NUE Magazine

My article in NUE Magazine on a couple of NYC art fairs is up... check it out here.

Finalists for the Bethesda Painting Awards announced

BETHESDA PAINTING AWARDS FINALISTS ANNOUNCED

 $10,000 to be Awarded to Best in Show

Eight painters have been selected as finalists for the Bethesda Painting Awards, a juried competition and exhibition produced by the Bethesda Arts & Entertainment District. Nearly 300 artists from Maryland, Virginia and Washington, D.C. submitted work to the 15th annual competition created to exclusively honor regional painters. The work of the eight finalists will be on display at Gallery B from June 5-29, 2019.

The top prize winners will be announced and honored on Wednesday, June 5th at a private reception held at Gallery B, 7700 Wisconsin Avenue, Suite E. The Best in Show winner will be awarded $10,000, second place will be honored with $2,000 and third place will be awarded $1,000.

The artists selected as finalists are:

• Mary Anne Arntzen, Baltimore, MD
• Taha Heydari, Baltimore, MD
• Lillian Bayley Hoover, Baltimore, MD
• Gina Gwen Palacios, Baltimore, MD
• Erin Raedeke, Montgomery Village, MD
• W.C. Richardson, University Park, MD
• Nicole Santiago, Williamsburg, VA
• McKinley Wallace III, Baltimore, MD

A public opening will be held on Friday, June 14th from 6-8pm. Gallery B is located at 7700 Wisconsin Avenue, Suite E in downtown Bethesda. Gallery hours are Wednesday through Saturday from 12-6pm.

The competition’s jurors are Kyle Hackett, Professor of Studio Art, American University, and the 2014 Bethesda Painting Awards Winner; Sue Johnson, Professor of Art, St. Mary’s College of Maryland, and Susan Zurbrigg, Painting and Drawing Area Head, Professor of Art, James Madison University.

Based on what I've seen so far, and essentially based on this gorgeous painting, my fave so far is Nicole Santiago...

The Bethesda Painting Awards was established by local business owner Carol Trawick in 2005. Ms. Trawick has served as a community activist for more than 25 years in downtown Bethesda and established The Jim and Carol Trawick Foundation in 2007. She is the former Chair of the Maryland State Arts Council, Strathmore, Bethesda Arts & Entertainment District, Bethesda Urban Partnership, Inc. and founder of The Trawick Prize: Bethesda Contemporary Art Awards.

Previous Best in Show winners include:

Carolyn Case, Cockeysville, MD (2018); Katherine Tzu-Lan Mann, Washington, D.C. (2017); Tanja Softic, Richmond, VA (2016); Bill Schmidt, Baltimore, MD (2015); Kyle Hackett, Baltimore, MD (2014); Barry Nemett, Stevenson, MD (2013);  Ali Miller, Baltimore, MD (2012); Alison Hall, Roanoke, VA (2011); Nora Sturges, Baltimore, MD (2010); Camilo Sanin, Jessup, MD (2009) B.G. Muhn, North Potomac, MD (2008) Matthew Klos, Baltimore, MD (2007) Tony Shore, Baltimore, MD (2006); Joe Kabriel, Annapolis, MD (2005).

Morris Graves Museum of Art Call for Proposals

Deadline: December 31, 2019

EXHIBITION PROPOSAL GUIDELINES: An Exhibition Selection Committee meets once a year to review the proposals that have been received and which adhere to the evaluation criteria and artist responsibilities outlined below.  The committee will review proposals for the 2020 and 2021 exhibition calendars. 

PROPOSAL EVALUATION:  The Exhibition Selection Committee will evaluate exhibition proposals from artists or groups of artists based on the following criteria: 

1. Diversity: The proposal is a reflection of current multicultural and diverse art and art-making strategies that exist today. 2. Professionalism:  The artist(s) are professionals whose resume reflects exhibitions and other professional activities on a regional, national or international level. 3. Innovation: The proposal makes innovative use of concepts, materials, themes and space. 4. Community Engagement: Special consideration will be given to proposals that promote community engagement through interactive or educational activities associated with the exhibition. 5. Contemporary and Historical Relevance: The proposal demonstrates an awareness of contemporary and historical art movements and challenges an audience’s perception of "What is art?". 

