On Strike from the Huffington Post

Just received the below from Bill Lasarow, Publisher and Editor of ArtScene / Visual Art Source

When ArtScene and Visual Art Source was invited to become a Huffington Post blogger last year I, as publisher and editor of both publications, understood that the company paid nothing. We surveyed our writers’ reactions to assess their willingness to have their material reposted there for no additional pay. Visual Art Source, ArtScene and art ltd. (http://www.visualartsource.com) form an umbrella art publishing company that is actually quite large by the standards of our very specialized field. The tens of thousands of readers and online users that we boast, however, are miniscule compared to the 26 million visitors per month that the Huffington Post currently draws.

Yet we are now going on strike. For now, at least, no more content from us will appear on the Huffington Post.

And just like the corporate titans of the American Right, it would come as no surprise if Ms Huffington, whom I am certain has a good heart and only the best intentions, were to assume the obvious position: Who needs these people anyway? They are not even employees.

Nonetheless, we shall remain on strike until these two demands are met. First, a pay schedule must be proposed and steps initiated to implement it for all contributing writers and bloggers. Second, paid promotional material must no longer be posted alongside editorial content; a press release or exhibition catalogue essay is fundamentally different from editorial content and must be either segregated and indicated as such, or not published at all.

I am also calling upon all others now contributing free content, particularly original content to the Huffington Post to also join us in this strike.

We think it is incumbent upon the many writers and bloggers to form a negotiating partnership with Huffington/AOL in order to pursue these and other important matters so as to professionalize this relationship. It is not entirely Ms Huffington’s fault that so many talented professionals have been willing to accept the company’s terms on an “in kind” basis. Surely most do so in the hopes of achieving their own fame and fortune thanks to the great exposure that Huffington Post potentially offers. Unfortunately, such participants are only complicit in a relationship that fails the ethical smell test. And those who are already nationally known figures who will never need to be concerned about pay scales, shame on you, you should know better.

It is unethical to expect trained and qualified professionals to contribute quality content for nothing. It is unethical to cannibalize the investment of other organizations who bear the cost of compensation and other overhead without payment for the usage of their content. It is extremely unethical to not merely blur but eradicate the distinction between the independent and informed voice of news and opinion and the voice of a shill.

None of this is illegal, only unethical and oh so very hypocritical, so Ms Huffington if you insist do carry on, by all means. However we are taking this action, with the full knowledge of our contributing writers and editors, in the belief that your better angels will enable you to do the right thing. We stand ready to provide whatever helpful input we can.

For further information please contact Bill Lasarow, Publisher and Co-Editor of ArtScene / Visual Art Source, (213) 482-4724, artscene@artscenecal.com / billl@visualartsource.com

Tonight: Select's Curators Talk



Tonight is one of the The Washington Project for the Arts' (WPA) big events of the year, as their Annual Art Auction Exhibition and Gala, SELECT kicks into high gear tonight with the Curators' View event from 6:30 pm to 9:00 pm. The event is free and open to the public.

At the Curators' View, each Select curator will present and discuss their exhibition selections. In addition, WPA's prized Alice Denney Award will be presented by Robert Lehrman to Washington-based artist William Christenberry for his support of WPA and sustained commitment to the DC arts community.

Then Saturday, March 12, 2011 marks the 30th anniversary of the organization's well-known arts gala that includes a curated silent auction of more than 100 contemporary works by top contemporary artists, formal dinner, and performance art.

The events will be held at 700 Sixth Street, an Akridge-managed property, in northwest Washington on top of Chinatown; it is expected to draw over 500 art enthusiasts. You can see the selected works online here.

Meet Joel D’Orazio tomorrow

Art chairs, sculpture and abstract painting by architect turned painter/sculptor Joel D’Orazio. New as a Zenith Gallery artist, D’Orazio will be featured in a solo show, Listen to Me, at the Gallery at 1111 Pennsylvania Avenue NW, curated by Zenith Gallery.

The show opened on February 7 and will remain on display through May 13, with a “Meet the Artist” Reception on Wednesday, March 2, 5:30pm to 8:00pm.

Blake Gopnik busts the NYT!

Ahhh... did the grey old lady get caught ripping off an artist? .... and who may have caught the NYT?

Applause for the Gopnikmeister!

Read about it here.

But as Blake points out towards the end of the piece... there is no real copyright issue here... if you copy Dali's La persistència de la memòria then you have broken the law.

But if you paint your own melting watch, then you've just stood on the shoulders of a giant.

Still.... bravo Gopnik!

Sunday Funnies (ahem) Stamps


I know I'm gonna get killed for this, but here I discussed when I detected possible pornography in the American stamp issue of Sunday Funnies, and here I broke out one of the first two possibly sexualized panels (yay!) in our sexy nation's stamps history.

But as Tery Gilliam predicted in his groundbreaking film Brazil, all of you are too chicken to come forward (other than the dozen plus emails I've received... offline) to "see" the Onanist issue here.

Wait till tomorrow for me to tell you what Odie The Onanist is doing.

Antonia Ramis Miguel at Watergate

Spanish-born artist Antonia Ramis Miguel has a show coming (March 5th - April 2nd, 2011) at The Watergate Gallery in DC.

The Reception is this Saturday, March 5th 6-8pm and there's an Artist talk on Tuesday, March 15th at 6pm.

Antonia Ramis Miguel was born in Spain in 1963 and has been painting since childhood. She studied with Edgardo and Alceu Ribeiro, students of the renowned constructivist Joaquin Torres-Garcia. In this exhibition Antonia Ramis Miguel continues with her approach to Constructivist art. Her oil paintings combine the strength of structured line, color and abstraction creating a dramatic visual effect that arranges the parts of a subject into a whole. She spent several years studying the techniques of, among others, Rubens, Sargent, Velazquez and Vermeer. Miguel spent four years painting and teaching in Washington D.C. before moving to London where her palette was influenced by the greys of the sky and bricks of the buildings. The influence of her native Spain, particularly the use of saturated color, is however still visible in her work. She has shown her work in individual and collective exhibitions in her native Spain, the United Kingdom, Austria and the United States.

500 children, 500 cameras, 500 moments

Photojournalist Ramzi Haidar launched the project Glimpse (Lahza in Arabic) to bring together photographers, journalists and artists with children ages 5-12 in Palestinian refugee camps in Lebanon. The children worked with these volunteers for one year to learn the basics of photography. The images they produced with their cameras are entirely their own, giving them a power to reveal a reality rarely seen. Large scale photos and books about the project are on display at the Jerusalem Fund Gallery.

At the The Jerusalem Fund Gallery (2425 Virginia Ave. NW, Washington DC 20037). From March 11– April 8, 2011 with an Opening reception on Friday March 11, 6-8 PM.

A Bissel Smaller

I was raised in Brooklyn, and all my early jobs were working in the stores and delis around Pitkin and Belmont Avenues in Brooklyn. I've also spent several months living and exploring Israel.

Why am I talking about this? Because I think those life experiences give me a solid background in opining about Jewish delis, and in my opinion, the DMV's Parkway Deli is amongst the best on this planet.

