And now...

Possibly Al Gore's Internets world's coolest art website? Check it out here after you get a sample below.

“Girl with Ice Cream Cone” remake by Stephanie Gonot


“Girl with Ice Cream Cone” by Wayne Thiebaud

Job in the Arts

UrbanArt Commission is currently accepting applications for the position of Executive Director for the organization. Interested individuals should view the job description and responsibilities outlined in their website below.

For more information please visit their website at www.urbanartcommission.org or contact them at searchcommittee@urbanartcommission.org.

Free passes to the Miami art fairs?

Anybody need some free passes to some of the art fairs in Miami during ABMB week? Drop me an email if you'd like some.

I've noted with some sadness that the DMV is barely represented this year in Miami - as far as I can tell, only three DMV area galleries (one just an online gallery) and one non profit, are heading to Miami this year plus one Baltimore gallery, one Richmond gallery and one Norfolk gallery.

It's pretty tough being an artist in 2011 and not having a footprint in Miami during ABMB week.

What I don't get - having lived there recently - is how come there are over half a dozen Philadelphia galleries in various art fairs in Miami - twice the number over DMV.

A load of talent


Some of the great talent in my 100 Artists of Washington, DC book - photo taken at a recent book signing event at the home of a a major DMV art collector.


That's me with the legendary Lida Moser.

At Strathmore
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Simultaneous exhibitions in the Mansion at Strathmore represent the largest three dimensional installation pieces ever shown at the arts center in From Forge to Form: Modern Ironwork, alongside some of the smallest, in the legacy exhibition, The 78th Annual International Exhibition of Fine Art in Miniature.

Both exhibitions are on view through December 30, 2011. From Forge to Form will illustrate the evolution of blacksmithing from a utilitarian trade to a growing artistic medium, featuring 32 pieces of ironwork, totaling 3,500 pounds, by Virginia-based artists Frederic Crist and Nol Putnam.

The juried Fine Art in Miniature exhibition features 667 meticulously painted, sculpted, carved and crafted micro-works from 252 artists. Works in the exhibitions are available for purchase. For more information, call (301) 581-5100 or visit www.strathmore.org.

An opportunity to help

In today's economy, the term "starving artist" has taken on a much more prevalent and literal definition. But if our professional artists are starving, what does that mean for a children's nonprofit trying to improve lives using art?

It is harder than ever to raise money in the nonprofit sector, but that is exactly what M.O.M.I.E's TLC is still fighting to do. Mentors of Minorities in Education's Total Learning Cis-tem is a nonprofit organization focused on giving at-risk children of color the nurturing environment and leadership skills that they need to succeed. One of their most basic tactics is to use art to help children see the world from perspectives other than their own.

On December 17th, M.O.M.I.E's TLC is hosting a charity art auction supporting its Eco-Green Children's Facility building plan. The auction will take place from 6pm to 8pm at Sankofa Video and Books and will feature gallery owners, community leaders, notable DC figures and many more. The initiative is based on the premise that they can auction art to create more opportunities for art. They are seeking art donations to sell at auction from local high school and college students, as well as professional artists from around the country. The money raised will create a new space to expand and continue their mission of using art to teach life lessons.

The economy may be tough, but every artist or art enthusiast can play a part in easing the burden for someone else. Donate a piece for the auction. Donate time to attend and learn. If you're a local business or gallery, take out an ad in their event program. And if you're able, donate a few dollars for this fantastic cause.

To donate or for more information, visit www.momiestlc.com or email TheVisionsOfGreatness@gmail.com

Brainfart

I just accidentally nuked about 50 unread emails thanks to the "Delete From Imbox" option in the B'berry.

My apologies in advance.

The Lilith Plotting The Sin

Just worked out another drawing with embedded digital component. This time, instead of a video, I embedded a tiny motherboard driving a very small LCD screen. Below is a series of images showing how the piece progressed from conception to changes and final piece.

The work started as "Eve Contemplating The Sin" and this was Eve - note the tiny screen to the right - within the screen, a series of red apples rotate through:



Here's the computer chip on the verso which drives the LCD screen - it has a rechargeable Lithium battery.



Then I framed it all up, and was getting ready to pack it for Aqua Art Fair, when it somehow spoke to me; this wasn't Eve, this was her predecessor - this was The Lilith. And so, I unframed it, and changed the drawing...



And now she's The Lilith... covered in Pictish tattoos! And below is the final piece: The Lilith Plotting The Sin.

The Composer

MPA/Corcoran longtime art teacher Barbara Januskiewicz, together with NY jazz pianist Matthew Shipp, is part of a collaborative art project called The Composer. This is more than an independent film, as it can be developed into outreach programs, art installations, and multimedia exhibits.

Her work this year has been to fuse music, art and the idea of creative critical thinking together. Here with The Composer project, she can reach into cultural art centers, museums and alternative art venues around the world. We know Barbara as a multimedia artist/filmmaker who sees herself and art as a way to celebrate creativity. Her actions have advocated taking art outside of the boundaries of the (art) system and to open it up to multiple possibilities thus bringing creativity into all areas of life. She now needs our support in reaching her goals with this project.

Matthhew Shipp, Barbara's partner:

is a perfect match for her. His talent persists as a resilient outsider, maintaining strong ties to NYC's free-jazz community even as he assails its orthodoxies. His strengths draw from listening to his own voice and taking risk in both composing and performing. He has performed around the world and has over 20 CDs, both solo and in groups. He is also the leader of the Matthew Shipp Trio.

You can support this project on their Kickstarter page at your preferred level. This is a charitable tax deduction courtesy of the American Jazz Museum.

This was taken at a book-signing party for the artists in the "100 Artists of Washington, DC" book at the home of one of the top DMV area art collectors.

