Call for art

ENTRY DEADLINE: April 26, 2019

Reminder, deadline to enter the Arts and Humanities Council of Montgomery County and the Montgomery County Public Arts Trust's Contemporary Works on Paper Collection call for art is tomorrow, April 26th, 11:59 pm. Be sure to submit on time! 

This juried call seeks to purchase original and unframed two-dimensional works of art that are contemporary and modern in style by visual artists located in Montgomery County and the Greater Washington area.

Artwork in the collection will be owned by Montgomery County under the county’s Public Arts Trust program and loaned to county agencies for exhibition in public buildings.

DETAILS HERE

IMPORTANT DETAILS: 
Submission Deadline: April 26, 2019
No Entry Fee
Required Materials: 
 - Artist Statement
 - Artist Resume
 - List of Artworks
 - Images

ELIGIBILITY:
This Call for Art is open to artists residing in Montgomery County, MD and the Greater Washington Area.

All work must be original and unframed two-dimensional works that are contemporary and modern in style. 

Lida Moser in New York

Neel / Picasso 
April 30 - July 20, 2019
Opening reception: April 29, 2019 6:00-8:00pm

Sara Kay Gallery | 4 East 2nd St, New York

A series of vintage and lifetime photographs by the amazing Lida Moser accompanies this new exhibition in NYC:

Sara Kay Gallery is pleased to present Neel / Picasso, on view from April 29 through July 20. The exhibition will feature significant portraits from private collections by the artists Alice Neel (1900-1984) and Pablo Picasso (1881-1973). 

Neel and Picasso were contemporaries who transformed and revitalized portraiture. Through select paintings by both artists, this exhibition offers a revealing parallel view of two key 20th century painters. 

Neel, a self-described “painter of people,” chose not to idealize her subjects. Instead, with bold strokes, an imaginative line between the interior experience and the outward appearance of the sitter is revealed. 

In her portrait of Lida Moser from 1962, Neel focuses on facial expression, body language and clothing, illustrating the overlapping of inner essence and outward appearance, of vanity and vulnerability. Painted by her artist friend during the rise of the feminist movement, Moser was an accomplished photojournalist at a time when women were a rarity in the field. Moser is an unmistakably dynamic figure. Painted in lucid tones with fingers jutting out like spindles, her form is magnetic and commanding.

In juxtaposition to Neel’s probing of the space between the inner and outer life, Picasso reconfigures his subject’s features revealing his own interpretation of their essence, inadvertently serving as a barometer for his own emotional state. 

Painted in 1937, Femme au béret orange et au col de fourrure depicts the artist’s young mistress and muse, Marie-Thérèse Walter. Here, the formal experimentation and emotional intensity that characterize his most celebrated portraits of women are embodied. The small group of portraits that he painted on 4 December 1937, the present work included, make it almost possible to track the slow transition from his relationships with Marie-Thérèse Walter to Dora Maar, and reflects the artist’s conflicted feelings surrounding this transition. 

The final two works of the presentation highlight a shared acknowledgement of the artists’ own mortality, as both turn their gazes inward. Picasso, in Homme assis les bras croisés II from 1964, portrays an energetic vibrant sitter, unlike a man of Picasso’s age, though the features are unmistakably those of the artist. In 107th and Broadway, Neel offers an anthropomorphic view of her final home painted as a portent with dark shadows nefariously playing across the surface of the canvas. She described the large shadow that engulfs the building’s facade as the “shadow of death.” 

Picasso said that his work acted as a “sort of a diary.” Neel claimed she was “a collector of souls...” capturing “what the world has done [to her sitters] and their retaliation.” Linked in time, differing in approach, the parallel viewing of these two innovative 20th century painters offers insights into both their artistic achievements and the radicalization of portraiture. 

$51K in awards!

With the help of the Jerry Goldstein Foundation, Jerry's Artarama, and its sponsors, they are giving away a minimum of $51,000* to artists with great personal stories, incredible talent and/or unique creativity and achievements to share! Jerry always liked a good personal story and we hope that you share one with them. No matter if you have achieved immense success, are still struggling or are a student wanting to go to art school your story is important to them!

How To Enter

Enter Now – April 28th, 2019

1. What is your achievement?

2. Submit a picture of yourself, a group or maybe a piece of artwork
• Include: Your personal story
• Include: How you or someone you know can benefit from the award
• 102 artists will receive $500 to do what they want with it!