Not only do they make excellent Jewish fare, but I also like that no matter when you get there on a weekend there's always a huge line (I'm not sure why I like this, but it is reassuring), and that the crowd is so diverse, covering all four races and countless ethnicities; clearly the quality of the food draws all hungry facets of mankind.

Yesterday I ordered my usual: matzoh ball soup and the deli twins (a mound of corned beef and a mound of pastrami on two onion rolls with a side). My wife ordered a large salad and a side of spinach (that's why she's a fideo).

When the delicious soup arrived, I noticed that they had a new set of serving dishes; more modern and square; I even complimented the waiter on how cool they looked.

As I began to eat my soup and my wife her salad, we both noticed something: the new dishes were quite a bit smaller than the old dinnerware! I'm not talking 10% smaller, but maybe 25 - 35% smaller.

Feh! And I will admit that the old soup sizes were quite generous, and the deli twins were the same size, but it kinda bummed me out a little that my favorite dish in the whole joint is now a lot less soup for the same amount of sheckels.

PS - If you are a carrot cake buff (like I am), The Parkway Deli has one of the best carrot cakes in this Universe.

Cudlin in the WaPo

Just read Jeffry's most excellent (although I disagree with his closing paragraph) review of the Picasso show at VMFA.

For some reason, there's no link online yet, but it is a huge review about the 20th century's most important artist.

One Picasso relationship that is seldom explored when the illuminati discuss Picasso's African influences is the very direct influence that one of Picasso's young friends' artwork had upon the Malaga-born master (and viceversa)

I'm referring to Wifredo Lam, the Afro-Chinese Cuban-born painter who became one of Picasso's best friends when Lam arrived in Paris in the late 30s and whose focus on African imagery (according to Lam anyway) received a lot of admiration and attention from Pablo The P.

Cudlin goes yard with this review; and kudos to VMFA for bringing this spectacular show to the Mid Atlantic.

See Alex Nyerges, Director of the VMFA, talk about this show:

Torpedo Factory Art Center Visiting Artist Program

Deadline: February 28, 2011.

The Torpedo Factory Art Center invites emerging and experienced artists to apply for one, two, or three-month residencies between June 1 and August 31, 2011.

The Torpedo Factory Art Center (www.torpedofactory.org) in Alexandria, Virginia is home to more than 140 visual artists working in 82 studios. Artists create in a wide variety of media including painting, fiber, jewelry, ceramics, printmaking, cast and stained glass, and sculpture. The Torpedo Factory is open to the public every day; visitors are invited and welcomed into studios to watch artists at work, ask questions, and purchase original art – allowing the public an opportunity to share in the excitement and fascination of the creative process.

The projects undertaken by Visiting Artists for this self-directed, creative residency must be compatible with available working studio spaces and facilities.

Visiting Artists will be provided with studio space and will be able to display and sell original work.

Finalists will be selected by yours truly. There is no application fee.

Download the Prospectus and Application Form from www.torpedofactory.org/vap.

Tonight in Norfolk

Several DMV area artists, such as Tim Tate, Andrew Wodzianski and yours truly are in MFA's Winter show. The reception is February 26, from 7-9PM.

MFA is easily and by far (in my clearly subjective opinion, but easily checked out), Norfolk's top fine arts gallery, with a gorgeous location on the city's waterfront.

Mayer Fine Art
333 Waterside Drive
Norfolk, VA 23510
(757) 803-4749

Porno Stamps? Odie, what are you doing?


Perhaps I'm a big fan of hidden clues and messages in artwork. I do this all the time in my own work - hide clues, figures, words, etc. in the shadowing or lines, etc. - and I'm always looking at visual imagery from a "hidden image" perspective. I'd love to say that it comes from a cool artsy background, but in reality it stems from the whole scandal of the subliminal nudes claimed to be hidden in the ice cubes of some commercials when I was a teen.

Today I bought some stamps, including two sheets of the new Sunday Funnies stamps recently issued by the US Post Office. When I looked at them for the first time, a couple of things in two of the panels jumped at me and I did a double take.

I don't want to plant any further ideas in your head, so just look at the Garfield panel above and then take a closer look at Odie with the perspective of looking for something sexual hidden in plain sight through the magic of lines and shapes.

More on Odie and what I see him doing tomorrow... but now I'll decipher Archie for you.

Archie and Betty Looking for a Ménage à trois?



And nu? Look at the way that Archie and Betty are both looking at Veronica; not at each other. And then there are two hearts popping out of Betty's head as she stares dreamily at bad, rich girl Veronica.

Veronica smiles coyly, eyes closed, but her hand shows the hand signal for "swing."

Now look at the little blue "bar codes" underneath the three characters' arms; if you break that to binary code (notice that there are "fat" and "thin" lines or "zeroes" and "ones") then it breaks to 11010011, which is this character: Ó

Accent on the "O" - Text for the Big "O"?

It gets better; If you translate 11010011 to base64, then you get this penis emoticon character: 0w==

Fun with American stamps and The Lenster...

Opportunities for Artists

Deadline: April 30, 2011.

Call for Entries: The Graceful Envelope Contest - Artists everywhere are invited to participate in the 2011 Graceful Envelope Contest, conducted by the Washington (DC) Calligraphers Guild under the sponsorship of the National Association of Letter Carriers.

There is no entry fee.

This year's theme is "Time Flies," so design an envelope that explores good times, quality time, the times of our lives, time travel, or any other idea you have time to develop.

Address the envelope artistically to:

The Graceful Envelope Contest
Washington Calligraphers Guild
P.O. Box 3688
Merrifield, VA 22116

This is the contest's 17th year. The Smithsonian Institution's National Postal Museum created and administered it until delegating responsibility to the Washington Calligraphers Guild in 2001. The National Association of Letter Carriers exhibits the winners, which are also exhibited online at www.calligraphersguild.org. The complete Call for Entries (including categories for children) is posted on the Washington Calligraphers Guild website or you may contact contest coordinator Lorraine Swerdloff at swerdloff@gmail.com.

Sunday Funnies: Porno Stamps?

Don't shoot the messenger, but am I the only one who sees a little too much in the new Sunday Funnies stamp set from the US Post Office?


Has some stamp-designing-artist at the USPS pulled a fast one on the ole Post Office?

Study the stamps and later on tonight or tomorrow I will reveal what I see, to see if you see what I see...

Torpedo Factory Art Center Visiting Artist Program

Deadline: February 28, 2011.

The Torpedo Factory Art Center (TFAC) invites emerging and experienced artists to apply for one, two, or three-month residencies (June, July and/or August, 2011). The TFAC (www.torpedofactory.org) in Alexandria VA is home to more than 140 visual artists working in 82 studios. Artists create in a wide variety of media including painting, fiber, jewelry, ceramics, printmaking, and sculpture. The TFAC is open to the public every day; visitors are invited and welcomed into studios to watch artists at work, ask questions, and purchase original art.