Please visit www.humboldtarts.org for more information on submitting exhibition proposals. 

Questions? Please contact Jemima Harr, jemima@humboldtarts.org  

Art Scam Alert!

Beware of this mutant trying to rip off artists!

From: Lucas David beew73822@gmail.com

Subject:  Order Inquiry

Good day,

My name is Lucas David,I am a reseller in Bermuda (Lucas Store Ent Ltd) I sell to end users only. I have a shipping agent that can handle the pick up down to me here. I will be paying with my credit card and I will need to know the delivery time. Please let me know if I can make a purchase from your company.

Kindly get back to me asap.

WPA Gala Night Auction

I attended the Washington Project for the Arts Gala Night Auction yesterday and was happy to run into several old buds, including megacollectors like Joannie Webber and Doctor Fred, as well as good  ole buds DC area artists Gerardo Camargo, Amber Robles-Gordon, M. Jane Johnson, Baltimorean Greg Minah, and others - and I finally got to meet Lori Anne Boocks!

There seem to be a lot of decent bids on many of the works (including both of my pieces - thank you whoever ended up with them).

The Rampant Lilith (Suddenly She Wasn't Afraid Any Longer)

This year’s art was selected by both open call and invitation. 400 artists submitted more than 1,600 works of art to the open call, and of these, about 20% were selected. The submissions were reviewed by a committee of art professionals who made recommendations to the WPA staff. The majority of artists participating were identified through this process. An additional dozen or so were invited by WPA’s staff.

Ebtisam Abdulaziz, Kristin Adair, Farnoosh Ahmadi Shirazi, Sondra N. Arkin, Eames Armstrong, Mary Anne Arntzen, Selin Balci, David Barr, Kyle J. Bauer, Mary Baum, Erick Antonio Benitez, Julia Bloom, Chris Bohner, Lori Anne Boocks, Michael A. Booker, Anthony J. Bowers, Nakeya Brown, Gerardo Camargo, Florencio Lennox Campello, David Carlson, Hsin-Hsi Chen, Larry Cook, Kyrae Dawaun Cowan, Markele Cullins, Frank Hallam Day, John Deardourff, Monique Muse Dodd, Alexis Duque, Alex Ebstein, Pam Eichner, Edgar Endress, Nico Fertakis, Amy Finkelstein, Lloyd Foster, Stephen Hendee, Jessica Hopkins, Timothy J. Horjus, Michael Horsley, Erik Hougen, James Huckenpahler, Sarah Hull, Nate Larson, Magnolia Laurie, Khanh H. Le, Andrea Limauro, Kim Llerena, Timothy Makepeace, Tsedaye Makonnen, Jon Malis, Katherine Tzu-Lan Mann, Antonio McAfee, Nat Meade, Veronica Melendez, Linn Meyers, Maggie Michael, Greg Minah, Tyra Mitchell, Goitseone Bothale Moerane, Jonathan Monaghan, Ali Newhard, Lee Nowell-Wilson, Christos J. Palios, PLAKOOKEE, Rodrigo Pradel, Amber Robles-Gordon, Kate Sable, Nicole Marie Salimbene, Kim Sandara, Josh Sender, Joseph Shetler, Alexandra Silverthorne, Dafna Steinberg, Dan Steinhilber, Mark Stockton, Cindy Stockton Moore, Monica Stroik, Martin Swift, Rob Tarbell, Trish Tillman, Richard Tuttle, Julie Wills, Jordann Wine, Ellen Xu, and Helen Zughaib.

My faves in the show included Rodrigo Pradrel's realistic paintings of buildings with parts of them exploding? or disintegrating? On his website, "Apparition" is simply spectacular!

Arrival by Rodrigo Pradel - Oil on wood, 14 x 20 inches

The gorgeous drawings by Mark Thomas Stockton were also in the top of the food chain category - this Philadelphian can draw! 

His presentation is also gorgeous, although (since the drawings are not under glass) I would never show them without protection from flying art destroyers such as flies, red wine, etc. 

