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Wednesday, July 25, 2012
MSAC Awards
Tuesday, July 24, 2012
Robert T. Cole at Zenith
Zenith Galleryest. 1978
Celebrating 34 Years
Celebrating 34 Years
ZENITH GALLERY at Eleven Eleven Pennsylvania Ave, NW
Presents
MATERIAL POWER: PURE METAL
Sculpture, Furniture and Wall Reliefs by Robert T. Cole
MEET THE ARTIST RECEPTION: Wednesday, July 25, 5:00 - 8:00 PM
At: 1111 Pennsylvania Ave NW, WDC 20004 (12th & Penn NW)
At: 1111 Pennsylvania Ave NW, WDC 20004 (12th & Penn NW)
SHOW DATES: JULY 16 - OCTOBER 6, 2012
Robert
Cole has been a major part of the U Street Renaissance and his
sculptures can be seen across the DC Metropolitan area. Some of his
commissioned work includes sculptures for the Washington Area Metro
Transit Authority at the Naylor Road Metro stop, the Gaithersburg
Maryland Humane Society, Jair Lynch Development Partners & AHD Inc.
in Washington DC, Bowie State University, and The Washington Post.
Cole's
art has earned him recognition not only in our nation's capital but
also in Italy where he won the Lorenzo IL Magnifico award for his
sculpture at the 2003 Florence Biennale.
1111 Pennsylvania Ave NW, Washington DC, 20004 (12th & Penn, NW)
Open Daily 8:00 AM - 7:00 PM
(weekends the entrance is on 12th Street; please knock on the door to be let in.)
Open Daily 8:00 AM - 7:00 PM
(weekends the entrance is on 12th Street; please knock on the door to be let in.)
Monday, July 23, 2012
Art scammer
Kathryn Delahunty (kattymerchandise@gmail.com) is an art scammer and he/she has been emailing DMV area artists today...
See this link.
See this link.
Another dissident dies
Leading Cuban dissident Oswaldo Paya Sardinas died in a car accident in Cuba on Sunday. He is the second leading leading Cuban dissident to die in an "accident" this year.
President Obama made the following statement on the subject:
The President's thoughts and prayers are with the family and friends of Oswaldo Payá, a tireless champion for greater civic and human rights in Cuba. Payá gave decades of his life to the nonviolent struggle for freedom and democratic reform in Cuba as the head of the Christian Liberation Movement, the leader of the Varela Project, and through his role as a civil society activist. He remained optimistic until the end that the country he loved would see a peaceful and democratic transition. We continue to be inspired by Payá's vision and dedication to a better future for Cuba, and believe that his example and moral leadership will endure. The United States will continue to support the Cuban people as they seek their fundamental human rights.Castro's workers' Paradise claims another courageous life in the island's struggle to free itself from the yoke of dictators.
Sunday, July 22, 2012
Wanna be in the (e)merge art fair?
If you are a member of the WPA, then this is a "no-brainer" and a must do; if you're an artist and not yet a member of the WPA, then you've run out of excuses! Join the WPA now and be part of the (e)merge art fair - that alone is worth your membership fee and adds a nice bullet to your artistic CV.
This gets me to thinking about the WPA and art fairs... I do a lot of art fairs and all of them, just like (e)merge, offer special deals, prices and programs for non-profits such as the WPA is... and having the experience of many art fairs, I can tell you right now that the format and program that the WPA will be showcasing at (e)merge is going to be a winner.
This opportunity is a great idea and can grow into a whole new line of opportunities for the WPA's membership.
And not just a winner in the DMV, but this presentation and format will work in New York, Miami and perhaps even LA! So WPA... after (e)merge, why not take your membership to other art fairs around the nation? You've got a winner with this idea...
Call me.
CALL FOR SUBMISSIONS: WPA Members Work on Paper at the (e)merge art fairDEADLINE: Friday, August 24, 2012, 5pm
WORK DROP-OFF: September 10 - 14, 2012, 10am-6pm
WORK PICK-UP: October 15 - 19, 2012, 10am-6pm
CONTACT: Blair Murphy, Program Director, 202-234-7103 x 1 or bmurphy@wpadc.org
ONLINE REGISTRATIONWashington Project for the Arts is pleased to announce a call for 8" x 8" works on paper by WPA Member Artists to be on view and for sale in WPA's room at the (e)merge art fair, from October 4 - 7, 2012. All current WPA members are invited to submit one 8" x 8" work on paper. Work submitted MUST be 8" x 8" and must be delivered without a mat, mounting or a frame. If a member artist wishes to submit a work that is smaller than 8" x 8", it must be submitted mounted to an 8" x 8" sheet of paper. WORK THAT IS LARGER THAN 8" X 8" WILL NOT BE ACCEPTED.
