Attainable Art at Nevin Kelly

Review by Katie Tuss

Attainable Art, the current show at the Nevin Kelly Gallery on U Street highlights "a mix of gallery artists and a couple of artists I just met," explained Deputy Gallery Director Julia Morelli.

Nevin Kelly Gallery prides itself on representing both Washington area based artists as well as international artists, mostly from Poland, who may be emerging or in mid-career. Attainable Art is specially priced for the holiday season with all pieces listed at under $1,200 and ready for the taking.

This provides area collectors with an unbeatable opportunity to acquire some of Nevin Kelly's finest for the tightest budgets, as well as the chance to discover new work all month long.

Sondra Arkin, who successfully curated the recent City Hall exhibition, has a number of inviting encaustics included in the show. Both small and large, Arkin’s works use bold pigments, abstract forms and grid structures. Her piece Revelation stands out as tactile and accessible, yet ordered and thoughtful. A variety of warm and cool colors are revealed after scraping away an opaque white ground offering an interesting contrast and contributing to the textural peaks and valleys of the piece.

Time of War Series is a departure from Ellyn Weiss’s cellular monoprints and oil paintings, and a refreshing translation of her signature painting style into etchings. The two pieces Trio Mourning with Bombs and Trio Mourning feature four burdened figures hunched over their expired companions. Marrying the fine lines of etching with subtle collage elements, these pieces are elegant and evocative.

"Cold Outside" by Molly Brose
Local artist Molly Brose makes her Washington gallery debut with a number of graceful watercolors. Brose’s choice of reflective paper allows for little paint absorption, which creates a magical luminosity when dry. This effect, when layered with Brose’s graphite drawings, makes pieces like Cold Outside stand out in content and technique.

Attainable Art is on display through December 31, 2006.

Opportunity for female artists of African ancestry

Deadline: January 5th, 2007

Women artists of African descent are invited to submit their work in oil, watercolor, pastel, graphics, mixed media, photography, sculpture, and fine craft art. Submission deadline is January 5th, 2007. The theme of this exhibition is "Face of Victory: Life and Success of People of African Descent." The exhibition dates are February 7th to 25th, 2007. A prospectus can be downloaded from www.penandbrush.org, or send a SASE to:

WOMEN of AFRICAN DESCENT
The Pen and Brush
16 East 10th St.
New York, NY 10003

Linda Hales Final Design Column at the WaPo

"...a powerful example of how firmly design has worked its way into everyday life and aspirations in our community. I write about them today, in a farewell column, as an expression of design as the most populist and accessible of the arts."

If you think that my constant bitching about how the management of the Washington Post considers "cultural reporting" in the lowest of priorities is exxagerated, then consider that this same WaPo management has declared a shift of resources to "high-priority journalism" and veteran reporter Linda Hales, age 57, was not ready to take the buyout that was offered to her (and many others) and so she has been moved to the Metro copy desk.

It is clear then, that what Hales wrote about - Design criticism - is thus viewed by Post management as "low-priority" journalism, even though design is, as Hales states: "the most populist and accessible of the arts."

This gives you an idea how WaPo management truly and really views art and culture.... as low-priority.

If you don't get it... you don't get it.

Read her last design column here.

Art that cities would love to own

My earlier post on art that "belongs" to cities as "The Gross Clinic" belongs to Philly spawns the opposite train of thought (and an interesting one at that!): Art that cities would love to own!

Here's what New Orleans would love to own.

Eakins: Not the first time?

As we've discussed before, the potential exodus from Philly of Thomas Eakins' "The Gross Clinic" has fired up Philadelphians to an enviable level, and efforts continue to keep the work of art in the city.

The Sixth Square has been keeping up a daily info blitzkrieg on the issue, and this post has a gem:

We’ve always heard talk of earlier attempts to pry The Gross Clinic from its moorings at Jefferson, but we never knew any detail. Then we ran across an old, yellowed clipping.

On March 25, 1976, Adrian Lee of The Philadelphia Evening Bulletin wrote that Jefferson had rejected a $1 million offer for the painting in 1969. But he had a more dramatic number to report. Lee had gotten wind of a new offer: $30 million building in exchange for the painting. After “two stormy, back to back meetings,” in December 1975 and January 1976, Jefferson held a “secret vote.” Sixty eight voted to keep the painting. Only seven voted to sell it.

Who was this would-be buyer? Both times it was no less than Paul Mellon, trustee of the National Galley of Art in Washington, D.C. — the very same institution today teamed up with Crystal Bridges.

Read the entire post here.

Leads me to wonder if there are paintings (or other visual artworks) that are so rooted into a city's psyche and/or history, that they could become that city's own Eakins in the event that they were to be removed and exported to another city?

Hopper's Nighthawks in Chicago? Leonardo's Mona Lisa in Paris? Picasso's Guernica or Velazquez's Las Meninas in Madrid?

Old timers will recall the many years that Picasso's "Guernica" hung in New York City, as Picasso didn't want it to be in a Spanish museum while Franco was alive. When the Generalisimo died (and yes SNL freaks, he's still dead), eventually the masterpiece made its way to Madrid, but not without some angst from New Yorkers.

And in Scotland, a few years ago there was a mini revolution of sorts, as Scottish villagers fought to have the original Pictish standing stones in their villages returned to their fields. Many of the original stones had been removed in order to protect them from the elements and replaced with replicas, while the originals went on display in museums. The villagers then realized that they were losing tourists who wanted to visit the stones, and many villages sued the museums to have the Pictish stones returned to them.

Which leads me to wonder why there has never been an exhibition of Pictish art and sculpture outside of Scotland, and why the National Geographic has never done a single article on Pictish culture - a people who only ruled northern Britain for two thousand years!

Oh oh... I see a new pet peeve brewing...

Maryland Art Place’s 25th Anniversary

Congrats to MAP on their 25th Anniversary and if you're around Baltimore tonite, swing by Spice betwenn 6-8PM and enjoy complimentary parking and hors d’oeuvres.

Spice is a fantastic new restaurant located at 4 West University Parkway in B'more (where the Polo Grill used to be). For directions, please call: 410.235.8200.

WashPost Newsroom Not Smiling

Washingtonian's Harry Jaffe on the woes of the WaPo.

Read the story here.

The Power of the Web

A while back I wrote this bit, which took sides on the whole elitist issue of the Rocky Balboa sculpture and the Philly Arts Museum.

Today as I am finally looking at some old mail, I discovered that several days ago I was sent two passes, good for two people each (for a total of 4 admissions) to a special screening of Sylvester Stallone's new movie "Rocky Balboa." Unfortunately, this screening is tonight at 7:30 PM at the AMC Palm Promenade in San Diego!

Lou Stovall

Washington Printmakers Gallery in DC will host its 5th annual Invitational Exhibition honoring the achievement of an influential printmaker. The 2007 Invitational honors the work of Lou Stovall, a printmaker of national and international reputation, a master printer, and a longtime resident of Washington, DC.

Stovall has also been the "printmaker behind the print" for many editions of the prints of several well-known artists (such as Joseph Albers, Peter Blume, Alexander Calder, Sam Gilliam, Elizabeth Catlett, Gene Davis, Sam Gilliam, Lois Mailou Jones and my former professor Jacob Lawrence), and a key member of the DC arts community.

You can see his new work during the First Friday opening on Friday, January 5, 5- 8 pm, and then there's an artist reception on Sunday, January 7, 1-4 pm and Lou will deliver a gallery talk on Thursday, January 11, noon-1pm.

I'm sorry.... what?

"A canvas by beloved U.S. painter Norman Rockwell, discovered hidden behind a false wall earlier this year, has sold at auction for a record $15.4 million"

There are some many juicy things about this story that I don't know where to start...

But... for starters...

1. Rockwell himself apparently sold the work in question - the really famous painting titled "Breaking Home Ties" - himself to his friend, an illustrator and cartoonist named Don Trachte, for $900 bucks!



Original Rockwell "Breaking Home Ties"

2. For some reason Trachte then copied this painting and other works of art (including a Hopper) in his collection and then hid the originals behind a false wall in his studio while displaying the replicas as the originals!



Don Trachte's Copy of Rockwell's "Breaking Home Ties"

3. So then Trachte's sons sent their father's Rockwell copy (and what they believed to be the real painting) to the Norman Rockwell Museum. And "despite inconsistencies between the canvas and the Saturday Evening Post cover, it went on display in 2003."

More!!!!

"Trachte died in 2005, never having revealed his secret, but his sons had nagging suspicions about the authenticity of the canvas. This spring, after a renewed search of their father's studio, they discovered the false wall and the original canvases.

In addition to Breaking Home Ties and other Rockwell works, the Sotheby's event also saw the sale of Edward Hopper's Hotel Window for $26.8 million US.

The large-scale canvas, painted in 1955 and displayed at the Whitney Museum of American Art this summer, also set a new record high price for the artist's work."

Check out the fake wall (including a video clip of the whole discovery) and comparisons between the paintings here.

Here we go again

While driving to the DMV area in the wee hours of the morning, I heard this story on the radio.

Stephen Murmer is a Virginia teacher who also happens to be an artist who uses his ass to create artwork.

"Outside of class and under an alter ego, the self-proclaimed "butt-printing artist" creates floral and abstract art by plastering his posterior and genitals with paint and pressing them against canvas. His cheeky creations sell for hundreds of dollars."

Murmer's tuggish artwork has not been well-received by the Chesterfield County school officials, who have placed Murmer on administrative leave from his job at Monacan High School, even though Murmer has apparently tried to keep his teaching duties and artwork life separate from each other.

Read the story here.

Opportunity for Photographers

Deadline: January 21, 2007

DCist Exposed is a super cool photography exhibition organized by the fair Heather Goss over at DCist and it is going to be held at the Warehouse Gallery in DC next March.

Details and entry forms here - and it's free to enter!

Potomac House Almost Sold!

At (almost) last!

If you are a regular reader, then you know that since I moved in August, I've been trying to sell my house in Potomac, Maryland.

It has been fruitless, and although several offers have come in, none had pawned out and I've been shelling out around $5,000 a month for mortgage and utilities on an empty house - Bummer!

And so a short time ago I switched realtors, and reduced the house to make it irresistible, and put it on the market yesterday at a price that was around $275,000 lower than the original listing price of $875,000 (and that $875K price was already a price that was around $25,000 under the appraised price at the time).

