|
||||
|
||||
|
Friday, May 10, 2013
DC Artist bound for Venice Biennale
Thursday, May 09, 2013
Sharon's Letter
Dear Friends,
Please donate $30+ TODAY to fight cancer! Read below to see why!
In
2012, I participated in the Marin Olympic Triathalon with Team in
Training. I swam .93 miles, biked 22 miles, and ran 6.2 miles in 3.5
hours. In support of my efforts, 49 people helped me raise over $2,500
to find better cures and treatments for cancer.
It is 2013 and it is time for me to up the ante! I am going to do TWO Olympic Triathalons, with Team in Training, which have more difficult courses and a larger monetary goal of $3000.
May 5th - Wildflower, CA - .93 mile swim, 24.8 mile bike, 6.2 mile run
June 30th - Pacific Crest, OR - .93 mile swim, 28 mile bike, 6.2 mile run
Last
fundraising letter, I told you all about how I have a piece of my ass
where my toe used to be. Threatened by a possible future spreading
Melanoma, half of my toe was chopped off and a piece of my backside was
put in its place. But that's ancient history.
Unfortunately,
what isn't history...is cancer. It is still kicking around affecting
the people we know and love. I can think of three of my peers (women in
their 30's) who had to endure chemotherapy this year. And that pisses
me off!
If cancer also makes you mad, take 2 minutes and donate $30+ to the Leukemia & Lymphoma Society from my fundraising page:
In the great words of my favorite author Dr. Seuss,
“You're off to Great Places!
Today is your day!
Your mountain is waiting,
So... get on your way!”
Today is your day!
Your mountain is waiting,
So... get on your way!”
So, I'm going to take my half-toe,
And we're going to have fun.
Kicking Cancer's ass
As I Swim, Bike, and Run!
Thank
you for the love and support. Even if you can only donate one dime,
please add your donation to the cause. Ever cent counts.
Sincerely,
Sharon Pieczenik
Wednesday, May 08, 2013
Young Photographer
This is the latest work in my series of paintings/drawings with embedded electronic components. It is titled "Young Photographer Worshiping at the Altar of Contemporary Photography." It has three small LCD screens embedded into the piece that play about 200+ images of famous photographs, rotating every 3 seconds or so.
Young Photographer Worshiping at the Altar of Contemporary Photography Watercolor, charcoal and gesso with embedded electronics 8x20 inches, matted and framed to 20x28 inches. |
Detail |
Tuesday, May 07, 2013
States of Mind at UM
OPENING RECEPTION THIS THURSDAY - MAY 9, 5-8PM
MAY 9 – JUNE 22, 2013
States of Mind
is the University of Maryland's first nationally juried exhibition, juried and curated by the Stamp Gallery’s student staff. Please join them in celebrating the opening of this fantastic
show!
For more information about the show visit their
website.
My pick for this show?: Check out Adam Bradley's work
Monday, May 06, 2013
Gateway Open Studio Tour & WGS Annual Open House
Gateway Community Development Corporation (CDC) presents the 9th Annual Gateway Open Studio Tour on Saturday, May 11, 2013, from 12 p.m. to 5 p.m.,
in Prince George's County's Gateway Arts District.
Home to one of the
D.C. metro area's most innovative and exciting arts scenes, the Gateway
Arts District brings together professional artists representing almost
every visual arts medium.
The
day will end with an Opening Reception and After-Party at the Brentwood Arts Exchange (5pm - 8pm) and the 39th Street Gallery (5:30pm - 8pm).
Both are located at 3901 Rhode Island Avenue, Brentwood, MD.
Reserve your seat for the Open Studio Tour Complimentary Shuttle here.
And as you go around these tours, this Saturday it will be also the Washington Glass School's annual Anniversary Party and Open House....12 years and counting!
While you're there do not forget to drop by Red Dirt and Flux Studios! It will be a great day to drop by and see what makes this area so hot for art and sculpture!
What : Washington Glass School Annual Open House and Anniversary Party
When : Saturday, May 11th from Noon to 5pm.
Where : Washington Glass School
3700 Otis. St.
Mt. Rainier, Md 20712
202-744-8222
And as you go around these tours, this Saturday it will be also the Washington Glass School's annual Anniversary Party and Open House....12 years and counting!
While you're there do not forget to drop by Red Dirt and Flux Studios! It will be a great day to drop by and see what makes this area so hot for art and sculpture!
What : Washington Glass School Annual Open House and Anniversary Party
When : Saturday, May 11th from Noon to 5pm.
Where : Washington Glass School
3700 Otis. St.
Mt. Rainier, Md 20712
202-744-8222
Sunday, May 05, 2013
Go Gallery-Hopping with a Contemporary Art Collector
How do you get started collecting art if you’ve never done it before? Go
from art outsider to insider in a single afternoon with Laura Roulet.