Each work will be exhibited on the wall of WPA's room in a grid for at least one full day of the fair. Work will be installed on the wall using removable adhesive mounting squares. When not displayed on the wall, work will be stored in a presentation case and must fit into one of the clear display sleeves.
Registration, Drop-off and Pick-up
Current WPA member artists who wish to participate must register online by August 24, 2012 at 5pm by submitting their contact info, cv, work details, and one image of the work they would like to include through this online form.
All work must be dropped off at the WPA office at 2023 Massachusetts Avenue between September 10 and 14, from 10am to 6pm. You will be notified via email by October 11 if your work has sold. Unsold work must be picked up at the WPA office between October 15 and 19, from 10am to 6pm.
If you are unable to drop your work off in person, but would still like to participate or have any other questions regarding the submissions process, please contact Blair Murphy, Program Director, at 202-234-7103 x 1 or bmurphy@wpadc.orgWPA Member Artists who submit must agree to the following artist agreement:
Washington Project for the Arts will take a 30% commission on Member Works on Paper that are sold. Work will be insured by WPA while it is in WPA's possession. Unsold work must be picked up at the WPA office by October 19, 2012. WPA will not be held responsible for the work after that date. I hereby release WPA, its board of directors, employees, and volunteers and agree to indemnify and hold them harmless against all claims arising out of damage to my artwork arising in connection with my participation in the WPA Member Flat File. I understand that acceptance of my work does not guarantee free admission to the fair.
Saturday, July 21, 2012
Lunch at Tally Ho
Little Junes and I had lunch in Potomac's Tally Ho Restaurant today, and since they brought the little guy lots of crayons, Dad went to work on the back of the paper napkins while I waited for my yummy Congressional burger and Anderson for his hot dog.
Anderson finishing up his hot dog |
Drawing done on back of my napkin - that's Little Junes atop a bull (he chose the subject) |
And that's him having a drink with a pig (he selected that subject as well) |
Friday, July 20, 2012
Superheroes book out
The True History of the Superheroes book is finally out from Editorial RM.
52 pages with 20 gorgeous photographs by Dulce Pinzon.
Available in both Spanish and English.
Order it here.
52 pages with 20 gorgeous photographs by Dulce Pinzon.
Available in both Spanish and English.
Order it here.
Thursday, July 19, 2012
The Beginner's Guide to Art Investments
First and foremost, be sure that the art is something that you genuinely enjoy. The price of art is relatively unpredictable and is heavily based on developing trends; there’s no guarantee that it will have appreciated in value (or even maintained its value) over time, so you may be stuck with the piece for the long haul. Another helpful tip is to always learn the artist’s backstory, as it has a fair amount of weight in the resale value of a piece. Those with interesting stories behind their life or how they got into art tend to have higher values on their pieces; knowing the story behind a piece can be a major selling point for collectors.Read the whole article here.
Wednesday, July 18, 2012
I kid thee not...
Read the full article here.The theft of the painting was first discovered in late 2002, when the Contemporary Art Museum of Caracas was contacted by a Miami gallery owner saying that someone had offered to sell it to him.Experts at the museum inspected the likeness and were shocked to find that it was a fake, and not a very good one, at that. Someone had removed the original painting from its frame and put the fake in its place, leaving it to be exhibited as if it were the real thing. And no one noticed.
Tuesday, July 17, 2012
Was the nude too crude for beach?
Here we go again...
Read the whole article here.HAMPTON — A sand sculpture of a naked woman has some in the Hampton Beach Village Precinct calling on organizers of the popular annual competition to ask master sculptors to use more discretion next year in their artwork.Resident Tim Jones called the sculpture "pornographic." The event organizer calls it an issue of artistic freedom.
Monday, July 16, 2012
Sunday, July 15, 2012
Saturday, July 14, 2012
Friday, July 13, 2012
From American Airlines
And airlines wonder why people have low opinions of them... this recently received from American Airlines:
In order to streamline our program, we are announcing a change to AAdvantage miles earned before July 1, 1989, also called Miles With No Expiration.