And in less than 24 hours an offer has come in for the new listing price of $699, 900 and hopefully we can get a ratified contract in the next 24 hours! Meanwhile it's still for sale, in case someone wants to take a crack at it!

Details here.

This is how it is supposed to work - Part II

Yesterday I discussed my issues with the relative lack of interaction between DC area museum professionals and DC area artists and gallery, and submitted my theories as to why this interaction generally happens in nearly every other American city between their museum professionals and their art scenes, but does not happen on a regular basis in the DC area.

Today a couple of happy stories on some success stories, and the hope that more stories like this will continue to happen.

Jonathan Binstock and John Lehr

John Lehr is a very young Baltimore area photographer whose work came through the attention of Dr. Jonathan Binstock (Curator of Contemporary Art at the Corcoran) through the jurying process for the 2003 Trawick Prize.
Although Lehr was not selected as a prizewinner in that superb competition, his work caught the eye of Binstock, who became personally interested in the work of Lehr (represented in the DC area - I think - by Heineman-Myers) and when Jonathan co-curated the 48th Corcoran Biennial, he included Lehr's work in the show, one of several area artists that made an appearance at the exhibition.

Anne Collins Goodyear and Amy Lin

Last summer, Dr. Anne Collins Goodyear (who is the Assistant Curator of Prints & Drawings at the National Portrait Gallery) juried a show at Touchstone Gallery and selected one of DC area artist Amy Lin's pieces for the show.
The last December, she juried the All-Media Membership Show at the Art League Gallery in Old Town Alexandria and gave one of Lin's drawings an Honorable Mention.

Lin and Dr. Collins Goodyear met at the gallery reception for this show and Lin invited Anne to a group show that she was in at the Pierce School that month. Lin tells me that "not only did she want to come, [but also] she wanted to make an appointment so that she could see the work and talk to me about it at the same time!"

In January Anne and Amy (who is one of the DC area's hardest working artists and as far as I know still unrepresented) met at the Pierce School and Dr. Collins Goodyear looked at Lin's art and discussed it with the artist.

Then in May, Lin was offered a solo show at DCAC (opens this Friday at 7PM). Since Lin needed a curator for the DCAC show, and since she knew that Anne was interested and familiar with her work, she asked her to curate Lin's solo at DCAC and Dr. Collins Goodyear agreed to do it.

Several studio and gallery visits (as well as an essay about the show) later, they're hanging the show together on December 13 and the show opens on Friday, December 15 with a reception from 7-9PM and a curator's talk at 8pm.

Now this is a curator who is willing to spend part of her precious time working and looking in her own backyard and who exemplifies (above and beyond) the sort of interest that we would expect, once in a while, from our area curators as part of their job.

Dr. Collins Goodyear: WELL DONE!

Jada Pinkett Smith Gives $1 Million to Arts School

Jada Pinkett Smith has donated $1 million to her high school alma mater, the Baltimore School for the Arts. "It means a lot when you're a teacher and your most famous alumnus comes back to give a donation," said Donald Hicken, head of the school's theater department since its founding in 1980 and Pinkett Smith's former theater teacher. "It really says a lot to the community that the school matters in people's lives."

Read the whole story here. Bravo to Ms. Pinkett Smith!

Opportunities for Artists

Deadline: December 15, 2006 - Second Annual Works on Paper at Muse Gallery in Philly. Details and prospectus here.

Deadline: December 29, 2006 - The 2007 Bethesda International Photography Competition at Fraser Gallery in Bethesda. Details and prospectus here.

Deadline: January 12, 2007 - 3rd Annual National Painting Drawing & Printmaking Competition at Palm Beach Community College in Florida. Details and prospectus here.

Deadline: January 15, 2007 - Erotica 2007 at MOCA DC. Details and prospectus here.

Deadline: January 31, 2007 - Chinatown In/Flux 2009. An exhibition of site-specific art installations in Chinatown Philadelphia. Details and prospectus here.

Deadline: March 16, 2007 - Art on Paper at the Long Beach Island Foundation of the Arts and Sciences in New Jersey. Details and prospectus here.

Deadline: March 30, 2007 - Art at VMRC at the Park Gables Gallery in Harrisonburg, VA. Details and prospectus here

Atlanta Contemporary Art Center looking for new boss

Deadline: January 19, 2007

The Atlanta Contemporary Art Center is seeking applicants for the position of Excutive Director.

Details here.

Call for Proposals

The Delaplaine Visual Arts Education Center in Frederick, MD has a call for Exhibit Proposals for Solo or Small Group Shows. There are five galleries in the complex.

Exhibit selections are made by the Center’s Exhibit Selection Panel, comprised of working artists and arts administrators, which convenes 3-4 times per year. Final decisions may require a studio visit when necessary. They are currently scheduling two years in advance.

For details and submission information, please contact Diane Sibbison at 301.698.0656, ext. 115, or by e-mail dsibbison@delaplaine.org.

Art Job

The Washington District of Columbia Jewish Community Center is looking for a Gallery Director for the Ann Loeb Bronfman Gallery (a 600 square foot space in an urban Jewish Community Center).

The Gallery Director is responsible for mounting two to three shows annually, working collaboratively with other arts professionals to create related public programming and classes, staffing the Gallery Board Committee, developing a long-term exhibition and fundraising plan, and carrying out all administrative aspects of the gallery.

Previous gallery experience required. Knowledge and understanding of Jewish traditions and history preferred. Position start date is January 2, 2007.

This is a full-time position that includes benefits and free gym membership. Email resume and cover letter describing experience to joshf@washingtondcjcc.org or fax to 202-518-9420. No phone calls.

This is how it is supposed to work - Part I

Those of you who are regular visitors to this site know that one of my constant concerns is the poor relationship between DC museum area curators and DC area artists, and the rarity of interest by most DC area museum professionals in their own city's art scene and artists.

Like anything, there are notable, but rare, exceptions.

And one of the unexpected benefits of the Trawick Prize and the Bethesda Painting Awards has been that they have "forced" the hired DC, VA and MD museum professionals and curators to look at the work of artists from the region; some amazing success stories have spawned from that exposure. Area artists should be very grateful to Ms. Trawick for all that she has done and continues to do for the fine arts around the capital region.

But getting back on subject and generally speaking, most of the DC area museum curators and directors still find it easier to catch a flight to another city to look at an emerging artist's work from that city, than to take a cab to a DC area artist's studio or visit a local gallery.

I think part of this is because, again with an exception here and there, most of these curators came from other parts of the nation and overseas, and they tend to bring their regional familiarities with them, rather than discover new ones (it takes a lot of work). They are also part of a curatorial scene where little risk is taken, and the herd mentality reigns supreme.

As a result, one can count in one hand the number of artists (local or otherwise) who have had their first ever museum show (or any museum show) in a DC area museum. And yet, even major museums (such as the Whitney in New York) have given artists their first museum solos, although this is becoming rarer and rarer.

Example: I know that I wasn't the only one amazed to find out that the Corcoran's Sam Gilliam retro was the first solo museum show (at the tail end of his career) by arguably DC's best-known painter.

And I am sure that the fact that Jonathan Binstock's PhD work was on Gilliam had a lot to do with the Corcoran's decision to focus a solo on a DC area legend. Bravo to Binstock and Bravo to the Corcoran; more please.

The rarity of local focus is also caused partially because of the fact that DC area museums generally tend to think of themselves as "national museums," rather than as "city museums," like all other major cities in the world have.

We have no Washington Museum of Art, although the Corcoran, because of its position as a museum and a school, and since the arrival of Binstock, has focused a bit more attention on the Greater DC art scene.

Furthermore, because of the sad lack of coverage by the DC local media of the DC local art scene and events, museum professionals have to spend more personal time (which they often lack) to "learn" about DC area artists and galleries, rather than learning from reading, as they do about what's going on in NYC and LA and Miami and Seattle from the national magazines, or perhaps the coverage that those cities' newsmedia gives to their local arts, and even from reading the Washington Post's chief art critic coverage of other cities' galleries and museums, while he is allowed to avoid writing about Washington galleries and artists.

And so it takes an "extra" effort on the part of a DC museum curator to get his or her interest aroused on any event in the local scene. Some of it is networking (a big name museum donor requests a visit to a gallery or a studio), some of it is financial (they are paid to jury a show), some of it is media-driven (such as the rare positive review in the even rarer newsmedia coverage) and some of it is accidental (such as a curator admiring the work of a "new" artist in a LA gallery only to be told that the artist is a DC artist).

All of these have happened in my experience.

Here's a little test.

Next Wednesday, December 13 at 7:00 PM, Ned Rifkin has a lecture at the Corcoran on "Modern and Contemporary Art".

I've met Mr. Rifkin many times and he's a really nice, likeable, intelligent and well-traveled person. He has been the Smithsonian Under Secretary for Art since January 2004. In the DC area he also has been the Curator of Contemporary Art at the Corcoran from 1984­-1986, Chief Curator of the Hirshhorn from 1986-­1991 and then Director of the Hirshhorn Museum and Sculpture Garden from 2003­-2005. So he has spent nearly ten years of his exceptional career as an arts professional in the nation's capital.

I'd like someone to ask Mr. Rifkin the following question:

"Mr. Rifkin, can you quickly name for us about five contemporary artists from anywhere and five contemporary DC area artists whose work you admire and why?"

If anyone does ask, please email me his response.

Tomorrow I will tell you a happy tale of a DC area museum curator who has shown interest in the work of a very talented and hardworking DC area artist and how it happened, which is how this process is supposed to work.

The Power of the Web

"Quite suddenly and by accident, photographer Arthur During is huge on MySpace.

Around May or June, a mysterious Internet hiccup landed one of During's photographs in the top slot on Google when people searched for "rain image." Through the power of Google, that photograph – of raindrops seen through an airplane window – has since shown up without permission on hundreds, perhaps thousands, of MySpace pages."

Read the story here.

And this is what you get if your search for "rain image" today.

Bailey on Hotel Art

Bailey's take on my hotel art jihad "intervention" of the 70's, 80's and 90's is here.

I may be also tempted to find some of the slides that I took of some of the "pre" and "post" work and digitize them and put them up just to see if anybody has run into them.

I am also tempted to also put out a new fatwah call for a 21st century "art intervention project" against hotel art and re-kindle the strategic replacement of hotel art by original art.

