New Art BLOG

Warren Craghead has a new BLOG called Drawer. Visit often!

Trawick Prize

This coming Friday is the deadline for artists to submit slides to the Trawick Prize. This is the third annual prize competition that awards $14,000 in prize monies to four selected artists.

Deadline for slide submission is Friday, April 8, 2005 and up to fifteen artists will be invited to display their work from September 6, 2005 – September 30, 2005 in downtown Bethesda at Creative Partners Gallery.

The competition will be juried by Olga Viso, the Deputy Director at the Hirshorn Museum and Sculpture Garden; Andrea Pollan, an independent curator, fine arts appraiser and art consultant and Dr. Thom Collins, Executive Director of the Contemporary Museum in Baltimore, MD.

The Trawick Prize was established by the generosity of local small business owner Carol Trawick. Ms. Trawick has served as a community activist for more than 20 years in downtown Bethesda. She is the Chair of the Bethesda Urban Partnership, Inc. and Chair of the Bethesda Arts & Entertainment District.

The Trawick Prize is separate and different from the Bethesda Painting Awards (also sponsored through the generosity of Ms. Trawick; the deadline for the Bethesda Painting Awards has already passed). But Ms. Trawick now ponies up $20,000 of her own money to award to area artists (the competition is open to DC, MD and VA artists); this is especially commendable because she's a small business owner who has stepped forward and put her money where her mouth is (in her community), while other area business giants have ignored repeated requests to help add to the prize monies. By the way, we contribute $1,000 for a Young Artist's Award.

Wouldn't it be nice if our area's business giants like... Giant Supermarkets, or AOL or Lockheed Martin each threw in a measly (to them) $20,000 to this pot of money so generously started by a small local business?

That would mean a local art prize of $80,000! That would certainly change an artist's day, presence and stature, uh?

Forward this link to major area business giants and maybe we can shame them into participating in what Ms. Trawick has seeded.

The application for the prize is online here.

Sock to the Jaw

And yet another person (in this case Sarah Corteau) challenges Blake Gopnik's treatment of a historical subject. She opens with:

In his March 26 Style review of the National Gallery of Art's Gilbert Stuart exhibition, Blake Gopnik used pop psychology to interpret the artist's portraits.

Stuart's life was indeed rich with drama. Until his death, Stuart teetered on bankruptcy -- as likely an explanation for his prolific production as ego or desire for celebrity. But Mr. Gopnik never mentioned this fact, instead choosing to put Stuart on the shrink's couch.

Read the piece here.

Wanna Go to a Gallery Closing Reception Today?

Curated by Margaret Boozer and Claire Huschle, "Existing to Remain" at DCAC closes today with a gallery talk at 3PM when you can join the artists and curators for the Gallery talk and Closing Reception.

In "Existing to Remain," four artists use ceramics and other materials as a point of departure to study transformation in the artistic process. The title refers to designations on architectural drawings denoting what is to be destroyed and what will remain during renovation. Kate Hardy examines the slippery delineation between Art and Craft in public collections. Rebecca Murtaugh considers frequency, time, and permanence. Claire Sherwood looks closely at notions of the feminine in the transformation of materials like coal and cement. Dina Weston studies aggregation and biography in an installation that uses existing architecture.

DCAC is located at 2438 18th Street, NW in Washington and can be reached at 202/462-7833.

Thanks G.P.!

Click on the Van Gogh Google and prepare to die laughing!

My day has been made and soon I will head out to the Arlington Arts Center for their opening tonite.

See ya there!

DCist Review

DCist has a review of the new William Christenberry show at Hemphill by Seth Thomas Pietras; the first of what I hope are many more visual art reviews by DCist.

Faces of the Fallen

Michael O'Sullivan writes some intelligent viewpoints about the Faces of the Fallen exhibition that makes up for the unexcusable pulpit-preaching piece earlier written by Philip Kennicott.

I do find this quote puzzling:

Vivienne Lassman, a former gallery owner and freelance curator who helped to install the final works, put it as bluntly as possible: "This is not an art exhibition."

She's wrong.

This is an art exhibition.