SUBMIT NOW

Call for entries...

Bad Things Galleries Do To Artists and Bad Things Artists Do To Galleries

A bad thing that unethical galleries do to artists:
Unethical galleries all over the nation and in most countries will take in a piece of artwork by an artist, and when the price is discussed, the gallery says: “What’s the price?” and the artist says: “$1000″ The gallery nods OK and the artist leaves, knowing that if sold, he’ll get $500 (most galleries in the US charge 50% commission — in NYC some are as high as 70%). The gallery then sells the piece, but for $2,000, sends the artist a check for $500 and pockets the extra $1,000. That is why artists should insist on having a contract with a gallery, and the contract must specifically address that the artist will get 50% of the actual sale price.

A bad thing some artists to do galleries:
A good reputable gallery is a work of love, with gallerists usually running the business by the skn of their teeth. And when a gallery gives an artist a show, they go through all the various multiple expenses associated with doing so (rent, electricity, staff salaries, publicity, ads, post cards, opening reception catering, etc.) - usually before a single work of art is sold. So far the gallery has put forth a considerable investment in presenting the artist’s works - all because the gallerist believes in the artist’s work. An interested novice collector meets the artist at the opening and expresses interest (to the artist) in buying some of his artwork. The artist, wishing to stiff the gallery for their commission says: “See me after the show and I’ll sell it to you directly and save myself the gallery commission.”This is not only unethical, but it’s also guaranteed to ruin the artist’s reputation in the city, as these things always come out in the wash, and soon no gallery will exhibit any work by this artist. Remember, when a gallery gives an artist a show, and nothing sells, the artist still walks away with all his/her work, and maybe even a review, plus the art has been exposed to collectors and the public. The gallery gets to pay all the bills, even though no sales were made.

What’s wrong with Showtime Dexter’s Cubans?

An oldie but a goodie!

Read this: http://blog.art-tistics.com/?p=211

Call for artists

Homegrown Opens Tomorrow!

OPENING RECEPTION OF HOMEGROWN 

APRIL 19, 2019  6:00–8:00 PM

 COMMISSION ON THE ARTS AND HUMANITIES GALLERIES 

200 I (Eye) Street, SE Washington, DC 20003

Michael Crossett, Cheryl D. Edwards, Justyne Fischer, Ric Garcia 

Gail Shaw-Clemons, Henrik Sundqvist 

HomeGrown explores the creative process of six art­ists from the Washington, DC, Maryland and Virginia region who utilize the medium of printmaking to express issues of racial injustice, genetics, ancestry, gentrification, cultural identity, and the environment    |   CURATED BY CLAUDE L. ELLIOTT

Mila arrives!

At 9:08 AM, my first grandchild - Mila Audrey Tarasova y Campello was born to my daughter Elise!

Mila Audrey Tarasova y Campello

Maryland State Arts Council (MSAC) Grants Winners

Congrats to all these talented and lucky folks - they are winners of the 2019 Maryland State Arts Council (MSAC) Grants!

That "Florence" down there is me - this is my first award since I was an art student at the University of Washington School of Art, when I received Ford Foundation art grants 1977-1981.