Unfortunately, these days hotels seem to think that the "wall decor" that they hang in their rooms need to be protected from walking away, and are so well secured to the walls, that it is nearly impossible to remove them from the wall, although there must be a trick to it, for what does a hotelier do they do if they have to either change it or replace a broken glass, etc.

Let me think on this...

World's youngest art blogger?

Could be Violet-Craghead Way, who is 18 months old and her blog is here.

Looking South

ArtInfo reports on what has been the ABMB trend for years - art collectors are looking to Latin America more and more. Details here.

Even in the DC area, Latin American art has been hot for a while, and no one was hotter when I was a gallerist there than Cuban artists Sandra Ramos and Aimee Garcia Marrero, both of whom are currently exhibiting all over the planet and who will exhibiting again in the DC area this coming May at the Fraser Gallery.

Friday nite

Was a rush of timing, with a 4PM arrival and then rushing to make it to a party with a business meeting in between.

Party was great with an amazing view; more later...

Airborne again today and heading to you-know-where...

Karen Joan Topping on the Corcoran Acquisition of the Randall School

Last Thursday I mentioned the acquisition of the Randall School by the Corcoran and asked to hear from some of the MAC artists who have studios there, since there have been some past issues between them and the acquisition process. So far Ellyn Weiss has responded and now Karen Joan Topping has the following to say:

Mr. C, thanks for giving us the incentive to speak our minds. This is a little long - I could not resist a "Dylan Thomasy" sort of response, considering my feelings for my time at the Randall School.

You mentioned that DC's lack of affordable studio space was a factor in the deal with the Corcoran to include space for practicing artists in their plan. While no one would argue that financial and real estate issues have touched everyone in the past five years, personally I think that the Randall School community of artists and our cultural presence is of equal importance in explaining what lead us into this Jonah & the Whale scenario.

When I saw the artists that were residents in the building when I was a prospective renter 3-4 years ago, I knew I had to get in on this space. There were a number of artists that I really respected by reputation and work that had just recently cut the graduate school cord and had taken DC by storm. There were artists that I knew as bastions of the Downtown Art Scene in the 80's and 90's, that had had their studios over the porn and wig shops across from the National Portrait Gallery. Back in the day, this group had put on events of smaller scale but greater intensity than almost anything that's been seen at Art-o-Matic. Not surprisingly, many of these people now work their asses-off to make Art-O-Matic's possible.

Lastly there were plenty of people like me; not legendary, not the toast of the town; but with work ethic and solid bodies of work that appeals to some little niche otherwise we would not keep doing it.) Really, at the core that's what almost every resident of the Millennium Art Center (MAC) was, that kind of community is often harder to come by then available space.

Unfortunately when I became a renter at MAC the future of the building as studios, let alone an art center, was already on shaky ground. I was lucky to have my studio in one of the older parts of the building; Randall is a beautiful and old building and honestly it would not have lasted much longer without a deal like this happening. I hope the developers are held to refurbishing as much as they are allowed to demolish.

I had tried to rent studios in the preceding years and had not been successful. I once lost a space to a former employee because the landlord said his voice was on his answering machine before mine. The competition for individually leased spaces was and is high. Most artists are not willing or capable of taking on a lease and responsibility for the bankroll and slum-lording it takes to get the rent paid for an entire floor of a mid-century office building or an unused warehouse, let alone a 6.5 million complex of school buildings. Income statements, credit reports are as much a part of getting a studio as a "regular" person renting or buying a house or apartment.

There is studio space is out there, but there is sorry little initiative out there from investors and agencies that could afford to cut up larger spaces and offer them for fair prices. This was what was on the table at MAC, the opportunity for renting a studio - not having to become a landlord too.

While I've barely left the building, I'm nostalgic for the neighborhood already. Many of the remaining artists had been tenants for close to ten years, I can't imagine how they feel. I'm concerned that this project is a positive move for the neighborhood. There is a lot of public assistance housing in the neighborhood and it needs an art center that is going to reach out to the community more than anything.

Many other mixed use development projects seem stalled in this neighborhood and the Corcoran has not been very forthcoming about exactly what's going on with their project. I'm concerned that this project gets off the ground and doesn't become another shipwreck in the "Corcoran Triangle". Like the large historic church that sits behind the Randall building, it could end up sitting there boarded up for a decade which would break a lot of hearts.

There are only a few entities that can presume taking on a building that fills a city block and a leadership role in supporting a community of more than thirty artists and at least two non-profits; think about it, that's bigger than most graduate schools.

Private entities and city governments come to the top of my mind as good candidates.

The Corcoran has already put some roadblocks in the way of establishing good relations with the artists and the SW community. With the Gehry building not happening, it's hard to say what they have in mind.

Given that these are my feelings at the present moment, why would I presume that the Corcoran would be open to truly working in consort with the community, the government and private investors to create a truly visionary art center that could eclipse the Gehry or a ubiquitous mixed-use development. Outstanding not because of what it looks like or how financially good it looks on paper but in the positive and supportive impact it has on the community and the city. I know that running a museum or any arts organization is not a cakewalk, but I wish I could have more faith in the Corcoran assuming a role that maximizes the leadership role by at least trying to bring in the resources and a spirit of community and communication and could really make something happen.

I am willing to admit, it’s a little unfair to saddle our ‘local’ museum with this huge responsibility when they really do need to fix their school. Sadly, I think it took this bleak lack of faith to spur the Ex-MAC community get organized. If it’s not prudent for the Corcoran to do it, listen up isn’t there “someone” else out there that sees what I am talking about and can step up to the challenge? Stay tuned. Ex-mac'rs will hopefully be having a celebration of some sort in the spring in the hope that we can galvanize much more of the DC community to support art, artists and the positive investment that art is to the city as a whole.

Thanks.

Karen Joan Topping

Could Another Eakins Leave Philly?

"Three years ago, the Philadelphia School District went on a treasure hunt to gather up about 1,200 artworks. There were paintings, sculptures and tapestries from more than 260 schools, including Wilson.

Officials said some of the art was too valuable to hang in the schools. At least one piece by Thomas Eakins was found in a boiler room, the Washington Post reported.

A Chicago art consultant brought in to catalogue the works said the entire collection could be worth $30 million.

"This is an incredibly unusual and extraordinary find," consultant Kathleen Bernhardt-Hidvegi told the Chicago Sun-Times in 2004.

But now that the School Reform Commission is struggling to resolve a $73.3 million budget deficit, art experts, along with members of various school communities, are worried that district officials could be tempted to sell the artworks.

At least one commissioner, Daniel Whelan, voiced the idea at a budget hearing last month. The art has been stored away from public view since 2003-04.

Read the report by Valerie Russ here.

Hotel Art As I end up the travel nights in my hotel room in San Diego's Hotel Circle, and after a massive meal at Ortega's (still the best Mexican restaurant in San Diego by the way), I again noticed the crappy "wall decor" that goes for art in most hotel lobbies and rooms in this nation. And it reminded me of a stunt that I used to pull with hotel artwork years ago (which now would be called an "art project"). And I mean years ago, somewhere between the late 70's and the early 2000's, during the time before the crap that passes for art in most hotel rooms was attached to the wall so securely that it would take a small nuclear device to remove it from the wall. Anyway, between the late 70's (I'd say around 1976 or so) and the early 2000's, it was my usual practice, as sort of a personal artistic jihad, to take down the framed "art" in these hotel rooms, take the frame apart, and remove the usual poster or reproduction that was the art, turn it around, and draw (and once in a while actually paint) a "new" original work on the verso of the poster. It was usually a simple, figurative line drawing, more often than not done while watching TV, and often inspired by the TV show itself. Some were more elaborate than others, and every once in a while a really involved drawing would emerge. Once finished, I would re-frame the new work, and re-hang it on the wall. I did this probably around 200 times in hotel rooms in Europe, Canada, Mexico and all over the United States.

These days I am doing a similar, but modified project - which I will call my "art deployment" project, where I use frames from area thrift shops, remove the cheap reproductions (usually) that are in these frames, replace them with my own artwork -- usually art school era vintage "real" prints such as etchings, linocuts, lithos, etc. and even some original work -- and then "sneak" it back into the thrift shop for some lucky and sharp-eyed person to acquire and "boom" a Campello gets into another collection.

Crazy December

I'm gonna pack the miles in December. Between flying to California, and then to Florida and a gazillion parties and things to do in DC, will make for a crazy month, so please check often, as the posting will be done at all times of the day.

Educating Blake

As we all know, WaPo art critic Blake Gopnik is a devoted acolyte of the "painting is dead" gospel. Perhaps he should attend this panel in order to realize that as long as there are artists, painting will never die:

Roundtable Discussion: Fresh Paint: Process and Possibility

Tuesday, December 12, 2006, 7-9 p.m at the Arlington Arts Center.

Why is process a fresh topic these days? Fourteen invited artists from around the region, including Anthony Brock, Byron Clercx, Eric Finzi, Pat Goslee, Christopher P. Hoeting, Tati Kaupp, Kevin Kepple, Isabel Manalo, Michael Matarese, Cara Ober, Susan Palmisano, Stefan Prosky, Lynda Ray and Shinji Turner-Yamamoto will discuss why paint is their medium of choice.

As well, they will discuss why they use a variety of alternative painting techniques and materials (including robots that sing and make art) in search of mystery, pattern and meaning, and as a significant way to question contemporary life. Carol Lukitsch, curator of FRESH PAINT: Process and Possibility will also moderate this important roundtable discussion.

By the way, the opening reception for the show is Friday, December 8, 6-9 pm.

Airborne again today and flying from you-know-where and heading to the Left Coast...

Proof at Theatre Widener

Last Friday night I attended the opening performance of "Proof" at Theatre Widener at Widener University.

Written by David Auburn, "Proof" has been a spectacular success on Broadway, and has won the Joseph Kesselring Prize, the Pulitzer Prize, the Drama Desk Award, and the Tony Award for Best Play of 2001.

"Proof" is a play about Catherine, a 25-year-old Chicago woman who had been taking care of her mentally-ill uberMathematician father (Robert) for several years prior to his death in their home in Chicago.

Following his death, she then begins to deal with her own issues, including the fact that she's troubled by the many traits that she shares with her father, including a potential mental instability and an apparent gift for Mathematics.

The arrival of her bossy sister Claire from New York, to attend to their father's funeral, and the re-introduction of Hal, a former student of their father, who is now a professor of Mathematics at the University of Chicago (and who hopes to find some new and valuable mathematical insights in the 103 gibberish-filled notebooks that Robert left behind), set in motion the various elements of this play.