The debate as to the quality of the portraiture could apply to any group show in the history of art; what clouds this issue is that politics got involved in the mix, and because neither the pro nor the anti-war sides were allowed to kidnap this project (the Honorary Chairs for the exhibition include Senator Dianne Feinstein (CA), Senator John McCain (AZ), Senator John Warner (VA), Congressman John Dingell (MI), and Congressman John McHugh (NY) among others), the sore losers on both extremist sides are whining. The show, as it stands right now (and as O'Sullivan points out), is is largely nonpartisan and agenda-free.

There are some really amateurish, inept portraits, and there are also some superbly well done portraits; but let's not mix words: it is an art exhibition, and a powerfully memorable one at that.

Plus, and as O'Sullivan points out:

After all, you don't go to a showing of the AIDS quilt, or "This Is New York," the open-to-all-comers traveling exhibition of photographs of 9/11 and its aftermath, and critique the sewing technique of the quilters or the tonal qualities of the mostly amateur shutterbugs' prints.

I think that it is an impressive, emotional and memorable art project and send my thanks to every participating artist and the organizers for creating such a memorable event.

I also think that the artists who were rejected by the curator for trying to inject a political mix into the project have a solid and deep set of opinions that should be expressed, and I certainly hope that they unite and find a venue to show their anti-war or pro-war or political viewpoint portraits. If and when that happens, that will be good for the dialogue created by an important art exhibition, and their exhibition will also be art.

Gallery Openings

Tomorrow is the first Friday of the month and thus the extended hours for the Dupont Circle area galleries.

Some key Dupont Circle shows not to miss are Maria Friberg's exhibition at Conner Contemporary, Laura Fayer at JET Artworks, William T. Wiley at Marsha Mateyka, Maxine Cable's room installations at Gallery 10 and Gabriel Jules at Washington Printmakers.

In Georgetown, Anne C. Fisher Gallery also has an opening titled "Resonance" for John M. Adams' paintings and Frances Sniffen's sculptures. From 6-8PM.

It's a tough call, but tomorrow I will be heading for the Arlington Arts Center to see the unfortunately named "Art with Accent: Latin Americans in the Mid-Atlantic States," curated by Susana Torruella Leval, Director Emerita, El Museo Del Barrio, New York.

That opening is from 6-9PM, and the exhibiting artists selected by Ms. Torruella Leval are: Aldo Badano, Juan Bernal, Gute Brandao, Mark Caicedo, Ana Cavalcanti, Irene Clouthier, Pepe Coronado, Gerard de la Cruz, Felisa Federman, Luis Flores, Eva Holz, Tamara Kostianovsky, Rosana Lopez, Carolina Mayorga, Lara Oliveira, Alessandra Ramirez, Victoria Restrepo, Helga Thomson, and Maria Velez.

I love the diversity of names, helping to smash the stereotype of "Hispanic" as a cultural segregator. The curator will also lead a round table discussion with participating artists, "Latin American" Art: Expectation and Reality, on Thursday, April 21 at 7PM. My vociferous views on this issue here.

The Thursday Reviews

In the WaPo, Jessica Dawson reviews Mark Dell'Isola at Govinda Gallery in Georgetown, and also reviews Prof. Peter Charles at Irvine Contemporary and has a little blurb on American Icons at Robert Brown.

At G.P., Kriston has an excellent review of Molly Springfield at JET Artworks.

In the City Paper, Louis Jacobson reviews Valeska Soares at Fusebox, while Jeffry Cudlin reviews Shimon Attie at Numark.

The CP also has a letter from J.W. Bailey coming to the defense of curator Annette Polan in the wake of the hubris caused by the "Faces of the Fallen" exhibition.

And finally, the CP has a great feature on painter Erik Sandberg. By the way, since the article doesn't mention it, Erik Sandberg is represented locally by Conner Contemporary Art, which has done a huge amount of work to promote his career and continues to do a superb job in giving Sandberg's name the recognition that it deserves; Erik is lucky to have such a hard working gallery representing his work.

These artist features, which the CP does rather regularly, is one of the key things that makes this paper such a great asset to our cultural tapestry, since none of the other area newspapers does anything remotely similar (unless it is a late obituary).

For the record, I think and have thought for many years, that Sandberg is without a doubt one of the best painters in our area, and I own two of his paintings.