Painting

Lesa Cook Frederick

Bobby Coleman Baltimore City

Lania D'Agostino Baltimore City

Sally Davies Prince George’s

Brian Michael Dunn Montgomery

Ric Garcia Prince George’s

Hedieh Javanshir Ilchi Montgomery

Jahru Anne Arundel

Matt Klos Baltimore

Kate Kretz Montgomery

Lindsay McCulloch Montgomery

Gregory McLemore Baltimore City

Ping Shen Anne Arundel

Grace Doyle Baltimore City

Jessica Van Brakle Montgomery

Nicole Dyer Baltimore City

Taha Heydari Baltimore

Sam Lacombe Baltimore City

Giulia Piera Livi Baltimore City

Janet Olney Baltimore City

Randi Reiss-McCormick Baltimore

Carolyn Case Baltimore

Maud Taber-Thomas Montgomery

Deborah Tomlin Montgomery

Alice Valenti Baltimore

Karen Warshal Baltimore City

Lauren Frances Adams Baltimore City

Scott Ponemone Baltimore City

McKinley Wallace III Baltimore City

Works on Paper

Erin Fostel Baltimore City

LaToya M. Hobbs Baltimore City

LeJea Williams Howard

Amy Boone-McCreesh Baltimore City

Florence Lennox Campello Montgomery

Deborah Addison Coburn Montgomery

Elliot Doughtie Baltimore City

Ariston Jacks Baltimore City

Kristina King Montgomery

Angelo Kozonis Baltimore City

Mike McConnell Baltimore

Jerry Truong Montgomery

Lu Zhang Baltimore City

Amanda Burnham Baltimore City

Jackie Milad Baltimore City

Leslie Suzanne Shellow Baltimore City

Julie Wills Kent

Jowita Wyszomirska Baltimore City

On Alexandria’s Torpedo Factory Art Center

A decade ago I wrote this about the Torpedo Factory in Old Town Alexandria - one of my fave places in the DMV... how much of it has come to pass?

Read my 2009 thoughts here...

At the CATO Institute

Should art offend? Does it matter if people are offended? Should offensive art be displayed? Should it be censored? Who decides what is offensive or appropriate? Join us to hear a discussion of these questions and more.

A discussion panel featuring Philip Kennicott, Chief Art and Architecture Critic, the Washington Post; Janis Goodman, Panelist, WETA Around Town, Associate Professor of Fine Arts, Corcoran School of the Arts and Design, George Washington University; Lenny Campello, Author, Daily Campello Art News; and Jason Kuznicki, Research Fellow, Cato Institute and Editor, Cato Books; moderated by Caleb O. Brown, Cato Daily Podcast host, Director of Multimedia, Cato Institute.

REGISTER HERE

May 22, 2019 
6:30PM to 8:00PM EDT

Cato Institute
1000 Massachusetts Ave, NW
Washington, DC 20001-5403

Phone (202) 842 0200

Awake

“Awake”

It’s about a child suffering from insomnia and anxiety. It’s a topic not often addressed in children’s books, but something that the author - Susanna Fields-Kuehl, a licensed therapist and artist in Maryland sees daily in her practice. 

I Hope you can all support the project and spread the word! Kickstarter end April 24! 

kck.st/2CguKH8

Lyrical Flight | Barbara Januszkiewicz

My good friend Barbara is opening at the gorgeous Athenaeum in Old Town Alexandria - easily one of the most beautiful art spaces in the DMV!

Lyrical Flight | Barbara Januszkiewicz

April 18 – June 2, 2019

Artist Reception: Sunday, May 12, 4 - 6 pm

Collaboration: Light Exists, Sunday, June 2, 1 pm

Artist Talk: Sunday, June 2, 2 pm

Barbara Januszkiewicz luminous and elegant paintings evolved out of her early work in watercolor, a progression evident in the almost liquid flow of colors across her large compositions. In these acrylic works, tones melt together and "veils of pigment appear to fold over one another, creating illusory creases and hollows. The overall affect is one of slow, powerful visual rhythms. Januszkiewicz semi-translucent colors floats across her surfaces, soaking into the unprimed canvas and paper to create tactile fusions of paint and support that envelope the viewer in diaphanous veils of paint. 

Januszkiewicz pure abstract forms call to mind the stained canvases of Morris Louis and Helen Frankenthaler, but her work embodies a unique elegance that differentiates it

from that of her color fields with wonderful abstract shapes that are rendered loosely with a great feeling of fluidity and motion. "My brushwork is applied in waves of curving, color shapes, submerged in translucent washes. My goal is to achieve the highest degree of richness, with a light source that comes not from applied paint, but rather from the luminosity of the brilliant white paper or canvas," said Januszkiewicz. Here we see Januszkiewicz produce zen-like brush strokes across large formats with watercolor-like acrylics effortlessly.

Saint Joseph's University galleries says NO!

Another layer of thick skin added:

Dear Mr. Campello,

Thank you very much for sending us your resume and images for consideration in our 2019-2020 exhibition schedule.  The committee was pleased to learn about you and view your work.  Unfortunately, we are unable to exhibit your work at this time.

There were close to three hundred applications and only five available slots this year.   We thought that many of the applicants this year would show well in our gallery, and as you can imagine, it was very difficult to limit our choices. 

We wish you the best of luck with your artistic endeavors and thank you again for your interest in our program.  