In a group show he would have won Best in Show from me. His superb portrait of 1960s Communist icon and Castro-apologist Angela Davis is simply breath-taking.

Angela Davis by Mark Stockton

My wife liked the intricate ink skull drawings by Alexis Duque and a quirky piece by Nat Meade, as well as the Latino-influenced works by Veronica Melendez, which reminded me a little ( a lot?) of the works of Ric Garcia.

"Last Meal" by Nat Meade

We also liked the very unique work by Selin Balci - This artist (like Michele Banks) is a visual artist and biologist who creates artwork by using Petri dishes filled with mold, fungus, and other gross living things to create unique pieces of art.

The Water King

Just found this old watercolor which I did back in 1975 of one of the sailors in my ship (USS Saratoga CV-60) - as I recall his name was Schneider? He was the ship's water king.  The water king is the ship's sailor responsible for monitoring the production, storage, and use of potable and feed water.

These "cracker jacks" uniforms were on their way out, as the Navy made the disastrous decision to uniform all sailors in "officer" uniforms. The cracker jacks came back in the mid 80s as the Navy returned to their traditional uniforms.

This watercolor is up for auction here.

The Water King (USS Saratoga) by F. Lennox Campello, c. 1975

Bethesda Fine Arts Festival

May 11 and 12!

Delight in fine art created by 130 of the nation's best artists, live entertainment and Bethesda restaurants. Located in Bethesda's Woodmont Triangle, along Norfolk, Auburn & Del Ray Avenues. Festival hours are Saturday, May 11 from 10 - 6pm and Sunday, May 12 from 10am - 5pm.

Admission to the festival is FREE and free parking is available in the public parking garage on Auburn Avenue. This event is held rain or shine.

The Bethesda Fine Arts Festival features live entertainment! Some of the region's best bands will be featured on the stage this year. Make sure you stop by to hear live rock, jazz, reggae, Latin music and more!

Bethesda Fine Arts Festival restaurants will be on Norfolk Avenue next to the stage. Drop by during the festival for sliders, sushi, barbecue, Indian cuisine, ice cream, beer & wine and more!

Hassids

This just showed up on the secondary market at auction!

Hassids: Generations by F. Lennox Campello - Charcoal and Conte on paper, circa 1996

As I recall, this sold at a 1996 show at the Art League in Alexandria!

Should art offend?

Should art offend? Does it matter if people are offended? Should offensive art be displayed? Should it be censored? Who decides what is offensive or appropriate? Join us to hear a discussion of these questions and more.

A discussion panel featuring Philip Kennicott, Chief Art and Architecture Critic, the Washington Post; Janis Goodman, Panelist, WETA Around Town, Associate Professor of Fine Arts, Corcoran School of the Arts and Design, George Washington University; Lenny Campello, Author, Daily Campello Art News; and Jason Kuznicki, Research Fellow, Cato Institute and Editor, Cato Books; moderated by Caleb O. Brown, Cato Daily Podcast host, Director of Multimedia, Cato Institute.

REGISTER HERE

May 22, 2019 
6:30PM to 8:00PM EDT

Cato Institute
1000 Massachusetts Ave, NW
Washington, DC 20001-5403

Phone (202) 842 0200

Lyrical Flight Sunday at Athenaeum

Lyrical Flight now open, has an artist talk on May 12, 4-6pm at The Athenaeum Gallery, 201 Prince Street, Alexandria VA 22314.

If the below installation photos are any indications of the impact of this show - expect a really amazing show by Barbara Januszkiewicz now in Alexandria.

The Athenaeum Gallery

Lyrical Flight | Barbara Januszkiewicz 

Artist Reception: Sunday, May 12, 4 - 6 pm

Artist Celebrating Earth Day with using Eco Friendly Materials.

Exhibits run from: April 18 – June 2, 2019

201 Prince Street, Alexandria VA 22314


www.nvfaa.org

"Organic" opens May 1st!

ORGANIC |  Anne Marchand & Nancy Frankel

Exhibition: May 1 - August 17, 2019

OPENING RECEPTION: MAY 1, 5-8PM

Eleven Eleven Sculpture Space  | 1111 Pennsylvania Ave. NW, Washington, DC 202.783.2963  |  www.zenithgallery.com

Details here.