Also for the record, his statement that he left our gallery because "They lost my damn number five times, or they never had my number," differs from my own recollections as to the reasons that he gave us (in a voice mail) for leaving the gallery, one of which was that "he had decided to be on his own and not be represented exclusively by any gallery." This was a couple of days after his very successful first solo show had closed. To this date, he remains the only artist who has ever "left us" voluntarily since we opened our first gallery in 1996.

We gave a very young Erik Sandberg his first solo show in Washington, sold nearly all of his work, and whatever didn't sell was then sold through Sothebys, to collectors in Europe and Japan. Nonetheless, for a variety of reasons, Erik chose to leave our gallery.

I remain a huge fan of Erik Sandberg's work.

Opportunities for Artists

Deadline: April 1, 2005

"In Focus: Photography Techniques and Trends." Juror: Sarah Kennel, Assistant Curator, Department of Photographs, National Gallery of Art, Washington, D.C. This exhibition is open to artists working in all photographic processes. Artists are encouraged to expand parameters and traditional definitions. Award amounts up to $500. Exhibition dates: June 9 to July 17, 2005. Submission fee: $25 for images of 3 works. Deadline: Friday, April 1, 2005. For prospectus, email Clare here or send SASE to:
Target Gallery
105 North Union Street
Alexandria, VA 22314
or Phone: 703.838.4565

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Deadline: April 8, 2005

The Bethesda Arts & Entertainment District is accepting submissions for The Trawick Prize: Bethesda Contemporary Art Awards. The 3rd annual juried art competition awards $14,000 in prize monies to four selected artists.

Deadline for slide submission is Friday, April 8, 2005 and up to fifteen artists will be invited to display their work from September 6, 2005 - September 30, 2005 in downtown Bethesda at Creative Partners Gallery.

The competition will be juried by Olga Viso, the Deputy Director at the Hirshorn Museum and Sculpture Garden; Andrea Pollan, an independent curator, fine arts appraiser and art consultant and Dr. Thom Collins, Executive Director of the Contemporary Museum in Baltimore, MD.

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Deadline: April 8, 2005

Call for Entries for Artscape 2005. Complete application information is available at www.artscape.org.

Two exhibitions: One at the Baltimore Museum of Art Drawing Show/Juried Show Thalheimer Gallery and a second: The Baltimore Museum of Art and the Meyerhoff Gallery, Fox Building, MICA, Curated by Gary Simmons (A New York artist).

Application deadline: April 8, 2005. The BMA exhibition will focus on drawing based ideas. The Fox building show will cover all media.

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Deadline: April 8, 2005

The Halpert Biennial 05, a national juried visual art competition and exhibition, is open to all two-dimensional visual artists, who are over the age of 18 and currently residing in the United States. Awards totaling $5000. Mary Agnes Beach (Museum Curator City of Coral Gables, Florida) will serve as juror. The Halpert Biennial is a part of An Appalachian Summer Festival-a multi-arts festival featuring music, dance, theatre and visual arts. Deadline for entries is April 8, 2005. Send SASE to:
Halpert Biennial 05
Attn - Brook Greene
Box 32139
423 West King St, Boone NC 28608

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Deadline: April 11, 2005

Juried Annual Small Works Exhibition. Seeking works on paper no smaller than half of a dollar bill, no larger than a full dollar bill. Entry fee. No commission; insurance. $1000+ in awards.

Send SASE to:
Jacksonville State Univ.
Art Department
700 Pelham Rd N
Jacksonville AL 36265

Or call 256-782-5626.

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Deadline: April 12, 2005

The Spectrum Gallery in Georgetown, DC is jurying for new members on April 12. For more information please call 202.333.0954 or visit www.spectrumgallery.org.