Guided by Laura, visit five or six contemporary art galleries in the bustling 14th Street-U Street NW corridor. Meet with gallery directors to learn about the art on view. Laura will show you how to approach forming a collection, how to get invited to openings, how to evaluate galleries and more. Once you’re sufficiently embedded in the scene, finish with a glass of wine on your last stop.
Details here.
Guided by Laura, visit five or six contemporary art galleries in the bustling 14th Street-U Street NW corridor. Meet with gallery directors to learn about the art on view. Laura will show you how to approach forming a collection, how to get invited to openings, how to evaluate galleries and more. Once you’re sufficiently embedded in the scene, finish with a glass of wine on your last stop.
Details here.
Saturday, May 04, 2013
An Open Letter from Arts on the Block
Dear Fellow Artist:
Both of us have rarely asked
fellow artists for a contribution to any the various arts organizations we‘ve
been involved with over the years, unless the artist is rolling in money (an
all too rare state), but we’re making an exception now. We’re both on the board
of directors of a non-profit organization called Arts on the Block (AOB), and
it could use a little help financing a very important part of its mission,
which as an artist we think you’ll appreciate.
AOB's signature program involves
high school students, many of whom are
economically disadvantaged, but all of whom identify themselves as
creative types and lovers of art.
Mosaics are what the students (called apprentices at AOB) focus on, and
over the years they have created a number of great public and private murals in
the DC area. As a team the apprentices work with a public or private client to
design a mosaic, and then they build it. Through this program AOB does a truly
remarkable job of fostering art, life, and business skills. (You can see some
to our apprentices’ work by going to the AOB website www.artsontheblock.org
and clicking on Buy & Commission Art.)
A unique cornerstone of the
program described above has been paying the apprentices a stipend while
participating in the AOB program. This stipend is a important teaching tool as
it adds concrete value and incentive to their creative work. The appentices
have historically been paid $30 a day for their participation in the program.
So why are we asking you for
money now? Arts on the Block, like the vast majority of non-profit art
organizations, is trying to weather the current economic woes. Unlike most
non-profit art organizations AOB consistently stays out of debt;.This, however,
can lead to budget cuts. Thus, we’re hoping you will contribute $30 for one of
our apprentices for one day in the AOB program. We will not stop you if you’d
like to finance 2 days for $60, or even a
whole week for $150. But, again, We’re hoping you will at least consider financing an outstanding young
artist for one day’s participation in the of Arts on the Block program.
Here's a link for
donations: https://npo.justgive.org/nonprofits/donate.jsp?ein=64-0958139
Or you can mail a check to:
Arts on the Block
11501 Georgia
Ave., Ste 104
Wheaton, MD 20902-1952
Whatever you can give will
be greatly appreciated.
Best,
Richard Dana and June Linowitz
Friday, May 03, 2013
MCA announces Curate Maryland
Sponsored by Maryland Citizens for the Arts, Curate Maryland
is a new series of "on-the-ground" experiences designed to highlight
and promote the arts in cities and towns from across the state of
Maryland.
Each Curate Maryland event
will spotlight a selection of one town's local arts organizations
while fostering dialogue about issues that concern arts advocates at
all levels of governance. The series is a site-specific celebration,
one city or town at a time, for art lovers from around the state.
The first Curate Maryland
event is May 18 in Hagerstown, and features visits to The Washington
County Arts Council, The Maryland Theatre, Maryland Symphony Orchestra,
Washington County Museum of Fine Arts, with performances, tours,
refreshments and workshop discussions throughout.
The event is free
with RSVP to Brian Francoise at 410.467.6700 or at brian@mdarts.org.
Thursday, May 02, 2013
Potomac Vallery Watercolorists
A little while ago I had the pleasure of selecting the prizewinners for the Potomac Vallery Watercolorists at the beautiful Green Spring Gardens, and although over the
years I’ve had the honor and pleasure (and luck) of judging my fellow
artists many, many times (by my last count almost 300 times now!), one
fact is always a constant and solid, never-changing, ever-present, add
some more metaphors for “you can count on this” fact: It is never easy!
A second constant is that I am always refreshed
and surprised by the spectacular diversity and pluralism of visual ideas
that artists can deliver. This is the main reason that I really, really
like putting together, organizing and jurying art shows.
And even after all these years and all these
shows, I was still astounded by the quality and wide ranging of sources
used by the artists who gave me the honor to review their work for this
beautiful show at Green Spring Gardens. And in case you don't already know this: the most difficult (technically) of all visual arts media is watercolor. The difference between a great watercolor painter and the rest of us is that a great watercolor painter knows how to incorporate their mistakes into the final painting.
