The immensely talented Susan LaMont will open "Personality and Place" with a reception this Saturday at Susan Calloway Fine Art from 4 to 6 p.m.
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| The Garden Room, oil on panel, 20"h x 24"w by Susan LaMont |
Susan Calloway Fine Art and Consulting
1643 Wisconsin Avenue NW Georgetown
Visit the largest Open Studios event in the DMV.
The Gateway Arts District - Mount Rainier, Brentwood, North Brentwood and Hyattsville, MD. Four towns, one community.
Over 250 participating artists along the Rt. 1 corridor.
Right next to them is the Washington Glass School!
You can also visit uberartist Robin Bell this Saturday! May 11, 12-5PM.
Robin Bell will be at OSAP all Saturday talking about his current exhibition "Objects."
About the exhibition:
Robin Bell fuses his 3D and sample-based structural art with light interventions in the OSAP’s gallery. The space serves as a canvas for displaying, creating, and expanding his work over two-months. Visitors are encouraged to witness the evolution of the piece by attending both at the start and end of his show. Through this exhibition, Robin hopes to push himself and other DMV artists to confront and comprehend our shared challenges with site-specific interventions.
About Robin Bell:
Robin Bell, founder of Bell Visuals, is an award-winning editor, video journalist, and multimedia artist based in Washington DC. Robin works on a range of creative, political and public interest projects.
Building upon his formal training as a classical printmaker, Robin developed a unique style of live video collage which he has performed at well-known venues, including The Kennedy Center, 9:30 Club, The Phillips Collection in Washington DC, Central Park Summer Stage in NYC, and The Hollywood Bowl in Los Angeles, California. Robin was the lead video editor for PBS television show Foreign Exchange with Fareed Zakaria. He also taught video classes at the Corcoran College of Art and Design.
In addition to his ongoing work with ephemeral media forms, Robin creates permanent public art installations, and is the director and producer of the Directed Actions Live Film Series.
On May 11 & 12, 20234, the Bethesda Fine Arts Festival takes over Woodmont Triangle, along Norfolk, Auburn & Del Ray Avenues, welcoming over 100 of the nation's best artists, live entertainment, and Bethesda restaurants. Take a glance at the artists attending this year's festival by clicking the link below.
Take a glance at the artists attending this year's festival by clicking here.
Admission to the festival is FREE and free parking is available in the public parking garage on Auburn Avenue. This event is held rain or shine.
My picks? In painting Cassie Taggart in booth 94 and Letitia Lee in booth 55. Top abstract painter was Jorge Caliguri from Philly in booth 99.
In mixed media I like Susan Roche in booth 71 and Kate Norris' gorgeous collages in booth 19.
And there's not one pedestrian photographer in the show! They are all really good! My personal top pick is John Deng in booth 44.
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| John Deng's booth |
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| Art by Susan Roche |
THE HOME I NEVER KNEW; NI DE AQUI, NI DE ALLA
Guest Curated by Flor Herrera-Picasso, Casa Azul de Wilson
Opening in June 2024, the Greenville Museum of Art (GMoA) will host The Home I Never Knew: Ni de Aqui, Ni de Alla, a group exhibition of artwork by Latino/a/x artists from or currently residing in the southeast region of the United States.
Accepting artworks by artists ages 15+ and working in all media, the GMoA aims to provide a space for artists identifying within the Latino/a/x community to share about their lives growing up in this region, including hardships, triumphs, and everything in between.
Reclaiming the idea of “ni de aqui, ni de alla,” or “not from here, nor there,” we will highlight the range of individual and shared experiences associated with being both “from here” AND “from there,” belonging or not belonging, or feeling mentally, emotionally, or culturally from elsewhere.
SPACE BETWEEN Paintings by Anne Marchand
“Space Between” delves into the complexities of the human condition, exploring the unseen realms that shape our existence. This exhibition utilizes the power of art to illuminate the spaces between myth and reality, consciousness and subconscious, and intuition and logic.
Over in FB land, artist Bardia Jaan asks an often-asked question:
Easy easy question: how do you price your art?
That’s what I thought someone said. This might be for artists who have just started selling.
In my opinion, there's really no formula - art for sale is a commodity; therefore, ECON 101 tells us about how prices in most cases is driven by supply and demand, but that doesn't work for 99.999% of us because it only works for that art that is very limited in supply but in high demand.
About a decade ago, you could pick up a painting by my good friend Sam Gilliam at a local DC area auction house for hundreds of dollars, because there was no "demand" and buyers were not willing to pay above a few hundreds for a Gilliam canvas from the past.
