This is what student artwork looks like

These are all from about the same period (1977-1981) when I was a student at the University of Washington School of Art...

A good look at what student artwork looks like... explorative... right?All over the place... reacting to assignments, to teachers, to fellow students...

Most of these were sold right after they were graded, as I used to sell my artwork at the Pike Place Market in Seattle... also between 1977-1981.

 

To the black bloc idiots...

Wake effect...

Both these pieces, most recently exhibited at Context Art Miami, are heading to Hawaii to the home of the same collector...

The Boy Wonder, Alone. c.2016 by F. Lennox Campello, charcoal on paper

The Batman, Brooding. c.2016 by F. Lennox Campello. Charcoal on Paper

Goodbye and Hello, and Bill, Bill, Bill...

As I've done for every Prez since I started the blog, I was gonna say "Thank you for your service... fair winds and following seas" to President Obama and "Welcome to the Jungle Swamp!" to President Trump...

And then Bill Clinton stole the show:

D .C. exhibit highlights art banned in Russia

PRESENTED BY: CHARLES KRAUSE/REPORTING FINE ART, Washington’s only gallery exclusively dedicated to showing political art. Founded in 2011, the gallery has a new exhibition space in the DACHA LOFT Building, 1602 Seventh Street NW, 2nd fl., Washington, DC 20001 

INAUGURAL WEEKEND SCHEDULE: Jan 20th, 21st and 22nd (11 a.m.-6 p.m.)
Normal weekend hours: SAT/SUN 1 p.m.-6 p.m. (through March 6) Weekdays by Appointment (202-638-3612)

Elise Campello: This is what you came for

My youngest daughter on stage...

Talking about entertainment... a peeps of mine who lives in NYC, was sitting in a booth in a fancy Manhattan hangout, and he overheard a couple of dudes in the booth behind his discussing a talk show for Hillary Clinton.

He says that the suits were talking as though they were in the final stages of the deal, rather than as an "idea."

Interesting.... right???

Art Scam Alert!

Beware of this rip off art scammer:

From:   "Dave Gordon"

Hello,
I would like to make an order for some works.
Do you ship internationally?
Let me know if payment is accepted by Master card or Visa card.

Regards,
Dave Gordon

 The scam works like this.

Opportunity for PG artists!

Deadline to Apply: January 30th, 2017, 4:00PM
$500 Honorarium

 

The Prince George’s County Traffic Box Art Wrap project, coordinated by the Hyattsville Community Development Corporation (Hyattsville CDC), funded by The Prince George’s County Executive’s Community Partnership Grant, with the support of Prince George’s Department of Public Works and Transportation (PGDPW&T), is announcing a Call for Artists.  

Hyattsville CDC seeks five (5) designs for reproduction on vinyl wraps to cover 11 traffic boxes, at pre-determined sites within Prince George’s County. Traffic signal cabinets – the grey metal structures located at every signalized intersection – are vulnerable to graffiti and vandalism.  This project will utilize a public art application to address community blight and enhance the visual landscape, focusing on boxes located in the county’s T.N.I (Transforming Neighborhoods Initiative) communities.

This call is open to all artists, graphic designers, illustrators, and photographers who currently live or work within Prince George’s County.  Submitted designs must be original artwork and can be created in any medium, so long as it can be represented in, and is submitted as, a high-resolution digital image without loss of integrity or quality.

View full Call for Artists

Open Studio - Go see this!

17 graduating artists!

Artists & Makers Studios Presents
“Compass Atelier Thesis Exhibition”
with seventeen graduating artists 

Artists & Makers Studios on Parklawn in Rockville will present one exhibit in three galleries for the month of February. The first 17 member graduating class of The Compass Atelier’s Master Artist Program will present their Thesis Exhibition. The Compass Atelier is an art school located within the Artists & Makers Studios flagship studio center on Parklawn Drive. The Atelier runs a unique program of study called the Master Artist Program (MAP). The MAP is a 3-year fully comprehensive course of study for painters looking to master their craft and achieve a professional practice. Students spend their entire third year developing a thesis—a series of paintings exploring a personal and well-executed concept.

“Compass Atelier Thesis Exhibition”
with seventeen graduating artists

Opening Reception

6:00 PM – 9:00 PM, Friday, February 3, 2017

Artists & Makers Studios

11810 Parklawn Dr., Suite 210

Rockville, MD 20852

Additionally A&M is proud to also present exhibits at Artists & Makers Studios 2 at 12276 Wilkins Avenue in Rockville, just 9/10’s of a mile from the flagship location. “Desolate Beauty: Desert Landscapes” with photographer Alex Keto - an exhibit of desert landscapes that captures the desolate beauty of the American Southwest. Although deserts are known for their wide-open vistas and immense horizons, the land features a sense of light found nowhere else. Additionally “What’s Your Passion” in the New Masters Gallery and “5 by 5” with five members of the Montgomery County Camera Club will fill the galleries at Wilkins, along with artists’ open studios.