And I can honestly say that this was not only
one of the most difficult (and most fun) shows to whittle down to a
select few prizewinners, but also one which truly puts together a
remarkable sampling of the evolving capacity of the artistic mind to
educate, entertain, baffle, lead, record, interpret, upset, delight and
make us proud to be part of the visual arts component of the human
race.
The exhibition also underscores a mostly overlooked fact in this
age of post-modernism: the wondrous ability of the visual arts to be
both beautiful and yet remain contemporary.
This show also surprised me by how far the
artists went to explore contemporary issues of all flavors as they
related to the focus of the subject matter (generally speaking... flowers) and driven by the gorgeous
garden settings – in some cases by delighting the viewer with a fresh
and delightful take on traditional subjects such as Toni Bragg's "Bulb
of a Different Sort" which delivered the visual beauty of one of my all-time favorite things on this planet (garlic) and in others by cheering the gargantuan power of color
married to enviable technical skill as in Kate Niner's "Pasta for
Dinner" (which won the Best of Show)... memo to Kate: You need a website!
When you come and see this show, you will walk
away (as with any group show) with a variety of thoughts all fighting to
control your private reaction to it. You may have come with a
pre-conceived idea of seeing "flower" art and trying to understand what
people mean by adding that adjective in front of the word "art."
But you
will walk away also with multiple new reactions, hopefully including a
realization that art, regardless of the label, should and must always
stand as art, first and foremost. And you will also walk away with the
refreshing and never-ending breath of fresh air that good art injects
into our daily lives.
Come see this show and join me in applauding the
always-evolving skill and intelligence of contemporary artists who
wield brushes, pencils, charcoal sticks, palette knives, computers,
metal, stone, found objects and ideas to punch the solar plexus of our
minds with ideas and reactions.
Green Spring Gardens
4603 Green Spring Road
Alexandria, VA
April 29 - June 24, 2013
Reception: Sunday, May 5
1 - 3 p.m., Horticulture Center
4603 Green Spring Road
Alexandria, VA
April 29 - June 24, 2013
Reception: Sunday, May 5
1 - 3 p.m., Horticulture Center
Wednesday, May 01, 2013
Tuesday, April 30, 2013
Monday, April 29, 2013
Art Fair dynamics
From a post almost a decade ago:
One of the more eye-opening things in attending an art fair is seeing the dynamics that go onto the decision to buy a piece of art.
Put together a few thousand people, paying an entry fee to enter the fair, an assortment of dealers, and a huge diverse variety of offerings and it's an education in people watching.
The married couple:
"Do you like it?"
"Yeah, I like it- it's just what we've been looking for."
"Where would we put it?"
"We have a couple of spots that it'd fit."
"Do you really like it."
"Yeah, how about you?"
"Yeah, I kinda of like it."
"Should we get it?"
"If you want it."
(five minutes later)
"Let's think about it."
"OK" [To me] "Do you have a business card?"
The couple (not married):
Her: "Do you like it?"
Him: "Sssoright"
Her: "Where would we put it?"
Him: "Dunno."
Her: "Do you really like it."
Him: "So'OK.. Yeah, how about you?"
Her: "Yeah, I kinda, sorta, really like it."
Him: "Dunno though"
Her: "What? You don't like it?"
Him: "If you want it."
(five minutes later)
Him: "Let's think about it."
Her or Him: "OK" [To me] "Do you have a business card?"
The Single Woman (SW) with a Woman Friend:
SW: "WOW! Now, I really like this!"
Friend: "Yeah... it's nice"
SW: "It's exactly what I've been looking for!"
Friend: "I have a friend who does work just like this..."
SW: "I am really drawn to it!"
Friend: "Are you really sure you like it?"
SW: "Uh - yeah!... why? Don't you like it?"
Friend: "Yeah... it's OK"
SW: "I think it's really good... I think it's the first piece in this whole show that I really like."
Friend: "There's a few more booths we haven't seen."
SW: "I think I'm going to buy this."
Friend: "Are you sure?"
SW: "Uh - yeah!... It's a good price too.... why? Don't you like it?"
(five minutes later)
SW: "Do you have a business card?"
The Single Woman (SW) with a Man Friend:
SW: "WOW! Now, I really like this!"
Friend: "Yeah... Cool"
SW: "It's exactly what I've been looking for!"
Friend: "I think it's a lithograph" [it's actually a charcoal]
SW: "I am really drawn to it!"
Friend: "Are you really sure you like it?"
SW: "Uh - yeah!... why? Don't you like it?"
Friend: "I have something like it... I got it cheaper though..."
SW: "I think it's really good... I think it's the first piece in this whole show that I really like."
Friend: "You like lithographs?"
SW: "I think I'm going to buy this."
Friend: "Are you sure?"
SW: "Uh - yeah!... It's a good price too.... why? Don't you like it?"