Visiting artists will be provided with studio space and will be able to display and sell original work. Finalists will be selected by yours truly.

There is no application fee.

Download the Prospectus and Application Form from www.torpedofactory.org/vap. Send questions to: vap@torpedofactory.org.

Rousseau on Winslow

Winslow, whose career spans decades in the Washington, D.C., metro area, has been widely recognized as among the best around, and he just keeps getting better. His art continues to show tendencies toward exploring unusual perspectives, themes of memory and references to art history. However, in this recent work, autobiographical themes play a dominant role in ways that result in images that are both dreamlike and intense.

Read the full review here. John Winslow's work is on view in the King Street Gallery of the Morris and Gwendolyn Cafritz Arts Center in downtown Silver Spring.

Torpedo Factory Art Center’s Annual Call

Deadline: February 28, 2011.

Open call for Washington, D.C. area (the ole DMV) metro area artists for Torpedo Factory Art Center’s 2011 annual jury for artist members. Drop off date: February 28, 2011. The Torpedo Factory's annual jury will be held February 28 - March 3, 2011.

The Torpedo Factory houses more than 165 artists in combination studio/gallery space. The application form and submission requirements are available on their website www.torpedofactory.org/jury. Accepting submissions by emerging and established artists in all media.

Direct inquiries to Michele Hoben at mphoben@aol.com.

Postconceptualism: The Malleable Object at UMD


The Opening Reception of Postconceptualism: The Malleable Object is on Thursday, Mar. 10, 2011 from 6:00 to 8:00 pm. They also welcome your presence at the Panel Discussion with Artists & Curator on Thursday, Mar. 17 beginning at 6:00 pm.

The Stamp Gallery is located on the first floor of the Adele H. Stamp Student Union-Center for Campus Life, at the University of Maryland, College Park. The gallery is free and open to the public Mondays-Thursdays 10:00am – 8:00pm; Fridays 10:00am – 6:00am, and Saturdays 11:00am – 5:00pm. For more information visit the gallery’s website or call (301) 314-8493.

TBD: D for Downsize

Six months after its debut, the TBD news website is losing most of its work force and will retool as an arts and entertainment niche site.

Arlington-based Allbritton Communications Co. — which also owns television station WJLA, the ABC affiliate in Washington — launched TBD in August with plans to aggressively cover local news in the region.

Initial plans called for a staff of about 50 journalists. But TBD editor Erik Wemple said that Wednesday's restructuring will reduce TBD staff from about two dozen to about eight staffers.

Read it all here and read editor Erik Wemple's thoughts here.

Facebook scares

I don't know why, but my Facebook profile always had this scary picture as part of the ads to the right of the profile. I write "had", because as soon as I clicked on the ad in order to get the below image for this post, it no longer shows up trying to sell me stuff to grow huge muscles.

These are supposed to be "smart ads" that learn about the person (me) and then try to show them ads that they think the person will like. They are the main, and only reason that Facebook is apparently worth $25 billion dollars.

I have news for whoever designs the logic that learns to make these "smart" ads: you're really fucking up when it comes to me.

I can clearly and honestly tell you that I don't want to look like Mal'akh (a.k.a. Zachary Solomon, the estranged son of Peter Solomon in Dan Brown's impossible to put down thriller The Lost Symbol, easily the best ever fictional (I think) literary work set in Washington, DC).

If you haven't read the book and love weird, slightly historical thrillers which teach you a lot about DC's buildings and architectural historical provenance, buy one here.

Carlos Hathcock

Today is the anniversary of the death of USMC legend Carlos Hathcock. To get called a "legend" in the USMC takes a lot of legend-making, and few Marines are more legendary than Hathcock, perhaps the American most deserving of the Medal of Honor who was never awarded that medal (he declined being recommended for it).

We salute you Gunny!

Over in Norfolk

Several DMV area artists, such as Tim Tate, Andrew Wodzianski and yours truly are in MFA's Winter show. The reception is February 26, from 7-9PM.

Mayer Fine Art
333 Waterside Drive
Norfolk, VA 23510
(757) 803-4749

Get your free copy

Jonathan Fisher tells you how to get your free copy of The Folly (the DMV's new literary arts magazine) here.

Worn Magazine Mixer


Worn Magazine's third issue is on its way... In the meantime, join Worn Magazine for their second industry mixer to connect with fellow photography and fashion entrepreneurs living and working in the DC-metro area.

* When: Wednesday, March 2nd from 6 – 8pm
* Where: The Gibson, 2nd Floor | 2009 14th St. NW
* Tickets: Available for $5 on EventBrite

Virginia Pastel Society being organized

A new artists' group for Virginia and area pastel artists is being organized and for now, they have secured a room at the Sully District Police Substation in
Chantilly. It is very near I-66, Rt. 28, and Rt. 50 in Western Fairfax County.

They will meet on the fourth Tuesday monthly at 10am. The first meeting will be
March 22. They "want to gather people to possibly expand this to include other locations, plein air, etc..."

For details contact Bonnie Ferguson Butler at skyvine@yahoo.com - please put "Virginia Pastels" in the subject line of the email.

Bachelor Prediction

Like millions of husbands in America, every Monday night I (we) watch ABC's The Bachelor, and tonight's show (still on the air as I write this) essentially gives away the ending.

Let me hereby predict that Brad will pick Seattle's breathtaking Chantal to marry him, although my predictions have a lot to do with the bachelor's inch-deep character as they relate with all the newly discovered Chantalian bennies: a lot of Samolians in the deal.

Remember who called it first.

Torpedo Factory Art Center Visiting Artist Program

Deadline: February 28, 2011.

The Torpedo Factory Art Center (TFAC) invites emerging and experienced artists to apply for one, two, or three-month residencies (June, July and/or August, 2011). The TFAC (www.torpedofactory.org) in Alexandria VA is home to more than 140 visual artists working in 82 studios. Artists create in a wide variety of media including painting, fiber, jewelry, ceramics, printmaking, and sculpture. The TFAC is open to the public every day; visitors are invited and welcomed into studios to watch artists at work, ask questions, and purchase original art.

Visiting artists will be provided with studio space and will be able to display and sell original work. Finalists will be selected by yours truly.

There is no application fee.

Download the Prospectus and Application Form from www.torpedofactory.org/vap. Send questions to: vap@torpedofactory.org.

Wendy Navarro Public Talk: Tonight!

Monday, February 21, 7:00pm - Free! Sponsored by Washington Project for the Arts and Foreign Policy in Focus -- at Busboys and Poets at 5th & K.

Washington Project for the Arts (WPA) and Foreign Policy in Focus (FPIF) are excited to announce a public talk with Wendy Navarro, an independent art critic and curator currently based in Barcelona, Spain. Since the mid 1990s, Navarro has been an active curator at the Visual Art Development Center (CDAV) in Havana, Cuba, while working as an editor of the magazine ArteCubano, and lecturing about Cuban contemporary art at the Higher Institute of Art (ISA) and Havana University. The public talk is free and will take place on Monday, February 21 at Busboys and Poets at 5th and K.

