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| Woman Being Lowered from The Heavens Charcoal and Conte on Paper 17.5 x 7 inches, circa 2013 |
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| The Secret Substance of Frida Kahlo Charcoal, conte and graphite on gessoed ceramic |
Gregory flatly denied warning the show-house folks that he “knows all the politicians in town,” as witnesses claim."Witnesses" (Plural) -- What a schmuck!
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| Artist Worshiping at the Altar of Modern Art (Version II) 17 x 35 inches. Watercolor, acrylic, charcoal and gesso on paper. 2013 by F. Lennox Campello |
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| At LivAspen Art, Boulder, Colorado |
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| At White Cube, London, UK |
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| At Fraser Gallery, Bethesda, MD |
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| Pink Dude walking around the AAFNYC |
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| As soon as you enter the fair spaces... |
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| At Nine Gallery, Gwangju, South Korea |
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| At DECORAZONgallery, London, UK |
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| Catwoman Naked by F. Lennox Campello. 7 x 21 inches. Charcoal with embedded video. 2012 In a private collection in NYC |
A successor to the Washington International Print Fair and the Washington Print Fair, the Capital Art Fair is now in its fourth year of bringing collectible and desirable art to the Washington, DC, area. This year, the fair boasts over 20 distinguished art dealers from across the United States and Canada.Tickets to the 2013 Capital Art Fair can be bought at the fair for $10. The fair hours are as listed below:
Visitors to the fair will find thousands of works on paper from great master prints to cutting edge, contemporary pieces. The original prints, paintings, drawings, and photographs span over 500 years of creative expression, offering an impressive and expansive selection to DC art collectors.
The Capital Art Fair presents an invaluable opportunity, both in access and convenience, to the seasoned art collector, as well as those looking to break into the market. It is the only art fair in the Washington, DC, area where an extraordinary range of fine art will be available for collectors, museums, and the curious to purchase. It also gives a chance for the vibrant DC art community to interact and talk with exhibitors and dealers who are highly respected in the field, many of whom are well known to the curators of DC museums and established members of the International Fine Print Dealers Association.
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| Artist Worshiping at the Altar of Modern Art (Version II) 17 x 35 inches. Watercolor, acrylic, charcoal and gesso on paper. 2013 by F. Lennox Campello |
Photographers across the country can breathe a sigh of relief. The U.S. District Court in the Southern District of New York dismissed collector Jonathan Sobel’s lawsuit against photographer William Eggleston. The case, art law experts say, has broader implications for all artists who incorporate old photographic negatives into new work — and the collectors who support them.Read about it here.
Filed last April, the complaint alleged that Eggleston diluted the value of Sobel’s collection by printing larger, digital versions of some of his best-known works and then selling them for record prices at Christie’s.
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| Frida Kahlo in a Jackson Pollock Universe F. Lennox Campello, oil on canvas, 4 ft x 4 ft, circa 1981 |
"Art doesn’t have to be shown in New York to be validated. That requirement is long gone..."Read the whole article here.
A national traveling exhibition and photobook visualizing the U.S. Latino experience today through 12 of the most talented photographic voices working internationally.
SPAIN arts & culture is pleased to present a national traveling exhibition and book, LATINO/US Cotidiano. Literally meaning "everyday life," Cotidiano is a dynamic look at the rapidly changing nature of the Latino experience in America.
The Hispanic population in the U.S. has reached the 50 million mark, making the Latino community the largest minority in the country for the first time. One out of every six Americans is now of Hispanic origin, an impressive social transformation with enormous political, economic, and cultural consequences. Outdated stereotypes, racial profiles, and past cultural archetypes no longer accurately reflect a nation enriched by a growing and diverse population. But what does it look like today?
To better understand this culturally shifting phenomenon, SPAIN arts & culture commissioned Claudi Carreras, one of the foremost experts on IberoAmerican Latino photography, to research and gather the strongest photographic voices working today on issues of Latino identity. For LATINO/US Cotidiano, Carreras selected established and emerging photographers of Latino descent who embrace the theme and also excel at their craft: Carlos Alvárez Montero, Sol Aramendi, Katrina Marcelle d'Autremont, Calé, Ricardo Cases, Livia Corona, Héctor Mata, Karen Miranda, Dulce Pinzón, Susana Raab, Stefan Ruiz, and Gihan Tubbeh.
Join us also for a book presentation, Q&A and signing on April 3, 2013 at 6 pm at the National Portrait Gallery with Associate Curator of Photographs Frank Goodyear, LATINO/US Cotidiano curator Claudi Carreras, and photographers Ricardo Cases and Susana Raab, moderated by Carlos Tapia, Professor at American University.
| WHEN | ||||
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| WHERE | ||||
| Former Residence of the Ambassadors of Spain | ||||
| 2801 16th St NW | ||||
| Washington, D.C. 20009 | ||||
| Map it | ||||
| + INFO | ||||
| This event on spainculture.us | ||||
| RSVP | ||||
| RSVP required for the Opening Preview:contact@spainculture.us Free and open to the public. |
You are on a Horse, galloping at a constant speed.
On your starboard side is a sharp drop off.
And on your port side is an Elephant traveling at the same speed as you.
Directly in front of you is a galloping Kangaroo and your horse is unable
to overtake it.
Behind you is a Lion running at the same speed as you and the Kangaroo.
What must you do to safely get out of this highly dangerous situation?