(five minutes later)
SW: "Do you have a business card?"
The Single Focus Dream Buyer:
[Walks straight up to one piece, never looks at the rest of the work in your booth]
"I'll take this"
[Me] "Thank you... it's a very striking charcoal drawing - will be that be a check or charge?"
"Charge"
[Me] "I can send you more information on this artist..."
"That will be great - I love this work - it's exactly what I'm interested in!"
[Me] "I have a few more pieces here, would you like to see them?"
"No, thanks..."
The "I'm glad you're here guy (IGYHG)":
IGYHG: "Hey! I've been looking for you!"
[Me]: "Hi, how are you?"
IGYHG: "... been walking this whole fair looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
IGYHG: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
IGYHG: "Well, let me look at what you've got!"
[three minutes later]
IGYHG: "Well... I'm glad you're here... see ya next year!"
The "I Shudda Bought It Last Year Guy (Shudda)":
Shudda: "Hey! You're here again!"
[Me]: "Hi, how are you? Yeah... It's our 7th year here..."
Shudda: "... been walking this whole fair looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
Shudda: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
Shudda: "Well, let me look at what you've got!"
[three minutes later]
Shudda: "Where's that really good watercolor of the fill-in-the-blank?"
[Me]: "Uh... I sold it last year - but I have a few more pieces by that artist."
Shudda: "Ah! - I really wanted that one! Do you have another one?"
[Me]: "Well, no... it was an original watercolor, and I sold it; but I have ---"
Shudda: "I really wanted that piece; and it was a good price too..."
[Me]: "Maybe you'd like some of his new work..."
Shudda: "I shudda bought it last year"
[Walks away]
Shudda: "You gonna be here next year?"
The "Where's That Piece Guy (WTP)":
WTP: "Hey! You're here again!"
[Me]: "Hi, how are you? Yeah... It's our 7th year here..."
WTP: "... been walking this whole fair specifically looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
WTP: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
WTP: "OK... last year I saw this piece... it was a fill-in-the-bank and I should have bought it then! "
[Me]: "Yeah... that is a nice piece."
WTP: "I've been thinking about it for a whole year"
[Looks around the booth and doesn't see it]
WTP: "Do you still have it?"
[From here there are two paths...]
Path One -
[Me]: "Uh... I sold it last year - but I have a few more pieces by that artist."
WTP: "Ah! - I really wanted that one! Do you have another one?"
[Me]: "Well, no... it was an original watercolor, and I sold it; but I have ---"
WTP: "I really wanted that piece; and it was a good price too..."
[Me]: "Maybe you'd like some of his new work..."
WTP: "I shudda bought it last year"
[Walks away]
WTP: "You gonna be here next year?"
Path Two
[Me]: "Let me get it for you... I have it in the back!"
WTP: "Great"
[I bring it out and give to WTP]
WTP: "Yeah this is it! It's great!"
[Me]: "This artist has done really well this last year and ---"
WTP: [Handing it back] "Excellent! I'm glad you still have it... until what time are you going to be here?"
One of the more eye-opening things in attending an art fair is seeing the dynamics that go onto the decision to buy a piece of art.
Put together a few thousand people, paying an entry fee to enter the fair, an assortment of dealers, and a huge diverse variety of offerings and it's an education in people watching.
The married couple:
"Do you like it?"
"Yeah, I like it- it's just what we've been looking for."
"Where would we put it?"
"We have a couple of spots that it'd fit."
"Do you really like it."
"Yeah, how about you?"
"Yeah, I kinda of like it."
"Should we get it?"
"If you want it."
(five minutes later)
"Let's think about it."
"OK" [To me] "Do you have a business card?"
The couple (not married):
Her: "Do you like it?"
Him: "Sssoright"
Her: "Where would we put it?"
Him: "Dunno."
Her: "Do you really like it."
Him: "So'OK.. Yeah, how about you?"
Her: "Yeah, I kinda, sorta, really like it."
Him: "Dunno though"
Her: "What? You don't like it?"
Him: "If you want it."
(five minutes later)
Him: "Let's think about it."
Her or Him: "OK" [To me] "Do you have a business card?"
The Single Woman (SW) with a Woman Friend:
SW: "WOW! Now, I really like this!"
Friend: "Yeah... it's nice"
SW: "It's exactly what I've been looking for!"
Friend: "I have a friend who does work just like this..."
SW: "I am really drawn to it!"
Friend: "Are you really sure you like it?"
SW: "Uh - yeah!... why? Don't you like it?"
Friend: "Yeah... it's OK"
SW: "I think it's really good... I think it's the first piece in this whole show that I really like."
Friend: "There's a few more booths we haven't seen."
SW: "I think I'm going to buy this."
Friend: "Are you sure?"