Starting November 1, 2012, these miles will automatically be converted to Miles Subject to Expiration...
(e)merge announces...
News release from the (e)merge art fair:
(e)merge art fair, created to advance emerging art, returns to Washington, DC this fall. (e)merge welcomes back galleries from across the US and Europe including: BROTkunsthalle, Vienna, Austria; Amstel Gallery, Amsterdam, The Netherlands; Aureus Contemporary, Basel, Switzerland and Providence, USA; G Fine Art, Washington, DC, USA; Goya Contemporary, Baltimore, USA; and NOMAD, Brussels, Belgium. Among the galleries newly joining the fair are: Bäckerstrasse 4, Vienna, Austria; Flying Rooster Contemporary Projects, Montreal, Canada; Galería Servando, Havana, Cuba; Trailer Park Proyects, Guyanabo, Puerto Rico; Contemporary Wing, Washington, DC, Mixed Greens, New York, USA; LYNCHTHAM, New York; and Project 4 Gallery, Washington, DC, USA. A complete list of gallery and artist exhibitors will be available soon.
(e)merge is honored to have the support of the members of its inaugural Host Committee: Jane and Calvin Cafritz, Carol Feld and David Levy, Izette and Neal Folger, Janice Kim and Tony Otten, Alexia and Roderick Von Lipsey, Kim and Patrick Nettles, Rose Nosseir and Paul Carter, Frederick Ognibene, Lorie Peters, Robert Shapiro, Sid Stoltz and David Hatfield, and Daren Thomas.
“DC is one of the fastest-growing and most prosperous areas in the country, and Washington’s business, tech and collecting communities have rallied to support (e)merge and its exhibitors. With its entrepreneurial spirit and creative energy, this fair can become a model for promoting emerging art and artists everywhere."
- Robert Shapiro, Chairman of Sonecon, LLC
(e)merge is proud to partner with UBS and excited by the support of our sponsors: ESL Group, LivingSocial, HapstackDemetriou, Kaze Design, Vivid Solutions, the DC Commission on the Arts and Humanities, Exhibit-E, Industry Gallery DC, and Whiteford, Taylor, & Preston; and media sponsors: The Art Dossier, The Art Newspaper, BrightestYoungThings, DC Modern Luxury, Gallerist, and the Pinkline Project.
“As our culture evolves, moment by moment, the emergence of new ideas about architecture, design and art are changing and enhancing our daily lives. Giving an experience to this evolution is what our partnership with (e)merge is all about.”
- Peter Hapstak & Olvia Demetriou, Principals, HapstakDemetriou
This year the fair looks forward to another series of educational events in October with our cultural partners – The Corcoran Gallery of Art, the Hirshhorn Museum and Sculpture Garden, the National Gallery of Art, the Phillips Collection, and the National Museum of Women in the Arts.
(e)merge art fair
Thursday, October 4 through Sunday, October 7, 2012
Washington, DC
www.emergeartfair.com
I used to say neigh
Stories like this one used to spin me up... now I just say: Hey! What the heck... there's plenty of room for all of us in the art world.
Thursday, July 12, 2012
After Artomatic
The most common criticism levied upon Artomatic, is that because it is lacking the dictatorial. yet benevolent hand of the curator, it is a jumbled universe of so much art and so many artists, that art critics and other art world symbiots soon run out of brain storage and processing power and all they see is kitsch and trash and dreck.
For the past several years, some enterprising independent commercial art galleries from the region have staged their "after" AOM shows, where they have usually showcased the gallery owner's selection of what artists he or she were the top picks of that particular AOM. That's how PostSecret's Frank Warren and WGS' Tim Tate got their first commercial gallery shows.
Some galleries have also taken my AOM selections and organized post-AOM shows based on my picks, the most recent of which you can read here.
And I can tell you that in that post AOM tradition, next month I will be curating a post AOM exhibition at The Edison Place Art Gallery in Washington, DC. Then the critics can take their critical pot shots at me, the vastly experienced, highly respected, immensely virile and good looking curator, rather than shoot empty, lazy negative word bullets at a show in general.
More news later as I ramp up for putting this show together in record time.
For the past several years, some enterprising independent commercial art galleries from the region have staged their "after" AOM shows, where they have usually showcased the gallery owner's selection of what artists he or she were the top picks of that particular AOM. That's how PostSecret's Frank Warren and WGS' Tim Tate got their first commercial gallery shows.