That's me signing a book in the rear. In the foreground there's some major talent... that's Prof. Chawky Frenn, the top gun at GMU's Art School taking a pic of the legendary Lida Moser - yep... she whose's work is in every major museum in the world (including all DMV museums except the Hirshhorn... hello H?), and whose life has been documented in not one but two documentaries, and whose image (painted by Alice Neel not once but four times) hangs in a few major museums of their own around the planet...

Good Cuban Food = Cuban Hall of Fame

In Rockville, Maryland there's an excellent Cuban restaurant called "Cuban Corner." As far as my palate is concerned, and as I've stated before, this is the best and most authentic Cuban restaurant in the Greater Washington, DC area. They are at 825 Hungerford Drive, near Ivy League Lane, Rockville, MD, 301-279-0310. Essentially on a strip mall right on Rockville Pike.

The food is authentic, affordable and plentiful (see the menu here). My favorite dish there is "Ropa Vieja," although the "Vaca Frita" is also superb. Either of those dishes, with a side of yuca con mojo or tostones, will delight your mouth and belly. There's something special that happens when yucca and lime and garlic marry. "Ropa Vieja", as Cuban Jews will often tell you, has an interesting tie to Cuba's considerable (and often ignored) Jewish history.

A visit to Cuban corner also delivers the interesting spectacle of the restaurant's Cuban Hall of Fame... or as they call it: The Wall.



The Cuban Hall of Fame, as determined by Joaquin Cabrejas, the restaurant's feisty owner, is composed of Cubans, Cuban-Americans, and people of traceable Cuban ancestry, and is made up of hundreds of name plaques glued to the restaurant's walls.

Some potential surprises to non Cubans (and even to some Cubans):

- Angela Anais Juana Antolina Rosa Edelmira Nin y Culmell - otherwise known as Anais Nin, one of the 20th century's sexual goddesses nymphomaniacs (and a damned good writer as well!).

- Amazon's creator Jeff Bezos.

- Benjamin Huberman, Science Adviser to several American presidents.

- Truman Capote (by adoption)... took the last name of his adopted dad. Capote in Spanish is a large cape or the hood of a car.

- Ysrael A. Seinuk, the "father of the modern New York skyline."

- Eamon de Valera: The father of the modern Irish republic was Eamon de Valera, who was born in New York in 1882. His father, Juan de Valera, although technically on paper always reported as a Spaniard, was really a Cuban, born in Cuba (which was part of Spain back then), the son of a Cuban sugar planter and escaped to New York during the Independence Wars with Spain. There he earned his living as a piano teacher. He met and married Irish immigrant Catherine Coll. Juan died shortly after the birth of their son Eduardo. After Juan's death, his wife sent Eduardo to Ireland, where her family changed his name to the Gaelic version of Eduardo: Eamon.

- Cameron Diaz... we all know who she is.

- Dr. Steve Pieczenik, author of 39 books, including 16 bestsellers. He is critically acclaimed author of psycho-political thrillers and the co-creator of the New York Times best-selling "Tom Clancy's Op-Center" and "Tom Clancy's Net Force" book series. He is also one of the world's most experienced international crisis managers and hostage negotiators.

- Olga Viso, the Hirshhorn Museum's former director and now director of the Walker Art Center.

- The Joker... I mean Cesar Romero.

Ambrosio José Gonzales, this Cuban Confederate Colonel played a significant role in the Civil War and was essentially responsible for building Confederate coastal defenses. He had his finest hour during the Civil War as the artillery commander at the Battle of Honey Hill.

Cubanos todos de alguna manera!

Loads of talent in one pic

At a recent booksigning at the home of a major DMV art collector...

That's me in the background signing a copy of 100 Washington, DC Artists... which continues to sell surprisingly well as more and more DMV area shops and book stores order copies...

And in the foreground there's some major talent... that's Prof. Chawky Frenn, the top gun at GMU's Art School taking a pic of the legendary Lida Moser - yep... she whose's work is in every major museum in the world (including all DMV museums except the Hirshhorn... hello H?), and whose life has been documented in not one but two documentaries, and whose image (painted by Alice Neel not once but four times) hangs in a few major museums of their own around the planet...

Just bragging...

New Video Drawing: Ave Frida

Here's the first stage of the drawing


Here's a better view of the drawing's first stage


The drawing itself is now pretty much finished and it's ready for the narrative video to be embedded


The pattern of the window to be cut in the drawing has been measured and now the drawing is ready to be cut


The window has been cut in the shape of a heart with fangs. A short loop of Kahlo and a young, frightened girl plays in the video player embedded within the drawing


Ave Frida, Mater Omnium Artificum. 22 x 18. Charcoal and conte on paper with embedded video player and historical video in loop. 2011 by F. Lennox Campello.

Why?

A wave of repression is currently taking place in Cuba – but you wouldn’t know about it from the lack of media coverage.

Why is the press at home and abroad ignoring blatant human rights violations?

Why has the current administration consistently coddled this neighboring and brutal dictatorship?

And, what should our elected leaders be saying about Cuba and these human rights abuses?

This will all be discussed tomorrow here.

You can't make this stuff up

From the current issue of The Gazette:

Brindie Lynn Fish and Nicholas Drew Frye were married June 24 at The First and Franklin Presbyterian Church, followed by a reception at The Belvedere in Baltimore.

Tomorrow: Red Dirt Open Studio


Serving warm drinks for your November art-browsing experience
Free parking
Lots of other art studios open nearby, within walking distance...

Nearest metro: Red line to Rhode Island Ave (+ bus to Mt. Rainier) or green line to West Hyattsville and easy 1 mile bike ride from W. Hyattsville

Sunday, Nov. 13 from 1-5 pm for Red Dirt's Fall Open Studio
3706-08 Otis Street
Mt. Rainier, MD 20712

The Miraculous Mass

From Carolina Mayorga:

Hello Sons and Daughters, join me this November 17 at Hillyer Art Space for my next performance art piece The Miraculous Mass. Don't miss the 3rd apparition of the Miraculous Artist in the Nation's Capital, this time performing a ceremony that will turn your life around forever! You might've got the invite via Facebook too, I just can't wait to bless you all, hope to see you there,
Carolina

Hillyer Art Space
9 Hillyer Court, NW (Behind the Philips Collection)
Washington, DC 20008
Service begins at 7pm sharp.
More info at:
carolinamayorga.com

Veterans Day

That's me in 1992 in Skaggs Island, California, and below us my favorite poem about veterans.