SW: "Uh - yeah!... It's a good price too.... why? Don't you like it?"
(five minutes later)
SW: "Do you have a business card?"
The Single Woman (SW) with a Man Friend:
SW: "WOW! Now, I really like this!"
Friend: "Yeah... Cool"
SW: "It's exactly what I've been looking for!"
Friend: "I think it's a lithograph" [it's actually a charcoal]
SW: "I am really drawn to it!"
Friend: "Are you really sure you like it?"
SW: "Uh - yeah!... why? Don't you like it?"
Friend: "I have something like it... I got it cheaper though..."
SW: "I think it's really good... I think it's the first piece in this whole show that I really like."
Friend: "You like lithographs?"
SW: "I think I'm going to buy this."
Friend: "Are you sure?"
SW: "Uh - yeah!... It's a good price too.... why? Don't you like it?"
(five minutes later)
SW: "Do you have a business card?"
The Single Focus Dream Buyer:
[Walks straight up to one piece, never looks at the rest of the work in your booth]
"I'll take this"
[Me] "Thank you... it's a very striking charcoal drawing - will be that be a check or charge?"
"Charge"
[Me] "I can send you more information on this artist..."
"That will be great - I love this work - it's exactly what I'm interested in!"
[Me] "I have a few more pieces here, would you like to see them?"
"No, thanks..."
The "I'm glad you're here guy (IGYHG)":
IGYHG: "Hey! I've been looking for you!"
[Me]: "Hi, how are you?"
IGYHG: "... been walking this whole fair looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
IGYHG: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
IGYHG: "Well, let me look at what you've got!"
[three minutes later]
IGYHG: "Well... I'm glad you're here... see ya next year!"
The "I Shudda Bought It Last Year Guy (Shudda)":
Shudda: "Hey! You're here again!"
[Me]: "Hi, how are you? Yeah... It's our 7th year here..."
Shudda: "... been walking this whole fair looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
Shudda: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
Shudda: "Well, let me look at what you've got!"
[three minutes later]
Shudda: "Where's that really good watercolor of the fill-in-the-blank?"
[Me]: "Uh... I sold it last year - but I have a few more pieces by that artist."
Shudda: "Ah! - I really wanted that one! Do you have another one?"
[Me]: "Well, no... it was an original watercolor, and I sold it; but I have ---"
Shudda: "I really wanted that piece; and it was a good price too..."
[Me]: "Maybe you'd like some of his new work..."
Shudda: "I shudda bought it last year"
[Walks away]
Shudda: "You gonna be here next year?"
The "Where's That Piece Guy (WTP)":
WTP: "Hey! You're here again!"
[Me]: "Hi, how are you? Yeah... It's our 7th year here..."
WTP: "... been walking this whole fair specifically looking for you!"
[Me]: "Yeah... lots of dealers this year... glad you found us!"
WTP: "Howsa been goin'?"
[Me]: "Yes... quite good actually..."
WTP: "OK... last year I saw this piece... it was a fill-in-the-bank and I should have bought it then! "
[Me]: "Yeah... that is a nice piece."
WTP: "I've been thinking about it for a whole year"
[Looks around the booth and doesn't see it]
WTP: "Do you still have it?"
[From here there are two paths...]
Path One -
[Me]: "Uh... I sold it last year - but I have a few more pieces by that artist."
WTP: "Ah! - I really wanted that one! Do you have another one?"
[Me]: "Well, no... it was an original watercolor, and I sold it; but I have ---"
WTP: "I really wanted that piece; and it was a good price too..."
[Me]: "Maybe you'd like some of his new work..."
WTP: "I shudda bought it last year"
[Walks away]
WTP: "You gonna be here next year?"
Path Two
[Me]: "Let me get it for you... I have it in the back!"
WTP: "Great"
[I bring it out and give to WTP]
WTP: "Yeah this is it! It's great!"
[Me]: "This artist has done really well this last year and ---"
WTP: [Handing it back] "Excellent! I'm glad you still have it... until what time are you going to be here?"
Sunday, April 28, 2013
Saturday, April 27, 2013
Want free artwork for your non profit agency?
The Art Connection in the Capital Region (ACCR) is currently accepting
applications from nonprofit community service organizations within the
Greater Metropolitan Washington, DC area interested in receiving a permanent collection of artwork for their agencies.
ACCR is a nonprofit organization that enriches lives by expanding access to original works of visual at within under served communities throughout Washington DC, Maryland and Northern Virginia.
By bringing art to more members of our community, we are contributing to the creation of nurturing environments and providing individuals who might not otherwise have the opportunity, to experience the beauty, inspiration and hope that art enables.
The types of organizations with which ACCR partners serve their clients directly and include: homeless and battered women's shelters, children's centers, mental health facilities, and low-income senior housing agencies, amongst several others.
