Tonight: Reception for Virtually Digital VI at Montogomery College

Virtually Digital VI is a biennial exhibition that features the fine art work of regionally, nationally and internationally known artists who incorporate some form of digital method in the creation of their art. Works in this exhibition includes drawings, paintings, photographs, prints, video and mixed media.

The organizer and curator of the Virtually Digital biennials is Professor Mike Cantwell who is the coordinator of the Computer Graphics: Art and Animation program at Montgomery College.

There is an artist reception later today, Wednesday March 21st in the CAT (Communication Arts Technologies) Gallery at Montgomery College Rockville Campus from 6 to 8 PM. The reception is free of charge and open to the general public.

The participating artists are Professor Anne Benolken, Richard Dana, Clay Harris, David Kastner, Agniezka Ligend, Russ McIntosh, John McMahon, Professor Harry St. Ours, and I am honored to have been invited to exhibit in this show as well.

The Gallery is located in room 106 Technical Center (TC) on the Rockville campus, Montgomery College and is open Monday through Wednesday 10 AM until 6 PM, Thursdays 10 Am until 8 PM, Fridays 10 AM until 1 PM, and Saturdays by appointment.

For more information call 240-567-7535, 240-567-7520 or e-mail mike.cantwell@montgomerycollege.edu.

See ya there!

Campello Performing

My daughter Elise:

Lilith Plotting The Sin

If you've been thinking about buying an original Campello, then let me tell you about this great opportunity.

As part of the Habitat for Humanity Washington DC fundraiser auction, my Lilith Plotting The Sin is being offered by artnet auctions at a substantial low starting bid. The piece details the legendary Biblical character of Lilith, covered in forbidden tattoos. To her side a digital element embedded in the drawing plays a looped presentation of apples of all sorts and varieties. The piece is 21.5 in height by 33.5 inches in width and it is framed in a solid black wood frame. This drawing sells normally for $3,000 and the starting bid is $750! All proceeds go to Habitat for Humanity.

Check it out here.



Here's a screen shot detail of one of the apples which plays in a loop of multiple images in the small digital screen:

Visions of Our 44th President

Visions of Our 44th President is a collective sculptural show created to recognize and celebrate the historical significance of the first African American President of the United States of America, Barack Obama.

Forty-four Contemporary African American Artists, renowned and emerging, are participating in the art collaboration with the Charles H. Wright Museum of African American History, the world's largest institution dedicated to the African American experience, and Peter Kaplan of Our World, LLC.

Check it out here

Saxon Warlord Playing Harmonica

Lilith Plotting The Sin

If you've been thinking about buying an original Campello, then let me tell you about this great opportunity.

As part of the Habitat for Humanity Washington DC fundraiser auction, my Lilith Plotting The Sin is being offered by artnet auctions at a substantial low starting bid. The piece details the legendary Biblical character of Lilith, covered in forbidden tattoos. To her side a digital element embedded in the drawing plays a looped presentation of apples of all sorts and varieties. The piece is 21.5 in height by 33.5 inches in width and it is framed in a solid black wood frame. This drawing sells normally for $3,000 and the starting bid is $750! All proceeds go to Habitat for Humanity.

Check it out here.



Here's a screen shot detail of one of the apples which plays in a loop of multiple images in the small digital screen:

Artomatic has a new location for 2012

Artomatic 2012, which will open on May 18th in Crystal City, has been moved to a different building. Formerly planned for 2511 S. Clark, the new location is 1851 S. Bell Street.

“While we were working to finalize the agreement for Artomatic to use Transwestern’s Presidential Tower on S. Clark Street, Vornado/Charles E. Smith (Vornado) announced plans to replace 1851 S. Bell Street with a signature new building that will be readdressed as 1900 Crystal Drive. Before the building is torn down, Vornado offered to house Artomatic in 1851 S. Bell Street,” said Angela Fox, President/CEO of the Crystal City Business Improvement District (BID).

"This presented an amazing opportunity to showcase the transformation of Crystal City. On behalf of Artomatic and the Crystal City BID, I would like to thank Mitchell Schear, President of Vornado/Charles E. Smith and his entire team. We would also like to extend our gratitude to the team at Transwestern, and are excited to work with them on another project in the near future.”

The new location is about 50,000 square feet larger and just one block from the Crystal City Metro Station, with plenty of parking and great restaurants nearby. Artomatic will transform this space into a vibrant arts community opening on May 18, 2012. The event is free and open to the public.

50,000 square feet of artistic energy creating vortexes all over the DMV - the traditional critics hate it and the rest of the world loves it (and needs it!).

Go Pink!

Opportunity for DC area artists

Deadline: April 19, 2012

The Capitol Hill ART League presents its Third Annual Metro DC open juried exhibition: It’s a Wonderful World?

All artists, 18 years of age or older residing in the Washington, DC metropolitan area are eligible to enter.

Deadline for submissions is Thursday April 19, 2012.

The Capitol Hill ART League (CHAL) is a program of the Capitol Hill Arts Workshop. Located in the historic Capitol Hill neighborhood in Washington, DC, CHAL is composed of approximately 100 artists. Each season CHAL mounts a series of seven juried exhibitions and conducts gallery talks at the openings; CHAL hosts lectures on a variety of art related topics, offers workshops, and strives to develop a supportive artistic community. The greater Washington community is encouraged to participate in all of these events.

JUROR: I am honored to return as this year's juror.

ENTRY: Selections for the show will be made by the judge from JPEG images submitted by the artists. All work must be original and signed by the artist. Any work previously shown at a Capitol Hill ART League juried show is ineligible. All work must have been created within the last three years.