In the poem Rudyard Kipling captures what so often in history men and women in uniform have felt and experienced... my favorite lines are at the bottom, when Kipling writes:

For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
But it's "Saviour of 'is country" when the guns begin to shoot

Enjoy the poem and a well deserved "thank you!" to all the men and women in uniform around the world and their families, and to all who have had the honor and privilege to wear the uniform of the armed forces of the United States.

I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:

O it's Tommy this, an' Tommy that, an' "Tommy, go away";
But it's "Thank you, Mister Atkins", when the band begins to play,
The band begins to play, my boys, the band begins to play,
O it's "Thank you, Mister Atkins", when the band begins to play.

I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!

For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
But it's "Special train for Atkins" when the trooper's on the tide,
The troopship's on the tide, my boys, the troopship's on the tide,
O it's "Special train for Atkins" when the trooper's on the tide.

Yes, makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.

Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
But it's "Thin red line of 'eroes" when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
O it's "Thin red line of 'eroes" when the drums begin to roll.

We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints,
Why, single men in barricks don't grow into plaster saints;

While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
But it's "Please to walk in front, sir", when there's trouble in the wind,
There's trouble in the wind, my boys, there's trouble in the wind,
O it's "Please to walk in front, sir", when there's trouble in the wind.

You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.

For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
But it's "Saviour of 'is country" when the guns begin to shoot;
An' it's Tommy this, an' Tommy that, an' anything you please;
An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!

-- Rudyard Kipling

Bragging here now...

So all I did was to provide the watercolor for the book cover, and yes the amazing photography inside this book and the harsh historical facts coupled with the vintage photography does make Ada Bezos Castilla's book "Cuba en Verso: La Isla Entre Rejas" a gorgeous poetry book... and yes, we all know that Amazon founder-geek Jeff Bezos is Cuban-American, and yes Ada is his aunt...

But amigos, this book was just published and tonight it went number one on this Amazon's Best Seller List!

Tomorrow: NYC NOW in Bethesda

NYC NOW is an exhibition of new work by 5 contemporary artists living in New York City and it is Morton Fine Art's (MFA) fourth *a pop-up project.

The exhibition features new artworks by nationally renowned, New York based, contemporary artists Margaret Bowland, Kenichi Hoshine, Choichun Leung, Jules Arthur and Jason Sho Green. *a pop-up project will be on display from November 11th through December 6th 2011 at Gallery B located at 7700 Wisconsin Ave # E, Bethesda, MD 20814-6530. The opening reception will be held on Friday, November 11th from 6 - 9 pm. Images can be previewed online at www.mortonfineart.com and www.apopupproject.com.

Do this tomorrow

See this on PinkLine Project. If you've had the honor and privilege of serving in the US Armed Forces, then this art project is seeking Veterans & Civilians for historic photo by the Metabolic Studio’s Optics Team and their Liminal Camera.

Please arrive by 10am on the Mall on 3rd street between Jefferson and Madison Avenues, across from the Capitol building. Giant flag raising and photograph to take place at 11am sharp. Bring a picnic.

The photograph will be on view at the Hirshhorn Museum on 11/12/11 and 11/13/11.

All the details here.

Are We Too Prudish For Our Own Good?

Herewith a guest post by Tiberio Simone:

The Difference Between Sensuality and Sexuality
By: Tiberio Simone

Being an American citizen, I enjoy the freedom of expression enjoyed by artists in this country. However, I wonder sometimes if we grasp some of the ironies of how we express that freedom.

I am from Italy, which is known as one of the most romantic countries in Europe, a destination for lovers who come to visit from all over the world. So, perhaps I have a slightly different perspective on how Americans express themselves, particularly with regard to romance and sensuality. In Italy, we embrace these concepts in everything we do – the way we dress, the way we cook, the way we dine, and the way we live.

In America however, I sometimes sense a split personality with regard to these concepts. More specifically, I think we sometimes confuse our sensuality with sexuality, and as a result, try to keep both of them hidden for fear of corrupting our children. My point is, there is a difference.

For instance, if any part of the human body that would traditionally be covered by a bathing suit on a typical American beach is shown in a film, that film is rated for adult content, usually getting an “R.” If it is shown in a TV show, the scene is either deleted, or the “naughty bits,” as the British call them, are digitally pixilated out. And of course those areas are not necessarily even covered by bathing suits in Europe, as many of the beaches there are clothing optional.

In this type of censorship, there is no accounting for context. It’s not about the type of scene, but rather the anatomy. If it is a romantic scene, with a context of love and respect, soft lighting, and appropriate mood, it is considered just as “dirty” as a scene in which naked women are running around and shown as sexual objects and nothing more.

The same goes for modern art. Gallery shows in which the human form is depicted tastefully and sensually are regarded as pornography by many “morals” groups, leading some Congressmen to suggest that public funding from the National Endowment for the Arts should not be awarded to any artist who deals with the nude form. The chilling effect, when we approach the sensual and the sexual in the same way, is that we teach our children that nudity itself is a dirty thing, and that they should all be ashamed of their bodies.

That is why young adults in America go directly from puberty straight to pornography – because they do not have anything in between, such as public art or other forms of healthy nudity – things that would help them develop an understanding of sensuality.

Here is the ultimate irony. While we demonize certain parts of the human form, we don’t demonize treating women as sex objects at all, because we use sex to sell just about everything in the consumer marketplace. In TV commercials, young, attractive, and barely dressed women sell everything from cars to beer, weight loss plans to gym gear, breakfast cereals to vacation destinations – even snack foods practically guaranteed to make the men who eat them incredibly unattractive to the women used to sell them.