Applicants must meet the following criteria:
* Be a nonprofit 501(c)(3) tax-exempt organization
* Provide direct services to the residents of the District of Columbia, Maryland or Northern Virginia
* Have space to place artwork in public areas of the agency that is safe and accessible (administrative offices are generally not considered unless regularly used for public programming)
* Have no funds for in-house art purchases
To learn more about ACCR, to view recent placements, or to download an application, please visit: www.artconnection-cr.org
Please direct questions to: jcavnor@artconnection-cr.org
ACCR is a nonprofit organization that enriches lives by expanding access to original works of visual at within under served communities throughout Washington DC, Maryland and Northern Virginia.
By bringing art to more members of our community, we are contributing to the creation of nurturing environments and providing individuals who might not otherwise have the opportunity, to experience the beauty, inspiration and hope that art enables.
The types of organizations with which ACCR partners serve their clients directly and include: homeless and battered women's shelters, children's centers, mental health facilities, and low-income senior housing agencies, amongst several others.
Applicants must meet the following criteria:
* Be a nonprofit 501(c)(3) tax-exempt organization
* Provide direct services to the residents of the District of Columbia, Maryland or Northern Virginia
* Have space to place artwork in public areas of the agency that is safe and accessible (administrative offices are generally not considered unless regularly used for public programming)
* Have no funds for in-house art purchases
To learn more about ACCR, to view recent placements, or to download an application, please visit: www.artconnection-cr.org
Please direct questions to: jcavnor@artconnection-cr.org
Friday, April 26, 2013
Airborne
Heading to San Francisco for the weekend as the Professor has two papers to present at a conference there and I am hand-delivering a major video piece to one of the top video collectors in the world.
Alchemical Vessels Opens Tonight!
Join me for this exclusive benefit event at the Joan Hisaoka Healing Arts Gallery and add one of the 125 Alchemical Vessels works to your own
collection! Opening is tonight - Friday from 7-9 PM.
This unique exhibition will feature the work of 125 artists, hand-selected by 16 invited curators (including yours truly) , to engage in a community dialogue on healing and transformation through the arts. Each artist will transform the ceramic bowl by means of his or her own personal aesthetic and medium, drawing inspiration from the bowl as a place of holding, open community, a circle of care, sacred space, nourishment, and even the alchemical vessel.
100% of the ticket sale proceeds will go to support Smith Center’s life-enhancing work and programs for people living with and recovering from cancer.
- Supporter ticket: $50: This price level is good for entrance to the Benefit only. Ticket holders at this level do not get to keep a piece of art.
If you have trouble purchasing tickets, please call 202.483.8600 or email them at outreach@smithcenter.org.
See the Facebook Event for more photos from the Artists!
Benefit attendees will also be invited to the Artists' Closing Reception for Alchemical Vessels on June 7, 2013!
My donation to this event is below. I debated what to create, and in the end, I gessoed the bowl and once again delivered the visage of the most transformative artist that I know: Frida Kahlo.
This unique exhibition will feature the work of 125 artists, hand-selected by 16 invited curators (including yours truly) , to engage in a community dialogue on healing and transformation through the arts. Each artist will transform the ceramic bowl by means of his or her own personal aesthetic and medium, drawing inspiration from the bowl as a place of holding, open community, a circle of care, sacred space, nourishment, and even the alchemical vessel.
100% of the ticket sale proceeds will go to support Smith Center’s life-enhancing work and programs for people living with and recovering from cancer.
Ticket information:
- Benefit tickets $125: 125 Benefit tickets will be sold, and each ticket holder at this level will be given the opportunity to select a piece of art. Priority will be given by the order in which the tickets were purchased—so the first to buy a ticket will be awarded first pick of the 125 works, and so on. All 125 works will remain in the show until after the closing of the exhibition on June 7, at which time the new owners can pick them up.- Supporter ticket: $50: This price level is good for entrance to the Benefit only. Ticket holders at this level do not get to keep a piece of art.
If you have trouble purchasing tickets, please call 202.483.8600 or email them at outreach@smithcenter.org.
See the Facebook Event for more photos from the Artists!
Benefit attendees will also be invited to the Artists' Closing Reception for Alchemical Vessels on June 7, 2013!
My donation to this event is below. I debated what to create, and in the end, I gessoed the bowl and once again delivered the visage of the most transformative artist that I know: Frida Kahlo.
The Secret Substance of Frida Kahlo Charcoal, conte and graphite on gessoed ceramic |
Seldom has human history seen an artist so transformed by
destiny, events and the agony of constant pain as Frida Kahlo. When Kahlo's
young body was nearly destroyed and re-arranged by a horrible accident in her
youth, where the young art student was impaled on a handrail that pierced her
vagina and emerged through her chest, her agony transformed her into another
being who then proceeded to gift onto the world some of the most spectacular
portraits of pain that we've ever seen.