Some galleries have also taken my AOM selections and organized post-AOM shows based on my picks, the most recent of which you can read here.
And I can tell you that in that post AOM tradition, next month I will be curating a post AOM exhibition at The Edison Place Art Gallery in Washington, DC. Then the critics can take their critical pot shots at me, the vastly experienced, highly respected, immensely virile and good looking curator, rather than shoot empty, lazy negative word bullets at a show in general.
More news later as I ramp up for putting this show together in record time.
Wednesday, July 11, 2012
Montrealing
Bus touring around the Montreal Gay Village |
Touristin' in Montreal... can you see me? |
Little Junes doesn't want to miss a thing! |
Tuesday, July 10, 2012
Montreal, Canada
We're in Montreal, Canada, where the Professor is lecturing at a conference and I'm gallery hopping in order to write some impressions of Montreal art galleries, as well as meeting and delivering a commissioned piece to a local art collector.
We're staying in the old city, which is a great venue for walking with a stroller, although Little Junes' mom just informed him that she's weaning him out of the stroller pretty soon.
This is a great walking area, packed with tourists, entertainers and lots of people walking around with official-looking badges.
But first things first, and first of all is some good Canadian suds at a local joint off Rue de la Commune accompanied by a nice salad with smoked salmon.
Tan is compliments of all the time outdoors in the last few days checking out the hole in the roof and clearing out fallen branches from the back yard.
Of course, while waiting I did some sketches on the paper provided... in the end we ended with a set of sketches of Anderson as :
Sorry about all the food stains.
Heh, heh...
We're staying in the old city, which is a great venue for walking with a stroller, although Little Junes' mom just informed him that she's weaning him out of the stroller pretty soon.
This is a great walking area, packed with tourists, entertainers and lots of people walking around with official-looking badges.
But first things first, and first of all is some good Canadian suds at a local joint off Rue de la Commune accompanied by a nice salad with smoked salmon.
Tan is compliments of all the time outdoors in the last few days checking out the hole in the roof and clearing out fallen branches from the back yard.
Of course, while waiting I did some sketches on the paper provided... in the end we ended with a set of sketches of Anderson as :
- himself wearing his favorite orange Dolphins ball cap (gift from his padrino Jorge);
- Junes as a bird;
- Junes as a bicycle;
- Junes as a pepper shaker.
Sorry about all the food stains.
Heh, heh...
Monday, July 09, 2012
Sunday, July 08, 2012
Uninformed art critic turns into misinformed opinionist
As someone who resolutely avoids the commercial side of the art world whenever possible and prefers to focus on the artwork itself, my impression of art fairs comes largely from written accounts. Fairs in places like Basel, Switzerland, Miami Beach and New York City have been represented as typically glitzy affairs in which most of the best work sells out during exclusive previews and to which the unwashed public is invited as a kind of afterthought. The idea of bringing this kind of art culture to Buffalo initially struck me, to put it nicely, as unexciting.This sort of initial misinformation/impressions - largely driven by ignorance - astounds me... how can someone be the art critic for a major city newspaper (we're talking Buffalo here; the second largest city in New York state!) and still has not been to an art fair in 2012!
But judging only by a walk-through of the fair and of Larkinville Saturday morning, this sort of elitist vibe does not surface in Echo in any way. And while a typical complaint from attendees and exhibitors at other fairs is that they do not provide an ideal place to see or understand work, I found Echo to be a pretty extraordinary one.
He lives in New York state! A few hours away from the second largest epicenter of art fairs on the planet!
But more importantly for his readers, how can someone be a newspaper's art critic and still "resolutely avoids the commercial side of the art world whenever possible."
Yikes! And all along here we thought that Blake Gopnik was the only art critic who did that!
And where does that "typical complaint" come from? First heard for me...
Nearly everyone there... was extremely approachable and willing to talk to visitors about their work. That's something you don't get in many galleries...What??? Where does this gent get those impressions from? The 1990s?
There's more intellectual disservice to this Buffalo News readers in this article by Colin Dabkowski and zero actual art review/criticism in the column... maybe I'm missing something, but his title is "Art Critic."
Makes my head hurt... Buffalo News, please send this guy down to NYC or Miami for the next cycle of art fairs so that he can open his eyes a little wider shut.