ENTRY FEES: Up to 3 entries may be submitted for a non-refundable fee of $15 for current Capitol Hill Art League members or $30 for the community at large (non members). Up to two additional entries may be submitted at $5 each. Artists submitting 3-dimensional work may provide two images of each piece.

AWARDS: Awards will be decided by the judge and will include cash awards for ‘Best in Show’, and ‘Merit’ awards. Two Honorable mentions will be awarded. All awards will be presented at the opening reception with the judge’s talk on Saturday, May 12, 2011 from 5:00-7:00 PM.

SALES: A 30% commission will be deducted from CHAL members’ exhibition sales and 35% commission on all non-member exhibition sales. All work must be for sale and the price submitted on the registration form will be the price presented at the time of the show for accepted work.

Exhibition Calendar:
April 19, 2012 - deadline for entries
April 30, 2012 - Notification sent to accepted Artists
May 4-9, 2012 - Art delivery dates
May 12, 2012 - Artists’ Reception and Awards, Presentation (5:00 - 7:00 pm)
June 1, 2012 - Exhibition closes
June 2-6, 2012 - Pick up artwork

Contact info: caphillartleague@yahoo.com Prospectus at: www.caphillartleague.org

Start bidding!

Habitat for Humanity Charity Auction at artnet: Start bidding online here

Congrats!

On Thursday, February 9, the Friends of the Torpedo Factory Art Center named my good friend Susan Makara, their 2012 Artist of the Year. Laurie Fields was named runner-up.

In selecting Ms. Makara, Juror William Schran, Assistant Dean of Fine Arts at Northern Virginia Community College, said, “Susan demonstrates a command of the medium with powerful imagery that speaks to the viewer, yet presents a sense of mystery. There is a haunting dream-like quality with the figures, all hidden behind masks. Behind the mask, who is looking at whom?”

Ms. Makara’s entry is entitled “Masks.” The series includes 15 works, ten paintings and five sketches. In Ms. Makara’s words, “Masks showcases my strongest and most fantastical work to date. The ideas for the series come from my imagination, visible only in my minds’ eye until I paint them. We all wear masks. Our true feelings and thoughts are not always revealed for others to see. Sometimes we hide the person within.

Susan Makara holds a BFA from Virginia Commonwealth University. She served as assistant art director at a Model Secondary School for the Deaf in Washington, DC and as art director for the PBS series “Powerhouse.” Her work can be found in the School of Art Museum in Buenos Aires, at the U.S. State Department, in the homes of James Brady and Barbara Bush, and at the Garden Court in Jordan’s Royal Palace.

Ms. Makara’s winning works will be exhibited in the Target Gallery from July 1 to July 29, 2012. A reception will be held in her honor on July 12 in the Target Gallery, 6:00 to 8:00 p.m. Refreshments will be served. The event will be open to the public.

Art for Humanity Auction

I am honored to be one of the invited artists to participate in the first ever Art for Humanity Auction & Cocktail Reception 2012, which is the first annual fundraiser to support the work of Habitat for Humanity in Washington, D.C. It will take place on Thursday, March 29, 2012.

DC Habitat will be honoring Peggy Cooper Caftritz for "the significant role she has played in advancing the arts and education in Washington, D.C."

Produced in collaboration with artnet Auctions, the Art for Humanity Auction features a collection of work by prominent contemporary artists from the local, national and international communities, including yours truly.

The event will take place at Woolly Mammoth Theatre, a "spectacularly modern space designed by award-winning architect Mark McInturff and Theatre Projects Consultants. Located in the heart of Washington’s Penn Quarter, at the corner of 7th and D Streets, NW, the theatre is easily accessible to parking garages."

Music by The Washington Jazz Arts Institute Ensemble.

Details here.

Eve sees her face for the first time

And here's a second version of the collaborative piece that I am now doing with about 60 women from around the planet (and I need more! Up to 200 faces needed!) in which our Biblical Mom sees her face for the first time.

I need faces from women of all four races, all ethnicities and all ages. All that you need to do is send me an image to lenny@lennycampello.com - all participants gets a free print or some form of artwork from me as a thank you!

Opportunity for Artists

Deadline: March 19, 12

Forged: Torpedo Factory Art Center/Target Gallery. Exhibition Dates: May 19th - June 24th, 2012.

Description: This is a media specific sculptural exhibition that explores the contemporary approaches to forged metal work. The work can range in size with the stipulation that it incorporates forged metal elements. This is open to all artists nationally and internationally.

Juror: Twylene Moyer: Twylene Moyer, managing editor of Sculpture magazine, has published numerous articles and catalogue essays on contemporary art. She has been a featured speaker at the Corcoran Gallery of Art and at SOFA Chicago and has juried and curated several exhibitions, including “Insight Out” and “Disintegration” at the Arlington Arts Center. She is the co-editor of The New Earthwork: Art, Action, Agency, A Sculpture Reader, Conversations on Sculpture, and Landscapes for Art, all distributed by the University of Washington Press.

Website here.

Opportunity for artists

Deadline: This Friday!

The Bethesda Arts & Entertainment District is looking for local and regional artists to display and sell their fine art and fine craft during the Bethesda Artist Market. This year’s Market will take place on three Saturdays this summer: June 9, July 14 and August 11.

· Each artist must submit five images of their work and one image of their booth.

· The images must be representative of the work the artist plans to exhibit at the Bethesda Artist Market.

· A non-refundable entry fee of $15 must accompany the application.

· A $50 booth fee will be required for each Market the artist attends, due after artist is accepted into the show.