Exhibits at both locations open Friday, February 3rd, and continue through Thursday, February 23rd, 2017.  Viewing hours are 10:00 AM – 4:00 PM, Tuesday-Friday, 10:00 AM – 4:00 PM Saturdays, and Sundays/Mondays by chance or appointment.

Artists & Makers Studios on Parklawn Drive in Rockville, established in October 2014 by artist and arts community builder Judith HeartSong, is a 13,000 sq. ft. facility is home to 68 resident artists. Newly opened Artists & Makers Studios 2 on Wilkins Avenue in Rockville is a 23,000 sq. ft. facility with 49 resident artists and more to come. A&M Studios is dedicated to providing a supportive and vibrant environment for artists to realize their creative goals - through studio practice, collaboration, education, opportunities, networking and connecting with the community beyond their doors. 

Auction Good Deals!

These two signed framed prints (each from a tiny edition of 2) are being offered at a starting bid that is less than the cost of the frames!

See them here...

Anatomy of a another commission

Background: At the 2016 SOFA art fair in Chicago, a local Chicago collector acquired one of my large drawings, and told the gallery that he'd like to discuss possibly commissioning two additional pieces in the same size to create a full wall.

Subsequently the collector and I get in touch, and via email we begin coordinating the commission(s). Essentially he wants two additional pieces that can work together... almost like a planned triptych.

The work that the collector already has, depicts a nude woman, jumping from the upper left of the composition into open space. He actually comes up with an excellent idea: The left-most piece would be the same figure, but walking from left to right; the middle piece is again the same figure, but climbing a ladder to the upper right. His piece, then would show her jumping into space.

I really like the idea, and he also tells me that he's open to other suggestions... I tell him that I'll do some rough sketches...here's what I've come up with:

That's his idea above, and then I come up with a couple of different versions:

In this version, the center figure is on a swing... I also send him a rough sketch of that center piece:

And one last version, where the center figure is on stilts:

And a rough sketch of the "new" middle piece:

And now... let's see where we go next!

Tania Bruguera Brutalized Again

The criminals of Castro's Cuban Workers' Paradise have once again...

Bruguera and Casanella were pulled over due to an alleged technical or administrative problem with the van they had rented, which was laden with donated mattresses and rice destined for citizens of Baracoa, a city that was pummeled by Matthew in October...

...Casanella was allegedly physically attacked during his detention, and Bruguera was questioned for six hours by four counterintelligence officers and Lieutenant Colonel Kenia, who has monitored the artist’s activities in the past. The point of the questioning and the pretext for the pair’s detention remain unknown, but Bruguera will not be permitted to deliver the donated goods to hurricane victims in Baracoa. She plans to travel back to Boston to teach her class at Harvard University today, assuming Cuban authorities allow her to leave the country.

Read the whole report here, and put your own artistic issues in perspective.

The Alper Initiative's Birthday!

The Alper Initiative for Washington Art is one year old!

The initiative promotes an understanding and appreciation of the art and artists of the Washington Metropolitan Area. They provide and staff a dedicated space located within the American University Museum, to present exhibitions, programs, and resources for the study and encouragement of our DMV creative community.

Longer Mission Statement

Alper At A Glance

• 2,000 square foot space

• 5 exhibitions of Washington art per year

• 1 common gathering area and exhibition space

• The ONLY museum space in DC dedicated to the display, research, and encouragement of the region's art and artistic community

Their presentation of the initiative mission and vision has generated supportive feedback from the community.

"I think there has always been a separation from the National Identity of Washington, DC and the Local Identity of DC. Partnering with the American University Museum helps to soften those boundaries and raise the level of critical attention towards local talent."
— Judy Byron, Local artist\

“The Alper Initiative is in the process of revolutionizing the way that Washington, DC sees its visual artists; this is a game-changer for our area's cultural tapestry.”
— F. Lennox Campello, local artist and art critic

Letter from the Director

The Alper Initiative for Washington Art is the gift of Carolyn Small Alper, a Washington artist, AU alumna, and philanthropist. It provides the space and resources to fulfill one of the American University Museums’s primary objectives and meet one of the region’s greatest needs: to promote an understanding and appreciation of our region’s art and artists from our past, present, and future. It is an exhibition space and a place for study and research. But it is first of all a meeting place for people and ideas. Its most important contribution to the Washington region may well be the opportunities it provides for us to exchange perceptions and, perhaps, rewrite the history of Washington art.