Sincerely,

Jeanne Bracy

--

Jeanne Bracy

Gallery Curator

The University Galleries, 

Merion Hall and Boland Hall

Saint Joseph's University

5600 City Ave.

Philadelphia, PA 19131

Art Scam Alert!

Beware of this art scammer!

From:	"Jill Welberg" j.welbergsinc@gmail.com
Do you ship to Switzerland and accept US issued credit card as payment?, you will contact my shipper who handles all of my shipment, they pick up the items at your location and deliver directly to my store doorstep without hassle. Let me know if i can e-mail you what am interested in ordering.  Jill Welberg

Tonal Visions

Multiple Exposures Gallery
Presents an Exhibition of New Photography by
Alan Sislen

"Tonal Visions"

May 7th - June 15th, 2019

Please join them for the Artist's Reception on Saturday, May 11th,   2 - 4 pm

This exhibit of dramatic black and white architectural photographs explores the range of tonal possibilities that might or might not have existed, but were visible in the mind of the photographer. None of the photographs are of total or complete structures. Each is a piece, a portion, an extraction that may convey more a sense of the whole than the entire building. The beauty of the forms, the lines, the shapes, the volumes and the play of light and shadow created by the infinite tonalities is what this exhibit celebrates.

Multiple Exposures Gallery
The Torpedo Factory Art Center
105 N. Union Street, #312
Alexandria, Virginia  22314
703.683.2205
Hours:  Daily 10 am - 5 pm, Thursdays 2 pm - 8 pm
www.MultipleExposuresGallery.com

Navy drawing

Just found a bunch of pen and ink, and also pencil drawings and sketches that I did back in the 1970s when I was a young Petty Officer in the Navy.

If you ever served in the USN, then you'll capish the title...

"Seaman Schmuckatelli Grew Up", 1975 pen and ink by F. Lennox Campello

WPA Collectors' Night

WPA Collectors’ Night A Silent Auction to Benefit Artists

Date: Saturday, May 4, 7:00 – 11:00 pm | Location: 1501 M St NW

President Obama Walking to his Right
Charcoal on Paper
c. 2009 by F. Lennox Campello

The above drawing will be one of the pieces being silent-auctioned off at the WPA Collectors' Night gala. This drawing, done in 2009, was one of about 15-20 drawings that I did between 2008 and 2009 for an exhibition which Philadelphia's Projects Gallery staged once the Senator from Illinois became President.

Details on bidding, gala, etc. HERE.

Tim Tate to be Included in GLASSTRESS During Venice Biennale!

Huge news for DMV area uberartist Tim Tate!

He reports:

Such good news to report! I will be one of the few Americans representing the USA in the upcoming Glasstress show during the Venice Biennale. The show has amazing artists, such as Ai Wei Wei, Tony Oursler, Karen Lamonte and Dustin Yellin and is being curated by Vic Muniz and Koen Vanmechelen. This represents a huge step forward in my career. You can read all about it below. 

I want to be your ambassador to the United States! Its so expensive to get there though! If you want to help me out, I put together an Indiegogo campaign to raise monies. Even just sharing this link would do me a huge favor! I am honestly just happy to report that I will be one of those artists! Thank you all for supporting me over the years! I appreciate every one of you!

Here is my iniegogo link... click here.

This a monster of a huge step for one of the DMV's most visible and hardest working artists! Here's the news release from GLASSTRESS:

Returning for the 58th Biennale di Venezia, the sixth edition of GLASSTRESS brings together a new line-up of leading contemporary artists from Europe, the United States, Latin America, India, and China in an ambitious exhibition exploring the endless creative possibilities of glass.

Tim Tate; “The Endless Cycle”; 36″ x 36″ x 4″Glass, Aluminum, Poly-Vitro, electronics

GLASSTRESS is a project by Adriano Berengo dedicated to supporting his mission of marrying contemporary art and glass. Since its debut in 2009 as a collateral event of the Venice Biennale, GLASSTRESS has revived the traditional craft of Murano glassblowing by forging new alliances with internationally renowned artists and designers and has since become an unparalleled platform showcasing ground-breaking new works in glass.

To celebrate 10 years of GLASSTRESS and 30 years of , the exhibition goes back to its historical roots on the island of Murano. An old abandoned glass furnace is now an evocative exhibition space for striking new works and installations by returning artists Ai Weiwei, Tony Cragg and Thomas Schütte as well as first time participants Prune Nourry, José Parlá, Tim Tate and Xavier Veilhan, amongst others.