Apply online here. If you would like a mail-in application, please send a self-addressed, stamped envelope to:

Bethesda Urban Partnership
c/o Valerie Hillman
7700 Old Georgetown Road
Bethesda, MD 20814

Artists' Websites: Richard Paul Weiblinger

Richard Paul Weiblinger writes that "Through my photographs I strive to reveal a passion for exploring nature and our world. I prefer subjects that lead to images with chromatic strength and use creative lighting to not only illuminate my subjects but also to give them a dream-like, surreal quality. The process of photography allows me to pursue the art of transforming everyday objects into images that progress from "everyday" to art."



Check him out here.

Another DC gallery bites the dust

(Via) The Lamont Bishop Gallery, which just opened last year, is already closing its doors.

Furthermore, according to their landlord “They are 6 months in arrears in rent etc. and an eviction is forthcoming.”

“H@ndymen” - Balancing Work, Art, and Cultural Themes

Takoma Park Community Center Atrium Gallery will have a series of paintings by Silver Spring artist Harry Stone.

Harry Stone is a contractor/business owner/family-man by day, and an artist by night.

A self-taught painter in acrylics and oil who works from a studio in his suburban Silver Spring home, Harry spends free hours pouring over books on art, history, science, philosophy, and technology. He is interested in the way public figures become purveyors of pop culture, accepted theory, mass marketing, and popular opinion.

Harry’s paintings portray the tension of balancing contracting work, creative output, personal introspection, and social commentary. In his dozens of joyfully textured, patterned, and stylized portraits, Harry depicts one particular type of bearded male subject again and again. The hands depict the mood of the subject. His abstracted figures are often shown with tools of the construction trade alongside reference to art and mainstream culture. Harry’s purely intuitive approach is original, layered, and fresh; derivative of graffiti, primitively rendered.

Often using text in his paintings, Harry forges intellectual connections with the viewer by quoting and purposely misquoting accepted genius, referencing the ubiquitous presence of a Hollywood icon, or turning a familiar quote on its head. The text functions as both art and sub-caption. With a nod and a wink, Harry Stone acknowledges the prominence of original ideas, puts them into a new context, and challenges their permanence in today’s world.

Acrylic Paintings by Harry Stone will be featured in an exhibition at the Takoma Park Community Center Atrium Gallery, located at 7500 Maple Avenue in Takoma Park, MD, from March 16- May 10, 2012.

An artist’s reception will be held on Friday, March 23, from 6:00 – 8:00 PM in the Atrium Gallery. The event is free and open to the public.

For more information contact:

Harry Stone, harrystonestudio@gmail.com 240.476.7007
Alison Carr, ExhibitsDirector@takomagov.org 240.938.0457

C'mon women!

Yesterday I discussed my new digital drawing titled "Eve sees herself for the first time" and I told you that I need help with it!

Wanna be in this piece?

In the pond in front of our Biblical mother, I will insert a digital device which will play 200 portraits of women of all ages, all four races and multiple ethnic backgrounds... if you're a woman interested in being in the piece, send me an email to lenny@lennycampello.com with your picture... free signed print to all participants!

I've received about 30 submissions so far, but I can load up to 200, so the more the merrier!

Below are some early tests with some of the images received so far (and guys, don't feel bad - the call for assistance for Adam is coming soon):

Wanna be in my next digital drawing?

This is "Eve sees herself for the first time" and I need help with it!

Wanna be in this piece?

In the pond in front of our Biblical mother, I will insert a digital device which will play 200 portraits of women of all ages, all four races and multiple ethnic backgrounds... if you're a woman interested in being in the piece, send me an email to lenny@lennycampello.com... free signed print to all participants!

New Gallery in town

La Luna Gallery is new to me and they wanted me to invite all of you to the exhibition and opening receptions of leading contemporary Irish artist, Roisin Fitzpatrick. This is a wonderful opportunity to see Ms Fitzpatrick's art in Washington D.C.

Roisin's original artworks, created with the finest quality crystals and silk on canvas, with themes inspired by her Celtic heritage and the cosmos have been described as:

"Inspiring!" Deepak Chopra

"A great example of contemporary Irish art." H.E. Michael Collins, Ambassador of Ireland to the United States

"Inspires us to connect with the light within, creating more peace and joy in our lives." Mark Burnett, TV producer of Emmy Awards and The Voice and Roma Downey actress from Touched by an Angel

"Brings beauty and nature together, expressing intricate patterns with simple elegance." Forbes

"Fitzpatrick's rise in the art world in New York has been nothing short of meteoric." Arts Editor of the Irish Central and Irish Voice.

Exhibition Dates: March 1 to April 30, 2012.
Opening Reception: with Ambassador Elizabeth Frawley Bagley on Thursday March 22nd, from 7 p.m. to 9.30 p.m.
Party: with the Artist on Saturday March 24, from 7 p.m. to 9.30 p.m.

RSVP: as early as possible to info@lalunagallerydc.com or 202 316 4481, as spaces are limited.

Tour of exhibition with the artist: Call Roisin on 347 549 0551 or visit during gallery hours, Mon- Sat, 11 am-6 pm & Thurs 7pm.

La Luna Gallery, Palisades, D.C.
5171 MacArthur Blvd, NW
Washington, DC 20016

Woody quotes

I've never been an intellectual but I have this look.
-- Woody Allen

Opportunity for DC area artists

Deadline: April 19, 2012

The Capitol Hill ART League presents its Third Annual Metro DC open juried exhibition: It’s a Wonderful World?

All artists, 18 years of age or older residing in the Washington, DC metropolitan area are eligible to enter.

Deadline for submissions is Thursday April 19, 2012.

