoshoots to the winners. And, the three top notch make-up artists are donating their services to the winners.

Winners of the body painting contests will be awarded a cash prize of $50 for the best body painting artist and $50 for the best human canvas.

MOCA DC is located at 1054 31st St. NW in Canal Square in Georgetown, Washington DC, right next to a few other galleries in the Canal Square complex. For details, email Dave Quammen at mocadc01@comcast.net or call 202.342.6230.

MOCA

Over at ArtDC, MOCA's David Quammen defends MOCA DC, which has apparently been accused by someone of being a vanity space.

Read it here.

Wanna Have Your Own Solo?

MOCA in Georgetown is renting their "annex" space to artists interested in having a solo there. Cost is $750 for three weeks. There are other options available.

For more info contact Dave Quammen at 202.966.0366, 202.361.3810 cell or email him at figuremodel@verizon.net.

Every Picture Tells A Story

I dropped by real quickly yesterday to chat with Clark at MOCA and while there I walked through MOCA's current show: Every Picture Tells A Story.

Like any group show, it's a mixed bag. In this case the show's best work is a huge (around eight feet tall) oil by Erik Sandberg, a Caravaggioesque oil of MOCA co-director David Quammen, depicting Quammen sitting down and cutting (I think) his toenails (or maybe his toes) with a menacing cleaver.

Sandberg is an amazing painter, and this is one of the largest paintings by Erik that I have seen in years.

I also liked the skilled drawings of Jennifer Schoechle; other work that I liked were the photographs by Joel Fassler, Chris Harrop and Renee Woodward - all very sensual and erotic.

The show runs through January 27, 2006.

Drawing Session tomorrow

Mr. Dave Quammen of MOCA in Georgetown, will be hosting an open drawing session at Light Street Gallery, 1448 Light Street, in Baltimore, on Sunday, September 18, 2005, from 1:00 pm to 4:00 pm. There will be a live model for this session; the fee is $10.00 per artist.

To RSVP and for more info contact Dave Quammen at 202.966.0366 - 202.361.3810 cell - or email him at figuremodel@verizon.net.