About the Curator: Wendy Navarro's curatorial practice focuses on establishing links between the work of artists from different latitudes. Recent exhibitions include Collective Utopia, Casa América Cataluña, Barcelona; Asalto al Cielo: Insular Strategies of Cuban Videoart, LOOP Video Art Fair, Barcelona; Heteronimous: oneself's others: Centro Cultural Conde Duque, Madrid and Correspondence, VIII Havana Biennial. She also has collaborated with institutions including the Consortium of Museums of the Valencian Community; Hardcore Contemporary Art Space, Miami; Gallery TAIK, Berlin-Helsinski; Gallery Nogueras Blanchard, Barcelona and The Center for Contemporary Culture (CCCB), Barcelona.

Navarro has published extensively in catalogues and magazines such as ArtNexus; SalonKritik; ABC de ARCO; Revista Atlántica de las Artes CAAM and participated in several symposiums related to Latin American art including International Forum of Latin American Art, Arco Art Fair, Madrid; Latin American Dialogues, Patrimonio Cultural y Artístico of the Generalitat Valenciana; Multiculturalims, Institutions and Relationships North- South, 10 Havana Biennial; and Workshop of Carlos Garaicoa, Professional School of Fine Arts, Complutense University, Madrid, among others.

Opportunity for Artists

Deadline: March 31, 2011

Call for Entries: Open to all artists 18 years or older working or living in Virginia, Maryland, DC, Delaware, Pennsylvania, or West Virginia.

To Enter: Each entry requires an on-line application through Juried Art Services.

Exhibition Theme: “BITE: identity and humor” asks artists to use irony, sarcasm, and wit to shed light on issues of personal struggle in mainstream society. Artists are asked to create and share work that challenges historical, societal, and cultural norms that dictate expectations of who we are supposed to be. The selected work does not have to be “funny” as much as insightful. The work will be juried by DMV artist Jefferson Pinder.

Full Prospectus: detailing Acceptable Works, Entry fees, and Special Instructions located here

GreaterRestonArtsCenter
Reston Town Center
12001 Market Street
Suite #103
Reston, VA 20190
703.471.9242
fax 703.471.0952

White stuff

We're in the Poconos for the long weekend and woke up this AM to a lot of powdery snow... fun!

Opportunity for Artists

When: March 29, 2011.

Out of Order is the Maryland Art Place's Annual free-hung Benefit Exhibition, Silent Auction and Party!

Silent Auction and Gala: Friday, April 1st, 8 – 11pm. Join them for a fantastic evening of great art, music, food, and an open beer & wine bar.

Hanging Dates and Times: March 29, 7am – midnight. All Artists are invited to participate. During the One Day Only, Do‐It‐Yourself installation, March 29, 7am – midnight, each participating artist hangs one original piece in the MAP galleries. For submission guidelines, please visit MAP’s website www.mdartplace.org. Note: Artists are asked to support MAP by paying $10 to participate in Out of Order. Each participating artist receives one free ticket to the April 1 event.

Participation: There is a $10 participation fee to hang artwork in Out of Order. As a participating artist, you will be given one complimentary ticket to the gala on April 9th. ($40 value!). Proceeds will be split 50/50 between the artist and MAP.

How to Get Tickets: Purchase Tickets Online: www.brownpapertickets.com/event/156249
Current MAP Members must call to reserve their tickets. New or renewing members must join MAP by March 24 to receive complimentary ticket(s) to the event. Artist/Student/Individual members receive 1 Free Ticket; higher membership levels receive 2 Free Tickets. No tickets are mailed; names of ticket holders are held at the door.

For More Details: access their website: www.mdartplace.org or call 410-962-8565.

Edwards on Katie Dell Kaufman

The Gazette's Jordan Edwards has a mini review of Katie Dell Kaufman's works at the current BlackRock exhibition.

Read it here.

Katie Dell Kaufman, Richard Dana and the NIH Camera Club through Feb. 26 at BlackRock Center for the Arts, 12901 Town Commons Drive, Germantown. Call 301-528-2260 or visit www.blackrockcenter.org.

Claudia Rousseau on Kirk Waldroff

By Claudia Rousseau

I just went to see Kirk Waldroff’s new work at the Glenview Mansion Art Gallery. Entitled “Untold Fables” this work is both magical and inspiring. It was completely ignored by the Gazette writer who published a “pre-review” of the work of Waldroff’s co-exhibitor, Levon Jamgochian before the exhibit opened. While the latter’s sculpture is of mild interest, Waldroff’s pieces are far more compelling and varied, unlike the monotonous sameness of Jamgochian’s prints. Yet, the Art Gallery didn’t even publish a checklist of his works in the exhibit, a fact that is difficult to understand.

Waldroff’s contribution to the Glenview exhibit include prints and wooden constructions that hold cast glass panels, that is, glass sculptures that have a print image on them—a technique that Waldroff will be teaching at the Washington Glass School on Saturday afternoons in April. They are created using a revolutionary kiln-casting process so that each is a unique reproduction of a carved woodblock (the kind originally created for wood-cut prints). These are set into wooden cabinets, or deep wooden boxes. There’s even a marvelous headboard with two inset glass panels topping a queen-sized bed right in the gallery. On the opposite wall are prints on paper from the same block that made the glass panels. Many of these glass/wood boxes are illuminated, but I imagine they would be effective set against a natural light source as well, or placed where they receive sun or lamplight. The warm light coming into the mansion gives them a nice glow. There are also a number of carved and painted wood panels presented as paintings rather than wood blocks.

The subjects here emerge from the titles, titles of stories that only exist in the works themselves, but which conjure memories of stories that we might have read somewhere in the past, or that were read to us. Titles like Theodulus and the Egret or The Wrens and the Badger conjure ancient fables. And the images are simple, but enough to stimulate the imagination. There are no right answers here. The viewer is encouraged to write them from his/her own trove of memories and ideas. Children (and their parents) will love it.

Kirk Waldroff “Untold Fables” through March 1, 2011
Glenview Mansion Art Gallery at Rockville Center Civic Center Park
602 Edmonston Drive
Rockville, MD 20851
Mon., Wed., Fri. 9 AM-4:30PM, Tues/Thurs, 9AM-9PM
240-314-8682 or 240-314-8660 for information or to confirm hours.
www.rockvillemd.gov/arts

Correction: According to Julie Farrell, Director of the Glenview Mansion Gallery, as many as 70 programs including checklists of the work of both Levon Jamgochian and Kirk Waldroff were, in fact, printed for the exhibit. In addition, the Gazette Newspapers in Montgomery County published a specific mention of the Waldroff exhibit in the "Montgomery Hot Tickets" on February 9, 2011. The article was titled "Mythic Media".

Back to oils

When I was a student at the University of Washington School of Art in Seattle, most of my "training" was focused on painting, and for the first decade or so after I graduated I concentrated on painting.

Most of those paintings were sold while I lived in Europe, and when I returned to the USA in 1992, I stopped painting and focused strictly on drawing. The only works on canvas that I've done during those years didn't really involve the use of the brush, as these pieces were and are mostly an intensive amount of taping and paint application.