Ten years ago this Gilliam painting from 1972 was estimated at $1000-2000 and sold for $600. That painting is now probably worth several tens of thousands of dollars if not 100s.
Why?
A couple of things happened driven by art galleries (not in DC) "discovering" Gilliam and suddenly there was a demand, and his prices skyrocketed and it couldn't have happened to a nicer person!
Or take the case of Carmen Herrera, for decades and decades her canvasses sold for practically nothing (if they even sold) - then a curator from the Tate "discovered" this artist who had an amazing pedigree (she showed alongside some of the greats of art in the 40x, 50s, etc.) and organized a retrospective for Herrera at the Tate, and suddenly the world art collectors discovered her work and rushed to buy it - creating the demand and thus a huge rise in prices.
More examples?
In the 60s Alice Neel was on welfare and traded her paintings to Lida Moser for Moser to take slides of her work so that Neel could try to get galleries interested in her work... then... go back to the top of this post and substitute "Neel" for those two artists... cough, cough...
In case you wonder why I am often slow in answering emails - that's how many unread emails I have in my inbox... cough... cough...
The multi talented Shawn Yancy is having a solo show at the Pepco Edison Place Gallery in DC!
The show has been curated by Miller Spencer who writes:
One of the DC area’s most respected broadcast news anchors and philanthropists is an amazing artist!
Miller Spencer is proud to present Shawn’s first solo exhibition Intersections: This is Where We Meet.
Explore Shawn’s beautiful abstract works and get a glimpse into her thoughts, feelings, life experiences and more.
The exhibition ends this month at the Pepco Edison Place Gallery, located at 702 8th St NW, Washington, DC 20068.
The gallery is open to the public from 12 p.m. to 5 p.m. on Tuesdays, Wednesdays and Thursdays as well as the second Saturday of each month from 10:00 a.m. to 4:00 p.m.
Please contact Miller Spencer at info@millerspencer.com to arrange a private tour or request prices.
Learn more at www.millerspencer.com
Just sayin'...
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| Hipster Yoda - drawing on Bisque by Florencio Lennox Campello, 2024 |
There is a very cute small library at 28 Main Street, in Prospect Harbor, Maine, and while we were in the area hanging around Winter Harbor last weekend, we stopped to visit as I was told that they had a very large collection of works by Stephen King.
The Dorcas Library did not disappoint! It was small but formidable presence and staffed by two of the nicest lady volunteers on this planet.
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| Dorcas Library, Maine |
The visit did not disappoint, as the collection was indeed spectacular!
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| Stephen King collection at Dorcas Library, Maine |
The collection had been donated by a King collector, and then to my spectacular surprise I discovered that also donated was a small etching of King that I had done as an art school assignment in 1980!
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| Campello with Stephen King etching at Dorcas Library, Main |
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| The American Writer Stephen King, c. 1980 by F. Lennox Campello |
From the art school files: "Picasso Girl at the Beach", c. 1979 and done at Printmaking class at the University of Washington of Art in Seattle. A couple of different pulls from the same plate.
Room 493 at the just ended ARTOMATIC is where the very talented multimedia artist Christine Krizsa Uskievich not only displayed her smart explorations of photography among other work, but also teaches a lesson which combines installation skills with a novel and effective strategy for the visitors and potential buyers of her elegant work.
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| Moment by Christine Krizsa Uskievich |
First, the highly sophisticated work is beautifully presented in minimalist float frames that highlight the art without detractors.
And then she delivers a masters' class in presentation skills. She transformed room 493 into a warm living space, like in your apartment or my house.
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| Christine Krizsa Uskievich room 493 at Artomatic |
The work is hung, and the room is transformed to deliver an impression that says: "this is how it will look in your home." It is clever, clean, and professional!
Well done!
What's next on the fine arts agenda for The Lenster?
1. The Affordable Art Fair Austin Texas is May 16-19 and my work will be in booth B9 along with Jodi Walsh, Shannon Leigh, Kathy Hope and Seth Fairweather!2. The Tephra Institute of Contemporary Art's Fine Arts Festival will be May 18-19 at the Reston Town Center in Reston, Virginia and I'll have a booth there as well!
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| Homage to Celia Cruz by Florencio Lennox Campello, 2024 |
The very first Affordable Art Fair Austin, Texas is coming May 16-19 and we're gonna be showcasing work by Shannon Leigh, Seth Fairweather, Kathleen Hope and Jodi Walsh!
The below work of mine will also be featured at the fair!
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| When Death arrived, she was the first one to post it on TikTok |
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| Suddenly, she wasn't afraid any longer |
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| The Incantation of Frida Kahlo |
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| The Incantation of Frida Kahlo |
As ARTOMATIC is about to end this Sunday, I want to give whoever this artist is - the signature says "Parrilla", but there's no "Parrilla" in the ARTOMATIC roster of exhibiting artists. Nonetheless, he or she gets the top EROTICA award for 2024 ARTOMATIC.