The difference here is context. We enter the world naked. It is our most natural state as humans, yet the naked body is considered dirty and inappropriate for all time zones. Meanwhile, treating women not as people, but simply as objects of sexual desire, which demeans all women in the process, is perfectly acceptable.

We need to create an environment in America in which sensuality is not confused with sexuality, so that we can all enjoy a freedom of expression that is based in context and meaning instead of an unhealthy and negative obsession with sex.

(Born in southern Italy, Tiberio Simone is a James Beard Award-winning chef and co-author of La Figa: Visions of Food and Form, a coffee table book that features a spectacular collection of sensual photography – models wearing nothing but Simone’s edible creations.)

Call for Artists

The Howard County Arts Council is seeking artists to participate in the annual Silent Auction Art Exhibit as part of the Arts Council’s annual fundraising gala, Celebration of the Arts in Howard County. The Silent Auction seeks to highlight the talented artists of Howard County at this important event.

All 2-D, 3-D, and fine craft artists, 18 years or older, residing, working, or studying in Howard County, HCAC members, and artists who have exhibited in Howard County in the last year are invited to submit. Deadline for submissions is December 3, 2011.

Visual artists working in all styles and media are invited to apply, including painters, sculptors, ceramicists, fiber artists, jewelers, and photographers. Artists will be selected by a jury panel who may also invite artists who are eligible to participate. This showcase of artists in Howard County has proven to be a great benefit to both established and emerging talent in the community and is also a successful fundraiser to support art programs, exhibitions, and organizations in the county.

This year’s event will be held at the Horowitz Visual and Performing Arts Center at Howard Community College on March 24, 2012 from 6-10pm. The Silent Auction exhibition will be presented in the Rouse Company Foundation Gallery. The final bid for each artwork sold will be divided equally between the artist and the Arts Council. Last year’s Silent Auction sales exceeded $10,000 and 75 pieces sold.

A prospectus with additional information is available on the Celebration page of the Arts Council’s website www.hocoarts.org or can be mailed or emailed by calling 410-313-ARTS (2787).

InstantDC


InstantDC is a new organization devoted to showcasing emerging artists in the DMV area.

Check them out here.

Angel update

The two angel sculptures which needed to find a home have been adopted by two local art collectors and are now in homes in Potomac, MD!

Tomorrow

Photoworks, that terrific photography school and gallery in Glen Echo Park, will hold Photo Slam 2011 from 8 to 10 p.m. Sunday at the District’s Busboys and Poets, 2021 14th St. N.W.

A $10 donation is suggested to witness various photographers projecting their portfolios in front of a panel of celebrity judges.

The event is part of FotoWeek DC, the DMV's spectacular annual celebration of photography.

Annual Transformer Silent Auction & Benefit Party

Individual tickets for the8 th Annual Transformer Silent Auction & Benefit Party are now on sale at our new website, www.transformerdc.org. $150 per ticket; $175 after November 8. Advanced purchase is required.

The 8th Annual Transformer Silent Auction & Benefit Party – a one-night-only event designed to celebrate and support Transformer and the artists they serve, while raising the visibility of DC’s contemporary arts community—will take place November 18, 2011 at the Corcoran Gallery of Art.

Highlighting Transformer’s mission to connect and promote DC based emerging artists with their nationally and internationally based peers, this year’s Auction will feature over 100 artworks by artists across the globe, including artists from Mexico, Japan, Australia and points in between, along with one of the best selections of artworks by DC based emerging & more established artists, including: Billy Colbert, Cynthia Connolly, Natalie Cheung, Frank Day, Mia Feuer, Pepa Leon, Maggie Michael, Robin Rose, Molly Springfield, and Trevor Young, among many others.

Your art fix for Vets Day

See this on PinkLine Project. If you've had the honor and privilege of serving in the US Armed Forces, then this art project is seeking Veterans & Civilians for historic photo by the Metabolic Studio’s Optics Team and their Liminal Camera.

Please arrive by 10am on the Mall on 3rd street between Jefferson and Madison Avenues, across from the Capitol building. Giant flag raising and photograph to take place at 11am sharp. Bring a picnic.

The photograph will be on view at the Hirshhorn Museum on 11/12/11 and 11/13/11.

All the details here.

Tomorrow: Victoria F. Gaitán opens at Conner

With 35 new images from one of the most talented new artists around, this is sure to be a mind-popping exhibition - plan to be there!

Exhibition Dates: November 5 - December 17, 2011
Opening Reception: November 5th @ 6 - 8pm

Exhibition / Opening Location:
Conner Contemporary Art
1358 Florida Ave, NE
Washington, DC 20002
Phone: 202/588 - 8750
info@connercontemporary.com

New Gallery

ArtSpace 109 is a new gallery venue in the DMV.

The gallery is located at 109 N. Fairfax Street, 3rd level, Alexandria, VA 22314, Tel: 703.548.7729.

Their first show, titled “About a Dog” showcases the painting and drawings by the super-talented Ben Ferry. The opening reception and meet the artist is Friday, November 11, from 7pm - 9pm and the show runs from November 1 thru November 30, 2011.

Back in the good ole days before Eugene Robinson began the destruction of the visual arts coverage in the Washington Post (while he was editor of the Style section), a new gallery opening in the DMV would merit a little ink in the WaPo.

We'll see.

Meanwhile: How about it WCP?

Save these angels

The below two sculptures were part of the Community of Angels Charity in Los Angeles in 2001. The two angels are Angel Virtue by Phoebe Beasley and Angel Peace by Ali Golkar.

Because of some urgent issues, these two life sized sculptures are being offered by the owners to any one who wants them in an urgent plea to save them from being destroyed, as they need to be moved this weekend from their storage space... or destroyed.