The Capitol Hill ART League (CHAL) is a program of the Capitol Hill Arts Workshop. Located in the historic Capitol Hill neighborhood in Washington, DC, CHAL is composed of approximately 100 artists. Each season CHAL mounts a series of seven juried exhibitions and conducts gallery talks at the openings; CHAL hosts lectures on a variety of art related topics, offers workshops, and strives to develop a supportive artistic community. The greater Washington community is encouraged to participate in all of these events.

JUROR: I am honored to return as this year's juror.

ENTRY: Selections for the show will be made by the judge from JPEG images submitted by the artists. All work must be original and signed by the artist. Any work previously shown at a Capitol Hill ART League juried show is ineligible. All work must have been created within the last three years.

ENTRY FEES: Up to 3 entries may be submitted for a non-refundable fee of $15 for current Capitol Hill Art League members or $30 for the community at large (non members). Up to two additional entries may be submitted at $5 each. Artists submitting 3-dimensional work may provide two images of each piece.

AWARDS: Awards will be decided by the judge and will include cash awards for ‘Best in Show’, and ‘Merit’ awards. Two Honorable mentions will be awarded. All awards will be presented at the opening reception with the judge’s talk on Saturday, May 12, 2011 from 5:00-7:00 PM.

SALES: A 30% commission will be deducted from CHAL members’ exhibition sales and 35% commission on all non-member exhibition sales. All work must be for sale and the price submitted on the registration form will be the price presented at the time of the show for accepted work.

Exhibition Calendar:
April 19, 2012 - deadline for entries
April 30, 2012 - Notification sent to accepted Artists
May 4-9, 2012 - Art delivery dates
May 12, 2012 - Artists’ Reception and Awards, Presentation (5:00 - 7:00 pm)
June 1, 2012 - Exhibition closes
June 2-6, 2012 - Pick up artwork

Contact info: caphillartleague@yahoo.com Prospectus at: www.caphillartleague.org

Monster

There's a really cool group show coming together at Marlboro Gallery at Prince Georges Community College. Each artist was asked to create new work and a statement in two months based on the theme "Monster."

Curated by Adam Bradley, I can see that this is a really great group of artists and I bet there will be some fantastic work in the show.

It opened Monday, there is a reception on Thursday the 8th from 6-8:30PM. Here is a list of artists:

Thomas Berault
Adam Bradley
Scott G. Brooks
Lisa Montag Brotman
Patrick Burke
David D'Orio
Margarida Kendall-Hull
Steven Jones
David Lee Page
Suzanne Pender
Erik Thor Sandberg
Rachel Schmidt
Megan Von Wagner
Sean Watkins
Sarah Wegner
William Whitaker

Construct::Destruct

Opening reception March 9th 6-8.30pm


CountDown Temporary Artspace presents its ultimate exhibition.

Of its own volition, CountDown will implode in the very near future, go underground and may or may not reincarnate in another form, at another time, at other places.

To commemorate its short-lived life, CountDown has invited four DMV artists to participate in this event: Jessica van Brakle, Mei Mei Chang, Scottie Fleming and Thomas Drymon.

Each will construct site-specific works that relate to the theme of construction and destruction. Their works will not be cherished but rather demolished with the art space.

They are open until implosion! Opening reception March 9th 6-8.30pm. All other visits by appointment only - please contact Jackiehoysted@aol.com for details

Virtually Digital VI at Montogomery College

Virtually Digital VI is a biennial exhibition that features the fine art work of regionally, nationally and internationally known artists who incorporate some form of digital method in the creation of their art. Works in this exhibition includes drawings, paintings, photographs, prints, video and mixed media.

The organizer and curator of the Virtually Digital biennials is Professor Mike Cantwell who is the coordinator of the Computer Graphics: Art and Animation program at Montgomery College.

The exhibit will open today, March 5th and runs through April 6th. There will be an artist reception on Wednesday March 21st in the CAT (Communication Arts Technologies) Gallery at Montgomery College Rockville Campus from 6 to 8 PM. The reception is free of charge and open to the general public.

The participating artists are Professor Anne Benolken, Richard Dana, Clay Harris, David Kastner, Agniezka Ligend, Russ McIntosh, John McMahon, Professor Harry St. Ours, and I am honored to have been invited to exhibit in this show as well.

The Gallery is located in room 106 Technical Center (TC) on the Rockville campus, Montgomery College and is open Monday through Wednesday 10 AM until 6 PM, Thursdays 10 Am until 8 PM, Fridays 10 AM until 1 PM, and Saturdays by appointment.

For more information call 240-567-7535, 240-567-7520 or e-mail mike.cantwell@montgomerycollege.edu.

See ya there!

T-Shirt God

Here's the initial step, a the charcoal drawing of the psychopath Che Guevara, one of my recurring themes. The drawing is on watercolor paper, which gives it that rough texture.


Ready to acquire a halo


Che Guevara with his halo


He begins to turn into an icon (is if)... the Latinized inscription reads T-Subula Deus or "T-Shirt God". Notice that I've cut a window in the forehead.


And here's the small LCD screen which will be embedded behind the drawing.


And here's the final set up, with the LCD screen playing about 75 images of Che's ubiquitous appearances on billions of T-shirts.


And here and below are some close-ups of some of the images which rotate through the embedded LCD screen.

Fellow Potomackers: Fresh Flowers and Furry Friends tonight!

I would have picked somewhat of a better title for the show, but watercolors by Barbara Bell, collages by Merry Lymn, digital work based on photographs of flowers by the very talented Bert GF Shankman, fused glass portraits of dogs by Shirley Hendel and ceramics featuring cats by Leigh Partington all make up the next show at Potomac's Gallery Har Shalom (located at Congregation Har Shalom, 11510 Falls Road, Potomac, MD) and because we're neighbors, I really want to make sure that this gallery gets some attention! And when was the last time that a gallery held an opening reception that started at 11AM?