How Anti-Money Laundering Legislation Could Impact the Art Market

A resolution in the United States Congress suggests that galleries and auction houses could soon be subject to strict reporting requirements about their customers amid a global push for greater transparency in art transactions. While these requirements could have significant benefits in terms of helping to curtail money laundering by bringing greater oversight to an often opaque art market, the law could also burden dealers and auction houses with onerous administrative and reporting duties that will be especially challenging for smaller and mid-size galleries.

Details here. 

New Gallery in DC: Von Ammon Co

Also in Georgetown, there’s a tiny slip of a street called Cady’s Alley, which in the first days of April welcomed a completely different kind of local establishment: Von Ammon Co, a contemporary art space started by Todd von Ammon, a former director at the influential New York outfit Team Gallery in SoHo.

Read the Artsy article by Nate Freeman here. 

Art Scam Alert!

Beware of this art scammer:

From: Ethan Meyer meyerethan886@gmail.com

Subject: PIECE SUGGESTION FOR MY FAST APPROACHING ANNIVERSARY.

 Hi there,

         I am Ethan from Richmond Indiana. thoughts of the best anniversary gift of the century to my wife has been roaming my mind for a while now. i figured out later that my wife spends noticeable time on viewing artworks from your page on my laptop and i can easily guess she likes your work, which i found quite impressive and intriguing too. I must admit your doing quite an impressive job. You are undoubtedly good at what you do. 

      With that being said, I would like to purchase some of your works as a surprise gift to my wife in honor of our upcoming wedding anniversary. It would be of help if you could send some pictures of your piece of works, with their respective prices and sizes, which are ready for immediate (or close to immediate) sales. My budget for this should be anything that falls under $8000, and if i have to pay more, there should be a reason in terms of worth and value. Your works are impeccable anyways.  .

      I look forward to reading from you in a view to knowing more about your pieces of inventory. As a matter of importance, I would also like to know if you accept check as a means of payment

Regards,

        Ethan.

DC Arts Forum—a call to action for the arts

The DC Arts Forum is a grassroots initiative for the arts community to address the current state of the DC Commission on the Arts & Humanities — and to meaningfully engage independent artists and small organizations in shaping the future of the arts in DC.

From the WPADC:

Hi all,

If you are an artist who cares about arts funding in city, Monday's DC Arts Forum at Eaton Workshop is an opportunity to get up to speed on the proposed changes to the Commission of the Arts & Humanities (CAH) and the Mayor's plans to cut arts grant funding by $7-8M next year. Concerned arts commissioners will be present to answer your questions, as will other cultural activists. 

This Forum is one of several efforts right now to combat the erosion of CAH's independence, authority, and grant funds. Of them all, it is the one most tailored to small organizations and artists, and the one most invested in equity and diversity. The organizers are looking for a strong turn-out. As of yesterday, 100 people had signed up to attend. They would like many more. Please circulate this to people whom you think would want to attend.

Thank you,

Peter

CLICK HERE TO RSVP AND DETAILS

Mon. Apr. 29, 
7:00pm EDT 
Eaton Hotel & Workshop 
1201 K St NW Washington DC  

Save the Date | Senior Thesis Exhibition

Gormley Gallery - Notre Dame of Maryland University 

Featuring Sabine Hern-Nagle, Esther C. Jones, Caroline O'Donnell, and Nia Willis

Artists' Reception
Monday, May 6, 2019
4:30 to 6:30pm
Kappa Pi Art Honor Society Induction Ceremony at 5:30pm

Exhibition on view May 6 through May 19, 2019

The Senior Thesis Exhibition showcases the work of Sabine Hern-Nagle, Esther C. Jones, Caroline O’Donnell, and Nia Willis, four seniors graduating from the Art department. Works include oil paintings, works on paper, illustrations, mixed media pieces, and an art history thesis. The students are working with concepts such as myths and fables, power and the human form, the intersection of psychology and art, and the reclamation of the gaze.