I recently received a complimentary try-out set of Cobra Water Mixable Oil paints, with a note from Royal Talens, the manufacturer, asking me to try them out for them. I put it off for a while, but after scoring some amazing prices in a variety of substrates at Plaza, I took brush back to hand and painted my first new representational paintings in years.

These Cobra paints are amazing by the way; the facility with which one can mix them with water, and the resulting ease of not having to have mineral spirits around is worth a try alone, and I highly recommend them and intend to get a full set of them soonest.

I was stunned as to how much I had forgotten in the intervening non-brush-painting years, and it will certainly be an interesting road to regain the facility that I once had with the brush. In any event, below are my first three finished new oil paintings. They are all oil on masonite. The imagery is familiar in two of them, and returns to my Eve and The Lilith themes.

Persephone. Oil on masonite. 7 x 5 inches, c. 2011

Eve Running Away from Eden. Oil on Masonite. 5 x 5 inches, c. 2011.

The Lilith Running Away from Eden. Oil on Masonite. 7 x 5 inches, c. 2011.

Tonight: Rosemary Feit Covey at MFA

"Death of the Fine Art Print" is this brilliant printmaker's exploration of the theme "When is an image no longer art?"

February 18 - March 9, 2011
Morton Fine Art
Opening Reception: Friday, February 18, 6:00 - 8:00 pm

Morton Fine Art
1781 Florida Ave NW
Washington, DC 20009

Little Treasures – Big Rewards

The role of small works of art has, in modern culture, been delegated to the “minor works” category. They become overlooked, poorly appreciated and frequently labeled as good choices for a holiday show to generate a few sales. They have also been the subject of shows where size is all that matters, i.e. all works will be postcard size, measure 12”x12”, etc. Historically, the role of small works has been very different. The Mona Lisa is perfectly sized for a good holiday show, as is Edvard Munch’s “The Scream.” Many of Rembrandt’s great portraits would also qualify, and the finest works ever done by Rubens would neatly fit into a child’s knapsack. The creation of small works for many artists has been a device where the improbable becomes possible, an idea is tried or a risk is easily taken.

“Little Treasures – Big Rewards”assembles a group of artists all deliberately working in the small format. For Elizabeth Bisbing, the diminutive scale is her forte, where her collages take on the grandeur of Renaissance masters. For others, such as Vivian Wolovitz, whose large works easily command the viewer in any gallery space, in recent time she has found a rich and varied voice in the pocket size, creating a deep space for the gravity of her painted atmosphere. Alex Queral continues to push the envelope incorporating recycled phone books. Ross Bonfanti utilizes concrete to warm the heart and surprise the senses. Susan B. Howard combines the political with the fanciful, sending a powerful message in a seemingly sweet package. Craig Cully reminds us of the Dutch master Franz Hals with his dazzling Hershey candies, while Caleb Weintraub demonstrates that the sweet world of contemporary children is a troubled place due to the modern obsession with war game technology. Frank Hyder demonstrates the experimental arena of the small works with examples from his perdido and rhythm series. F. Lennox Campello brings us his relentless salsa seasoned social commentaries, invigorating pencil and paper into a sword and shield bent on righting injustice wherever it is found.

In “Little Treasures – Big Rewards,”Projects introduces Canadian realist, Matthew Schofield, working in a diminutive scale using images from his childhood experiences. Zoe Spiliotis makes a debut with a formal spin on geometric linear explosive abstractions. Debra Van Tuinen from Portland, Oregon, serves up sensuous sky-like images made in encaustic that appear to be mixed with air. Projects also introduces Marcelo Suaznabar, a Bolivian artist currently living in Toronto, whose surrealistic vision presents a world where nothing is as it should be but often is more appealing than how things are. Amy Orr arrives for the first time at Projects with her imaginative up-cycled transformations, while E. Sherman Hayman returns with selections from her coffin series, loaded with meaning and too good to bury. This group exhibition puts the emphasis on the rewards, not the ruler, and packs a real punch.

“Little Treasures – Big Rewards”will be on display at Projects Gallery in Philadelphia from March 4 - 26, 2011. There will also be an artist’s reception First Friday March 4th from 5 - 9 p.m. The reception is free and open to the public.

Wanna go to a DC opening tonight?

Longview Gallery will be showcasing the works of several standout new artists showing with Long View Gallery including Ryan McCoy, Shaun Richards, Jordan Bruns, Zach Sherif, Tom Burkett, Amy Genser, Shawna Moore, Michelle Peterson-Albandoz, and Clyde Fowler. In addition to highlighting the work by each of these new artists, several of Long View Gallery’s favorites will be showing as well.

Opening Reception: Thursday, February 17th, 6:30 - 8:30pm
Show Dates: February 17, 2011 - March 13, 2011

Look for Ryan McCoy to steal the show here as well...

President Obama Proposes Deep Cut to NEA in FY 2012 Budget‏

From Americans for the Arts:

The Obama Administration released today the FY 2012 budget request to Congress which includes the nation's cultural agencies and programs, including the National Endowment for the Arts (NEA), Institute for Museums and Library Services (IMLS), and the Department of Education's Arts in Education program.

As Americans for the Arts President & CEO Robert Lynch noted in a press statement:

"The administration request of $146 million for the National Endowment for the Arts is a decrease of $21 million from the $167.5 million that Congress appropriated last year."

Details here.

Wanna go to an artist talk tonight?

Jessika Tarr: Monstrous, Wednesday, February 16th at Hillyer Art Space.

Time: 7-7:30pm

Torpedo Factory Art Center Visiting Artist Program

Deadline: February 28, 2011.

The Torpedo Factory Art Center invites emerging and experienced artists to apply for one, two, or three-month residencies between June 1 and August 31, 2011.

The Torpedo Factory Art Center (www.torpedofactory.org) in Alexandria, Virginia is home to more than 140 visual artists working in 82 studios. Artists create in a wide variety of media including painting, fiber, jewelry, ceramics, printmaking, cast and stained glass, and sculpture. The Torpedo Factory is open to the public every day; visitors are invited and welcomed into studios to watch artists at work, ask questions, and purchase original art – allowing the public an opportunity to share in the excitement and fascination of the creative process.

The projects undertaken by Visiting Artists for this self-directed, creative residency must be compatible with available working studio spaces and facilities.

Visiting Artists will be provided with studio space and will be able to display and sell original work.

Finalists will be selected by yours truly. There is no application fee.

Download the Prospectus and Application Form from www.torpedofactory.org/vap.

Select


The Washington Project for the Arts (WPA), the mid-Atlantic's premier alternative arts organization, has announced the dates for its Annual Art Auction Exhibition and Gala, SELECT. The curated exhibition will be on view Saturday, February 19 through Saturday, March 12, 2011.

Saturday, March 12, 2011 marks the 30th anniversary of the organization's well-known arts gala that includes a curated silent auction of more than 100 contemporary works by top contemporary artists, formal dinner, and performance art. Tickets to the auction gala start at $300. I have been selected to participate in this auction for the second year in a row.