We learn a lot about mathematicians in this play. We are told that it is a young man's profession (most mathematical discoveries have been made by young men under the age of 25), and that it is young men who are the key mathematicians, and it is inferred that mathematicians may be predisposed genetically to mental instability, and finally, that mathematical research and the discovery of something "new" is the ultimate goal for "real" mathematicians.

When Hal is directed by Catherine to a locked drawer, and discovers a notebook filled with a mind-boggling new mathematical proof, the audience is initially led to believe that the old mathematician has shattered the foundations of (a) and has made amazing new advancements in the field while enjoying a one year remission in his mental illness.

Because "Proof" also makes a heavy-handed point that mathematical research is a young man's game, we are ready to gasp when the play then tackles the issue of Catherine (who has been trained by both her father and by undergraduate classes in Math at Northwestern as a beginner mathematician), as she stakes the claim at the midpoint of the play that it is she - and not her father - who has created the new proof.

Both Hal and Claire doubt the claim, and Catherine begins to descend into a depression that seems to put her on the same mental road as her father. Eventually, the play eases into a closing where Hal and Catherine, now romantically involved, work together to resolve some of the "less than elegant" parts of the proof.

The play spends a lot of dialogue talking about the culture of mathematicians. Since the author of "Proof" apparently does not have any mathematical background, I was surprised in the sense that he certainly does show remarkable insight into the culture of mathematicians.

For example, "Proof" introduces into the dialogue the rarity of female names in the top names for the William Lowell Putnam Mathematical Competition and the total absence of any female names on the list of Fields Medalists - prizes and competitions apparently well-known only in the field of Mathematics.

With the exception of Ted O'Tanyi (who plays Robert), these are all very young collegiate actors, and sometimes their youth shows, both in a positive and negative (no pun intended) manner, most often in their facial expressions to deliver an emotion.

Kristen Hearty, who plays Catherine (and whose character manages to somehow get cuter with each act in the play) uses her youth to plant her acting skills deep into the part. Her facial expressions and vocal range add a lot to the frustration and mental anguish of her character as she progresses through the various acts, and she is best when she interacts with Hal. She is also especially good in delievring some of the funnier lines in the script, during the second half of the play, and almost exhausting in her depiction of a very negative young woman.

Brian Harrington (who plays Hal) delivers the best performance in "Proof." He is believable as the Math geek professor, struggling to make Catherine believe that he's really interested in both her and her father's work - and not in getting his hands on the proof to make a name for himself. He stepped into the role from the very first line, and that singularly noticeable, since it took all the other actors a bit to "warm up," especially in the first act, which was a bit stilted and shrill.

Elizabeth Epright and Ted O'Tanyi are adequate as Claire and Robert respectively. O'Tanyi started a little shaky at first, but his performance matured as the play went on, and by his last appearance in the second half of the performance, was very good in the role of the mentally ill genius.

I was somewhat bothered by the choice of costumes for Claire and Catherine, which (especially in the case of Claire) seemed to be cheap suits off the rack from some outlet and apparently someone's ill-conceived notion of what a New York businesswoman wears. Claire ranged widely in costumes, from typical jeans and T-shirt, to a very pretty dress that takes the character from being a frumpy mid-20s Chicago girl into a sexy woman, and then again ends in the final act in a weird ochre pantsuit that must have caused gasps when finally purchased in some discount women's clothing store somewhere in Philadelphia.

Overall this is a very good collegiate production of a very strong play (directed by Dennis Bloh), which manages to raise some interesting issues about the ignored role of women in a male-dominated field.

"Proof" runs through December 9, 2006.

Altar Boyz

A while back a regular reader of Mid Atlantic Art News, who I think is also a producer for the show Altar Boyz, sent me a couple of complimentary tickets for one of the show's performance in our area at the Hippo in Baltimore.

I didn't know this at the time, but Altar Boyz is an award winning play, and somewhat (if we're to judge by the screaming girls in the audience) some kind of a "under the radar" cult hit, that somehow takes the phenomenom of pop boys groups, seriously athletic dancing, catchy tunes, and religion, and puts it all together in an unexpected, sort of fun musical show.

At first I thought that the show was an effort to poke fun at religion, Christian religion of course, but as the musical got going, I realized that this was an effort to well... bring some harmless pop into religion, while delivering a positive, and 100% harmless, religious message.

The "boyz" are Matthew, Mark, Luke, Juan, and Abraham; sort of a pop Christian Mod Squad, that is ethnically diverse ("Juan" (Spanish for John) is Mexican, and "Luke" plays an Italian street toughie stereotype (I think); and even includes a Semite ("Abraham" is Jewish), and one of the boyz (Mark) is gay.

The characters played by the boyz, especially the gay, the Mexican and the Jew, are little more than cliché Hollywood cartoonish stereotypes, but this is somewhat overcome by their interaction and the whole "fun" attitude of the show.

This Christian boy band, mike-in-cheek (I think) hopes to save souls in their travels with a power-packed ninety minutes of diverse music (rap, Latin, rock, gospel, etc.), well-choreographed and sweat-producing dancing, and a ton of laughs - in fact many more that one would expect... from (ahem) this kind of musical play.

And this is a show, that if someone would have described it to me ahead of time, I would have skipped it; and yet I will admit that I actually quite enjoyed the songs (includes "Girl, You Make Me Wanna Wait" and "Jesus Called Me On My Cell Phone"), the dancing, and even the post-modern Christian message of acceptance.

The show is based on a book by Kevin Del Aguila, and it is choreographed by Christopher Gattelli, who deserves a "well done" for the dancing and moves on this show.

More on the Altar Boyz website here (be prepared for annoying musical effects).

The Case of the Kennedy Portrait

Jessica Gould and Dave Jamieson have a really interesting report in the Washington City Paper about the fact that "Phillip Bailley took a handsome portrait of Robert F. Kennedy from his presidential campaign office. So why is he suing Ethel Kennedy?"

Read the story here.

Ellyn Wise on the Corcoran Acquisition of the Randall School

Last Thursday I mentioned the acquisition of the Randall School by the Corcoran and asked to hear from some of the MAC artists who have studios there, since there have been some past issues between them and the acquisition process.

Several artists have responded and below is Ellyn Weiss take on the subject:

Personally, I would characterize The Cork "under new management" as every bit as imperious and high-handed in its dealings with the local art community as was the old regime. It truly amazes me, not to say pisses me off royally, that after the Millennium artists - at The Cork's explicit request - supported the Cork's acquisition of the Randall School when they needed City Council approval, they never even deigned to meet with us and let us know what their plans and schedule are for the rehab.

Instead, they chose to communicate, on the rare occasions when they did, only through scary lawyer-drafted letters that ordered us to do one thing or another. For example: thanks to our truly amazing pro bono lawyers, Norman Sinel and Rich Lucas from Arnold and Porter, the deed for the Randall School now contains the requirement that, after rehab is completed, the Cork must offer the artists comparable studio space.

In an apparent nod to this, we all just received a registered letter informing us that we would be offered, in 48 - 52 months, a studio of no less than 72 square feet, but only if we sign a "legally binding" document now committing to rent it.

This magnanimous offer pretty much says it all. It couldn't be more clear that The Cork views itself as on a whole different planet than the one that local artists inhabit.

But not all gloom and doom from us Millennium artists! We have a show right now at 910 E St. NW organized by Zenith Gallery (thanks, Marjory) and are planning a big old party soon to which all of you artists and art lovers will be invited. We DO plan to rise again.

Peace and love, Ellyn Weiss

As there are always two sides to every story, I have asked the Corcoran to respond. Later I will publish more comments from other MAC artists.

New Painting a Day Blog

DC area artist Molly Brose joins the new wave of daily online painters kick-started by Richmond's Duane Keiser with her new "A Day's Work" Blog.

Some really excellent watercolors created each day here.

New Hoyas

DC area artist John Murray has been commissioned to create four religious paintings for the Jesuit Chapel of Georgetown University. He has just finished the first one:

More details, including prep sketches, here.

Another one heading down South

In addition to all the galleries and dealers mentioned here (and elsewhere since), the Black Artists of DC (BADC) are also heading to Miami where they will be exhibiting during the Art Basel extravaganza in the LoGlo exhibit at the Buena Vista Building in the Design District.

O'Sullivan in the WaPo

"Hoping to foster a little cross-pollination in the visual arts scenes of Washington, Baltimore and Richmond, the Washington Project for the Arts/Corcoran's ongoing series of "Exchange" exhibitions -- in which art spaces from those cities have been trading shows with one another -- is a great idea, if for no other reason than it saves gas. Washington art lovers curious about what's going on in the Baltimore scene, for instance, had the recent opportunity to find out (without driving an hour) when the WPA/C, in a collaboration with Baltimore's Creative Alliance, brought a slew of Charm City's finest to the Warehouse for a showcase earlier this fall. At the same time, Baltimoreans could check out what Washington had to offer at a simultaneous roundup of D.C. artists there. (Both have since closed.)

The final two "Exchange" installments are on view now: "Richmond @ DC" at the D.C. Arts Center, and its counterpart, "DC @ Richmond," at that city's Gallery5. (Oddly, the triangle was left incomplete, with no art-swap planned between Richmond and Baltimore. Oh, well. Maybe next year.)"

Read the WaPo review here.

New Baltimore Gallery

Diliberto Gallery recently opened in Fells Point in Baltimore and this Friday they are having a show titled "Land, Sky and Water," showcasing the work of five landscape artists: David Shevlino, Lisa Egeli, Eva Carson, Mary Bickford and Michael Diliberto. The opening reception is Friday, December 1 from 6-9PM.

Of these I am quite familiar with Lisa Egeli's technically superb work, and I think that she still holds my personal record for the most expensive painting that I've ever sold, sight unseen (not the most expensive painting that I've sold ever, but the most expensive "unseen" painting), to a collector (in Texas if I recall): $11,000 as I remember (it was a few years ago).

Diliberto Gallery website here.

New DC gallery

Gary A. Christopherson (Chris) has opened a new art studio/gallery called GChris "Progressive Art" Sculpture Studio/Gallery on Dumbarton Street in Georgetown.

Details here.

Corcoran Finally Closes MAC Deal

Jacqueline Trescott reports in the WaPo today that the Corcoran finally closed the deal to buy (for 6.2 million) the building where the Millenium Arts Center is located.