Opening Reception: Sunday, March 4, 2012, 11am - 1 pm
Exhibit dates: Friday, March 2 - Monday, April 30, 2012
Call for hours and directions: 301-299-7087

Barbara F. Bell uses her own photographs as a major resource for her watercolor paintings. She focuses in this exhibit on regeneration and renewal in the natural world, her palette reflecting the early light and gentle colors of May along the riverbanks, and in the forests and fields of England and America. Barbara began her formal training in art while on academic leave from university teaching. She worked in studio arts at Montgomery College (Rockville) in the 1980s. Retirement from teaching in Montgomery County Public Schools twenty years later afforded her the time to resume her artwork. See www.bellslessons.com for more information.

Merry Lymn began taking formal collage classes in October 2008. In 2009, she was juried into her first art show, and since then she has been juried into several others. She divides her work into five subject areas--landscape, still life, people, Judaica, and wildcard. For this show, the pieces are exclusively flowers for which she created special Jewish flowers including a Shin Flower, a Vase with Shin Flowers, a Shofar Flower, and a Lily from the Song of Songs. See www.artlymn.com for more images.

Bert GF Shankman presents his Flemish Series of flowers in this show. He first saw this technique of painting when he minored in Art History for his AB at Case Western Reserve University. He practiced this style, called Chiaroscuro, when he studied at the Corcoran College of Art and Design. These pictures use light and dark to model the shapes and forms of the flowers and vases. They are done digitally starting out with photographs of flowers which he grows in his garden. Though decidedly different, they give a feeling of 16th century Flemish art. Visit www.cameraflora.com for more details.

Shirley Hendel was an award-winning decorative painter for many years. Several years ago she was introduced to fused glass and became fascinated with the possibilities for expression that glass materials and techniques offer. She now works exclusively in that medium while trying to maintain the perspective that decorative painting provides. She specializes in pet portraits, especially dogs, but also other creatures both real and whimsical. Her fused glass portraits (you could almost call them caricatures) are not based on actual dogs and cats as much as they are reminiscent of the lovable mutts and house cats that we grew up with or may still be in our lives. Just like these mixed-breed pets, these portraits come in assorted shapes and colors; no two exactly the same.

Leigh Partington has been doing ceramic art for over 30 years. Her work has evolved to include a combination of whimsical wheel-thrown and hand-built pieces that emphasize her love of and appreciation for animals, birds and nature in general. As a feline fancier – cats have always been a part of her life, she portrays them as functional pieces and decorative objects. She combines different clays for a marbled effect in some of her pieces. All pieces are bisque-fired. Then she adds detailed illustrations painted on with Speedball underglazes and dips the pieces in a transparent glaze. She uses a combination of overglazes sponged on the exterior for mottled color effects. The pieces, including ceramic pitchers, garlic keepers, egg separators, ocarinas, and platters, are then oxidation fired in an electric kiln.

Just back...

Just back from the WPA Select Gala on L Street in DC. As usual, tons of collectors, loads of bids and plenty of good art.

Like any auction or group show curated by a diverse set of eyes, there were mostly excellent superb choices; amongst my favorites:

Joan Belmar. Talking Wood #2, 2011. Acrylic, ink, Mylar, wood, and vinyl on plywood, 30″ x 30″


Victoria F. Gaitan. Bustle No. 2, 2011. Archival print on 100% cotton paper, Edition 1/3, 22” x 33”

See all the artists here.

Looking for...

I'm looking for an emerging hyper-realist painter or a trompe l'oeil painter for a special project... send me some names or websites.

Opportunity for Artists

When: Friday, April 13, 2012

Out of Order is the Maryland Art Place's Annual free-hung Benefit Exhibition, Silent Auction and Party!

This is a great opportunity for artists to (a) help a great art venue and (b) sell work and get 50% of the Samolians.

For more details, access their website: www.mdartplace.org or call 410-962-8565.

Start preparing now...

Remember when the creator of the iconic Obama campaign poster, now in the permanent collection of the National Portrait Gallery, was accused of ripping off local DMV photographer Mannie Garcia?


A few days ago Shepard Fairey plead guilty to trying to destroy documents and fabricate others in an attempt to try to conceal his process.

“I was ashamed that I had done these things, and I knew I should have corrected my actions,” he said on Friday in Federal District Court in Manhattan. The LA-based artist and the AP had earlier settled their long-running legal battle over the issue of Mannie Garcia's photograph.

Three years ago I asked the NPG about many of the slimy issues associated with the acquisition of this contested image, including a question that I asked and which I received several run-around emails which never answered my request for clarification for the NPG's acquisition policy.

It is my understanding that contemporary portraits could only be considered for acquisition if the portrait was done by the artist from the actual living subject. At least that's what I was told by an NPG curator a few years ago when I sold a portrait to the NPG. The NPG response should have been an easy one. They could either have said:

(a) Mr. Campello, you are right in that it is the policy of the NPG to acquire contemporary portraits only when the portrait has been done directly from the subject. However, because of the historical importance of this piece, the NPG made an exception to this policy as it would with any important contemporary portraits.

(b) Mr. Campello, you are incorrect when you ask if it is the policy of the National Portrait Gallery to only acquire those contemporary portraits which are done directly from the subject.

Instead I heard crickets back.

Then, I wrote to the NPG and recommended that since the Fairey piece is now in the permanent collection of the National Portrait Gallery (through the generous donation of the DC area's ubercollectors Heather and Tony Podesta) I thought that it is only fair that Garcia's photograph also hang next to Fairey's piece and that the wall text reflect the process via which the ubiquitous Fairey work was created; that tells the whole story about the Obama poster.