The event will be held at 700 Sixth Street, an Akridge-managed property, in northwest Washington; it is expected to draw over 500 art enthusiasts.

In advance of the March 12 event, WPA will host an exhibition opening reception on February 19 from 6:00 to 9:00 pm and Curators' View on March 1 from 6:30 pm to 9:00 pm. These two events are free and open to the public. At the Curators' View, each Select curator will present and discuss their exhibition selections. In addition, WPA's prized Alice Denney Award will be presented by Robert Lehrman to Washington-based artist William Christenberry for his support of WPA and sustained commitment to the DC arts community.

The SELECT exhibition will be on view 11:00 am to 6:00 pm, Wednesdays-Saturdays, through March 12th. For a complete list of participating artists or images, please contact Kristen DeMarco at auction@wpadc.org.

DC's hidden gems
From the SI archives:

To commemorate the centennial of Washington's birth in 1832, Congress commissioned Greenough to create a statue to be displayed in the Capitol Rotunda. As soon as the marble statue arrived in the capital city in 1841, however, it attracted controversy and criticism.

Greenough had modeled his figure of Washington on a classical Greek statue of Zeus, but many Americans found the sight of a half-naked Washington offensive, even comical.

After the statue was relocated to the east lawn of the Capitol in 1843, some joked that Washington was desperately reaching for his clothes, on exhibit at the Patent Office several blocks to the north.

In 1908 Greenough's statue finally came in from the cold: Congress transferred it to the Smithsonian. It remained at the Castle until 1964, when it was moved to the new Museum of History and Technology (now the National Museum of American History). The marble Washington has held court on the second floor ever since.

Seventh Annual Bethesda Painting Awards

Deadline: Friday, February 25, 2011

The Bethesda Arts & Entertainment District is currently accepting applications for the seventh annual Bethesda Painting Awards, a juried competition honoring four selected painters with $14,000 in prize monies. Deadline for submission is February 25, 2011. Up to nine finalists will be invited to display their work at a Bethesda gallery.

The competition will be juried this year by Philip Geiger, an art instructor at the University of Virginia; Evelyn Hankins, associate curator at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and Jinchul Kim, a painting professor at Salisbury University.

The first place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A “young” artist whose birth date is after February 25, 1981 may also be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. All original 2-D painting including oil, acrylic, watercolor, gouache, encaustic and mixed media will be accepted. No reproductions.

Each artist must submit five digital files or slides, application and a non-refundable entry fee of $25.

Applications are available online at www.bethesda.org.

The Bethesda Painting Awards were established by my good friend and Bethesda philanthropist, art collector and community activist Carol Trawick in 2005.

Torpedo Factory Art Center Visiting Artist Program

Deadline: February 28, 2011.

The Torpedo Factory Art Center (TFAC) invites emerging and experienced artists to apply for one, two, or three-month residencies (June, July and/or August, 2011). The TFAC (www.torpedofactory.org) in Alexandria VA is home to more than 140 visual artists working in 82 studios. Artists create in a wide variety of media including painting, fiber, jewelry, ceramics, printmaking, and sculpture. The TFAC is open to the public every day; visitors are invited and welcomed into studios to watch artists at work, ask questions, and purchase original art.

Visiting artists will be provided with studio space and will be able to display and sell original work. Finalists will be selected by yours truly.

There is no application fee.

Download the Prospectus and Application Form from www.torpedofactory.org/vap. Send questions to: vap@torpedofactory.org.

The House of Batiatus

I can't believe that the new (well prequel to the last season, which was the first) Spartacus episodes have been on for four weeks and I didn't know!

Time to DVR some repeats and catch up with the bacchanalian excesses of the House of Batiatus! (... really, any excuse to watch Xena).

Rosemary Feit Covey at MFA

"Death of the Fine Art Print" is this brilliant printmaker's exploration of the theme "When is an image no longer art?"

February 18 - March 9, 2011
Morton Fine Art
Opening Reception: Friday, February 18, 6:00 - 8:00 pm

Morton Fine Art
1781 Florida Ave NW
Washington, DC 20009

Las Tapas in Old Town

I've been to Las Tapas in Old Town Alexandria many times in the past, and until last Saturday I had never been disappointed.

Perhaps it was the fact that it was crowded and the cooks were concentrating on the "set menus" for couples, but the tapas - almost all of them - that we ordered a la carte were not very good.

The pinchitos are some of my favorite tapas on the planet. When I lived in Spain, they were usually served using ex bicycle wheel spokes as the skewers. The ones that we got last night at Las Tapas were tasteless - they certainly didn't have that pinchito-unique flavor - and they were lukewarm, and they were tiny! They should be called tapitas, not tapas.

The Calamares Rellenos En Salsa De Tomate looked great, but when I went to cut into one of them, the stuffing popped out all in one lump, as it was also lukewarm and the dish had been allowed to settle back and separate, thus allowing the stuffing to congeal into one lumpy mass.

The Pulpo A La Gallega was acceptable, but once again, it was lukewarm and the thinly sliced octopus would have probably tasted a lot better if it had been hotter in temperature.

The Mejillones Al Vapor were hot and delicious; no complaint there. The Pa Amb Oli, one of the priciest tapas on the menu, was also good.

I had a half jar of Sangria and this is where La Tasca really failed. This was by far the worst Sangria that I have ever tasted in a restaurant, Spanish or not.

It was essentially made up of Triple Sec and wine, with the Triple Sec overpowering all the other stuff which is supposed to be in a true Spanish sangria and which I think was missing from this "sangria."

I suspect that what happened was that they ran out of the pre-mixed Sangria (we were there at 8PM) and they were just dumping wine and triple Sec and cut up apples into the pitchers.

As many of you know, and anyone who went to a Fraser Gallery opening between 1996-2006 can testify to, I can make one really decent sangria, which follows a recipe that I learned while living in Spain. This perhaps makes me a tough juror for Sangria.

But if you are a Spanish restaurant, and your Sangria tastes like watered down Triple Sec, then you have a problem.

Fail!

Artisphere

Arlington's wonderful new Artisphere has three visual art galleries within it:

The Terrace Gallery is a 4000 square foot gallery that showcases international, national and regional artists in five annual exhibits. Curated exhibits often investigate trends in contemporary art.

The Mezz Gallery promotes the work of artists and curators who live, work, study or have a studio in Arlington, Virginia as well as artists from our Sister Cities program. Artists and curators may propose individual or group exhibits to be featured along the 140 running feet of wall space. Group shows may feature work from non-Arlington artists so long as the curator meets the requirements. Shows are scheduled one to two years in advance. Visit Artist Opportunities to learn more.

Works-In-Progress Gallery - The WIP (Works-in-Progress) Gallery is situated at the entrance to the Terrace Gallery. WIP exhibits cross multiple disciplines that are constantly changing, providing the public a window into the creative process and offering critique opportunities for artists as their work evolves.