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Deadline:April 15, 2005

"What's So Terrible About Being Beautiful?" A modern art exhibition at the Museum of Contemporary Art/A+M Galleries in Washington, DC which is looking for an artist to join three other prominent artists in its June exhibition. All media will be considered for this competition. The show will run from June 3 to July 1. Please email: curator_mocadc@yahoo.com for a prospectus or
mail a request to:
Peter Photikoe
Curator
Museum of Contemporary Art/A+M Galleries
1054 31st St NW
Washington DC 20007

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Deadline: April 18, 2005

"Containers/Contained." Juror: Twylene Moyer, Managing Editor, Sculpture magazine. This exhibition is open to all artists working in all media, both two-dimensional and three-dimensional. Works can explore both the literal and the conceptual parameters of containers and containment. Artists are encouraged to think broadly and to expand traditional definitions. Award amounts up to
$500. Exhibition dates: July 22 to August 28, 2005. Submission fee: $25 for images of 3 works (slide or JPEG). Deadline: Monday, April 18, 2005. For prospectus, email
Target here or send SASE to:
Target Gallery
105 North Union Street
Alexandria, VA 22314
Or Phone: 703.838.4565

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May 1, 2005

22nd Annual Art Competition sponsored by The Artist's Magazine. More than $25,000 in cash prizes will be awarded, and Top Award Winners will be featured in the
December 2005 issue of The Artist's Magazine.

Plus, 13 finalists will be featured in The Artist's Magazine's 2006 Calendar. There are five categories for artists to compete: Portrait & Figures, Still Life, Landscape, Experimental and Animal Art. Plus, there's a Special Student/Beginner Division for new artists.

For details and an entry form visit: www.artistsnetwork.com or email them at: this email address or call Terri Boes at:513-531-2690 x1328.

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Deadline: May 20, 2005

Call For Erotic Artists! Juried show: Art @ Large, New York City's Erotic/Figurative Art Gallery. Juror: Grady T. Turner, New York based art critic, curator and author of "NYC Sex: How New York City Transformed Sex in America." All media and orientations in Erotic Art, Nudes, Sexuality - demure to explicit. Best of Show to receive solo exhibition in 2006. Either download the prospectus from this website or send SASE to:
Art @ Large
630 Ninth Av #707
New York NY 10036

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Deadline: June 3, 2005

9th Annual Georgetown International Fine Arts Competition. With $1,000 in cash prizes and a solo show in 2006 for the Best of Show winner, the Annual Georgetown International has a call for artists. See details online here to download the prospectus or send a SASE to:
Fraser Gallery
1054 31st Street, NW
Washington, DC 20007

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Deadline: September 15, 2005

i found your photo National Call for Submission of Donated Found Photographs. This is a unique Art exhibition of found photographs to raise money to fund a Photography Scholarship for an at-risk High School Senior aspiring photographer from the Washington, D.C. Area to attend Art School.

According to Bailey, this exhibition will feature donated found photographs submitted from across the country by both artists and non artists who have discovered or found a photograph somewhere that interests them: "I’m issuing a national call for submission for one found photograph to be donated to the exhibition from anyone interested in participating. I’m asking each finder of a submitted found photograph to include an index card with their submission that includes a personal statement about where the photograph they have submitted was found and what meaning it holds for them."

After the exhibition closes in late 2005, the original found photographs, index cards and other curatorial items from the exhibition will be collected and placed into an original one-of-a-kind handmade photography book. This book will be designed by photographer and handmade photography book artist, Melanie De Cola, of Reston, Virginia. To complete the project, the book will be auctioned on Ebay in early 2006 and the proceeds of the auction will be used to fund a the photography scholarship through the League of Reston Artists, a not for profit artist collective based in Reston.

Mail the original photograph, along with an index card that offers your thoughts on the meaning of the photograph and a description of where you found it by September 15, 2005 to:
James W. Bailey
Force Majeure Studios
2142 Glencourse Lane
Reston, VA 20191
Website: here

Congratulations

To Behroo Bagheri, who is the winner of the fourth annual Evolving Perceptions (EP) Iranian-American Fine Arts Scholarship.

In 1998, Behroo finished law school in Iran, soon thereafter she decided to move to California. Behroo decided that the paintbrush would be a more effective tool in exposing the exploitation, corruption and injustice that she observed and experienced. She shares, "It was painful to observe my fatherland going down, and not being able to speak out."

EP, which is a local DC area organization, is expanding the scholarship program and is seeking sponsors to donate to the fund. If interested in donating a tax deductible gift to Evolving Perceptions (a 501(c)3 organization), please contact EP at info@evolvingperceptions.com or call them at 202-607-0754.