 For this section, Brazilian artist Vik Muniz has invited all artists to explore ‘how glass redefines our perception of space’. In another section of the exhibition, curated by Belgian artist Koen Vanmechelen, highlights from the past ten years will also go on display, including Mutter (2016/17) by Erwin Wurm, Laura’s Hands (2011) by Jaume Plensa and A Different Self (2014) by Mat Collishaw. Referring to the making of glass works, Vanmechelen says: ‘the world of the unknown and unseen becomes visible and tangible through beautiful accidents in time.’

With little or no prior experience working with glass, these artists have embraced the challenge of creating extraordinary works in this very delicate medium in collaboration with Muranese artisans. The output of this unusual encounter defies the stereotypes associated with this ancient craft, ultimately pushing the boundaries of both contemporary art and glass. This year’s edition of GLASSTRESS will also provide visitors with the opportunity to watch Murano glass masters at work at the adjacent glassblowing studio and learn more about Fondazione Berengo’s preservation efforts of this centuries-old artistry of Venetian glass-making. 

GLASSTRESS 2019 – PARTICIPATING ARTISTS

GLASSTRESS runs from May 9 to November 24, 2019

New artists :

Saint Clair Cemin (Brazil), Pedro Friedeberg (Mexico), Carlos Garaicoa (Cuba), Artur Lescher (Brazil), Prune Nourry (France), José Parlá (USA), Pablo Reinoso (Argentina), Valeska Soares (Brazil), Tim Tate (USA), Janaina Tschäpe (Germany), Xavier Veilhan (France), Robert Wilson (USA).

Returning artists :

 Ai Weiwei (China), Monica Bonvicini (Italy), Tony Cragg (UK), Shirazeh Houshiary (Iran), Alicja Kwade (Poland), Karen LaMonte (USA), Paul McCarthy (USA), Vik Muniz (Brazil), Jaume Plensa (Spain), Laure Prouvost (France), Thomas Schütte (Germany), Sudarshan Shetty (India), Koen Vanmechelen (Belgium), Erwin Wurm (Austria).

GLASSTRESS Anniversary highlights :

Jean Arp (Germany), Ayman Baalbaki (Lebanon), Miroslaw Balka (Poland), Fiona Banner (UK), Mat Collishaw (UK), César (France), Jake and Dinos Chapman (UK), Tracey Emin (UK), Jan Fabre (Belgium), Kendell Geers (South Africa), Francesco Gennari (Italy), Abdulnasser Gharem (Saudi Arabia), Michael Joo (USA), Ilya & Emilia Kabakov (Russia/USA), Michael Kienzer (Austria), Hye Rim Lee (South Korea), Oksana Mas (Ukraine), Hans Op de Beek (Belgium), Tony Ousler (USA), Javier Pérez (Spain), Antonio Riello (Italy), Bernardì Roig (Spain), Joyce Jane Scott (USA), Wael Shawky (Egypt), Lino Tagliapietra (Italy), Fred Wilson (USA), Dustin Yellin (USA).

“I Am Offended”: Art & Free Expression

Should art offend? Does it matter if people are offended? Should offensive art be displayed? Should it be censored? Who decides what is offensive or appropriate? Join us to hear a discussion of these questions and more.

A discussion panel featuring Philip Kennicott, Chief Art and Architecture Critic, the Washington Post; Janis Goodman, Panelist, WETA Around Town, Associate Professor of Fine Arts, Corcoran School of the Arts and Design, George Washington University; Lenny Campello, Author, Daily Campello Art News; and Jason Kuznicki, Research Fellow, Cato Institute and Editor, Cato Books; moderated by Caleb O. Brown, Cato Daily Podcast host, Director of Multimedia, Cato Institute.

REGISTER HERE

May 22, 2019 
6:30PM to 8:00PM EDT

Cato Institute
1000 Massachusetts Ave, NW
Washington, DC 20001-5403

Phone (202) 842 0200

Hedieh Javanshir Ilchi at Hemphill

One of my fave DMV area artists is having a solo at Hemphill:

HEMPHILL is pleased to announce the exhibition, HEDIEH JAVANSHIR ILCHI: I surrender to you, ashen lands and blue skies, opening on Saturday, May 11, 2019 with a reception from 6-8pm. The exhibition will remain on view through June 29, 2019.