Gormley Gallery is located on the second floor of Fourier Hall on the campus of Notre Dame of Maryland University
4701 North Charles Street
Baltimore, MD 21210

Call for art

ENTRY DEADLINE: April 26, 2019

Reminder, deadline to enter the Arts and Humanities Council of Montgomery County and the Montgomery County Public Arts Trust's Contemporary Works on Paper Collection call for art is tomorrow, April 26th, 11:59 pm. Be sure to submit on time! 

This juried call seeks to purchase original and unframed two-dimensional works of art that are contemporary and modern in style by visual artists located in Montgomery County and the Greater Washington area.

Artwork in the collection will be owned by Montgomery County under the county’s Public Arts Trust program and loaned to county agencies for exhibition in public buildings.

DETAILS HERE

IMPORTANT DETAILS: 
Submission Deadline: April 26, 2019
No Entry Fee
Required Materials: 
 - Artist Statement
 - Artist Resume
 - List of Artworks
 - Images

ELIGIBILITY:
This Call for Art is open to artists residing in Montgomery County, MD and the Greater Washington Area.

All work must be original and unframed two-dimensional works that are contemporary and modern in style. 

Lida Moser in New York

Neel / Picasso 
April 30 - July 20, 2019
Opening reception: April 29, 2019 6:00-8:00pm

Sara Kay Gallery | 4 East 2nd St, New York

A series of vintage and lifetime photographs by the amazing Lida Moser accompanies this new exhibition in NYC:

Sara Kay Gallery is pleased to present Neel / Picasso, on view from April 29 through July 20. The exhibition will feature significant portraits from private collections by the artists Alice Neel (1900-1984) and Pablo Picasso (1881-1973). 

Neel and Picasso were contemporaries who transformed and revitalized portraiture. Through select paintings by both artists, this exhibition offers a revealing parallel view of two key 20th century painters. 

Neel, a self-described “painter of people,” chose not to idealize her subjects. Instead, with bold strokes, an imaginative line between the interior experience and the outward appearance of the sitter is revealed. 

In her portrait of Lida Moser from 1962, Neel focuses on facial expression, body language and clothing, illustrating the overlapping of inner essence and outward appearance, of vanity and vulnerability. Painted by her artist friend during the rise of the feminist movement, Moser was an accomplished photojournalist at a time when women were a rarity in the field. Moser is an unmistakably dynamic figure. Painted in lucid tones with fingers jutting out like spindles, her form is magnetic and commanding.

In juxtaposition to Neel’s probing of the space between the inner and outer life, Picasso reconfigures his subject’s features revealing his own interpretation of their essence, inadvertently serving as a barometer for his own emotional state. 

Painted in 1937, Femme au béret orange et au col de fourrure depicts the artist’s young mistress and muse, Marie-Thérèse Walter. Here, the formal experimentation and emotional intensity that characterize his most celebrated portraits of women are embodied. The small group of portraits that he painted on 4 December 1937, the present work included, make it almost possible to track the slow transition from his relationships with Marie-Thérèse Walter to Dora Maar, and reflects the artist’s conflicted feelings surrounding this transition. 

The final two works of the presentation highlight a shared acknowledgement of the artists’ own mortality, as both turn their gazes inward. Picasso, in Homme assis les bras croisés II from 1964, portrays an energetic vibrant sitter, unlike a man of Picasso’s age, though the features are unmistakably those of the artist. In 107th and Broadway, Neel offers an anthropomorphic view of her final home painted as a portent with dark shadows nefariously playing across the surface of the canvas. She described the large shadow that engulfs the building’s facade as the “shadow of death.” 

Picasso said that his work acted as a “sort of a diary.” Neel claimed she was “a collector of souls...” capturing “what the world has done [to her sitters] and their retaliation.” Linked in time, differing in approach, the parallel viewing of these two innovative 20th century painters offers insights into both their artistic achievements and the radicalization of portraiture. 

$51K in awards!

With the help of the Jerry Goldstein Foundation, Jerry's Artarama, and its sponsors, they are giving away a minimum of $51,000* to artists with great personal stories, incredible talent and/or unique creativity and achievements to share! Jerry always liked a good personal story and we hope that you share one with them. No matter if you have achieved immense success, are still struggling or are a student wanting to go to art school your story is important to them!