Donkeys, Elephants, Pandas and... Piggybanks

From a just received news release:

"Recognizing the success of statue events around the world such as the Cows in Europe and Chicago, the Peanuts characters in Saint Paul, the Donkeys, Elephants and Pandas here in Washington D.C., we are proud to be creating Piggybanks in Washington, DC.

The display of the Piggybanks as a form of public art will coincide with the Stash Your Cash program in Washington, DC Public Middle Schools.

Stash Your Cash teaches Middle School students hands on lessons in money management through their schools. The piggybanks will promote awareness of the campaign and will create public art throughout Washington, DC.

The campaign will feature a limited number of 4 feet tall, 5 feet long, and 3 feet wide piggybanks custom designed by middle school students with the assistance of Washington, DC artists. The piggybank statues will be on display throughout Washington, DC from the end of April to June. In June, the piggybanks will be auctioned off and proceeds will go to participating schools."

The organizers have a call for artists and are hereby inviting artists to participate in this event by assisting local middle school students in designing and painting a piggybank statue. A website will soon be up, but in the meantime, to request more information please call Sara Higgs at (703) 741-7500 by Wednesday April 6, 2005.

Also on Thursday

One of the most beautiful art venues in our area is The Art Museum of the Americas, and tomorrow they will host extended hours from 6-8 PM for a viewing of the exhibit "Art of the Print."

This is an encapsulated survey of the museum’s print collection ranging in time from Jose Guadalupe Posada (1852-1913) to contemporary printmakers, Art of the Print brings together the work of artists who have dedicated the greater part of their careers to printmaking, as well as artists best known as painters or sculptors who, at different points in their careers, have been drawn to printmaking’s versatility and sensibility.

Among the artists in the exhibit are Antonio Berni, Jacobo Borges, Claudio Bravo, Rimer Cardillo, Jose Luis Cuevas, Juan Downey, Enrique Grau, Mauricio Lasansky, Matilde Marin, Leopoldo Mendez, Carlos Merida, Oscar Muñoz, Naul Ojeda, Jose Clemente Orozco, Alejandro Otero, Sonnylal Rambissoon, Omar Rayo, Diego Rivera, Jose Sabogal, Lasar Segall, David Alfaro Siquieros, Luis Solari, Fernando de Szyszlo, Rufino Tamayo, Francisco Toledo, Julio Zachrisson, Francisco Zuniga, among others.

Of note among these giants of world art, is Naul Ojeda, who passed away last year, and who lived for many years in the Washington area, where he was an enthusiastic participant in past Art-O-Matics.

For further info for further information call (202) 458-6016.

Wanna Go to an Opening Tomorrow?

Bodies: Prints by Matthew Clay-Robison is an exhibition of over 25 woodcut and serigraph prints commences tomorrow with a lecture by Clay-Robison on Thursday, March 31, 4-4:45 PM at the Margaret Brent Room, Stamp Student Union and is immediately followed by an Opening Reception from 5:00 - 6:30PM at the Union Gallery, Stamp Student Union at the University of Maryland.

Clay-Robison is a printmaker, University of Maryland alumni and assistant professor in the Department of Art and Art History at Bloomsburg University. The works' subjects include highly charged political critiques of the current administration to the depiction of a fight the artist witnessed while living in Washington, D.C.,

The Union Gallery is located on the first floor of the Stamp Student Union on the campus of the University of Maryland. Hours are 10:00 a.m.-8:00 p.m., Monday through Saturday.

If you'd rather stay in the District, then Hemphill Fine Arts hosts the opening of one of Washington's best known and most respected artists: William Christenberry.

Christenberry needs no introduction and this exhibition promises to be one of the most interesting shows by a key member of ours arts community.

The opening reception is from 6:30 to 8:30PM.

The show will be on exhibit until May 14, 2005.

Arts Management

Debra Smyers wrote a paper for a Master of Arts Management class assignment at George Mason University describing a gallery reception.

She chose our Lida Moser opening last Friday and her eloquent paper can be read online here.

DCistTuesday Arts Agenda

Read it here.

MAP is Out of Order!



The Maryland Art Place in Baltimore has a call for all artists to join them for their Annual Free-Hung Exhibition, Silent Auction, and Gala: Out of Order.