Moving to an aerial view, observing from a distance, there may be no such thing as a cultural war. There may only be a process, a moment in an ever-evolving world of cultural forces. Although this viewpoint does not champion good or evil, it does acknowledge movement and outcome. The paintings of Hedieh Javanshir Ilchi arise from cultures often portrayed at war. Each culture measures itself by a different clock. Each respective clock sometimes runs faster than the other, then slower, sometimes backward and then again forward. The clocks rarely synchronize, until the conflicts are spent and the two clocks merge. Ilchi’s work takes us to an aerial viewpoint where we see traditional Persian imagery merging with modernist American painting techniques. The content is not in conflict, but there is sense of broken parts coming together and things from a past appearing in a present. Contrary to our times, where a speeding flow of expedient information engulfs everything, Ilchi asks us to step back, slow down, take the aerial view. From this vantage point we see intricately executed tazhib patterns, sometimes floating over and at other times captured within scenes of organic chaos. Chaos created by the layering of translucencies, controlled pours and the topographical accumulations of paint. It is as though we are witnessing the reactions of chemical components. It takes time to comprehend the dazzling luminosities of her paintings, to see the merging of two cultures. Yet Ilchi’s work is not of an ideal state, there is a sense of trouble in her pictures, an apprehension of beauty, and a pining wishful-ness for the outcomes we are moving towards.

Hedieh Javanshir Ilchi was born in 1981 in Tehran, Iran and currently lives and works in the Washington DC area. Ilchi received a BFA with honors from the Corcoran College of Art + Design in 2006 and an MFA in Studio Art from the American University in 2011. She has been awarded residencies at the Ucross Foundation, Vermont Studio Center, The Jentel Foundation, and the Kimmel Harding Nelson Center for the Arts. She has exhibited in New York, Switzerland, Washington DC and Winston- Salem, NC and her work is included in several private and public collections. HEDIEH JAVANSHIR ILCHI: I surrender to you, ashen lands and blue skies is the artist’s second exhibition at Hemphill Fine Arts.

Museum call for artists

Sightlines, 2019-2021

Deadline: May 12, 2019

The South Bend Museum of Art (SBMA) is seeking large-scale 2D and 3D artwork for long-term display in Sightlines, a collaborative project between SBMA and Century Center. The two year exhibition will highlight the work of six new artists. Indoor and outdoor sites for the work are available and will be considered for accepted work. 

Artist submission review and selection will be done by representatives from SBMA and Century Center. There is a $10 entry fee to apply. $1000 stipend for each selected artist. A modest printed piece will also be produced. 

For full details and to apply securely online, please visit www.southbendart.submittable.com. 

For more information on the South Bend Museum of Art, please visit this site.

Trawick Prize Deadline: 8 April!

The Bethesda Arts & Entertainment District is inviting regional artists to submit work to the annual Trawick Prize!

This juried art competition awards $14,000 in prizes to four selected winners. The deadline for submissions is Monday April 8, 2019. Up to eight selected finalists will be chosen to display their work at Bethesda’s Gallery B in September 2019.

The competition will be juried by Jonathan Monaghan, Assistant Professor of Digital Art & Studio Art Advisor, Catholic University, and the 2015 Trawick Prize Best In Show Winner; Foon Sham, Professor of Sculpture, University of Maryland, and Sue Wrbican, Associate Professor of Photography & Director of Photography Program, George Mason University.

Submission requirements:

• Artists must be 18 years of age or older
• Residents of Maryland, Virginia or Washington, D.C.
• All original 2-D and 3-D fine art including painting, drawing, photography, sculpture, fiber art, digital, mixed media and video will be accepted.
• Artwork must have been completed within the last two years and must be available for the duration of the exhibition.
• Selected artists must deliver their artwork to the exhibit site in Bethesda, MD.
• Each artist must submit five images, an application and a non-refundable entry fee of $25

The Best in Show will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A “young” artist whose birth date is after April 8, 1989 may also be awarded $1,000.

Apply here.

Bethesda Fine Arts Festival Returns May 11 and 12

The Bethesda Urban Partnership has announced the 16th annual Bethesda Fine Arts Festival, a two-day event highlighting more than 120 contemporary artists selling their original fine art and craft. The festival will take place Saturday, May 11 from 10am – 6pm and Sunday, May 12, 2018 from 10am – 5pm. 