Otherwise 100 years from now, people would have forgotten that Fairey and Garcia were apparently linked in the creation of this image, but only one got the credit.

It never ceases to amaze me how some stuff, such as this, which could be so easily and fairly solved, by otherwise nice, kind, progressive people (as I am sure all the head honchos at the NPG are), are otherwise ignored and the little folk, such as Mannie Garcia, get shoved aside from the pages of art history.

Fairey crime can get up to a maximum term of six months in prison and a maximum term of supervised release of one year, as well as a possible fine of up to $5,000, or "twice the gross pecuniary gain derived from the offense or twice the gross pecuniary loss to the victims", whatever the heck pecuniary means.

He will be sentenced on July 16; the NPG is sentenced now for failing to do the right thing for Mannie Garcia.

Saint Sebastian

One of my recurring themes in my love and exploration of the human figure is the legend of Saint Sebastian (martyred around the year 268)... here are some new drawings on the subject; these and others will be in New York in mid April.

Go to this on the 3rd...

Born in Dublin, Ireland (which according to Irish creation myths was settled by Spaniards sent by King Milesius and thus why I'm always wondering why Irish people aren't considered Hispanic/Latino... Ireland that is... not Dublin (named after a witch who drowned in a pool of water), which was founded by Vikings and is thus not very Irish after all...), DMV area artist Jackie Hoysted made her home in Maryland in 1996 after working in France, England, Ireland and Florida as a software engineer.

She has a degree is Computer Science from Trinity College, Dublin (which happens to own a lot of my artwork in their private collection) and a fine arts degree from the Corcoran College of Art & Design (which happens to own zip of Campello art... is that weird or what?).

She has had multiple solo shows of her artwork throughout the US and has been featured in publications, including, The Gazette, the Washington City Paper and the Examiner and even here!.

She was selected by Scott Ligon for inclusion his book The Digital Art Revolution and this wizard and talented artist is the creator of the project Send Me Your Last Cigarette.

When you walk into Gallery 555dc you will be surrounded by Jackie’s current series “Out of Context” Girls! Nice Doesn’t Cut It. These women are "not to be messed with, taken for granted or pigeon holed. They can stand alone or together as sisters."

Champagne Reception: Saturday, March 3rd, 1-5pm and the show hangs till March 30th!

This Friday...

Cudlin buries the hatchet

I figured that I better hurry and come up with the above headline before the Washington City Paper does it, but in any event, my good bud Jeffry Cudlin has decided to end his Hatchets & Skewers art blog in perhaps the most eloquent art goodbye ever written.

Check it out here.

Current issue of ACA magazine

The current issue of American Contemporary Art magazine has my usual "Letter from DC" on pages 14-15.

Read it online here.

Washington Glass School is looking for incubator artists
‪
If you have always wanted a studio space to work on your art, but don't have the space right now, or don't have a huge amount to invest in your own studio, then you might like the thought of becoming one of the studio artists at the Washington Glass School.

They welcome artists of many sculptural disciplines – like jewelers, enamellers, and of course, glass artists. The Washington Glass School (near the Rhode Island / Route 1 Eastern Ave border of the District of Columbia) is now accepting applications for their incubator studio space (available immediately).

To get you settled, they are temporarily offering a $50 discount for the first three months. The regular table/studio space rent is $275 per month. Not only do you finally have a dedicated space to work in, but you also join a vibrant and successful group of glass artists and get to benefit from many new opportunities. As a studio artist - besides being part of the arts community - you have full access to the studio's cold shop facility and kiln firings.

Interested? Give Tim Tate a call 202-744-8222! Or email: washglassschool@aol.com.

Washington Glass School
3700 Otis Street
Mount Rainier, MD
202) 744-8222
www.washglass.com

Contemporary Uruguayan Artists at the IDB

The exhibit Contemporary Uruguayan Artists will open March 5 in the Cultural Center Gallery of the Inter-American Development Bank, in Washington, DC, in conjunction with the 53rd Annual Meeting of the IDB’s Board of Governors in Uruguay’s capital of Montevideo.

The 17 works include painting, print, sculpture, mixed media, and photography by 13 contemporary artists at a critical point in Uruguay’s history. While each of the works stands out as an individual artistic expression, as a group they reflect a common history and tradition and provide a window on current trends that are transforming the country’s culture and environment. They challenge the viewer to consider certain overarching questions: What is the perspective of each artist and of the group as a whole? What is the cultural and physical landscape that influences their mode of expression?

The exhibit is part of a project called About Change: Art from Latin America and the Caribbean organized by the World Bank Art Program in cooperation with the IDB’s Cultural Center and the Organization of American States’ AMA | Art Museum of the Americas. The project consists of a series of exhibitions being presented in various venues in Washington during 2011–12.

“The IDB is proud to host this exhibition honoring Uruguay and its capital city, Montevideo,” says Bank President Luis Alberto Moreno.

Iván Duque, Chief of the IDB’s Cultural, Solidarity and Creativity Affairs Division, highlights the exhibit’s role in celebrating the Cultural Center’s two decades of activities. “During these 20 years, the center has gained international recognition for bringing the artistic and intellectual heritage of Latin America and the Caribbean to a broad audience,” he says. “The Cultural Center will continue to build on this foundation, which is based in a conviction of the enormous value of the region’s cultural treasures as part of the world’s cultural legacy.”

Marina Galvani, Curator of the World Bank Art Program, describes how the works speak to contemporary issues. “Along with the rest of Latin America,” she says, “Uruguay has reason to celebrate its growing role in the global economy, which even includes signs of reverse migration.”