Gallery officials announced yesterday that they had signed the contract Tuesday night to give the city $6.2 million for the Southwest Washington property and had hired Monument Realty to oversee the project, in which the Corcoran will occupy part of the building and the rest will be converted to apartments.

When this deal started brewing a while back, there were some flies in the ointment.

When the Corcoran's plans were announced two years ago, advocates for the homeless protested, as did the artists, who complained about the lack of affordable studio space in Washington.

But apparently the artists will be given an option to move:

As part of the purchase contract, the Corcoran is offering some of the space at Randall to the artists who used to lease space there when it was called the Millennium Arts Center. "If they are interested in coming back, we are offering them space," said Rebecca M. Gentry, the gallery's vice president of institutional advancement.

I'd like to hear from some of the MAC artists to see what their point of view on this issue is...

Read the WaPo article here.

By the way, the MAC artists currently have an exhibition (opened yesterday) at Zenith Gallery's Alternative Space located at 901 E Street NW (entrance on 9th Street). On exhibit are works by my good friend Richard Dana, Inga McCaslin Frick, Wendy Garner, Georgia Goldberg, Lucy Hogg, Bonnie Holland, Judy Jashinsky · Kevin Kepple, Sherrell Medbery, Mark Planisek, Russ Simmons, Ellen Sinel, Walter Smalling, Frances Sniffen, Charles St. Charles, Betsy Stewart, Karen Joan Topping, Andres Tremols, Bert Ulrich, and Ellyn Weiss.

Dorkbot

I am somewhere over the Mid Atlantic coast, airborne on an ailing Freedom Air (the little guys who do the puddle jumps for Delta) prop job which was four hours late out of New York this morning, and yet through the wonders of technology, and my new laptop with the little wizard box that allows me Internet access practically everywhere in the nation, here I am, ahem... blogging.

And it is appropriate that the subject is to announce the next Dorkbot DC meeting of that strange group of area artists who (in their own words) are "artists (sound/image/movement/etc.), designers, engineers, students and other interested parties from the DC area who are involved in the creation of electronic art (in the broadest sense of the term)."

These geekartists will host Paras Kaul, a.k.a. "The Brainwave Chick."

Paras Kaul is an adjunct professor and Web developer at George Mason University, but when she pulls on her electrode-studded headband and steps out in front of an audience, she is “The Brainwave Chick.”

Why?

Kaul uses "a brain wave interface as a neural artist, researcher, and music composer. She creates brain wave music for multimedia productions that have been performed at the Kennedy Center, Millennium Stage, the Walker Art Center, and at SIGGRAPH conferences. Kaul’s research also involves the development of neural games for attaining preferable brain states for learning. Her neural art and games are intended to call attention to brain matters and to invoke a dialogue to discuss neurological learning to develop human potentials for self-healing, nonverbal communication, and remote viewing."

I'm sorry whaaa?

Also presenting at the Dorkbot DC meeting will be Philip Kohn, an artist whose interactive video art explores audience participation. He will be discussing his recent collaborative work “Your Two Cents” which records video of viewers opinions, then distorts them using video effects including face part identification

Maybe it's just me, but there's something slightly fascinating in a weird way about the ability of these, uh... scientists cum artists to create artwork that jumpstarts the 21st century into an area where (Blake Gopnik should love this), almost everything is new.

And the DC area, with its large technogeek base of cutting edge technology companies, R&D outfits and megahuge defense contractors, is the perfect place to fuel artistic development that marries real cutting edge science with "new" forms of art.

And these artists are working right here, in the DC area, under the noses of DC area museum curators. And if you or I were a young, up-and-coming curator, say Anne Ellegood, or Kristen Hileman, or Sarah Newman, maybe dropping in and seeing what these geekartists are up to could be worth the visit.

I think that they might see something new.

Date/Time: Wednesday, December 13, 2006 7-9 PM
Location: Provisions Library
Suite 200
1611 Connecticut Ave. NW
Washington, DC 20009
Price: Free admission
Public Contact #: 202-299-0460

Airborne today and heading to New York and then to Norfolk. More later...

Visual AIDS Postcards From the Edge Benefit

Postcards From the Edge is a show and sale of original, postcard-sized works on paper by established and emerging artists. The works are signed on the back and exhibited so the artists' signatures cannot be seen.

This year's Visual AIDS Postcards From the Edge Benefit is hosted in NYC by Sikkema Jenkins & Co, has the preview party on World AIDS Day, Friday, December 1 from 6:00 - 8:00 PM with a sneak peek only -- $75 admission includes one raffle ticket. One Lucky Winner will select any postcard that evening! Additional Raffle Tickets $25.

A silent auction of artworks by Barton Lidice Benes, Nan Goldin, Jenny Holzer and Richard Renaldi, will be held at the Preview Party, Dec. 1 from 6-8PM. Details and images here.

The Benefit Sale is Saturday, December 2 from 12:00 - 6:00 PM & Sunday, December 3 from 12:00 - 4:00 PM. $5 Suggested Admission. Over 1,000 original postcard-sized works of art. Only $75 each. Buy four cards and get one free. Participating artists are:

Mary Jo Aardsma, David Abbott, Joshua Abelow, Rachel B. Abrams, Vito Acconci, Brillion Adams, Derrick Adams, Farah Ahmad, Mason Akers, Tatiana Akoeva, Michael Alago, Courtney Alan, Michael Alan, Lynne Alexander, Alexander 23, Mary Alford, Stacy Alickman, Meredith Allen, Scott Allen, Carol Alonge, Anthony Alvarez, Jose Alvarez, David Ambrose, Blanka Amezkua, Shannon Amidon, Kim Amlong, Marie Anakee, Marina Ancona, Jack Anderson, Micki Anderson, Terry Ray Anderson, Kristin Anderson & Danny Licul, Carl Andre, Chad Andrews, Stephen Andrews, Brandon Andrzejczak, Elizabeth Andrzejczak, William Anthony, Polly Apfelbaum, Sally Apfelbaum, Rosaire Appel, Tomie Arai, Sol Aramendi, Michelle Arbeit, Wendy Arbeit, Kristoffer Ardena, Lauren D. Ari, Rebecca Armstrong, Yelena Aronson, Andrea Arroyo, Todd Arsenault, Julia Arzberger, Sabrina Asch, Mike Asente, Richard Ashe, Walter Askin, Kisito Assangni, Dotty Attie, Emily Aull, Anthony Austin, Lacy Austin, Dominick Avellino, Mehmet Ayanoglu, Joseph Ayers, Luke Ayres, Aziz + Cucher, Adam Baer, Miki Baird, Patrick Michael Baird, Raina Bajpai, Heti Baker, John Baldessari, Phyllis Baldino, Angela Barbalace, Gerard Barbot, Perry Bard, Frieda Bard Wirick, Julia Whitney Barnes, Scott Barnes, Malena Barnhart, Jill Baroff, Burt Barr, Paula Barr, Katie Barrie, Alex Barry, Mark Barry, Elliot Bassman, Hugo Xavier Bastidas, Larissa Bates, Peggy Bates, Mindy Baughman, Erica Baum, Sarah Baum, Miriam Baumer, Gail Baxter Cohen, Jeffrey Beall, Helena Beban, Kate Beck, Robert Beck, Tania Becker, Elizabeth Beckmann, Maureen Beitler, Valerie Belin, Adam Bell, Caroline Bell, Laura Bell, Mina Bellavia, Anne-Marie Belli, Chris Bellingham, Susanna Beltrandi, Ronnie Ben-Ami, Yael Ben-Zion, Barton Lidice Benes, Robert A. Benevenga, Stefany Benson, Micah Beree, Kermit Berg, Marina Berio, Peter Berlin, Katherine Bernhardt, Rakel Beruie, Rachel Berwick, Stephen Beveridge, Brett Beyers, Marieke Bier, Andrea Biller Collins, James Bills, Colby Bird, JoAnn Bishop, Mariella Bisson, George Blaha, Nancy Blair, Nayland Blake, Dana Blanco, Sonia Blanco-Florentino, Martin Bland, Julie Blattberg, Peter Blazek, Ross Bleckner, Lucinda Bliss, Stephanie Bloom, Deborah Boardman, Mel Bochner, Bianca Bockman, Mara Bodis-Wollner, Daniel Bodner, Sandra Boer, Elizabeth Bonaventura, David Borawski, Teresa Bosko, Lynn Boudreau, Matthew Bourbon, Nina Bovasso, Diane Bower, Astrid M. Bowlby, Cyd Bown, Dave Bown, Ryan Bown, Bruce Wesley Boyce, Daniel Boyer, Kelli Boyles, S. Kendall Bradford, Madelyn Bradley, Bradford Branch, Michael Brandonisio, Gladys Grey Brannum, Marcelo Brantes, Cariya Breemen, Susan Breen, John Breiner, Dagmar Breitenbauc, Corey R. Breneisen, Matthew Brennan, Lisa Breslow, Jacklyn Brickman, Kevin Bright, John Brill, Matt Broach, Mona Brody, Patricia Brody & Tom Kostro, Moazzam Ali Brohi, AA Bronson, Arnold Brooks, Nancy Brooks Brody, Jude Broughan, Christopher Broughton, Jenny Brown, Kim Brown, Maggie Brown, Louise Brown Kennett, Neil Bruce, Samantha Brugger, Tom Brydelsky, Thomas Bugarin, Stephanie Buhmann, Jessica Bumpass, Christopher Burke, Selene E. Burke, Amy Burns, Tim Burns, Hannah Burr, Tricia Burr, Nancy Burson, Jordan Buschur, Ernie Button, Mary Button, Theresa Byrnes, Marcus Camacho, Michael J. Cambre, Sherry Camhy, Elsa Campbell, F. Lennox Campello, Julio Candelario, Hector Canonge, Dulcie Canton, Suzanne Caporael, Miss Lyn Cardinal, Luis Carle, Joel Carlson, Curtis Carman, Lisa Carney, Victor Carnuccio, Kristen Caroselli, Rob Carter, Harriet Casolin-Silver, Marco Castro, Rick Castro, Niccolo Cataldi, Ananda Cavalli, Jennifer Cecere, Lynn Cella, Robert Cenedella, Seung Hun Cha, Stan Challenger, Beau Chamberlain, Anthony Champa, N. Janan Chandler, Frederick Chang, Ling Chang, Sunny Chapman, Michelle Charles, Cynthia Chatman, Ignacio Chavarri, Amy Cheng, Edward Cheng, Asa Chibas, Hollie Marie Chicalese, Ogechi Chiek, Eun Woo Cho, Abby Choi, Cecile Chong, Henry Chung, Elsie P. Church, Monica D. Church, Vincent Cianni, Laura Ciarcia, Lauren Cipkin, Susan Cirigliano, Rania Cisternas, Stephen TARO Clark, Rob Clarke, Christopher Clary, Veronica Jay Clay, Dawn Clements, Estate of Buster Cleveland, Wanda Clouston, Dominic Clouter, Anthony P. Clune, Jon Coffelt, Aaron Cohen, Michael Cohen, Neal Cohen, Susan Colgan, Cecy Colichon, C.J. Collins, Michael Roque Collins, Fernando Colon-Gonzalez, Elizabeth Colrick, Greg Colson, Nicoleta Coman, Hyakamooks Compton, Victoria Compton, Elisabeth Condon, Sherri Conley, Emily Conover, Juliette Conroy, Susan Constanse, Mallory Cooper, Pam Cooper, Stuart A. Copans, David Corbett, David Correa Muñoz, David Corwin, Geraldine Cosentino, Steve Cox, Del Craig, Patrick M. Craig, Peter Cramer, Brian Crede, Carla Criqui, Elizabeth Crisman, Robert Cronin, Sage Crown Parker, Albert Crudo, Gannon Leigh Crutcher, Shawn Cuddy, Janet Culbertson, Megan Cump, Colleen Cunningham, S. Purvis Cykes, Peggy Cyphers, Martin Dabrowski, Dennis Dahill, Steven Dalachinsky, David Dalessandro, Laura Dandaneau, Becky Daniel, Belinda Daniel, Vinod Dave, Jill Daves, Julie Davidow, Anna U. Davis, Jennifer Davis, Mark Davis, R. Clarke Davis, Kate Davis Caldwell, Keina Davis Elswick, Victor Davson, Marguerite Day, Laurel De George, Joe De Hoyos, Jesus De La Rosa, Frank de Las Mercedes, Regina De Rozario, Sandra De Sando, Elisa Decker, Gloria DeFilipps Brush, Jay Deleon, Nana Deleplanque, Tony DePew, Lori Der Hagopian, Priscilla Derven, Wendy DesChene, Robyn Desposito, Aasta Deth, Geoffrey Detrani, Yoko Devereaux, Mary DeVincentis, Louie Devito, Jenn DeWald, Linda Di Gusta, Mike Diana, Justin Luis Diaz, James Diffin, Amy DiGennaro, Simone DiLaura, Roz Dimon, Danielle Dimston, George Dinhaupt, Aureo Diniz, Christina Dipaci, Abigail Doan, Eric Doeringer, Rory Donaldson, Todd Doney, Elissa Dorfman, Judite Dos Santos, Tim Doud, Christopher Dovas, Sean Downey, Kathleen Drescher, Melanie Ducharme, Schuyler Duffy, Angela Dufresne, Laura Duggan, Mark Dumschatt, Maureen Duncan, Chad Durgan, Rodney Durso, Matthias Duwel, Jeremy Dyer, Michael Eade, Brent Nicholson Earle, Masako Ebata, Marlene Eckhardt, Marta Edmisten, Cynthia Edorh, Erin Edwards, Tiffany Edwards, Sally Egbert, Frank Egloff, Michael Eichhorn, Per Eidspjeld, Jason Eisner, Yosra El-essawy, Eric Elias, Robyn Ellenbogen, Jared Ellison, Erin Emanuelle, Lorena Endara, Elise Engler, Joy Episalla, Mitch Epstein, Sam Erenberg, Erich Erving, Carol Es, Donelle Estey, Yvonne Estrada, John Evans, Julie Evans, Dore Everett, Todd “Clemence” Everette, Patricia Fabricant, James Fackrell, Neil Farber, Adriana Farmiga, David Faulk, Kate C. Fauvell, Nicholas Fedak II, Tony Feher, Shelley Feinerman, Elyn Feldman/Kenny Gaye, Margaret Ferraro, Celeste Fichter, Toma Fichter, Luc Fierens, Janet Filomeno, John Findysz, Brian Finke, Lisbeth Firmin, Michelle Firoozan, Christina B. Fischer, Brad Fisher, Matthew Fisher, Louise Fishman, Roddy Fitzgerald, Joan Fitzsimmons, John Fitzsimmons, Gail Flanery, Samantha Flechaus, Jacques Flechemuller, Christine Flores, Frances Flores, Robert Flynt, Roy Foo, Jean Foos, James R. Ford, Cacy Forgenie, Jennifer Formica, Martine Fougeron, Stephen Robert Frankel, Christopher Frederick, Maya Freelon, Martin Freeman, Sharon J. Frey, Art Frick, Leni Friedland, Meagan Friedlander, Sabra Friendman, Matthew Fritze, Nichole Frocheur, Gina Fuentes Walker, Ivan Gaete, Tali Gai, Felipe Galindo, Sean Paul Gallegos, Linda Ganjian, Lauren Garber, Angelica Garcia, Arturo Garcia, Julio Garcia, Laurel Garcia Colvin, Milton Garcia Latex, Joy Garnett, James Gasowski, Allyson Gaston, Jeff Gauntt, Christopher Gauthier, Robin Gaynes-Bachman, Claude Gazengel, Mike Geary, Madeline Gekiere, Andrea Geller, Sandy Gellis, Mike Geno, Alexa Gerrity, Leslie Getz, Gilles Giacomotti, Cris Gianakos, Tony Gilardi, David Gilbert, Laura Gilbert, Paul Gillis, Audrey Gim, Eric Ginsberg, Frances Giron, Sean Gittens, Judy Glantzman, Milton Glaser, Sydell Glasser, Robin Glassman, Daniel Glendening, Megan Glickman, Bonnie Gloris, Jo Going, Connor Goldberg, Jack Goldberg, Kenneth Sean Golden, Nan Goldin, Janet Goldner, Lance Goldsmith, David Goldstein, Josh Goldstein, Rupert Goldsworthy, Nidia Gonzalez, Kathy Goodell, David Emanuel Goodman, Lee Gordon, Sam Gordon, Daniel Gorostiaga, Shaun Gough, Dana Grabelsky, Michelle Grabner, Leor Grady, Deborah Grant, Robin Graubard, Jeffrey Grauel, Victoria Gray, Nathan Green, Joanne Greenbaum, Rodney Alan Greenblat, Eriq Gregg, Clint Griffin, Peter Griffin, Stewart Griffin, Sonya Gropman, Ellen Grossman, Virgil Grotfeldt, Todd Grousdahl, Joan Grubin, Magalie Guerin, Kathy Gulrich, Carl Gunhouse, Diana Gurfel, Robin Guterson, Ana B. Gutierrez, A. Gutwirth, Ira Joel Haber, Harriett Hache, Rebecca Hackermann, Theresa Hackett, Patricia Haemmerle, Cristine Haft, Shauna Haider, Katy Hamer, Jane Hammond, Kelsey Hammond, Geugin Han, Marc Handleman, Linda Handler, John Hanning, Sandra Hanny Ahern, Erik Hanson, Jody Hanson, Lynn Hanson, Yvette Hao, Brent Haradas, Gwen Hardie, Millie Harper, Sherry Harradence, Patricia Harrigan, Christopher Harris, John Harris, Jan Harrison, David Greg Harth, Rose Hartman, Peter Harvey, Michael Harwood, Shari Hatt & L.M. MacMillan, Susan Hauser, Tom Hawkins, James A. Hawley, Kirsten Hawthorne, Joseph Hayes, Jodi Hays, Karen Heagle, Mary Heilmann, Emily Helck, Geoffrey Hendricks, Jon Hendricks, Jan Henle, Maxine Henryson, Ed Herman, Jeannette Hernandez, Arturo Herrera, Caroline C. Herrick, Matthias Herrmann, Elizabeth Hertweck, B. Heyboer, Laura Heyman, Kate Higgins, Amy Hill, Meredith Hilt, Julie Himel, Dahn Hiuni, An Hoang, Pamela Hochschartner Viola, Jim Hodges, Naomi C. Hoffman, Nick Holliday, Joseph O. Holmes, Brece Honeycutt, Shelia Horne, Jarrod Houghton, Sisavanh Houghton, Joanne Howard, Joel Hoyer, Mary Hrbacek, Andrea Huber, Linda Huff, Scott Hug, Laura Hughes, David Humphrey, Angela N. Hunt, Kyle Hunt, Brian Hutchison, Winifred Hwang, Pat Hydak, James Hyde, Nash Hyon, Phillip Ianchici, Jessica Iapino, Shigeno Ichimura, Ilian Ivanov AKA Rikka, Mikhail Iliatov, Lindsay Iliff, Asia Ingalls, Ketta Ioannidou, Lora Elizabeth Irwin, Carmen Isasi, Monique Isham, Junichiro Ishida, Stephani Isles, Michael Itkoff, Alfredo Jaar, Larry JaBell, Tim Jablonski, Sandra Jackman, Derek Jackson, Peter Jacobs, Merlin James, Lisa Marie Jankowski, Matthew Jankowski, James Jaxxa, Jim Jeffers, Bill Jensen, Diana Jenson, Tom Jezek, Amado Jimenez, Simen Johan, Kyle Johnsen, Carin Johnson, Courtney Johnson, Erick Johnson, Holly Johnson, Jack Johnson, Liz Johnson, Nikki Johnson, Timothy Johnson, Alexandra Johnston, Bill Jones, Darrell Jones, Mablen Jones, Mark Jones, Leeah Joo, Michael Joo, Nicole Jordan, MD, JORIAL, Jovani, Jeff Joyce, Roberto Juarez, Karen Jane Justice, Jonathan Kahle, Ellen Kahn, Jennifer Kakaletris, Amy Kao, Vicky Kao, Gareth Kaple, Rhea Karam, Cyrus Karimipour, Elaine Karton, Norman Kary, Nina Katchadourian, Betsy Kaufman, Jessica M. Kaufman, Pat Kaufman, Dionisios Kavvadias, Richard Kearns, John Carlos Keasler, Andrew Keating, Casey Kelbaugh, Marthe Keller, Leah Keller-Transburg, Millan Kelley, J. Lynn Kelly, Jamie Kelty, Doreen Kennedy, Michael “Misha” Kennedy, Doug Kent, Victor Marchand Kerlow, Jen Keshka, Mariya Khalt, Brian Khele, Kianne, Jen Kim, Kyung Kim, Yong Hee Kim, David King, Matt King, Polly King, Dave Kinsey, Susan Kirby, Lori Kirkbride, J.T. Kirkland, Barbara Klein, Charlotte Klein, Seymour Kleinberg, Michelle Kloehn, Lucretia Knapp, Barbara Knight, Frances Knight, Alison Knowles, Barbara Eden Kobrin Klein, Maya Koenig, Carol Kohn, Francine Kohn, Melissa Kojima, Thomas Koole, Jeff Koons, Sonya Korder, Fran Kornfeld, John Kotula, Jennifer Kozel, Joyce Kozloff, Dimitri Kozyrev, Aaron Krach, Helmut Krakie, Ellie Krakow, Josh Kramb, Peter Krebs, Fawn Krieger, Justyna Krygowska, Liliana Krynska, Xana Kudrjavcev-DeMilner, Melora Kuhn, Ida Kumoji, Louis Kunsch, Melissa Kuntz, Lauren Kurki, Sylvia Kwon, Eliot Lable, Jander F. Lacerda, Stephen Lack, Eliza Lamb, Emily Noelle Lambert, Jesse Lambert, Marc Landes, Jason Laning, Aldo Lanzini, Barbara Victoria Lapin, Yngvar Larsen, Jamie R. Lasden, Paul Laster, Mary Ellen