The festival will once again welcome artists from across the country to showcase and sell their original painting, drawing, photography, furniture, jewelry, woodwork, ceramics and more in downtown Bethesda.

The event will be in Bethesda’s Woodmont Triangle along Norfolk and Auburn Avenues and will be held rain or shine. The festival will also feature live entertainment, children’s activities and local restaurants. Admission to the Bethesda Fine Arts Festival is free. The festival is located six blocks from the Bethesda Metro station and free parking is available adjacent to the event in the parking garage located on Auburn Avenue.

LeafFilter Gutter Protection, Sunrise Senior Living, Bethesda Blues and Jazz Supper Club and Bethesda Magazine are serving as event sponsors.

For more information, please visit www.bethesda.org or call 301/215-6660.

Washington Sculptors Group Annual Members Image Show

2019 ANNUAL MEMBERS' IMAGE SHOW
Sunday, April 14, 2019, 4-7pm

Presented by Washington Sculptors Group at:

Harvard’s Center for Hellenic Studies – House A
3100 Whitehaven St NW
Washington, DC 20008
www.chs.harvard.edu

Free and open to the public
Parking on premises and street

The Washington Sculptors Group cordially invites you to attend the Annual Members Image Show! Join WSG members as they offer insight into some of the best work being done by sculptors in the DC area.

WSG’s Annual Members Image Show aims to support the talent and highly diverse work of Washington area sculptors. The Image Show gives member artists the opportunity to present images and videos of their work, and artists have the opportunity to discuss the artwork while it is being shown. New members are strongly encouraged to participate, and all members receive feedback from the audience.

WSG will also invite DC area gallerists, curators, collectors, reviewers, and other art representatives to attend this important member event. Refreshments provided by WSG will be served during intermission; WSG members are also welcome to bring food to share.

Harvard’s Center for Hellenic Studies is graciously hosting the WSG Annual Members Image Show again this year. Join us for an informative evening at the CHS campus, located in the Embassy Row neighborhood of NW Washington, DC.

RSVP to programs@washingtonsculptors.org

WPA: Collectors' Night: A Silent Auction to Benefit Artists

From The Washington project for the Arts:

INTRODUCING THE ARTISTS

We are excited to announce the 84 artists participating in Collectors' Night: A Silent Auction to Benefit Artists on Saturday, May 4. Nearly all the artists were selected from an open call by this year's incredible art committee, with the exception of a half dozen -- among them the inimitable Richard Tuttle -- who were invited by the staff.

Ebtisam Abdulaziz, Kristin Adair, Farnoosh Ahmadi Shirazi, Sondra N. Arkin, Eames Armstrong, Mary Anne Arntzen, Selin Balci, David Barr, Kyle J. Bauer, Mary Baum, Erick Antonio Benitez, Julia Bloom, Chris Bohner, Lori Anne Boocks, Michael A. Booker, Anthony J. Bowers, Nakeya Brown, Gerardo Camargo, Florencio Lennox Campello, David Carlson, Hsin-Hsi Chen, Larry Cook, Kyrae Dawaun Cowan, Markele Cullins, Frank Hallam Day, John Deardourff, Monique Muse Dodd, Alexis Duque, Alex Ebstein, Pam Eichner, Edgar Endress, Nico Fertakis, Amy Finkelstein, Lloyd Foster, Stephen Hendee, Jessica Hopkins, Timothy J. Horjus, Michael Horsley, Erik Hougen, James Huckenpahler, Sarah Hull, Nate Larson, Magnolia Laurie, Khanh H. Le, Kim Llerena, Timothy Makepeace, Tsedaye Makonnen, Jon Malis, Katherine Tzu-Lan Mann, Antonio McAfee, Nat Meade, Veronica Melendez, Linn Meyers, Maggie Michael, Greg Minah, Tyra Mitchell, Goitseone Bothale Moerane, Jonathan Monaghan, Ali Newhard, Lee Nowell-Wilson, Christos J. Palios, PLAKOOKEE, Rodrigo Pradel, Amber Robles-Gordon, Kate Sable, Nicole Marie Salimbene, Kim Sandara, Josh Sender, Joseph Shetler, Alexandra Silverthorne, Dafna Steinberg, Dan Steinhilber, Mark Stockton, Cindy Stockton Moore, Monica Stroik, Martin Swift, Rob Tarbell, Trish Tillman, Richard Tuttle, Julie Willis, Jordann Wine, Ellen Xu, and Helen Zughaib

 Find more information about the artwork selection process and artists here.