The two angel sculptures would make a great art statement not only to an ex-Angeleno, but to any lover of art. Please, help me find a home for these angels in someone's home or backyard or public art space!

Whoever wants to acquire and save these two sculptures would have to pick them up this weekend.

Email me for details! lenny at lennycampello dot com!!

The Art Festival Directory

The most important business decision an artist makes is choosing the art festivals in which to participate. The process can be difficult, frustrating...and time consuming. And trying to compare many festivals can often be a confusing process, with subjective reviews and recommendations that may not relate to an artist's needs.

That's where The Art Festival Directory with Show-Rate comes in.

The Art Festival Directory includes detailed, complete information on more than 1,200 festivals nationwide--and growing daily. The information is provided by the festivals themselves--with up to 50 separate elements in each detailed listing. So local DMV area festival organizers should check this out and ensure their festival is listed.

The Directory's search capabilities are robust: artists can use one or more top-line search criteria, retrieve summaries, then look at each festival's details. Artists can view their search results in listing, calendar and map formats...or all three!

And, yes, it's all completely free!

Each festival that chooses to be included in our exclusive evaluation system also carries in its listing a SHOW-RATE score, from 0 to 100, that tells artists how the festival compares with other festivals in 27 separate categories.

A festival's SHOW-RATE score is calculated by comparing its characteristics with those voted by artists nationwide as their choices for what makes the perfect show. No individual show reviews are included, nor are sales for individual artists.

SHOW-RATE has a single goal: to give artists an authoritative, comprehensive and easily understood tool to use in evaluating festivals for themselves. SHOW-RATE is free, too.

Here's the link: www.theartfestivaldirectory.com.

Opportunity for Performance Artists

Soapbox is a new performance art series at Hillyer Art Space. They host a monthly event, showing 2-3 performances in an evening, with opportunity for additional performances. Their open call is not limited to work that fits in an evening performance dynamic, they encourage all types of performance to submit proposals.

The series seeks to bolster and expand the performance art community in and around the DC area and beyond, based on the idea that if a platform is presented, new performance will be created.

They are currently accepting submissions on a rolling basis, open to all kinds of performance, from individuals and collaborations. There are no prerequisites for submitting work, and they encourage artists of all media to consider their work in terms of performance.

Students are more than welcome to send proposals to our general open call, and they will also host a student performance event in the Spring.

The next Soapbox is on November 17, 6-9pm featuring the artists Carolina Mayorga and a collaboration between Michelle Gomez and Jonathan Wille. Michelle and Jonathan's performance will take place in a set-installation they will construct in a smaller gallery at Hillyer, which will be up through the month of November. They will have additional performances during the First Friday opening on 11/4 and on 11/12, both 6-9pm.

Submissions can be sent to gallery@artsandartists.org and any questions about submitting work or the series can be directed to eamesa@artsandartists.org

For more information visit this website.

Some things never change... but they will!

(Via)

Over 15 Cuban pro-democracy activists have been brutally beaten and arrested outside of a Santa Clara hospital, where the lives of two hunger strikers hang in the balance.

Last week, Rolando Ferrer Espinosa and Alcides Rivera Rodríguez were taken to a hospital in the central city of Santa Clara, pursuant to more than 30 days on a hunger strike demanding an end to the Castro regime's violence against peaceful protesters.

Pro-democracy activists have been camped out in front of the hospital, day and night, concerned for the well-being of the hunger strikers.

Amongst those arrested were Rivera Rodriguez's own wife, Idania Yánez Contreras, as well as Jorge Luis García Pérez (Antúnez), Yris Pérez Aguilera, Damaris Moya Portieles, Julio Columbié Batista and Yanisbel Valido.

The end of the brutal Castro dictatorship is near... they know it too, and it won't be pretty.

Reagan statue will be unveiled today

The 9 foot tall statue of Ronaldus Magnus at DCA was designed by Chas Fagan, who also has created statues of Reagan that stand in the U.S. Capitol, at Grosvenor Square in London and at the Reagan Library in Simi Valley, Calif.

Five gets you ten that art critics will hate it (the statue that is...).

I like this

I really like the way the WCP has been letting Lou Jacobson review all kinds of shows besides photography... read some recent reviews here.

When you really, really love a piece of art...

When you really, really love a piece of art... You get it tattoed onto your body, right? Here's my original drawing, "Coming up for a breath", circa 2004 or so, and etched into 18 intaglio etchings, all of which sold out in that year. And here's the hip tattoo done by a fan of the drawing, to celebrate a special achievement in her life: All I have to say is that I am honored...

Strauss Fellowships

The Arts Council of Fairfax has announced the fifth annual Strauss Fellowships for individual artists.

These grants recognize professional working artists’ achievements and their demonstrated history of accomplishments; they promote artists’ continued pursuit of their creative work. Artists in all disciplines including visual arts, creative writing, theatre, dance performance and choreography, film and new media, music composition and performance are eligible to apply. Applicants must reside in Fairfax County.

Named for Bill Strauss (1947-2007), gifted writer, co-founder of the Capitol Steps and the Cappies, the Strauss Fellowships are an investment in the sustained growth and development of the arts in Fairfax County as well as a way to honor artists’ commitment to an artistic discipline, their professional activity in Fairfax County, and their contributions to the quality of life in Fairfax County. This is the fifth year the fellowships will be offered. Guidelines and application materials are available online at www.artsfairfax.org.

The application deadline is January 18, 2012. The Arts Council will hold a free grant writing workshop for interested applicants on November 12, 2011 from 10am to 12pm at 4022 Hummer Road, Annandale, VA 22003.

The Strauss Fellowships are awarded through a competitive grant program and recipients are determined by their work’s merit. No specific project needs to be carried out with the funds granted; Strauss Fellowships award outstanding achievement for work already completed. Awards range from $1,000-$5,000, and in previous years, up to eleven fellowships have been awarded.