The Initiative presents five exhibitions of regional artists each year, creates publications and programming to engage and build the audience for Washington art, and serves as a resource for its study and critical appreciation. Curators are solicited to propose appropriate exhibitions, and artists are invited to submit their work for consideration on our website.

The Initiative is a part of a thriving museum that for ten years has specialized in presenting Washington artists in the larger context of national and international contemporary art. Washington art is strong, intelligent, and relevant, and has earned a prominent place in contemporary cultural discourse. Thanks to the Alper Initiative for Washington Art, we have the means to present serious, focused exhibitions for all the world’s appreciation and enlightenment.

Jack Rasmussen

Director and Curator
American University Museum

The curious case of the disappearing/reappearing Capitol painting

The story so far: A Congressman selects a painting from his district to hang in the U.S. Capitol building, and the painting depicts cops as animals. The painting, done by David Pulphus, shows the protests and riots in Ferguson, Mo. after a police officer shot Michael Brown, reports the Independent Journal Review.


It also shows a muscular Brown (I think, because of the graduation cap) as a Christ on the cross, and a feral slim black wolf (in Timberland boots?) encountering the obese police.





As a work of art, the painting, done in a naïve style, leaves a lot to be desired, as a narrative work, it is powerful enough that it has started a mini art war in Congress!


The painting was chosen by or on behalf of  Congressman Lacy Clay (D - Missouri), and is part of the well-known Congressional Art Competition. The Pulphus painting sometimes hangs, then gets removed, then gets re-hung, in a tunnel between the Capitol building and the Longworth House Office Building.  Clay represents Ferguson, Mo., where Michael Brown was shot and killed by police after fighting with a cop who had stopped him.


The real life cops (who are depicted as fat animals in the painting, one seems to be a horse, and one seems to be some kind of a wild pig, and curiously, all seem to be black or brown) are justifiably pissed off by the depiction, and have complained vociferously about the piece, and where it is hanging.

Andy Maybo, president of The Fraternal Order of Police District of Columbia Lodge #1 said, “This piece of art, which depicts officers as pigs, is both offensive and disgusting. During a time in our society when tensions are so high that someone can be offended by a single word, this painting does nothing but attack law enforcement to its core.  The fact that a member of Congress would advocate and praise such a painting is reprehensible.  We, in law enforcement, regardless of the police department we work for, are held to higher standards that certain Members of Congress now have made a mockery of.”

And then Rep. Duncan Hunter (R-Calif.) personally removed the painting from the wall, and then the painting became a political football, as narrative art often does... you never see anyone bitching about abstract art, do you?


It is not the first time that artwork has been censored/removed/covered up in government buildings in the DMV; and more often than not, artwork is "censored" waaaay before it is ever hung - censored in the selection process that is... when was it the last time that you saw a nude acquired as a public artwork in the DMV? I will tell you, somewhere between the 1800s and the halcyon days of the WPA.


"Older" artwork, even historical pieces, have been censored by political censors routinely around here...

Remember when Luis A. Luna, the Assistant Administrator, Office of Administration and Resources Management announced a decade ago a decision to install a "temporary screen" to cover up several historical murals on the 5th floor of the Ariel Rios building in Washington, DC. These murals were created under a 1934 U.S. Treasury art commissioning program, and have apparently been the subject of complaints over the years, and were also once previously covered up during the Clinton Administration, before being apparently exhibited again during the Bush administration, before being hidden from view once more... no idea if they are covered up again, but five gets you ten that they're either covered up or (worse) have been removed. The murals which have titles such as "French Explorers and Indians," "Torture by Stake," "The Red Man Takes the Mochila," etc. depict a diverse set of panoramas ranging from spectacular scenes of the often violent interaction between the American West's native nations and the new settlers, to artistic recreation of historical meetings between European explorers and native Americans.


Soooooo... who's right and who's wrong in the current Pulphusian saga? As faithful readers know, I'm nearly always on the side of the artwork, and rage against the censor. This case is a tough one for me personally, as I really, really understand the thin blue line perspective on this.


In some cases where I have been on the side of the censor, it has always been from the perspective of "he who owns the walls", but that doesn't apply in this case, as those Capitol walls are owned by the people of the United States.


Is the painting insulting to police? Of course it is; it was meant to carry a very caustic message, and it does that superbly well.


Does Duncan have a right to remove it, since it was properly sponsored by another politician? Of course he doesn't.


The painting needs to hang freely, lest we approach art as Cuba, North Korea, China, Iran, etc. approach art. And remember when nearly the entire world was aghast when the Taliban destroyed the gigantic Buddha sculptures that were offensive to that repressive mentality, and we all condemned the demolition as a vile and barbaric act of cultural ignorance and artistic destruction?


I don't like the painting and the narrative that it relays, but I defend the right of the painter and his sponsoring politico to hang it.