LAST CHANCE FOR EARLY-BIRD TICKETS

Don't forget to purchase discounted early-bird tickets while they are available through April 3! 

If you have any questions about tickets or sponsorship, please email Ashley McDonald at amcdonald@wpadc.org or visit wpacollectorsnight.org.

Open Studios!

DC Arts Studios (DCAS) invites you to their annual Spring Open Studios on Sunday, April 28, 10am - 5pm!

Take a self-guided tour through our participating artists' studios and have a "behind the scenes" peek into their creative process -- a great way to introduce kids to the arts and learn about different techniques and mediums! 

Purchase original artwork and other handmade gifts directly from the artists themselves! Featured artwork and gifts will include photography, paintings, mixed media, fiber art, sculpture, stained glass, weaving, art made from re-purposed bicycle and computer parts, and much more. 

Swing by the Willow Street Gallery Group Show and Sale, "ELEMENTS" on our first floor.

Have your photo taken with an Afghan camera box. There will be food and refreshments throughout the studios. 

The event is free, accessible, family friendly, and open to the public.
And please help us spread the word! Share the DCAS Spring Open Studios Facebook event: https://www.facebook.com/events/2286059881661833/ 

*This arts event is presented as part of Takoma Park's Art Hop, a neighborhood-wide weekend arts festival. Learn more at Art Hop Takoma.

DC Arts Studios is located at 6925 Willow St NW, Washington, DC 20012, next to Downtown Takoma Park, MD. 

Driving: There is street parking. 

Metro: Take the Red Line to the Takoma DC Metro Station. Walk a few blocks on Carroll Ave towards Downtown Takoma Park, MD. Turn right onto Willow Street. We are halfway down the block on the left-hand side of the street.

Questions? Contact Valerie Fenton, Administrative Director, at office@dcartsstudios.org.

Open life drawing sessions

Hyattsville Figure Drawing Group

Tuesday, April 2, 6-9pm
Model: Jalene

Welcome to open life drawing sessions every Tuesday, 6-9pm in Pyramid Atlantic's gallery space in the Gateway Arts District, Hyattsville. Bring along your favorite art materials and draw with us! Chairs, tables and drawing boards provided.

All are welcome, under 18 legal guardian permission required. Drop-ins welcome, no experience necessary!

Where: 
Pyramid Atlantic Art Center*
4318 Gallatin Street, Hyattsville, MD 20781
Free parking in rear of building

When: 
Tuesdays, 6-9pm

Cost: 
$20/session or $75/5-session punch card or $15/session for Pyramid Atlantic members (proof required)

For more information: 
https://www.meetup.com/Hyattsville-Figure-Drawing-Group-Meetup

Artist as Entrepreneur Program for Visual Artists

Upcoming Event for Artists
American University Museum at the Katzen Arts Center

Artist as Entrepreneur Program for Visual Artists
May 18 & 19, 10-4PM 

Applications are now open for this professional development program, presented by New York Foundation for the Arts (NYFA), in partnership with Alper Initiative for Washington Art at the American University Museum, and provided to selected participants free of charge through the support of the Stephen & Palmina Pace Foundation. 

Open to visual artists (painting, photography, sculpture and installation, ceramics, folk art and traditional, craft, printmaking, drawing and book arts, performance art, film, video and new media) the program has been customized to fit the needs artists in the Washington, DC metropolitan area. 

The Artist as Entrepreneur Program offers the fundamental principles of sustainability—and ultimately profitability—in the arts. This includes topics such as strategic planning, finance, and marketing. Additional material is drawn from NYFA’s popular textbook, The Profitable Artist (Allworth Press, 2018), now in its second edition. Participants have access to flexible and dynamic entrepreneurial tools such as the “Artists Action Plan” and Business Model Canvas (BMC) that provide a blueprint for your practice or specific projects. The structure is a blend of formal lectures and breakout groups, designed to build community among the participants and encourage ongoing dialogue, collaborations and support. 

Artists of all career stages, including students, are encouraged to apply through this Submittable link. Participants will be selected through a panel review process. Please view the required application materials. Application deadline is April 17, 2019.