NYC NOW in Bethesda

NYC NOW is an exhibition of new work by 5 contemporary artists living in New York City and it is Morton Fine Art's (MFA) fourth *a pop-up project.

The exhibition features new artworks by nationally renowned, New York based, contemporary artists Margaret Bowland, Kenichi Hoshine, Choichun Leung, Jules Arthur and Jason Sho Green. *a pop-up project will be on display from November 11th through December 6th 2011 at Gallery B located at 7700 Wisconsin Ave # E, Bethesda, MD 20814-6530. The opening reception will be held on Friday, November 11th from 6 - 9 pm. Images can be previewed online at www.mortonfineart.com and www.apopupproject.com.

Artomatic Frederick

Artomatic Frederick

I finally made it to Artomatic Frederick, all 27,000+ square feet of space at the former FCPS Central Office building at 115 E. Church Street, Frederick, Maryland and like all Artomatics of the past, I was not disappointed in the trek, and like all previous Artomatics, I think that I've discovered some new artists whose work is new to me, and whom I think have the potential to use AOM Frederick as the initial stepping stone into other art things.

As an artist, art dealer and critic, I think, well... I know, that I am better equipped and trained and experienced than most "regular" art critics to visit a gargantuan art extravaganza such as the AOM shows are.

The real reason that most "regular" critics don't like AOM is because they lack the formation and depth to see beyond what is hanging on the walls. Because their experience is often limited to reviewing or visiting a gallery or a specific show in a museum, their sensory capacity is quickly overloaded when they pass the 100th or 200th artist with less than noticeable work in a postmodern world where everything and anything is art. Thus once those senses are overloaded, it all looks in the same puerile category to them and they fail to see what most of us see. After a rookie critic is exposed to 20-25 photographers doing close-ups of flowers, all in one show, it is actually quite hard for those same tired critical eyes not to be poisoned into giving all photographers a failing grade.

Not all critics lack the mental capacity and visionary depth, but most do - including the guy who once gave AOM a horrible review on air in a radio show and later it was discovered that he had actually never seen the show... remember that?

By past AOM scales, this Frederick version is small, only about 27,000 square feet and about 300 artists; by most art scales, this is a gigantic art show, with extremes as diverse as the crazies on the left and right of the political scale in the USA... well, maybe not that extreme.

Every AOM I try to pick someone whom I think is the rising star of that AOM, if you search through this blog you will find names whom are now well-known DMV area artists and who once took their initial steps via AOM.

It didn't take me long to find this AOM's top pick - his work is on the ground floor - and after patiently walking through all floors and basement, I am sure that the singularly unique video work of Richard Schellenberg wins my first vote for top pick of AOM Frederick.

Tucked away in a corner of the first floor, Schellenberg has two videos playing in two old, vintage TVs. In one of them, a young boy tells a dream story of his dream involving flying on Superman's shoulders and directing the Man of Steel's movements. The storytelling is addictively odd and grabs the listener, but it is the video that stops viewers on their tracks. In a very sophisticated marriage of video morphing, Schellenberg has created a young boy riding on the shoulders and arms of George Reeves, the Black & White Superman from the TV series of the 1950s who was either murdered or committed suicide in 1959.

Schellenberg's technical mastery of video morphing, coupled with the odd, but sensitive storyline, as well as the vintage presentation, make this one of the best works of video art that I have ever seen.

Also on the ground floor I liked the sensitive portraiture of Jamie Gerhold. They are superbly executed technically, but also manage to grasp that unique sense of personality from each subject that is so difficult to achieve in this most challenging of art genres. Note to Jamie: You need to enter the Outwin Boochever Portrait Competition and the deadline is Monday!

Still on the first deck, I liked the large charcoals and painterly pieces by Walter Bartman, Director and Founder of the Yellow Barn, and certainly not an "emerging artist" in a sense, since he has taught art in the Bethesda, Maryland area for over thirty years and his work is in the collection of the Hirshhorn Museum and Scupture Garden Library Collections.

Painter Phyllis Mayes also stands out by her very well executed set of self portraits, nearly all of which explore some odd facial expression.

They are a genuine delight to the eye, both as a painterly exercise and also as an intelligent delivery vehicle for highly personal imagery presented for us to admire.

Note to Phyllis: You too need to enter the Outwin Boochever Portrait Competition and the deadline is Monday!

Last cool find on this floor was David Hagen's funny illustrations depicting all ranges of subjects, including my favorite, a rather large sized Batman, possibly after the Dark Knight discovered carbohydrates.

The second floor was a little tougher for the critic in me. There is some very decent pottery on this floor, and some very cool and interesting ideas, some delivered better than others. Among the best are Roger Cutler's brutal and funny assault on postmodernism.

His "Domestic object with natural patina" at $10,000 can easily be visualized in the top white cube galleries of New York and London, and even in the early days of Art Basel Miami Beach and Pulse Art Fair, before those fairs' directions were rudely re-directed by the tough economy and they both made an U-turn for art that stands a chance of actually being acquired by a collector - or am I the only one who has noticed how both ABMB and Pulse are now dominated by figurative/representational art?

Deborah Winram collects objects and then presents them in jars - as a set, they offer a powerful image. The presentation reminded me of a very similar display at the second AOM ever - the one that was held at the former Lowe's space in Tenleytown - where an artist whose name escapes me had a whole wall of jars with these cool transparencies of her photography inside each jar.

Wingram's power also lies in the presentation, which as a whole give us an insight into the found or collected objects displayed as art. I must wonder, however, on the dilution of this powerful piece if the pieces are meant to be acquired individually, as that would seem to dilute its associative presence.

The third floor's favorites were started by Keyleigh Montgomery's back lit photographic landscapes, but it was Jenny Wallace who wins this floor with a super flexing of artistic installation skills with her multi-effect installation in a very cool, somewhat macabre odd room to the left of the performing stage.