The intense brutality of pain transformed Kahlo with the same intensity that a thermonuclear reaction transforms its surroundings. She became a being submerged in constant pain for the rest of her life, both physical (she underwent dozens of surgeries) and mental (she experienced many miscarriages and was never able to have a child). And that transformation was the catalyst the propelled her to paint her own image as a mirror of the pain in her life, and in the process to become one of history’s great artists.
The intense brutality of pain transformed Kahlo with the same intensity that a thermonuclear reaction transforms its surroundings. She became a being submerged in constant pain for the rest of her life, both physical (she underwent dozens of surgeries) and mental (she experienced many miscarriages and was never able to have a child). And that transformation was the catalyst the propelled her to paint her own image as a mirror of the pain in her life, and in the process to become one of history’s great artists.
In the process, Kahlo transformed all of us, as a little bit of
her artistic alchemic powers infect all of us who become hypnotized by her
portraits; the power of her gaze, the eloquence of her eye brows and the
intensity of her face, all leave a little bit of the secret substance that
changes artistic matter from the mundane to an aspiration to the sublime.
Next month...
Bethesda Fine Arts Festival - May 11 & 12
Saturday, May 11, 10am - 6pm
Sunday, May 12, 10am - 5pm
130 artists from throughout the United States and Canada will converge in Bethesda's Woodmont Triangle for
the Bethesda Fine Arts Festival. Along with booths of fine art and fine
craft, the festival will feature live musical, great eats from Bethesda
restaurants and a children's activity area.
Join them for a unique shopping experience in downtown Bethesda. Browse
jewelry, furniture, painting, photography, sculpture and more.
Admission to the festival is free and free parking is available in the public parking garage on Auburn Avenue. This event is held rain or shine.
Thursday, April 25, 2013
Wednesday, April 24, 2013
One of sixteen vestal virgins who were leaving for the coast
We skipped the light fandango-- Keith Reid & Gary Brooker
Turned cartwheels 'cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
And the waiter brought a tray
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "There is no reason
And the truth is plain to see."
But I wandered through my playing cards
And they would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open wide
They might have just as well been closed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
She said, "I'm here on a shore leave,"
Though we were miles at sea.
I pointed out this detail
And forced her to agree,
Saying, "You must be the mermaid
Who took King Neptune for a ride."
And she smiled at me so sweetly
That my anger straightway died.
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale
Landlord orders gallery to partially cover nude photo
"A nude model who used a topless tour to convince cops not to shut down a racy photo exhibit at a Lower East Side gallery has been forced to cover up after the landlord threatened to terminate the gallery’s lease.
On the owner’s orders, the operators of the ROX Gallery have put a caution sign over a lurid picture hanging in their Delancey Street window that shows model Natalie White masturbating...
... None of the other two dozen works inside the gallery has been censored, and White has not been banned from performing the live masturbation shows that are an occasional part of her act."Initial details here and a really good report by the HuffPost's very fair Priscilla Frank (who studied Rhetoric of Narrative and Image at UC Berkeley and has written for art galleries in California and New York, as well as being the editor of the Berkeley Poetry Review and a sex columnist for the Daily Californian) is here... (Prissie call me!).
Brilliant publicity stunt on the part of the gallery or by the even more publicity-brilliant Natalie White (channeling Vito Acconci or maybe Andrea Fraser)... whatever works!
I'd like to see her invited to perform at (e)merge and see how the DMV reacts to it! They might shut down the whole fair!
Natalie!!! You're performing in the wrong place! If you want to really get arrested for simply showing your body... DO (e)merge!!!! ...... (and the pun is sooooooo intended!).
Tuesday, April 23, 2013
Like mother, like son
We
did a 5K race this weekend... cough, cough...
I actually did the "One Mile Fun Run" before the actual race... together with Anderson, who in spite of a 3-5 minute all stop protest in the middle of the race about being ordered to take his hands out of his pockets while he ran, managed to finish the one mile in less than 20 minutes.
It's all about genetics folks... not mine!
His mom, Doctor Alida The A, came in second overall, while still noting that she had a "slow race because it was so freaking cold!"
I actually did the "One Mile Fun Run" before the actual race... together with Anderson, who in spite of a 3-5 minute all stop protest in the middle of the race about being ordered to take his hands out of his pockets while he ran, managed to finish the one mile in less than 20 minutes.
It's all about genetics folks... not mine!
His mom, Doctor Alida The A, came in second overall, while still noting that she had a "slow race because it was so freaking cold!"