How To Enter

Enter Now – April 28th, 2019

1. What is your achievement?

2. Submit a picture of yourself, a group or maybe a piece of artwork
• Include: Your personal story
• Include: How you or someone you know can benefit from the award
• 102 artists will receive $500 to do what they want with it!

SUBMIT NOW

Call for entries...

Bad Things Galleries Do To Artists and Bad Things Artists Do To Galleries

A bad thing that unethical galleries do to artists:
Unethical galleries all over the nation and in most countries will take in a piece of artwork by an artist, and when the price is discussed, the gallery says: “What’s the price?” and the artist says: “$1000″ The gallery nods OK and the artist leaves, knowing that if sold, he’ll get $500 (most galleries in the US charge 50% commission — in NYC some are as high as 70%). The gallery then sells the piece, but for $2,000, sends the artist a check for $500 and pockets the extra $1,000. That is why artists should insist on having a contract with a gallery, and the contract must specifically address that the artist will get 50% of the actual sale price.

A bad thing some artists to do galleries:
A good reputable gallery is a work of love, with gallerists usually running the business by the skn of their teeth. And when a gallery gives an artist a show, they go through all the various multiple expenses associated with doing so (rent, electricity, staff salaries, publicity, ads, post cards, opening reception catering, etc.) - usually before a single work of art is sold. So far the gallery has put forth a considerable investment in presenting the artist’s works - all because the gallerist believes in the artist’s work. An interested novice collector meets the artist at the opening and expresses interest (to the artist) in buying some of his artwork. The artist, wishing to stiff the gallery for their commission says: “See me after the show and I’ll sell it to you directly and save myself the gallery commission.”This is not only unethical, but it’s also guaranteed to ruin the artist’s reputation in the city, as these things always come out in the wash, and soon no gallery will exhibit any work by this artist. Remember, when a gallery gives an artist a show, and nothing sells, the artist still walks away with all his/her work, and maybe even a review, plus the art has been exposed to collectors and the public. The gallery gets to pay all the bills, even though no sales were made.

What’s wrong with Showtime Dexter’s Cubans?

An oldie but a goodie!

Read this: http://blog.art-tistics.com/?p=211

Call for artists

Homegrown Opens Tomorrow!

OPENING RECEPTION OF HOMEGROWN 

APRIL 19, 2019  6:00–8:00 PM

 COMMISSION ON THE ARTS AND HUMANITIES GALLERIES 

200 I (Eye) Street, SE Washington, DC 20003

Michael Crossett, Cheryl D. Edwards, Justyne Fischer, Ric Garcia 

Gail Shaw-Clemons, Henrik Sundqvist 

HomeGrown explores the creative process of six art­ists from the Washington, DC, Maryland and Virginia region who utilize the medium of printmaking to express issues of racial injustice, genetics, ancestry, gentrification, cultural identity, and the environment    |   CURATED BY CLAUDE L. ELLIOTT

Mila arrives!

At 9:08 AM, my first grandchild - Mila Audrey Tarasova y Campello was born to my daughter Elise!

Mila Audrey Tarasova y Campello

Maryland State Arts Council (MSAC) Grants Winners

Congrats to all these talented and lucky folks - they are winners of the 2019 Maryland State Arts Council (MSAC) Grants!

That "Florence" down there is me - this is my first award since I was an art student at the University of Washington School of Art, when I received Ford Foundation art grants 1977-1981.