Enjoy these gorgeous paintings!
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The 2024 Prix Virginia
This photography competition is open to women photographers, regardless of their nationality or age. The competition is organized every two years by the Association Sylvia S. from Paris, France.
Each candidate must submit 12 – 18 photographs on any subject (one cohesive body of work rather than single images).
Photos submitted to the Virginia Prize must never have been exhibited in France.
No Entry Fee.
Hopefully, an ARTOMATIC 2025, but knowing how immensely difficult it is to arrange, work and set up this amazing spectacle and most impressive gift to the planet's art scene, I suspect that it may be a year or two.
ARTOMATIC ends this weekend (April 28) and I want to be the first to send a most effusive WELL DONE to George Koch, the Godfather of ARTOMATIC and to the hundreds of volunteers that made this gorgeous event happen.
The end of such an important art gift to the DMV always brings a bit of sadness, but it also leaves our artistic batteries super charged!
What next?
Maybe an art fair... a really no shit art fair like New York, London, half a dozen Asian cities, and next month Austin have? The city commissars at the DC Commission on the Arts & Humanities are thinking about it...
SAVE THE DATE
Embracing Our Differences is seeking original quotations for an outdoor juried art exhibit featuring 50 billboard size images paired with the quotations.
The theme is “embracing our differences.“
The exhibit will be on display January through April 2025 in two locations in Florida.
Cash prizes totaling $4,000 will be awarded.
Entries can be no longer than 20 words.
No Entry Fee.
The Bethesda Arts & Entertainment District announces a Call for Artists for a new public art project in downtown Bethesda, MD. The A&E District will select 15 artists whose original designs will be printed onto a vinyl wrap to adorn 15 Signal Boxes located throughout downtown Bethesda. This new project will beautify the signal boxes, provide an opportunity to local artists and bring more public art to our community. We are especially interested in having high school artists participate in this project. If you know a young artist in your life, please encourage them to submit their work
Artists must be 14 years of age or older and residents of Washington, D.C., Maryland or Virginia.
Each selected artist will be paid $650 for the use of their design, and the deadline to apply is Monday, April 29, 2024.
For many years, I have been a member of the advisory panel that recommends to the City of Washington which art to acquire for its city collection via its ART BANK program.
I am always shocked how few submissions we get each year! And the artists who "know about it" keep it up every year to the point that by now, there are artists with almost twenty works of art in the collection of the District of Columbia!
Interested?
In support of local visual artists, District art galleries, and art nonprofit organizations, CAH acquires fine art. The ongoing annual acquisition of art from metropolitan artists becomes a part of the Art Bank Collection. CAH manages artwork in the collection. It is then loaned to District Government agencies for display in public areas and offices of government buildings. The Art Bank Collection, which started in 1986, has nearly 3,000 artworks.
The Commission on the Arts and Humanities (CAH) requests applications from qualified artists and District nonprofit art galleries or organizations for its Fiscal Year 2025 Art Bank Program. Award amounts vary but eligible individual applicants may be awarded up to $15,000 and nonprofit art galleries or organizational applicants may be awarded up to $20,000.
Submission Deadline: 9 pm ET, Tuesday, May 28, 2024
Tips: If your artwork involves any kind of nudity - do not even bother.
Political art? Only one side of the aisle usually considered... cough... cough...
Last night I spent only about 90 minutes on the 7th floor, and was thus unable to get to all of the rooms - I will be back to expand and finish this look at this floor. I was accompanied by my wife on this trip, and below I will include her very savvy observations, fine tuned over decades of both practicing, teaching and being a strong voice for nearly every facet of the art scene on a worldwide scale.
As with all my previous floor visits, this floor proves again the unique and singular ability of ARTOMATIC to deliver on a scale that it is impossible to deliver in any other model but this one! The mind-overwhelming variety of subjects, skill levels, ideas, room-changing work and presentation forms is simply impossible to replicate unless the hive workforce and leadership of this kind of show is there.
First impression from the partial walk on the 7th floor? There is a lot of love with black light on this floor and also a lot of artists whose presentations include a wall assembly of a multitude of small, well-crafted and presented work!
My first recommendation comes for the work of Jenny Kanzler in room 7031. I am always seduced by artists who are able through their work marry the subject with unusual and unexpected, and this very talented artist delivers all of that and more with gusto and skill.