Latas, Joan Laufer, Ayala Laufer-Cahana, Louis Laurita, Victoria Law, Louise Lawler, J.C. Lazarus, Abigail Lazkoz, Marjeta Lederman, Calvin Lee, Deanna C. Lee, Herenia Lee, Jennifer Lee, Jieun Zaun Lee, Jim Lee, Joyce Lee, Paul Lee, Sally O. Lee, Theresa Lee, Leeladhar, Jennifer Lehe, Roz Leibowitz, Catarina Leitao, Diane Leon, Charles Leonard, Marion Lerner-Levine, Miriam A. Leuchter, Sue-Yee Leung, Barbara E. Leven, Joe Levickas, Heather Levy, Joshua Dov Levy, Judith Levy, Martha Lewis, Ross Bennett Lewis, Cheng-Shu Li, Sophie Library, Vivian Liddell, Justin Lieberman, Edward Lightner, Glenn Ligon, Nicole Limperopulos, Clarence Lin, Ming Lin, Greg Lindquist, Richard Lindquist, Sharon Lindquist, Markus Linnenbrink, Stephen Lipman, Marcia Lippman, Lump Lipshitz, Jackie Lipton, Bruce Carl Lisanti, Penelope Lisk, Frank Liu, Mindy Liu, Rita Lombardi/Jon Petro, Daniel Long, Gaddiel Lopez, Emilee Lord, Hilary Lorenz, Whitfield Lovell, Lovett/Codagnone, Gina Lovoi, Joy Low, Heather Lowe, Leslie Lowe, Scott Lowenbaum, Michael Lownie, Rebecca Loyche, Barbara Lubliner, Monique Luchetti, Robert Ludwig, Cecilia Lueza, Pamela Lum, Lexie Lumiere, Brian Lund, Deborah Lutz, Annica Lydenberg, Lucinda Lynch, David R. Lyon, Giles Lyon, Noah Lyon, Diana Lyons, Thessia Machado, Ian Mack, Keith Maddy, Sanae Maeda, Matt Magee, Catherine Maguire, Cecilia Mahal, Charles Mahal, Matt Mahler, Mailarta, Alice Major, Elim Mak, Laura Makinen, Allison Malinsky, Suzanne Malitz, Barry Maloney, Patrick Maloney, David Mandel, Karyn Mannix, Ann Manolino, Mineko Marayama, Mitchell Marco, Karen Marie, Robert Markey, Norma Markley, China Marks, Shelley Marlow, Susan B. Marlowe, Rochelle Marmorek, Sandy Marostica, Beth Mart, Fernanda Martin, Trevor Martin, Sam Martineau, Charmaine Martinez, Max Carlos Martinez, Magdalena Martinez-Franco, Mah Moneer Masih-Tehrani, Christina Massey, Frank Mastropaolo, Joan Mastropaolo, Malorine Mathurin, Igor Mattio, Brielle Maxwell, Robert Adam Mayer, Katie Mayhew, Mayo, Susan Mayr, Bradi Mays, Stanley McBarnette, Melissa McCarthy, Stepana McClure, Dave McDermott, McDermott & McGough, David McDonnell, Tim McDonnell, Sean McDonough, Sarah McEneany, Florence Alfano Mcewin, Dominic McGill, Alison McGoran, Elaine McKay, Craig McKenzie, Anne Q. McKeown, John McLachlin, Brad McLean, Mark McLoughlin, Patrick McMullan, Jamie McPartland, Beverley McQuillan, Lisanne McTernan, Gerald Mead, Sandra Meadows, Sudana Medrano, Julie Mehretu, Stephen Meierding, Linda Meisenhelder, Neil Meitzler, Brad Melamed, Robert Melee, Reyes Melendez, Margery Mellman, Matthew Mendieta, James Merrell, Arnold Mesches, Mica, Gordon Micunis, Anthony Miler, Kerri Miles, Dana Miller, Judith S. Miller, Mireille Miller, Tracy Miller, Sarah Min, Marilyn Minter, Richard Mirabile, Ellen Miret, Marilyn Mitchell, Joseph Modica, Catherine Molland, Cheryl Molnar, Ali Moon, Nik Moore, Pat Moore Carroll, Paul Moran, Humberto Moreno, Jed Morfit, Amelia Morgan, Janet Morgan, Joshua Morgan, Michael C. Morgan, Andrea Morganstern, Lizeth Morocho, Kenneth Morrison, Lee Morrissey, Arezoo Moseni, Leslee Mounger, Carrie Moyer, Roger Mudre, Shayok Mukhopadhyay, Molly Mullahy, Mario M. Muller, Matt Mullican, Lynn Mullins, Carla Munsat, Naoki Muramatsu, Mary Catania Murphy, Rob Nadeau, Stefanie Nagorka, Kazuya Nakao, Phil Napala, James Nares, Yamini Nayar, John W.M. Neely, Sheila Neill, James Nelson, Kathleen Ney, Annysa Ng, SuGing Ngouv, Linda Nicholas, Linda Niemann, Martha Nilsson Edeheit, Millie Niss, Ellen Noone Flocco, Sarah Noreen, Nick Normal, Anne Novado Cappuccilli, Michelle Nugent, Jill O’Bryan and Joanna Frueeh, Robert O’Donnell, Robyn O’Neil, Leah Oates, Jane Ocylor, Mascha Oehlmann, Jeanine Oleson, Debra Olin, Steven Olivieri, Elizabeth S. Olsson, Christopher Olszewski, Ron Omlin, Dawline-Jane Oni-Eseleh, Joe Oppedisano, Sarah Oppenheimer, Nicki Orbach, Janelle Ortiz-Scolaro, Harold Osmer, Karen Ostrom, Alina Oswald, Yuko Otomo, Tom Otterness, Michael Ottersen, Joe Ovelman, Brook Overline, Kanaan P., Lindsay Packer, Carol Padberg, Warren Padula, Alexandra Paez-Quijano, Mervi Pakaste, Anne Paleudis, Jennifer Palmer, Sachin Pannuri, Cheryl Papasian, John Papasian, Sky Pape, Aegi Changsuk Park, Stephanie Park, Yoon Park, Evelina Parrini, Ritchie Patterson, Laura Paulini, Chelsea Paulson, Sunny Payson, Nylorac Peaj, Leanette Peles, Marc Pelletier, Leemour Pelli, Sheila Pepe, Osvaldo Perdomo, Linda Permann, Christopher Perry, Daniel Perry, Mark E. Perry, Oliver Person, Gilda Pervin, Kevin Peters, Elise Peterson, Susan Peterson, Alexander Petti, Barbara Petti, George Pfau, Daniel Phillips, Laura Sue Phillips, Richard Phillips, Tracy Phillips, Corina Pia, Doug Piccione, Claudia Piehler, Liana F. Piehler, Lee Alice Pierce, Jack Pierson, Pietrapiana, Karl Pilato, Kim Piotrowski, Philip Pirolo, Lola Planells, Catya Plate, Maria Politarhos, Tiffany Pollack, Heidi Pollard, Ben Polsky, Shanna Polyn, Nuno Pontes, I.C. Pool, JME Pool, Amy Jean Porter, Linda Porter, Chuck Potter, Pat Power, Alexandra Pratt, Hanrijs Preiss, Maggie Prendergast, Heidi Prenevost, Donna Pressman, Mel Prest, Candace Price, Sara Pringle, Jason Pritchard, Elisa Pritzker, Rick Prol, R. Prost, Michael Puckett, Elizabeth Puetz, Ernesto Pujol, Andrew Purchin, Stephen Pusey, Matthew Pych, Ronnie Queenan, Fred Quintiliani, Barbara Rachko, Carol Radsprecher, Marian Radu, Helaine Rainier, Christina Ramirez, Paul Henry Ramirez, Debra Ramsay, Nekenasoa Randresihaja, Jessica Rankin, Jenna Ransom, Meryl Ranzer, Ray Rapp, Kaylyn Raschke, Ramya Ravisankar, Jo Beth Ravitz, Karey Rawitscher, Valerie Razavi, Annelise E. Ream, Virginia Reath, Michal Rebibo, Al Red, Catherine Redmond, Mardee Reed, Jim Reich, Leon A. Reid IV, Ken Reker, Richard Renaldi, Paula Rennis, Jesse Reno, Judy Rey Wasserman, Reynolds, Eric Rhein, Lauren Kathleen Rice, Barbara Richards, Robert W. Richards, Carol Rickey, Francie Riddle, Sarah Riedel, Marie Rim, David Rios Ferreira, Maria Ivette Rivera, Sara R. Robb, Sam Robbins, Dale Roberts, Daniel H. Roberts, Marie Roberts, Suloni Robertson, Andrew Cornell Robinson, Dorothy Robinson, Jack Robinson, Steven Robinson, Debbie Rodenhauser, Abnel Rodriguez, Amber Roettger, Christine Rogers, Travis Rogers, Jorge Rojas, Natalya Rolbin, Viviane Rombaldi Seppey, Dan V. Romer, Aya Rosen, Kay Rosen, Ned Rosen, Jennie Rosenbaum, David G. Rosenberg, Barbara Rosenzweig, Jessica D. Rosner, Carol Ross, Robin Ross, Ryan Roth, Barbara Rothman, Lisette Rotman, Cody Rounds, Gail Rousseau, Christian Routh, Dirk Rowntree, Andrew Roy, Sandra Ruark, Nancy Rubens, Nell Ruby, Alena Rudolph, Stephanie Rudolph, Lee Ruelle, Alissa Rufino, Brian Ruger, Arlene Rush, Dan Rushton, Craig Russell, Robert Rust, Carol-Anne Ryce-Paul, Zachary Sala, Dean Sameshima, Terry Samilson, Nancy Sampson, John Sanchez, Joel Sanders, Hope Sandrow, Toni-Lee Sangastiano, Barbara Sansone, Carmine Santaniello, Jonathan Santlofer, Nelson Santos, Anthony Satori, Susan J. Sauerbrun, Richard Sawdon Smith, Joe Saxe, Jenn Scarola, Karen Schiff, Cecilia Schmidt, Gary Schneider, Aynsley Schopfer, Holli Schorno, Collier Schorr, Tom Schreiber, Dustin Schuetz, David Charles Schulze, Michaela Schumaci, Susan Schwalb, Molly Schwartz, Caroline Scott, Coleen Scott, Dread Scott, Jennifer Scott, Greg Seagrave, Analia Segal, Shulamit Seidler-Feller, Amy Seidule, Jackie Seles, Jonathan Seliger, Christina Serchia, Harriet Serenkin, Martha Sermier, Judy Servon, Emily Severance, Marcia Sewall, Defna Shalum, Irma Shapiro, Frank Sheehan, Mark Sheinkman, Ellen L. Shepard, Glen Shepard-Siple, Kelly Shepard-Siple, Susan Shepard-Siple, Kate Shepherd, Lela Shields, Beth Shipley, Ellen Shire, Peter O. Shire, Jon Shireman, Sarah Shirley, Ethan Shoshan, Joyce Siegel, Rebecca Siemering, Hrafnhildur Sigurdardottir, Artur Silva, Luis Silva, Tawnie Silva, Lauren Simkin Berke, Patricia Simko, Jimmie Mack Simmonds, Lauren E. Simon, Thomas Simon, Kelley Simons, Katherine D. Singh, Ellen Singletary, Emily Skaer, Ski, Ruth Sklut, Christopher Skura, Tom Slaughter, Jill Slaymaker, J. Sloman, Jill Slosburg-Ackerman, Benjamin Sluat, Sarah Small, Wendy Small, Allison Smith, Charlie Smith, Clare Smith, Clifford D. Smith, Jessica Smith, Kiki Smith, Lory Smith, Michael Smith, Eleni Smolen, Karen Smul, Lanya Snyder, Yasmine Soiffer, Thomas R. Somerville, Erik Sommer, Erika Somogyi, DeDe Sorensen, Christina A. Soriano, Mario Sostre, Teddy Spath Jr., Hilary Spector, Maria Spector, George Spencer, Tracey Sperling, Nancy Spero, Gary J. Speziale, Janice Spillane, Andrew Spina, Margot Spindelman, Janine Spittle Montoya, Enisa Srdanovic, Gail Staal, LCSW, Stacey Stambaugh, Kelly Starbuck, Craig Starger, Starr, Jiri Stavovcik, Rene Stawicki, K-Fai Steele, Barry Steely, Clint Steib, William Steiger, Laura Stein, Stanley Stellar, Joseph Stengel, Jeff Stevenson, John Michael Stevison, Karen Stiehl Osborn, Bruce Stiglich, Michael Still, Sam Still, Linda Stillman, George Stills, Ben Stock/Brainpower, Dani Strand, Lisa Studier, Bobbi Studstill, Go Sugimoto, Sabina Sule, Hiroshi Sunari, Sur Rodney (Sur), Rachel Sussman, Ferenc Suto, Philip Swan, William Swanson, Daniel Swartz, Liz Sweibel, Jane Swidzinski, Helen Sykes, Lauren Szwech, Barbara Takenaga, Dafna Tal, Sam Tan, Tattfoo Tan, William Tarnowski, Nuri Taub, Caroline Tavelli-Abar, Hana Mori Taylor, Morgan Taylor, Scotti Taylor, Steed Taylor, Don A. Tedesco, Ron Terner, Andre Terry, Ron Testa, Wendy Testu, James Thacker, Michael Thalassinos, Richard Thatcher, Elaine Theodoropoulos, Austin Thomas, Gwenn Thomas, Andrew Ti, Arno Tijnagel, Elizabeth Tillotson, Mary Ting, Zdravko Toic, Gozan Tomcic, Ava E. Tomlinson, Mette Tommerup, Nancy Tompkins, Anne Marie Torrez, George Towne, Breanne Trammell, Bill Travis, Miyuki Tsushima, Elton Tucker, Meg Tulloch, Chris Twomey, Rhonda Tymeson, Kyle Tyujillo, Penelope Umbrico, Alex Umen, Peter Urban, Irving Uribe (CATV), Chea Ryan Urioste, Mary A. Valverde, Diane Van Cort, Jeff Van Kleeck, Pamela Van Sant, Annina Van Sebroeck, Connie Van Winssen, Johana Van Wyk, Carlos Vanegas, Dan Vasseur, Mary Veale, Jesse Veasey, Lorrie Veasey, Tony Michael Vecchio, Alberto Velasco, Wilmer Velez, Michael Velliquettee, Daniel Venne, Venske & Spanle, Carlo Vialu, Carrie Villines, Marlene Vine, Rachel Vine, Jemina Vita, Anthony Viti, Conrad Vogel, Judith Vogt, Don Voisine, Nadya Volicer, Whitney Vosburgh, Robyn Voshardt and Sven Humphrey, Melanie Wadsworth, Nomi Waksberg, Robert Walden, Daniel R. Waldron, Athena Waligore, Joy Walker, Kara Walker, Emily Walley, Kristin Walsh, Shane Canyon Walsh, Katherine Walton-Myers, Lucia Warck-Meister, Tom Warren, Phoebe Washburn, Marcy Wasserman, Jack Waters, John Waters, Robert Waters, Judy Watt, Patrick Webb, Tenesh Webber, Joan Weber, Valerie Wedel, Laura Weed, William Wegman, Michael Weidrich, Heather Weikel, Elizabeth Weinberg, Louise Weinberg, Dan Weiner, Emily Weiner, Lawrence Weiner, Ejay Weiss, Barbara Weissberger, Taryn Wells, Carolyn Weltman, Michael Werner, Robert Wersan, Alisha Cecelia Wessler, Larry Westler, Frederick Weston, Kurt Weston, Dirk Westphal, Charmaine Wheatley, Stuart Wheeler, Ken Whitbeck, Bridget White, Eileen L. White, Jack White, Susanne E. White, Tom White, Mark Wiener, Meghan Wilbar, Christine Willcox, Dan Williams, Danie Williams, Diane Williams, Jennifer Williams, Jennifer Williams, Jim Williams, John Williams, Ross G. Williams, Shirley Williams, Todd Williams, James J. Williams III, J. Williamson, Corey J. Willis, Wendy Willis, Dean Wilson, Fred Wilson, June Wilson, Kate Wilson, Letha Wilson, Millie Wilson, Mikey Windy, Deborah Wing-Sproul, Albert Winn, Edie Winograde, Adela Winter, Gene Wisniewski, James Wodarek, Marcie Wolf-Hubbard, Espie Woods, C. J. Worlein, Jennifer Wroblenski, Tamara Wyndham, Noel Wynn, Rob Wynne, Cathy Wysocki, An Xiao, Junko Yamada, Riichi Yamaguchi, Lynne Yamamoto, Carrie Yamaoka, Frank Yamrus, Alessandro Balteo Yazbeck, Mie Yim, Yoichiro Yoda, Robert Yoder, Mika Yokobori, Tim Youd, Laurence Young, Laurie Young, Nicole Young, Jennifer Zakrzewski, John Zaso, Brian Zegeer, Jody Zellen, Yvonne Zhu, Dan Zinno, Anthony Zito, and Kristin Zottoli.