Painting

Lesa Cook Frederick

Bobby Coleman Baltimore City

Lania D'Agostino Baltimore City

Sally Davies Prince George’s

Brian Michael Dunn Montgomery

Ric Garcia Prince George’s

Hedieh Javanshir Ilchi Montgomery

Jahru Anne Arundel

Matt Klos Baltimore

Kate Kretz Montgomery

Lindsay McCulloch Montgomery

Gregory McLemore Baltimore City

Ping Shen Anne Arundel

Grace Doyle Baltimore City

Jessica Van Brakle Montgomery

Nicole Dyer Baltimore City

Taha Heydari Baltimore

Sam Lacombe Baltimore City

Giulia Piera Livi Baltimore City

Janet Olney Baltimore City

Randi Reiss-McCormick Baltimore

Carolyn Case Baltimore

Maud Taber-Thomas Montgomery

Deborah Tomlin Montgomery

Alice Valenti Baltimore

Karen Warshal Baltimore City

Lauren Frances Adams Baltimore City

Scott Ponemone Baltimore City

McKinley Wallace III Baltimore City

Works on Paper

Erin Fostel Baltimore City

LaToya M. Hobbs Baltimore City

LeJea Williams Howard

Amy Boone-McCreesh Baltimore City

Florence Lennox Campello Montgomery

Deborah Addison Coburn Montgomery

Elliot Doughtie Baltimore City

Ariston Jacks Baltimore City

Kristina King Montgomery

Angelo Kozonis Baltimore City

Mike McConnell Baltimore

Jerry Truong Montgomery

Lu Zhang Baltimore City

Amanda Burnham Baltimore City

Jackie Milad Baltimore City

Leslie Suzanne Shellow Baltimore City

Julie Wills Kent

Jowita Wyszomirska Baltimore City

On Alexandria’s Torpedo Factory Art Center

A decade ago I wrote this about the Torpedo Factory in Old Town Alexandria - one of my fave places in the DMV... how much of it has come to pass?

Read my 2009 thoughts here...

At the CATO Institute

Should art offend? Does it matter if people are offended? Should offensive art be displayed? Should it be censored? Who decides what is offensive or appropriate? Join us to hear a discussion of these questions and more.

A discussion panel featuring Philip Kennicott, Chief Art and Architecture Critic, the Washington Post; Janis Goodman, Panelist, WETA Around Town, Associate Professor of Fine Arts, Corcoran School of the Arts and Design, George Washington University; Lenny Campello, Author, Daily Campello Art News; and Jason Kuznicki, Research Fellow, Cato Institute and Editor, Cato Books; moderated by Caleb O. Brown, Cato Daily Podcast host, Director of Multimedia, Cato Institute.

REGISTER HERE

May 22, 2019 
6:30PM to 8:00PM EDT

Cato Institute
1000 Massachusetts Ave, NW
Washington, DC 20001-5403

Phone (202) 842 0200

Awake

“Awake”

It’s about a child suffering from insomnia and anxiety. It’s a topic not often addressed in children’s books, but something that the author - Susanna Fields-Kuehl, a licensed therapist and artist in Maryland sees daily in her practice. 

I Hope you can all support the project and spread the word! Kickstarter end April 24! 

kck.st/2CguKH8

Lyrical Flight | Barbara Januszkiewicz

My good friend Barbara is opening at the gorgeous Athenaeum in Old Town Alexandria - easily one of the most beautiful art spaces in the DMV!

Lyrical Flight | Barbara Januszkiewicz

April 18 – June 2, 2019

Artist Reception: Sunday, May 12, 4 - 6 pm

Collaboration: Light Exists, Sunday, June 2, 1 pm

Artist Talk: Sunday, June 2, 2 pm

Barbara Januszkiewicz luminous and elegant paintings evolved out of her early work in watercolor, a progression evident in the almost liquid flow of colors across her large compositions. In these acrylic works, tones melt together and "veils of pigment appear to fold over one another, creating illusory creases and hollows. The overall affect is one of slow, powerful visual rhythms. Januszkiewicz semi-translucent colors floats across her surfaces, soaking into the unprimed canvas and paper to create tactile fusions of paint and support that envelope the viewer in diaphanous veils of paint. 

Januszkiewicz pure abstract forms call to mind the stained canvases of Morris Louis and Helen Frankenthaler, but her work embodies a unique elegance that differentiates it

from that of her color fields with wonderful abstract shapes that are rendered loosely with a great feeling of fluidity and motion. "My brushwork is applied in waves of curving, color shapes, submerged in translucent washes. My goal is to achieve the highest degree of richness, with a light source that comes not from applied paint, but rather from the luminosity of the brilliant white paper or canvas," said Januszkiewicz. Here we see Januszkiewicz produce zen-like brush strokes across large formats with watercolor-like acrylics effortlessly.