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| Jenny Kanzler in room 7071 at Artomatic In room 7006, Greg Skrtic offers an impressive array of large paintings which can best be described as brilliant rediscovery and modernizing of the traditional. In these works the artist subjugates the focus of the work to be recreated in a canvas of multi surfaces and images that force the eye to examine each minute details of the surface individually and them re-assemble them to deliver forms that seems to step out of medieval times and onto the 21st century. |
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| Gregory Skrtic in room 7006 |
I take inspiration from many sources, both natural and man-made. I use patterns from patchwork quilting, carpet or wallpaper designs just as readily as from a seashell, leaf, or seed pod. Incorporating these patterns into the overall composition in a way that they can co-exist in harmony is a recurring theme in my work.
In room 7041, both my wife and I liked the somewhat "retro" work of Jeremy Arn. I note "retro" more in the sense of the muted palette, rather than just the subject, which is composed of interesting mechanical forms.
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| Jeremy Arn in room 7041 |
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| Cory Oberndorfer |
With the Wa PaPo project, launched in 2021 with my husband David Allen Harris (photographer), there’s an effort of revitalizing holistic histories and lore through reintroducing African-inspired elements with our own personal flair. This is a homage, rather than an ethnographic survey that accurately depicts any one place or culture. Instead, we hope to infuse new life and meaning into the ways of showing and retelling Black and Western folklore.Over the course of the Wa PaPo project, I’ve explored stories about different figures of the African diaspora through prose, art, and reenactments on film, using creative license to change details for more original and interpretive artistic effect. I’m an interdisciplinary artist with ties to social practice art, writing, bodypainting, muraling, and assemblage; David is similarly equipped as a photographer and software engineer/computer scientist. Together, we use traditional and new media to fully tell the tales we weave.
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| Lync Prince Harris and David Allen Harris |
Over is space 746, I must highlight the printmaking of Cecily Abram, which is not only pleasing to the eye, but also showcases a clearly talented printmaker. These gorgeous prints tease the viewer by assembling both recognizable forms, but married to deliver a somewhat abstracted delivery. They are also a great example of professional presentation: pH-balanced, acid free museum mats, etc. At $325 for the large monoprints, they are also one of the great steals of the show!
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| Cecily Abram in area 746 |
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| Detail of a John Grunwell painting |
April 13 @ 12:00 pm - 11:45 pm
Meet the Artists II: Sponsored by the DC Arts Commission
A majority of this year's artists will be sharing from their spaces after 7 PM. This is your second chance to discover the makers behind the masterpieces! You can wander from the 2nd floor to the 8th, and every floor in between, asking questions and getting a peek behind the scenes.
COMPLEMENTARY COLOR - KAREN SCHARER AND MATTHEW LANGLEY
APRIL 13TH - MAY 11TH, 2024
Opening Reception: Saturday, April 13th, 2024, 4:00-6:00 pm
Matthew Langley be showing new works on paper at Calloway Fine Arts and Consulting along with paintings by Karen Scharer.
For More Information:
Calloway Fine Arts & Consulting
1643 Wisconsin Ave NW
Washington DC 20007
In room 4060 at Artomatic there's an artist channeling powerful messages via one of the most amplifying genres of art: the collage.
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| Jai Marcus in room 4060 |
First let me observe her presentation; she embraces the number one rule of showing o one's artwork: "Who are you?", a simple and powerful rule once art becomes a commodity, and one which many artists often fail to heed.
.jpg "Jai Marcus artist statement") |
| Jai Marcus' artist statement |
We then learn about the Artist via a well-written, concise and informative statement; now we know the "why" to the art.
The artwork delivers what is clearly an intuitive mind seeking to expand the hidden narrative behind the complex assembly of images. Are we looking at three face images combined to deliver a singular thought or narration? Perhaps, but also notice the attention-grabbing details of the exuberance of the color aspects of this work.
Explore the elegant and brainy composition of this work above. It starts in a geometric pattern, gets disrupted by erotic lips encasing metallic forms and a clock and then erupts into a riot of somewhat abstracted forms in the upper right.
In the above work, we see some compositional tracks that follow the same intelligent and mind-twisting arrangement: It starts with vertical forms on the right, the flowers transition the work to the central piece, and then in the art coup, the left marries abstraction with and end-casing of more vertical forms!
To end, a cyberspace WELL DONE to this collage master!
WOW! I cannot recall the last time that WAMU talked about DMV art galleries like Elliot Williams did with Tamika Smith on the air today!
More please!
Just finished and framed, and will be in NYC this fall at the Affordable Art Fair: "When Death arrived, she was the first one to post the video on TikTok," 16x12 inches, mixed media painting on paper.
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| When Death arrived, she was the first one to post the video on TikTok |