Preview Conner's Pulse Booth

You can preview Leigh Conner's booth at Pulse Miami here. The gallery will be at booth 311 and will feature new digital light sculpture by Leo Villareal, new video and photography by Maria Friberg and large-scale figurative paintings by Erik Sandberg.

Speaking of Erik, his latest works at Conner Contemporary were reviewed by ArtForum's Nord Wennerstrom as "tremendous achievements in figuration - masterfully painted and richly sculptural, they establish the artist as a worthy heir to John Currin and Lisa Yuskavage."

Subject matter aside... say what? Has Wennerstrom ever actually taken a close look at either a Currin or a Yuskavage? Upon close inspection they fall apart as "paintings," and reveal themselves more as flat washes of "straight from the tube" works, which (as any experienced painter will tell you) is often the first gritty evidence of a painter lacking technical skill (few seldom "avoid" it, like Picasso often did).

Sandberg can paint circles around both Currin or Yuskavage, with one hand tied behind his back, an eye-patch covering one eye, and an old brush with only sixteen bristles left in his left hand. His painting skills are in part the result of a lot of hard work, and having benefitted from the amazing teaching and painting skills of GMU's Margarida Kendall (now retired). Since her retirement, Kendall has sort of disappeared from the DC area "scene," while enjoying spectacular success in Europe.

This is a case where the "heir" is far better than the King and Queen.

Washington Glass School's New Spaces

The Washington Glass School's Annual Holiday Party and Glass Sale will be on Saturday, Dec. 9th from 2 to 6pm. Food ,music, class specials and a lot of glass and art for sale as well as a Fire Spinning Performance by Sarah Lovering and her class from 4:30 to 5:30!

They will also be showing off their new space bringing the school's size to a total of 6500 sq ft.!

Having done this in the past, this is a great way to get some great art at incredible prices while having a great time!

What : Washington Glass School Annual Holiday Party and Open House
When : Saturday, Dec 9th from 2pm to 6pm.
Where: Washington Glass School, 3708 Wells Ave., Mt. Rainier, Md. 20712. 202-744-8222