Technical Workshop: 3D Printing
Date: May 2, 2013, 6:00pm - 8:00pm
Location: ABC Imaging, 1155 21st Street, NW
Washington, DC 20036
To Attend: The workshop is free for WPA members,
with a $5.00 reservation fee for non-members. To RSVP, contact
Membership Manager Christopher Cunetto by e-mail at ccunetto@wpadc.org or by phone at 202.234.7103 x 2.
Seating is limited.
Join
Washington Project for the Arts and ABC Imaging for a technical
workshop covering the basics of current 3D printing technologies and
techniques, discussion on the different models and types of materials
used in the process, as well as a tour of the 3D printing facilities at
ABC imaging. ABC team members Tom Ashley, Major Account Sales Manager,
John Lee, 3D Manger, and Chris Cole, Director of Graphics, will
present.
Monday, April 22, 2013
Opportunity for Artists
Call for Artists to Exhibit in the Gallery @ BloomBars: "Emigration: In Honor of Cultures"
As
a participant in the “Passport DC,” an annual celebration organized by
Cultural Tourism DC coinciding with the Mayor of the District of
Columbia's proclamation of May as International Cultural Awareness
Month, BloomBars is hosting an exhibition exploring the concept of
emigration, migration, immigration and community that honors the human
story. The purpose of the exhibition is to explore human stories of the
emigration process, allowing viewers to engage in dialogue, a shared
understanding and meaningful conversations on critical issues and public
policies.
OPEN TO ALL MEDIA
Dates of Exhibition: May 10th thru 31st, 2013
Submission Deadline: April 29, 2013
Exhibition Description:
Notification of Selected Artists: Friday, May 3, 2013
Submission Guidelines:
Artists may submit up to 10 digital JPEG images at 200 DPI. For sculptural or three-dimensional pieces, 2 images may be submitted for each work. The images must be submitted via email to carol@bloombars.com.
Artists may submit up to 10 digital JPEG images at 200 DPI. For sculptural or three-dimensional pieces, 2 images may be submitted for each work. The images must be submitted via email to carol@bloombars.com.
Sunday, April 21, 2013
Legal and Financial Education for Artists
Monday, May 6, 2013
In beautiful Easton, MD
12:30 pm - 4:30 pm (with breaks and refreshments)
Avalon Theatre, 40 E. Dover St., Easton MD, 21601
View map HERE
Get the scoop on Copyright Law, Liability Insurance, Business Entities (LLC v. Nonprofit v. Fiscal Sponsorship), and Merchant Services.
Free! But reservations required.
Space is limited! Please RSVP to Erin @ 410.467.6700.
In beautiful Easton, MD
12:30 pm - 4:30 pm (with breaks and refreshments)
Avalon Theatre, 40 E. Dover St., Easton MD, 21601
View map HERE
Get the scoop on Copyright Law, Liability Insurance, Business Entities (LLC v. Nonprofit v. Fiscal Sponsorship), and Merchant Services.
Free! But reservations required.
Space is limited! Please RSVP to Erin @ 410.467.6700.
Glass, glass, glass...
Three
highly anticipated Springtime cultural events in the DC area will soon
be underway and you are invited! Each event will feature the art glass of Robert Weiner - in case you have missed it (as most DMV area curators seem to have), the DMV has become one of the art glass epicenters on the planet.
At Art17, the Mid City Artists are kicking off the season with a special Open Studio Tour Preview. Thirteen MCA members are represented in the exhibit, including select pieces from his Colorbar Murrine Series. Stop by the opening reception Thu, May 2 to meet the artists and get the first look. This exhibit runs through June 20.
Starting May 1, Gallery B in Bethesda presents an exhibit entitled "Seven Variations"
where seven artists offer their individual interpretations of
"variations on a theme". On display will be mWeiner's most recent work inspired
by astronomical bodies, primarily lunar phenomena. The seven vessels
strive to capture the composition, energy and evolution of these
natural, complex and ancient objects. Throughout the exhibit a
collaborative piece, donated by the artists, will be auctioned to
benefit the Edgemoor Children's Center of Bethesda. A perfect time to
place your bid will be at the May 10 reception.
And certainly not to be missed is the Spring Mid City Artists Open Studio Tour.
Twenty-five plus private art studios in the Dupont Circle, Logan
Circle, U Street and Shaw neighborhoods will be open to explore and
purchase artwork. This bi-annual event, now in its 10th year, offers
visitors a rare glimpse into the artists' working space with unique
locations. Participating artists represent a great diversity of work,
including drawings, sculptures, paintings, photography, mixed media and,
of course, art glass.
Mark your calendars to attend Sat, May 18 and/or
Sun, May 19. Tour Tip: DC Art Glass is within a block
of several new trendy restaurants including La Diplomate and Pearl Dive.
Stop for lunch, brunch or a snack and then head on over to the studio
for some exceptional art glass!
|
|
|
Subscribe to:
Posts (Atom)