• All 2-D and 3-D artwork is welcome, as well as jewelry, ceramics, media, etc.
• One original work per artist, with maximum dimensions of 5’ x 5’.
• Work must be ready to hang (i.e. hangers and wire securely attached.)
• MAP provides all hardware for installation.
• Call ahead for special needs—pedestals and electricity access is limited.
• Work must be priced to sell!
• Proceeds will be split 50/50 between the artist and MAP.
• MAP reserves the right not to exhibit work deemed unacceptable.

Hanging Dates and Times: 24 Straight Hours (That’s Right—24 hours nonstop!) beginning 9 am Wednesday, April 6th, and ending 9 am Thursday, April 7th, 2005.

Silent Auction and Gala: 8 pm-1 am Friday, April 8th. This will be a special evening of entertainment by Abby McGivney and Michael Patrick Smith, along with music by Chris Pumphrey and electronic fun by Snacks; and of course, they’re will be food, beer, and wine! And artists who donate works will receive a free ticket to the auction and gala night.

For more details or to become a member of MAP call them at 410-962-8565 or visit their website.

Artwork Needed for Auction

Two dimensional artwork is needed between the sizes of 8x10 inches and 24x24 inches for the American Red Cross' DC Bandaids/Tsunami Relief Silent Auction and Concert to be held at DCAC next Monday night, April 4th, 2005.

This is a great opportunity to have your artwork help lives that have been devastated by the tsumami, and also donate to the American Red Cross all at once.

For more info, including where to donate your artwork and when, please email the Silent Auction coordinator Mare Meyer here or visit this website for more details.

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Block that Quote

MAN has an interesting post on misused quotes in reference to Matisse.

Nothing to do with Matisse, or DC art, but the trouble with misused quotes is also one of my pet peeves, which in a Woody Allen moment, I was able to "fix" (in a very specific case) a few years ago on national television when I was a talking head in a TBS documentary called "Women of the Ink."

The documentary was about female tattoo artists, and I was the talking head discussing the ancient history of tattooing in European culture, specifically focused on the ancient Picts of current day Scotland.

For almost two centuries historians had debated the issue of tattoing among the Pictish kingdoms north of Hadrian's Wall in Roman Britain. A few lines from a poem by Claudian:

"Venit et extremis legio praetenta Britannis, Quae Scotto dat frena truci ferronque notatas Perlegit examines Picto moriente figuras"

Which means:

"This legion, set to guard the furthest Britons, curbs the savage Scot and studies the designs marked with iron on the face of the dying Pict"

Add a few more sparse descriptions (which are actually the first surviving mention of the Picts dating from 297 AD), in a poem praising the emperor Constantius Chlorus, by the Roman orator Eumenius. And then by just repeating the same partial quote over and over, historians get into a debate about tattoo or painted? What does "marked with iron mean?"

Even the name is confusing: Pict (Pictii) is actually probably a derrogatory nickname given by the Romans to their tattooed enemies; it could mean "Painted."

The ancient Greeks called them the "Pritanni" (which some people think is the origin of the word Britannic). Pritanni means "the People of the Designs" as does the word "Cruithnii," which is what the Gaelic Celts called them.

So I actually went and researched the source and text of some of the original documents which mentioned the Picts and discovered that the quotes were but a small part, and once expanded not only confirmed that the Picts were tattooed, but described the process (they used sharp iron tools (needles?) and a natural plant-based ink called woad, which is apparently (in some forms) highly hallucenic by the way... sort of a very strong PCP type drug).

Most of the misquotes were taken from books 9 and 14 of the Etymologies of Isidore of Seville (560-636).

In the Chronica de Origine Antiquorum Pictorum (The Pictish Chronicle), an otherwise confusing text, he writes:

"Picti propria lingua nomen habent a picto corpore; eo quod, aculeis ferreis cum atramento, variarum figurarum sti(n)gmate annotantur."

Which means:

"The Picts take their name in their own tongue from their painted bodies; this is because, using sharp iron tools and ink, they are marked by tattoos of various shapes."

Painted and tattooed!

When I bring this up to a very smug historian in the "Women of the Ink" documentary, you can actually see his proper British jaw drop.