At the Mezz Gallery they currently have Victoria F. Gaitán's photographic series of "flesh-and-blood still lifes visualize human subjects as meat puppets. The images are calling cards from the artist's explorations of internal worlds, illness, in-between states, shared delusions and hells, stillness, memory, interpretations of pain, private and public intimacies, trauma, beauty and conditioned responses." That exhibition is through March 12, 2010 and it is a "must see" for all DMV art aficionados.

An artist talk with Victoria F. Gaitán and Curator Al Miner is scheduled for Friday, February 25, at 6 pm. Also, the below video has Victoria talking about the exhibition:

VICTORIA F. GAITÁN from Arlington Arts on Vimeo.

Both Victoria and Al Miner are in my 100 Washington, DC Artists book. Check it out on Amazon here.

PS - If you are an artist and you live or have a studio in Arlington, then see this.

Call for Artists: Bethesda Painting Awards

Deadline: Friday, February 25, 2011

Submissions must be received by Friday, February 25, 2011. The Bethesda Arts & Entertainment District is currently accepting applications for the sixth annual Bethesda Painting Awards. Up to nine finalists will be selected to display their work in an exhibition during the month of June in downtown Bethesda, and the top four winners will receive $14,000 in prize monies. Best in Show will be awarded $10,000; Second Place will be honored with $2,000 and Third Place will receive $1,000. Additionally, a “Young Artist” whose birthday is after February 20, 1981 may be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. All original 2-D paintings including oil, acrylic, watercolor, gouache, encaustic and mixed media will be accepted. The maximum dimensions should not exceed 60 inches in width or 84 inches in height. No reproductions. Artwork must have been completed within the last two years and must be available for the duration of the exhibit. Each artist must submit 5 slides, application and a non-refundable fee of $25. Digital entries will be accepted on CD in JPG, GIF or PNG format. For a complete application, please send a self-addressed stamped envelope to the Bethesda Painting Awards, c/o Bethesda Arts & Entertainment District, 7700 Old Georgetown Road, Bethesda, MD 20814, visit www.bethesda.org for the downloadable version or call 301-215-6660 x17.

Opportunity for Artists with a disability

Deadline: March 11, 2011

VSA, the international organization on arts and disability, announces Shift, an international call for art. Artists ages 18 and older who have a physical, cognitive, or mental disability are invited to apply. Artists are asked to submit up to four artworks of any media that address the theme of Shift – an investigation of a moment of change in one’s life that alters the direction of a person’s path. For more information about how to apply, visit www.vsarts.org/shift. The online application be found on CaFE, www.callforentry.org. Please contact Sonja Cendak, visual arts manager, scendak@vsarts.org with any questions. Selected artwork will be exhibited at the John F. Kennedy Center in Washington DC in June 2011.

Opportunities for Artists

Deadline: Before February 23, 2011

The new Touchstone Gallery has announced membership opportunities as they launch 2011 solos and member exhibitions in their new modern gallery at 901 New York Ave. NW. It's an attractive street-level space in the heart of Washington, DC. They are seeking "excellent artists with a contemporary vision who work in fiber, book as art, video, glass, interactive art and other media."

New Members Benefits: a biennial solo show, one or more pieces on exhibit in each monthly member show, artist bins and gallery website artist pages.

To be considered for one of the limited membership’s available, contact Ksenia Grishkova, Gallery Director, now at info@touchstonegallery.com or 202 347-2787. She'll answer questions and explain their jury process. The next jury of actual works will take place on February 23, 2011.

Touchstone Gallery
901 New York Ave NW
Washington DC 20001
Tel: 202-347-2787
E-mail: info@touchstonegallery.com

Modernizing Picasso

The Virginia Museum of Fine Arts and The Martin Agency announced yesterday a joint social media effort that brings to life the upcoming exhibition of 176 works from Picasso’s personal collection, Picasso: Masterpieces from the Musée National Picasso, Paris.

The only east coast venue for the exhibition’s seven-city international tour, VMFA partnered with The Martin Agency to develop a marketing campaign that Picasso fans can see from anywhere, using Facebook, QR codes and Layar applications to drive information about the exclusive exhibition.

The print and out-of-home elements use a portrait of Picasso made entirely of QR codes. When a phone scans the QR image, it is re-directed to a landing page featuring Picasso’s work and an invitation to buy tickets to the exhibition.

“To honor the progressive nature of Picasso’s work, we created art out of modern technology,” said Keith Cartwright, SVP/group creative director at Martin. “Just as Picasso once took found objects – bicycle handlebars, etc. — and brought them together to create works of art, we were able to take something technologically functional, QR codes, and use them as building blocks to create something arresting and beautiful.”

Social media supports the campaign by extending the marketing reach all along the east coast, where multiple out-of-home elements will raise awareness of the exhibition. On the corner of Grand and Wooster streets in New York City, a QR code portrait of Picasso will be painted on the side of a building. In a SoHo neighborhood, as well as in Richmond and Washington, D.C., 22 geo-coordinates will be activated for detection by Layar phone applications. When the Layar application detects the geo-coordinates, augmented reality images from Picasso’s collection will appear on surrounding buildings.

In Philadelphia, an entire storefront and empty store space have been designated as a virtual exhibit, using augmented reality. When scanned using a phone, the QR code on the storefront enables the device to display Picasso’s artwork on the walls inside the space, as if it were the museum itself.

Throughout Richmond, all 33 Starbucks locations will partner with VMFA to promote the exhibition. Each store will display the Picasso QR code on the storefront, and once inside the store, works of art will appear on the walls of Starbucks in a similar fashion to the Philadelphia virtual exhibit. Facebook.com/myVMFA goes live this week with a “Picasso” tab to serve as a home base for the social media technology. Here, art enthusiasts can view Picasso’s works, as well as a Google Map guide to the geo-coordinates laid out in New York, Richmond and D.C.

“The Virginia Museum’s Picasso exhibition is the most ambitious show in the 75-year history of our museum,” VMFA Director Alex Nyerges said. “The occasion of this landmark exhibition is an ideal time to deepen our presence throughout social media. The innovation of the Picasso QR campaign and augmented reality is in keeping with the innovative genius of this master artist and our quest to be on the leading edge of technology for art museums.”

Picasso: Masterpieces from the Musée National Picasso, Paris, will be on view from February 19 through May 15, 2011 and is co-organized by the Musée National Picasso, Paris and VMFA.

Go to this opening tonight

I'll be at Old Town Alexandria's Gallery West for its 14th Annual National Show, which was juried by yours truly.

The prizes will be presented to the winners at the Artists Reception and Awards Presentation, which is tonight, Saturday, February 12 from 5-8pm. Please join me there for a bite, a glass of wine and some excellent artwork from around the nation.

The prizewinners are:

1st Place - Eric Standley, "Poseidon"

2nd Place - Amy Swartele, "Breath"

3rd Place - Margaret Dowell, "Joseph and Naked Aggression"

Honorable Mentions:

Kimberley Bush, “Squatty Copperhead”

Francesca Creo, “Washed Up”

Annie Evans, “Masque”

Daniel Filippone, “American Kestrel”

Robert Madden, "Twisted Vision"

Drew Parris, "Tempest"

Nicole Santiago, "Anniversary Cake"

Fierce Sonia, "Material Things"

Tore Terrasi, "Grid Study (Gradient)"

See ya there!