Saturday, July 07, 2012
Friday, July 06, 2012
Civilian tries to find solutions to the Corcoran's problems
As you surely know, today the Corcoran is in serious trouble, and your
help and support is needed at this extremely critical time.
A quorum (not all) of the Board voted on June 5th to price the historic Flagg building that houses both the Corcoran Gallery of Art and the Corcoran College of Art + Design. The process to sell the building is moving forward at an extremely rapid pace and the community still has not been invited into the conversation.
Like you, we believe that the Corcoran/Flagg building is an historic cultural icon, deeply tied to the history of Washington, D.C and the nation. Its proximity to the White House, Old Executive Building and National Mall is ideal placement for an art school and a museum, as the location is at the center of national activity and public discourse.
It would be detrimental for the Corcoran to be sold because it not only represents a very important part of this city and our country's history, but it also holds a significant place in current art dialogue. The Corcoran Flagg building (17th Street & New York Avenue, N.W.) is a National Historic Landmark, one of only 2,500 sites and buildings in the U.S. designated by the Secretary of the Interior, and it should be protected and preserved. We believe the solutions to keep the Corcoran where it is can be found within the community that admires, loves, utilizes, and needs it.
Please go here to sign the Change.org petition.
See the below articles:
Maintaining the Artistic Vision of the Corcoran
- June 14, 2012 (The Washington Postl)
Comments on the above
Corcoran Gallery Considers Selling Building, Moving Elsewhere
- June 4, 2012 (Washington City Paper)
Link to all Post articles
Developers cool on Corcoran Gallery of Art reuse
- June 5, 2012 (Washington Business Journal)
Ideas, solutions suggestions should be sent to: savethecorcoran@gmail.com
Twitter: savethecorcoran
Facebook: SaveTheCorcoran
website: www.savethecorcoran.org
A quorum (not all) of the Board voted on June 5th to price the historic Flagg building that houses both the Corcoran Gallery of Art and the Corcoran College of Art + Design. The process to sell the building is moving forward at an extremely rapid pace and the community still has not been invited into the conversation.
Like you, we believe that the Corcoran/Flagg building is an historic cultural icon, deeply tied to the history of Washington, D.C and the nation. Its proximity to the White House, Old Executive Building and National Mall is ideal placement for an art school and a museum, as the location is at the center of national activity and public discourse.
It would be detrimental for the Corcoran to be sold because it not only represents a very important part of this city and our country's history, but it also holds a significant place in current art dialogue. The Corcoran Flagg building (17th Street & New York Avenue, N.W.) is a National Historic Landmark, one of only 2,500 sites and buildings in the U.S. designated by the Secretary of the Interior, and it should be protected and preserved. We believe the solutions to keep the Corcoran where it is can be found within the community that admires, loves, utilizes, and needs it.
Please go here to sign the Change.org petition.
See the below articles:
Maintaining the Artistic Vision of the Corcoran
- June 14, 2012 (The Washington Postl)
Comments on the above
Corcoran Gallery Considers Selling Building, Moving Elsewhere
- June 4, 2012 (Washington City Paper)
Link to all Post articles
Developers cool on Corcoran Gallery of Art reuse
- June 5, 2012 (Washington Business Journal)
Ideas, solutions suggestions should be sent to: savethecorcoran@gmail.com
Twitter: savethecorcoran
Facebook: SaveTheCorcoran
website: www.savethecorcoran.org
Thursday, July 05, 2012
Irish Review
I'm currently in a show titled Eureka! at the Blue Leaf Gallery in Dublin, Ireland. The show focuses on artists whose work incorporates technology into their work.
Deirdre Mulrooney has a nice review of the show in Vulgo; read it here.
Deirdre Mulrooney has a nice review of the show in Vulgo; read it here.
Opportunity for Artists
Deadline: July 27, 2012.
The Cleveland County Arts Council is accepting two and
three dimensional art for an upcoming competitive exhibition based on the theme
of baseball. The exhibit coincides with the 2012 American Legion World Series
in Shelby, August 17 – 21, 2012. Artwork must pertain to or depict baseball.
The
American Legion Baseball Commission will sponsor a $500 Purchase Award. The
winning piece of artwork will be placed in the Keeter Stadium. The Cleveland
County Arts Council invites artists 18 and older to submit work to the
“Baseball as Art” Exhibit & Competition. Work must be original, created by
the artist within the last two years and not previously entered in a
competition at the Arts Center.