The basement is dominated by the exceptional work of Margaret Dowell and here she displays her "Sidi Flowchart" series. In these powerful pieces, Dowell depicts the effects of alcohol addition and eventual recovery on her friend Sidi, from childhood to the present. In the hands of a master painter such as Dowell is, the storyline delivers a punch to the visual senses that is hard to forget.

AOM Frederick is on through November 6 - go see it this weekend! The hours are Wednesdays & Thursdays, 11 am - 9 pm, Fridays & Saturdays, 11 am - 12 am and Sundays 12 pm - 6 pm.

Do this this weekend

Go to Artomatic Frederick.

Victoria F. Gaitán at Conner

With 35 new images from one of the most talented new artists around, this is sure to be a mind-popping exhibition - plan to be there!

Exhibition Dates: November 5 - December 17, 2011
Opening Reception: November 5th @ 6 - 8pm

Exhibition / Opening Location:
Conner Contemporary Art
1358 Florida Ave, NE
Washington, DC 20002
Phone: 202/588 - 8750
info@connercontemporary.com

Kristin Skees at MFA

He sez it may be Karma

What happened to my good bud John Anderson has to be on your reading list - so read it here.

Wake effects

When a ship moves across the water, depending on a variety of factors, it leaves a wake that can be discernible, in some manner or form, for a very long time and through a very long distance.

Doing an art fair is the same, and art fair wake effects can sometimes take over a year to settle down.

At the recent (e)merge art fair, my Virginia dealer, Mayer Fine Art (who did really well at the fair), sold my top piece in the room - an embedded video piece - to a very well-known DMV area art collector couple.

The wake effect from that sale just reached me, as I am now in the process of closing a sale with another art collecting couple (not a DMV area collector), who saw that work at the home of the buyers, inquired about it, got a glowing recommendation and now I am about to be acquired by someone on the list of the top 200 art collectors in the world.

In case you are wondering: yes... I am bragging and thanks USS (e)merge!

Alexandra Silverthorne

For the past three years, my good friend Alexandra Silverthorne has been working on MidNights, a series of nocturnal photographs exploring ideas around space, landscape, and proprioception. In November, she will be exhibiting a selection of these photographs at harmon art lab (HAL) in Washington, DC. This exhibition will coincide with a book launch of MidNights: photographs + writings.

The Exhibition
Opening Reception: Friday, November 11, 6pm-9pm
Artist Talk: Saturday, November 19, 2pm-3pm
Book Launch: Wednesday, November 30, 7pm

The exhibition will run from November 11-December 3. MidNights will be exhibited in the solo space while installation artist/architect Ira Tattelman will be taking over HAL's project space.

The Book
This 76-page book presents the complete collection of the 41 MidNights photographs along with the series of short writings. The writings are based on personal experiences and touch upon the different ideas that fueled the project. The book also includes an introductory essay by Jayme McLellan as well as a conversation with Rebecca Duclos.

The book can be previewed and purchased online here or at harmon art lab in Washington, DC during the run of the exhibition.

Calling all curators

This is an opportunity to submit a group proposal for exhibition, workshops, programs, and lectures at the Howard County Center for the Arts in Ellicott City, Maryland.

Here are the submission details for the galleries and black box theatre. They are especially interested in multi-cultural themes that would appeal to the diverse and global community in Howard County, Maryland.

Additional inquiries can also be directed to Coleen West, Executive Director Howard County Arts Council/Howard County Center for the Arts. email: coleen@hocoarts.org and phone: (410) 313-ARTS. They are always open to collaborative programming and partnership relationships as well at the Howard County Arts Council.

FotoWeek DC = Free Corcoran

In association with FotoWeek DC, the Corcoran Gallery of Art will be offering free admission, and will remain open on Monday, Nov. 7 and Tuesday, Nov 8 from 10 a.m. - 5 p.m. - usually the Corc would be closed those days.

The Corcoran will also host two of the FotoWeek launch parties. FotoWeek itself begins at 5 p.m. at 1800 L Street and then moves on to the Corcoran at 8:30 p.m., with a cocktails, food, and music party.

For photographers who would like a professional commentary of their work, Portfolio Review Sessions will be held at the Corcoran on Nov. 12 between 10 a.m. - 1 p.m. and 2 p.m.- 5 p.m. The reviews will be done by curators, professional photographers, and photo editors, each taking 20-minute sessions to review individual portfolios.

More info on the reviews here.

Tickets for the Portfolio Review Session are $75 (student discounts available)and tickets to the launch party are $55 and include admission to both the opening parties at FotoWeek Central and the Corcoran.

Aqua Art Fair

Pretty psyched that my video drawings will be at the Aqua Art Fair in Miami Beach this coming December - almost right across the street from ABMB.

Anybody who will be in Miami for the art fairs and wants a free pass, please drop me an email.

Kristy Simmons at ACP

Artist Reception:
5:30pm - 7:30pm, Monday, November 7th

Artist Talk - 6:30pm, November 7th
Show ends May 4, 2012

See it live at show or order online:here.

American Center for Physics
One Physics Ellipse, College Park, MD 20740

O'Sullivan on Artomatic

Read it in the WaPo here.

Illustrators at Montgomery College: Brad Holland Talk!





Brad Holland is one of the most influential illustrators of the 20th Century. The New York Times, in nominating him for a Pulitzer Prize, wrote that his work goes "beyond the moment to illuminate a general condition universal in space and time. The images are sometimes brutal, but the feeling is almost always compassionate." The Washington Post has called him "an undisputed star of American Illustration," and the editors of RSVP, the artists' directory, voted him "the one artist, who in our opinion, has had the single greatest impact on the illustration field during the last twenty five years." Writing in Print magazine, critic Steven Heller concluded, "as [Jackson] Pollock redefined plastic art, Holland has radically changed the perception of illustration."

In recent years, Brad Holland has emerged as the seminal voice illuminating the complex and shifting business landscape for illustrators and their diminishing control over their copyrights and businesses. He is one of the founders of the Illustrators’ Partnership of America (IPA), the first organization in the history of American visual authorship to seek to implement a rational collective rights clearance administration for illustrators’ copyrights.