“But at the same time, artists are moral commentators and often harsh critics,” she continues. “As such, the works clearly express the social and moral collapse of the middle and upper-middle classes, employing in some cases irony, in others, a sympathetic touch. They also reflect delicately—even poetically—on many global subjects, such as the environment, consumerism, and urban decay. ”

Dr. Christina Rossi, art historian from the University of Buenos Aires, was invited by the IDB Cultural Center to write the essay for the exhibit catalogue, which is entitled, “Re-situations.” ”These works grapple with the construction of memory—personal, national, regional, global—as a critical act expressed from the perspective of Uruguay,” she says. “There is no doubt that the realities of Latin America are best interpreted in a global context, and that today’s communication tools enable us to reach well beyond our national borders.”

Artists whose works are represented in the exhibit are Santiago Aldabalde, Ana Campanella, Muriel Cardoso, a group comprised of Gerardo Carella, Federico Meneses, and Ernesto Rizzo, Jacqueline Lacasa, Babriel Lema, Daniel Machado, Cecilia Mattos, Diego Velazco, Santiago Velazco, and Diego Villalba.

(e)merge is back!

The (e)merge art fair is back for its second iteration.

The dates are October 4-7, 2012.

Last years's inaugural edition of (e)merge featured 80 vetted exhibitors with works by artists from 21 countries. Over 5500 attendees visited the gallery and artist exhibitions, performances, panel discussions, curatorial museum walk-throughs, and private collection tours.

Online applications are now being accepted and the application deadline is April 27, 2012 and notifications willsent via email by June 2012.

GALLERIES + NON-PROFIT SPACES (to apply Click here)

- Exhibitors may present 1-3 artists in each room
- Art being presented may include works in all media: installation, painting, photography, new media, performance, sculpture, works on paper, and video
- The artists presented should not have had any solo museum or Kunsthalle exhibitions

ARTISTS (to apply click here)

Artists whose proposals are accepted by the selection committee will be provided with exhibition space at the Fair free of charge.

To be eligible for artist exhibition space artist applicants must:
- Be currently without gallery representation
- May have had solo gallery shows, but may not have had solo museum or Kunsthalle exhibitions
- Whereas work in all media will be carefully considered, projects involving experimental works in non-traditional formats are especially encouraged . Such work may include installation, conceptual art, performance, new media, or the inventive use of materials to express challenging concepts.

On this date...

In 1854, founded by anti-slavery expansion activists, the modern Republican Party of the United States was organized in Ripon, Wisconsin.

Art Scam Alert!

Ignore this dirtbag... I will take care of him in my own way; see below - all the grammatical errors are his:

Date: Mon, 27 Feb 2012 13:21:12 -0800
From: philipeckhardt@yahoo.com
Subject: i am interested in your artwork
To:

Hello,

It was great reading and seeing your ads artwork on http://www.theartsmap.com. i would like to make a purchase as i'm really interested in it.

Let me know the last price and if it still available for sale and it's present condition let me know if you are the real owner, and send me pics as for the Shipping i will take care of that through a pick up.

Hope to hear from you

Regards
Philip Eckhardt

Opportunity for Artists

Deadline: Friday, March 9, 2012

The Bethesda Urban Partnership and Bethesda Arts & Entertainment District has announced “Tunnel Vision,” a public art exhibition to be hung in the Metro Tunnel that runs under Wisconsin Avenue in downtown Bethesda.

“Tunnel Vision” will showcase the work of 12 selected artists inside the Metro Tunnel. Interested artists are invited to submit up to 5 images of their work for review. Each artist will be paid $500 for the license to use their image. If selected, artists will need to provide a high resolution file for the image of their artwork to be printed on a poly metal material, size 4' high x 8' wide. Artists are encouraged to submit artwork that can easily be sized to 4’ x 8’.

Artists must be residents of Maryland, Virginia or Washington, D.C. to be eligible for consideration. There is a category for young artists, age 14-17, to apply. The deadline for submitting images for review is Friday, March 9, 2012. Interested artists should visit this website for more information and the application for consideration.

Wilmer Wilson IV at Conner

One of the young artists whom I've been advising all of you to keep an eye on, Wilmer Wilson IV will be making his debut at Conner/*gogo art projects this coming May (I know that this is a long way away, but I want to make sure that you all start planning it now); the show is titled “Domestic Exchange:”

In this new work, the artist engages issues of identity and race by appropriating the brown paper bag as a cultural symbol identified with bag lunches, alcohol and skin color. Wilson amassed dozens of inflated bags to construct a monumental sculpture with undulating, fleshy forms. On the opening day of the exhibition, from 5 to 8pm, Wilson will present a durational performance: “From My Paper Bag Colored Heart.” Exploring the history of the paper bag as an indicator of racial color, Wilson enacts a liminal struggle between freedom and self-destruction.

There will be an opening night reception, Saturday, May 17h from 6 to 8pm. Artists in attendance.

Wilmer Wilson’s performance will begin at 5pm on Saturday, March 17th and culminate during the opening reception (6-8pm).

Coincidence or one great artist borrowing from another?

I know that I am a pedantic Virgo.

But I also know that seldom there are coincidences when things look a little "too close."

Below is the new video (and megahit) by American uberstar (of Cuban ancestry) Gloria Estefan... check out what happens around 20-23 seconds into the video...

Now see below the artwork of Cuban artist Aimee Garcia Marrero... well-known to Cuban art collectors (and she should be, as she's one of the really talented, young multiple-threat artists); and the Estefans are Cuban art collectors... but judge for yourself:




Probably a coincidence from one brilliant mind... and yet, I have a rule about coincidences...

New Worst Ever

I have this hobby of trying to read as many books as possible (all genres) dealing with Cuba. And I've just finished reading Stephen Hunter's Havana, a fictional account set in Havana in 1953.