All two dimensional entries must be ready to
hang with picture wire on the back. No saw tooth hangers. The Arts Council
reserves the right to reject any entry that requires special installation.
Entries may be two and three dimensional but limited to paintings, drawings,
sculpture, print-making, photography, and fine craft. There is a $25.00
non-refundable entry fee for up to three (3) entries. Additional entries $5
each (max. 5 entries). Make checks payable to the Cleveland County Arts
Council. Shipping to and from the Arts Council is the responsibility of the
artist. Deadline to receive accepted work at the Arts Center is July 27th, 2012
and must include a prepaid shipping label or a call tag, check or postage for
return shipping. Please include any special packing and/or installation
instructions. Any work arriving in packaging not sturdy enough to return/reuse
will be returned COD. Cleveland County Arts Council, 111 S. Washington St.,
Shelby, NC 28150. For more information, visit: http://www.ccartscouncil.org
Wednesday, July 04, 2012
Tuesday, July 03, 2012
Monday, July 02, 2012
Hoyo
You are looking at the hole on our roof caused by the fact that Derechogeddon 2012 broke off the top of our neighbor's tree, which then fell on our roof, poked this hole, then rolled off, taking out the gutter in the process, and now lays in our backyard awaiting the insurance man to come over and see what happens next.
Still no power in the house or neighborhood.
The Spanish word for hole is hoyo (pronounced o-yo).
Ouch!
Still no power in the house or neighborhood.
The Spanish word for hole is hoyo (pronounced o-yo).
Ouch!
Sunday, July 01, 2012
Saturday, June 30, 2012
Oil City, PA
Oil City is a city in Venango County, Pennsylvania that is known in the initial exploration and development of the petroleum industry. After the first oil wells were drilled nearby in the 1850s, Oil City became central in the petroleum industry while hosting headquarters for the Pennzoil, Quaker State, and Wolf's Head motor oil companies. Tourism plays a prominent role in the region by promoting oil heritage sites, nature trails, and Victorian architecture. The population was 10,557 at the 2010 census.We're here for the wedding of a friend; lots of DMV area artists are also here... pictures later.
Friday, June 29, 2012
Thursday, June 28, 2012
Thomas Kinkade Museum
I can think of at least six artists whose work never received any critical acclaim but now have museums dedicated solely to their work... can you? Read the whole article quoted above here.
In the months before his death, Thomas Kinkade was "extremely focused" on establishing a museum of his artwork at his Monte Sereno home, his embattled girlfriend said in court papers filed Thursday."Thomas appreciated that while his art never received critical acclaim, he had legions of fans who were moved and uplifted by his art," Amy Pinto-Walsh wrote in a declaration filed in Santa Clara County probate court. "Thomas wanted to create this museum for his fans."
Pinto-Walsh said Kinkade took her on several trips to art museums -- including the Getty in Los Angeles -- for inspiration.
Mid Atlantic Competition
Deadline for Submissions: August 3, 2012
October 9 – November 2, 2012
Public Reception: Sunday, October 14, from 2-4pm
The 2012 Hoyt Mid Atlantic Juried Art Exhibition showcases artists from the Mid Atlantic Region: Pennsylvania, Ohio, New York, New Jersey, Maryland, Delaware, West Viginia, Virginia and Washington, DC.
Juror: Yours Truly
2012 Mid Atlantic Prospectus page 1
2012 Mid Atlantic Prospectus page 2
Wednesday, June 27, 2012
Winging it in Europe
Winging It!-In Europe: An Empty Nester's Plan for Travel: Designed for Those Young at Heart but Older of Body by Linda Stringer and Jim StringerI did a ton of illustrations for this book back in 1991 when I was living in Scotland and the authors were traveling around Europe gathering data for their book, which has become an underground classic of European travel tips... get a copy here. |
Wanna go to an opening tomorrow?
Painting into Sculpture is an exhibition (at Marlboro Gallery at Prince George's Community College
curated by John Anderson) of "painting that embraces the physical space
beyond the rectangle. The featured work explores the terrain where
painting becomes sculptural through various methodologies: stacking
panels, activating negative space, stripping the medium from the
support, using objects that function as paint, shaping the canvas, and
reducing the brush stroke to an object."
Featured artists include Dennis Dake, Don Kimes, J.T. Kirkland, Donald Martiny, Eugene Markowski, Kris Scheifele, and Dan Tulk.