For the lazy curator...

Click here.

By the way, the above "Click here" reminds me of why English dominates all other languages in adopting, evolving and infiltrating other tongues. When one travels Spanish language websites, the above would have been written as:

Haga click aqui.

Tomorrow at artdc

Come join me

A while back I spent a long but fun four hours jurying 555 works of art submitted to Old Town Alexandria's Gallery West call for artists for its 14th Annual National Show.

I had juried an earlier version of this show, maybe around a dozen years ago, and so it was fun to return and see the state of the nation from this unique perspective.

The quality of the entries was superb, and I've already eyed a couple of artists whose work I'm going to recommend to some local gallerists.

A few days ago I dropped in to see the actual work and picked the prize-winners. This was a very tough job, but let me tell you that Eric Standley, the First Prize winner has some of the most obsessive and technically perfect work that I have ever seen, especially in the rather odd media of cut paper. But even as good as he is (and I doubt that there's anyone else on the planet who is better, maybe just as good, but his degree of technical prowess just can't be any better), I would have some good advice for this artist, and suggest a new subject focus for his astonishing and obsessive facility with cutting paper.

Second Prize winner Amy Swartele could have easily won the top prize, had I not been so hypnotized by the intricacy of Standley's obsession with cutting paper and also by seeing something that one doesn't see everyday in an art show in his work. But Swartele also has a deep mastery of the her technique, and she also pushes it into a modern dialogue with her unusual subject matter pairings and associations. This is a painter with a mission! There is a little bit of nightmare blended into her primary, secondary, and tertiary colors, and her color harmony has a little of Goya and Stephen King hiding behind the brush strokes.

Margaret Dowell won third prize, thus "representing" for the local artists, as the other two are from outside the DMV. I am a big fan of her work and once wrote that "Dowell is an enviably talented painter. Her paintings show not only extraordinary technical skills, but also a hungry sense of desire and an intelligent understanding of her subjects..."

What else can I say after that? I can tell you that McDowell continues to impress me with the courage and depth of her subject matter.

So without having a preconceived idea of what my agenda for this show would be (I didn't have one), I ended up awarding the top three prizes to artists who have spent the thousands of hours needed to master anything - in one case cutting paper and in two others painting - of the three, two won because their artistic vision and subject matter impressed me, and they had the technical facility to deliver their idea with enviable ease. One won because I had honestly never seen such a degree of skill applied to a singular genre with such ferocity and control.

The prizes will be presented to the winners at the Artists Reception and Awards Presentation, which is this coming Saturday, February 12 from 5-8pm. Please join me there for a bite, a glass of wine and some excellent artwork from around the nation.

The prizewinners are:

1st Place - Eric Standley, "Poseidon"

2nd Place - Amy Swartele, "Breath"

3rd Place - Margaret Dowell, "Joseph and Naked Aggression"

Honorable Mentions:

Kimberley Bush, “Squatty Copperhead”

Francesca Creo, “Washed Up”

Annie Evans, “Masque”

Daniel Filippone, “American Kestrel”

Robert Madden, "Twisted Vision"

Drew Parris, "Tempest"

Nicole Santiago, "Anniversary Cake"

Fierce Sonia, "Material Things"

Tore Terrasi, "Grid Study (Gradient)"

See ya there!

New Artists, New Art

Longview Gallery will be showcasing the works of several standout new artists showing with Long View Gallery including Ryan McCoy, Shaun Richards, Jordan Bruns, Zach Sherif, Tom Burkett, Amy Genser, Shawna Moore, Michelle Peterson-Albandoz, and Clyde Fowler. In addition to highlighting the work by each of these new artists, several of Long View Gallery’s favorites will be showing as well.

Opening Reception: Thursday, February 17th, 6:30 - 8:30pm
Show Dates: February 17, 2011 - March 13, 2011

Look for Ryan McCoy to steal the show here as well...

Cuban artists on racism in Cuba

For years now, I've been writing about the harsh racist attitudes and realities of contemporary Cuban society in Cuba's "Worker's Paradise". And a while back I barked at the Congressional Black Caucus' spectacular ignorance of the plight and long history of oppression of Afro-Cubans by a long line of racist Cuban governments, including the Castro brothers' never-ending brutal dictatorship.

I sent a copy of this post and commentary to every single member of the Congressional Black Caucus; not a single one responded.

And now, a traveling art exhibition, by Cuban artists, partially showcases what I have been talking about for a long time:

"Rebellion is in the air. Whether in the cities of Africa and the Middle East, or within disparate communities of artists, people are examining the current status of human rights and finding it lacking.

While street crowds are forcing political change, the liter­ati are prodding more benign conversation about perceived inequities.

A case in point is the taboo-bashing exhibition "Queloides: Race & Racism in Cuban Contemporary Art" at the Mattress Factory. "Queloides" translates as "keloids," protruding scars caused by trauma, which exhibition curators apply to the wounds racism has inflicted upon the body politic."

Armando Marino's The Raft, part of the Queloides exhibit at the Mattress Factory in Pittsburgh - Photo by Tom Little
Read the review by Mary Thomas, Pittsburgh Post-Gazette, here.

Torpedo Factory Art Center’s Annual Call

Deadline: February 28, 2011.

Open call for Washington, D.C. area (the ole DMV) metro area artists for Torpedo Factory Art Center’s 2011 annual jury for artist members. Drop off date: February 28, 2011. The Torpedo Factory's annual jury will be held February 28 - March 3, 2011.

The Torpedo Factory houses more than 165 artists in combination studio/gallery space. The application form and submission requirements are available on their website www.torpedofactory.org/jury. Accepting submissions by emerging and established artists in all media.

Direct inquiries to Michele Hoben at mphoben@aol.com.

Opportunities for Artists

Deadline: April 30, 2011.

Call for Entries: The Graceful Envelope Contest - Artists everywhere are invited to participate in the 2011 Graceful Envelope Contest, conducted by the Washington (DC) Calligraphers Guild under the sponsorship of the National Association of Letter Carriers.

There is no entry fee.

This year's theme is "Time Flies," so design an envelope that explores good times, quality time, the times of our lives, time travel, or any other idea you have time to develop.

Address the envelope artistically to:
The Graceful Envelope Contest
Washington Calligraphers Guild
P.O. Box 3688
Merrifield, VA 22116.

This is the contest's 17th year. The Smithsonian Institution's National Postal Museum created and administered it until delegating responsibility to the Washington Calligraphers Guild in 2001. The National Association of Letter Carriers exhibits the winners, which are also exhibited online at www.calligraphersguild.org. The complete Call for Entries (including categories for children) is posted on the Washington Calligraphers Guild website or you may contact contest coordinator Lorraine Swerdloff at swerdloff@gmail.com.