This is possibly the worst ever book with a Cuban setting that I've ever read; Especially surprising coming from such a decent fiction writer.

I was also surprised to find that Newt Gingrich reviewed this book in Amazon about eight years ago. Newt writes:

Stephen Hunter has a great knack for country attitudes, good shooting, complex stories and politics.

In "Havana" Hunter captures a moment in time when Castro is just emerging (the Yankees having failed to offer him a $500 signing bonus) and Batista is back in power with the help of the American mob.

Just as in "Hot Springs" where Hunter resurrected the great pre-Las Vegas center of gambling and prostitution (matched in that era only by Youngstown), here he reminds us that Havana in the early 1950s was a city of power seekers, tourist pleasures and American and Cuban mobster domination and corruption.

He weaves together a brilliant Soviet agent, Earl Swagger (hated by the Soviet system for his individuality and protagonist of almost half Hunter's novels), the CIA, the American mob, Fidel Castro and the Cuban secret police into a wonderfully complex and constantly intriguing story.

His characterizations of a young Castro are worth the entire book: "Speshnev looked hard at him and, try as he could, only saw a familiar type, thrown up by revolutions and wars the world over. An opportunist with a lazy streak, and also a violent one... No vision beyond the self, but a willingness to use the vernacular of the struggle for his own private careerism." (p. 101)

"He does carry on don't he? He reminds me of a movie star. They get famous too young and they never recover. They always think they're important." Earl Swagger on young Fidel (p 319)

Whether for fun or learning or both, this is a worthwhile novel.

What Hunter blows in this shoot-em-up story is the background setting of the city itself, plus he takes spectacular license with Cuban history to bend the story to depict a somewhat idiotic young Castro.

Young Castro was a killer and a student mobster in the violent daily activities of Havana University and the city in general, but no one can ever or should ever accuse this murdering dictator of ever being dumb. Castro has the feral intelligence of power-seekers, and he's always had it, especially in the violent days preceding his failed attack on the Moncada Barracks.

Strangely enough, in this key part of the beginning of the Cuban Revolution is where Hunter really torques my pedantic side. In the real course of events, Castro (who is very nearsighted and requires thick glasses for distant vision), was driving one of the leading two cars carrying the rebels attacking the Moncada Army Barracks in Santiago de Cuba.

In the book, Hunter depicts Castro having to rush and drive his car onto the sidewalk to run down three unexpected soldiers - he kills two of them, grabs their machine guns and in a heroic display fights against hundreds of soldiers as the hapless rebels, pinned outside the barracks are mowed down by soldier fire. Eventually, the heroic guerrilla is pulled away from the melee by a Soviet agent in a most unlikely escape.

In reality, what happened was that the rebels had essentially the element of surprise, and were driving into the Moncada compound; however, the brilliant and fearless leader's vanity got the best of him, and he removed his thick, black glasses in order to appear more manly. Not being able to see squat, he quickly drove his car off the street and onto the sidewalk, effectively attracting the attention of the guards, who then sounded the alarm and proceeded to wipe out the attackers.

Fidel, and his brother Raul quickly hi-tailed it out of there - they were about the only attackers who got away - and many witnesses claim that the Castro brothers got the hell out of Dodge as soon as the bullets started flying, leaving their fellow rebels to die on the streets or to be captured and tortured later on by Batista's murderous henchmen.

Perhaps this could be an entertaining read for someone not familiar with the sense of what Havana truly was in the 1950s; a complex, international city where dozens of languages were heard on the streets, with a huge Chinatown and a significant European immigrant population, all that in addition to the casinos and the mobsters and the whorehouses and the brutal police depicted as a single dimension in this book.

But to a pedantic Virgo, it is an offense to the senses; sorry Newt.

Artomatic is back!

The spectacular art show that otherwise progressive art critics love to hate (and thus reveal their real neocon roots to control, judge and jury everything), and the rest of the art world loves, is back for 2012! All the details you need are here.

Dates: May 18 - June 24

Location:
Transwestern Presidential Tower
Entrance at 2511 S. Clark St.
Crystal City, VA

Tentative Schedule:
Wednesday: 5pm - 10pm
Thursday: 5pm - 10pm
Friday: 12pm - 1am
Saturday: 12pm - 1am
Sunday: 12pm - 10pm

Opportunity for DMV artists

Adams Morgan’s Pop Up Shop is a temporary retail art shop for April and May. They hosted one last year with over 50 artists. Volunteers are also welcome to help man, sell and set up the shop!

Interested artists and volunteers should contact:

Janet Lugo-Tafur, Executive Director
Adams Morgan Main Street Group
1754 Columbia Road NW, Suite 200
Washington, DC 20010
Tel. 202.232.1960 Fax.202.232.1978

SELECT Tickets


SELECT Gala Party Tickets on Sale Today!

A limited number of SELECT party tickets are now on sale!

Tickets are $150 and include silent and live auction bidding, open bar, dessert, and coffee starting at 8:30pm.

Purchase party tickets today on this website here or contact Christopher Cunetto at ccunetto@wpadc.org or 202-234-7103 x5 for more information.

Albert Sangiamo

Next Monday February 27, a number of former MICA students, which includes Jeff Koons and Philadelphia's Frank Hyder, will be assembled at MICA in Baltimore to celebrate the retirement of Albert Sangiamo, who was their first mentor.

The list of artists attending is very impressive; Sangiamo was chair of drawing at MICA for more than 40 years. He was a student of Joseph Albers and was hired to help make the Institute a first class art school.

Jeff Koons will be making a presentation at noon, followed by a luncheon.