The exhibition runs through July 19, with a reception June 28, 6:30 – 8:30 P.M.
Gallery Hours
9:00 A.M. – 5:00 P.M. Monday – Thursday
9:00 A.M. – 3:00 P.M. Friday
Contact: John Anderson, guest curator,
301-322-0959, andersjj@pgcc.edu
Or Tom Berault, Gallery Curator,
301-322-0967, beraulta@pgcc.edu
Featured artists include Dennis Dake, Don Kimes, J.T. Kirkland, Donald Martiny, Eugene Markowski, Kris Scheifele, and Dan Tulk.
The exhibition runs through July 19, with a reception June 28, 6:30 – 8:30 P.M.
Gallery Hours
9:00 A.M. – 5:00 P.M. Monday – Thursday
9:00 A.M. – 3:00 P.M. Friday
Contact: John Anderson, guest curator,
301-322-0959, andersjj@pgcc.edu
Or Tom Berault, Gallery Curator,
301-322-0967, beraulta@pgcc.edu
Tuesday, June 26, 2012
Returning to Aqua in December
A couple of days ago I was invited to exhibit at the 2012 Aqua Art Fair in Miami Beach; this will be my second Aqua and last year's was not only a terrific fair, but also a lot of fun!
Ali or Not?
The Muhammad Ali Center is suing a Michigan art donor, seeking to force the gallery to take back a gift of more than 180 pieces or allow the center to display it without any conditions set in the donation agreement.
At issue is the authenticity of Ali autographs on six pieces donated in 2009. The center says the signatures are not Ali's and are not in an online database that authenticates signed artwork.Details here.
Monday, June 25, 2012
Stocking The Fridge
The notable Washington, DC art couple Dana Ellyn and Matt Sesow are keeping it local with their latest exhibition Stocking The Fridge. Known internationally for their whimsical, politically charged, and allegorically satirical paintings, Dana and Matt will "stock" the gallery with nearly 100 fresh, locally grown paintings.
Stocking the Fridge will feature a selection of the best works from the couple's past 31 Days in July projects and include a painting from the first week of the 2012 edition. Matt and Dana's annual 31 Days in July began in 2003. The artists create 31 unique paintings inspired by the morning news from July. Each painting is a reflection of current events, mostly political, and showcases each artist's unique approach to painting.
Octobomb by Dana Ellyn
Stocking The Fridge
July 7 – July 29, 2012
Opening Reception: Saturday, July 7, 7-11pm
Opening Reception: Saturday, July 7, 7-11pm
Sunday, June 24, 2012
Man swipes Dali painting from art gallery
A thief who swiped a Salvador Dali painting off the wall of a New York art gallery may have escaped, but experts say the painting will likely be recovered when it comes back onto the art market.
Police are searching for a slim man with a receding hairline who walked into a Madison Avenue art gallery on Tuesday posing as a customer and walked out with the $150,000 Dali watercolor and ink painting in a large black shopping bag.
Read more here
Saturday, June 23, 2012
Friday, June 22, 2012
Michael O'Sullivan's Artomatic Picks
Michael O'Sullivan is the Washington Post's art critic and certainly the one art critic who has been there the longest, thus giving him an experienced and deep eye and knowledge about the DMV art scene. Below are his AOM picks in alphabetical order followed by the floor where the artist is exhibiting:
M. Helene Baribeau (mixed media knit sculpture) 04Stephanie Booth (photography/needlework) 09Brash (poetry) everywherePeter Byer (illustration) 08Justin Cameron (installation) 08Valeria Caflisch (painting and mixed media sculpture) 07David D’Orio (glass and mixed media sculpture) 08Cavan Fleming (painting) 04Eric Gordon/DC Creepers (drawing) 11Kelly Guerrero (sculpture) 08James Halloran (painting) 08Dale Hunt (painting) 09Rose Jaffe (drawing) 02Glen Kessler (painting/pastel) 01Paul Mericle (painting) 07Greg Minah (painting) 03Cory Oberndorfer (painting) 11Thomas Petzwinkler (photography/video) 10Lynn Putney (painting) 08Henrik Sundqvist (printmaking) 08Christian Tribastone (drawings/works on paper) 09Edmond van der Bijl (sculpture) 02Steve Wanna (mixed media/installation)09Stephanie J. Williams (painting) 08Joanna Knox Yoder (photography) 11
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