WHEN: THURSDAY, NOVEMBER 3, 2011, 8 - 9 p.m.

WHERE: Montgomery College School of Art + Design (Takoma Park Campus)
The Morris & Gwendolyn Cafritz Foundation Arts Center Auditorium
930 King Street, Silver Spring, MD 20910

Tomorrow night: Percy Martin

Georgetown's Parish Gallery will showcase one of the DMV's most venerable and influential printmakers, Percy Martin, whose exhibition entitled “Bushmen Dreams” will open with a reception from 6:00 – 8:00 pm on Friday, October 21st and will run through November 15, 2011.

Percy Martin is a printmaker and teacher of art who has lived in the Washington, DC area since 1947. For over 25 years, he has been quietly working on a series of lush and technically complex prints detailing the daily lives and rituals of the Bushmen, a mythological people and culture born of Martin’s imagination. He studied printmaking and graphic design at the Corcoran Gallery of Art where he received a Ford Foundation Fellowship in 1966. In 1975 the National Endowment for the Arts awarded him with an Artist-in-Residence.

Mr. Martin taught private classes in etching and has been the Director of the W.D. Printmaking Workshop in Washington, DC, since 1947. He taught at the New Thing Art and Architecture Center, University of Maryland, Corcoran School of Art, printmaking to inmates at Lorton Prison, the Duke Ellington School of the Arts and finally the Sidwell Friends School, from which he is now retired.

Mr. Martin has shown his work widely in the U.S., Russia, the Ukraine, and Africa. His works have been in traveling exhibitions of the Smithsonian Institution and are found in numerous private collections and the collections of the Washington Post, University of Maryland, and the National Collection of American Art.

There are a lot of DMV area artists, mostly those who were schooled around here, who received the spark of creativity from this talented artist, and I know that no art collection with any sort of focus on DMV artists, is complete without a Percy Martin in the collection.

Don't miss this show.

Postcards from the Edge



The 14th Annual Postcards from the Edge: A benefit for Visual AIDS
January 6-8, 2012
Hosted by Cheim & Read

PREVIEW PARTY: Friday, January 6, 2012 from 6:00 - 8:00 PM
The only opportunity to see the entire exhibition. No sales. $85 admission.

BENEFIT SALE: $85 each.
Saturday, January 7, 2012 from 10:00 - 6:00 (*Buy four and get a bonus fifth)
Sunday, January 8, 2012 from 12:00 - 4:00 (*Buy two and get a bonus thirdhttp://www.blogger.com/img/blank.gif)
Over 1500 anonymous displayed postcard-sized masterpieces.

Postcards From the Edge is a Visual AIDS benefit show and sale of original, postcard-sized artworks by established and emerging artists. All artwork is exhibited anonymously. While buyers receive a list of all participating artists, they don't know who created which piece until after purchased. With the playing field leveled, all participants can take home a piece by a famous artist, or someone who is just making their debut. Nonetheless, collectors walk away with a piece of art they love, knowing that the money raised will support HIV prevention and AIDS awareness.

Click here for more info.

Visual AIDS invites artists to donate a 4" x 6" original work on paper for our Postcards From the Edge exhibition and benefit sale. Painting, drawing, photography, printmaking and mixed media are all welcome. Artists must be 18 years or older to participate. One entry per artist.

Click here for information how you can participate.

DEADLINE: Postmark Friday, December 9, 2011

At Gallery Har Shalom

Gallery Har Shalom announces the opening of the show titled "Abstract and Real, or Not." The show features the work of five artists--Felisa Federman, Potomac, MD; Amy Kincaid, Takoma Park, MD; Julia Latein-Kimmig, Potomac, MD; Nancy Pollack, Columbia, MD, and Joyce Zipperer, Springfield, VA.

The mixed media abstracts of Felisa Federman address the human struggle to understand the natural world around them. The work presents concepts including identity, classification and powerlessness. Her concern with “inventory control” of individuals resonates visibly throughout her work.

Collage abstracts created by Amy Kincaid are experiences in structured improvisation, influenced by and in the tradition of some forms of post-modern dance and performance. They also could be described as mixing or sampling, because they involve combining, reorienting, layering, and altering unrelated snips of existing images with paint and drawing, creating layers that are built, bit by bit, over time.
Julia Latein-Kimmig displays acrylic paintings that focus on a lively exchange of line and form, old and new, plain and color, starting off with a dialogue on canvas. She enjoys the process of introducing neglected, often discarded remnants of art and infusing them with new life by combining them with fresh new line work and brushstrokes.

Nancy Pollack crafts striking wearable necklaces with silver wire using crocheting and knitting techniques, including an antique tool for tube knitting. Her knitted wire work has been published in Belle Armoire magazine. Her current artistic challenge is to see how many different things she can make with a knitted wire tube.
As a sculptor, Joyce Zipperer presents work that focuses on women's shoes and adornments. Her work addresses how women, throughout history, have been lured and influenced by trends in fashion, often discounting comfort and health issues. Using metal to create the shoes underscores an uncomfortable fit of an alluring or humorous style that we simply must wear. The hats of metal and mixed media refer to styles from vintage to present day. Wearable they are not.

For further information and directions, please call the synagogue office at 301-299-7087.

Gallery Har Shalom, Har Shalom Congregation, 11510 Falls Road, Potomac, MD.

Did anybody?

Did anybody happened to take any photos of the three people who were climbing the USAF Memorial today?

I was driving by when I noticed that there were two bodies near the top of one of the three spires. About an hour later, when I was driving by on the return leg, there was a third body and all three were on a different spire.

I assumed that they were either cleaning it or inspecting it for earthquake damage? In any event, it looked really surreal and I wished that I had a camera at the time.

Mystery Painting

Can you help identify this painting?