Judith Peck at Penn College!

Hope and History
The Gallery at Penn College
One College Avenue
Williamsport, PA 17701-5799

Reception: March 15th 2018 4:30-6:30
March 13 - April 18, 2018
For further information please email Judith at judithepeck@gmail.com or visit http://judithepeck.blogspot.com/  or 
https://www.pct.edu/gallery/schedule#jpeck

Our next art fair

Campellos at auctions

These three vintage drawings and lithos of mine just showed up at an auction house in Charlottesville! They are all starting at really low bids! See them here!

Eve, Running Away from Eden

Mermaid (The Deep)

Mermaid (The Deep)

Opportunity for artists and curators

The Brentwood Arts Exchange is seeking proposals from artists and curators to present exhibitions for available dates November 2018 - December 2020. 

Solo and group exhibitions are welcome. 

We support art in all media and forms. Proposals may be for the Main Gallery, the soon-to-open Lab Gallery, or both. Proposals will also be considered inclusion in exhibitions curated in-house. The Deadline is April 14, 2018. Full information and the application is online at https://m-ncppc.submittable.com

Frida with Cuba

Out of nowhere I get an email from a collector in Spain who happens to be the son of a man who bought the below piece from me back in the 1980s. He wanted confirmation that this was indeed my work, as it is being offered for auction in the near future.

"Frida with Cuba" was done by me in 1978 as part of a freshman or sophomore painting class at the University of Washington School of Art, which I attended courtesy of a scholarship from 1977-1981. It was part of my infatuation with the Kahlomeister, who back in the late 70s was essentially still known as Diego Rivera's wife.

I suspect that at the time, most of my UDub art professors (Jacob Lawrence, Alden Mason, Norm Lundin, Frances Calentano, and others) had no idea who Kahlo was, much less why I painted her (sort of comic book style) holding the island of Cuba.

I sold this painting at the Pike Place Market, where from 1978-1981 I sold almost every single art school assignment ever finished by me... once it was graded - it was up for sale... This piece probably went for around $25 at the time.

Kahlo (unfortunately) like most of the intelligentsia of her times, was a naive Communist, sort of a champagne Communist if you will, and even though she died several years before the Castro brothers began to brutalize Cuba under the yoke of Communism, I suspect that had she lived to an older age, she would have been a fan of the Castro's oppressive regime, and thus my painting.

"Frida Kahlo and Cuba"
20x16 inches. Oil on Paper, c. 1978 by F. Lennox Campello

#fridakahlo #universityofwashington

A wind day?

Everything is closed in the DMV because of wind... I almost started to make fun of that and then I opened my front door!

And then I went to the backyard and the trees were doing this!

Lida Moser: A Lens Without Limits

A LENS WITHOUT LIMITS

The Photography of Lida Moser

Opening Reception: Friday, March 2, 5:00pm–7:00pm

Those of you who know me well, or who read my words here and there, know what a great follower of the great Lida Moser I was, am will forever be... tomorrow a fantastic exhibition by Lida opens at Dickinson College:

This exhibition considers the work of New York City commercial photographer and photojournalist Lida Moser (1920–2014). She is best known for her pioneering work documenting the City from its post-war era up through the gritty 1970s. Moser first worked as an assistant in Berenice Abbott's studio and later moved on to a solo career, gaining assignments from a number of leading publishers, including Vogue, Harper's Bazaar, and Esquire magazines. She was a member of the Photo League and the New York school of photography and produced portraits of many of the leading cultural figures of the second half of the century.  

The Trout Gallery maintains a large collection of the works by Lida Moser and is the first to survey her extensive photographic work. This project is produced through the generous cooperation of the artist's estate. 

This exhibition is curated by senior art history majors Jacqueline Hochheiser, Kate Marra, and Monica Skelly, under the direction of Elizabeth Lee.

Details here. 

See lots of Lida's images from her estate here.

Touchstone Foundation Fellowship

Open Call for Local Artists.

NO FEE TO APPLY.

Deadline: March 19, 2018 11:59pm ET

WHAT is it?

The Fellowship provides a 2 year artist membership in Touchstone Gallery in downtown DC. This guarantees a solo exhibition at the end of 2 year, participation in monthly gallery group shows, and a presence on the gallery website. The monetary value of the fellowship exceeds $4200.

WHO is Touchstone Foundation for the Arts (TFA)?

Touchstone Foundation for the Arts (TFA) a non-profit organization, created in 2012, committed to community outreach and involvement. Its Fellowship program has been ongoing since 2014. The Fellowship is awarded based on artistic merit and the ability of the fellow to benefit by association with the Touchstone Gallery. Artists eligible to apply if they have not been exclusively represented by a commercial gallery in the previous 10 years. Founded in 1976, Touchstone Gallery is an artist-owned commercial gallery located in the heart of downtown DC at 901 New York Avenue NW and was named Best of D.C. by The Washington Post in 2016/ 2017.

WHO can apply?

We encourage all interested artists to apply. Artists are eligible to apply if they have not been exclusively represented by a commercial gallery in the previous 10 years, can commit to a 2 year fellowship term and can fulfill the responsibilities above.

Application Process:

Detailed instructions and application are available at www.tfawdc.org

Selection Process:

Applications will be reviewed by the Touchstone Foundation for the Arts Board of Directors in March-April, 2018. A small group of finalists will be asked to bring physical artwork for review in person and invited to interview with TFA Board in May 2018. The final review and decision will be done by Touchstone Gallery Member artists. One or more applicants will be awarded a Touchstone Foundation Fellowship for 2018-2020, to begin in June 2018.

Alcalde on Tuckman

Living in Egypt as a child during WWII, Diane Tuckman recalls, “they were shooting Jewish girls in the street…My family and I escaped [in 1949] and went to France.”Though less harrowing, even in France “it was a very difficult time after the war, with ration tickets and very little housing.”

But eventually, Paris became home and much more to Tuckman. For it was there that she learned the art of painting on silk — a traditionally Asian way of painting dye on silk fabric.

Read  Rebekah Alcalde's fascinating piece about DMV artist Diane Tuckman here and visit Diane's website here.

Treasures of the Heart

There's an interesting upcoming exhibition at the Arts Club of Washington. I am about Everitt Clark's work from Treasures of the Heart: anonymous photographs of the prized possessions of people who have hoarding tendencies. He notes that his "goal is to reveal the variety of human experience, the depth of feeling, and the startling beauty that hide behind that ugly word, 'hoarder'."

You are invited to the opening reception, in the historic Monroe-Adams-Abbe House, on Friday, March 2 from 6:30 PM - 8:30 PM. The show will be up through March 30th.

The Arts Club of Washington

2017 I ("Eye") St. NW

Washington, DC 20006

General Hours:

Tuesday - Friday 10 AM - 5 PM

Saturday 10 AM - 2 PM

DC's new "Cultural Plan"

DC has published a new "Cultural Plan" and is accepting comments on the plan until this coming Wednesday February 28th.  The city needs to hear our voices!!

URGENT! Please sign the Change.org petition today.

Given the outflow of artistic talent from DC over the past decade, we, the undersigned, demand a DC Cultural Plan that values the presence and contributions of professional artists in our city. The current draft of the Cultural Plan does not.

To that end, we need a revised plan that:

• Makes the retention of visual artists among the city's primary goals.
• Is led by the DC Commission on the Arts & Humanities, the city agency with arts expertise and the closest ties to the arts community.
• Is guided by a task force comprised of local artists, designers, and creative professionals.
• Allocates dollars to the goals and investment recommendations.

DC needs its artists now more than ever. 

To read the Cultural plan please click here