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Here we go
Kriston over at g.p. polices my piece on Pete Panse and writes that it would be "disturbing, if true."
Read his case endorsing Panse's suspension here and my comments as well, as I think that Kriston actually helps my case!
Disturbing, period.
Gazette on the Bethesda Art Walk
The Gazette has a nice piece on tomorrow's Bethesda Art Walk.
Read it here.
A little help
DC you're letting me down!
Yesterday I brought you the case of Pete Panse and asked you to sign an online petition to help this gentleman get his job back.
And yet only a handful of DC, MD and VA signatures appear on the petition so far, and most of them are from fellow bloggers.
C'mon! Go here and sign the damn petition!
Art Teacher Suspended for Recommending Figure Drawing Classes
The case of Pete Panse takes the cake and makes our own DC area's antipathy towards nudity in art seem tame by comparison.
Pete Panse is a High School art teacher in Middletown, NY whom we are told uses traditional techniques to train his students.
Last December Mr. Panse was suspended from his teaching job for apparently recommending (that's right: recommending) that some of his advanced students consider taking figure drawing courses that included nude figure drawings.
Panse was suspended from his teaching job pending hearings. Depending on the outcome of these hearings, he may be permanently fired, ending a 25-year teaching career. Panse is a National Board Certified Teacher (in Adolescent and Young Adult Art), the highest level of certification that a teacher can achieve in America. He is also one of only two National Board Certified Teachers in his New York District, and "is a trained Facilitator for helping teachers explore and pursue the requirements needed to achieve National Board Certification."
According to this excellent summary by Brian Yoder:
"In his discussions with students Mr. Panse mentioned several options for advancing their figure drawing skills; the local community college, a nearby frame shop that sponsors art classes, and the prestigious New York Academy of Art. He also described pre-college figure drawing programs at several other New York City art schools, and a highly successful art college prep program called the Mill Street Loft.It was the mention, or discussion of the "possibility" that Panse would offer an intensive figure drawing class, that apparently got him suspended and may get him fired.
In addition to these established courses, Mr. Panse also indicated that he was considering the possibility of offering an intensive figure drawing program of his own (8 hours a day every Saturday for 35 weeks). This proposed course would also be open to area art teachers, and would have required that parents serve as chaperones to ensure a strong adult presence. Ultimately, Mr. Panse was unable to locate inexpensive space for a studio and was prevented from carrying out his plan because of the controversy that erupted over the proposal.
Panse told his students that if his own figure drawing class materialized, he would be obligated to submit any advertisement to the school principal for approval, and that a denial might preclude him from offering the course to his own students, for their consideration."
"This seems particularly odd, since the ninth grade art history survey course includes dozens of images of nudes. Mr. Panse's students had completed that unit previously, and are now upperclassmen.And Yoder further clarifies that:
Moreover, art teachers are required to speak of career options in the art field, what training is required, and how students might prepare for art school, so according to the official school policy, art teachers are required to show nude images to their students and are required to tell them about nude figure drawing courses that they might enroll in."
"Just to be clear about the charges in this case, it is worth mentioning what Mr. Panse is not being accused of.What can we do?
He is not being accused of recommending that these students attend these classes without parental permission or without proper supervision and chaperones.
He is not even being accused of carrying out any figure drawing courses, only of recommending them and proposing that he offer such a course.
Nobody is accusing him of forcing anyone to go to these sessions and indeed, neither the four students who attended the sessions last summer nor their parents have any complaints at all about the experience.
Nobody is claiming that anything unsavory was going on in any of these figure drawing sessions, involving Mr. Panse, Academy instructors, his students, the models, other artists, or anyone else."
Studio space
The folks over at ArtDC.org have been working hard to get studio space for area artists and Jesse tells me that there is now a great space available.
If you are looking to find studio space and have several artists to work together, then visit 411 New York Ave, NE DC 20002 and ask for Gail on the 4th floor. Be sure to tell them that the ArtDC group with Steve Mead sent you.
It's between 1,000 and 2,000 square feet. Prices up to $1500 a month. It's a great deal for this area. Bathrooms included and space has just been renovated. 4 to 5 artists could fill it well in a building that already has other artists' studios.
Email Jesse for more info.
New art space
87Florida is a new art venue located at 1st and Florida NW, and their grand opening reception is Saturday, March 11 from 5-7 pm.
DC artist Ceci Cole Mcinturff recently purchased the building and it houses her studios upstairs and on the mainfloor she has an exhibition space. There she will host a series of fine art exhibitions, musical events, digital mixed media events, as well as some "Art in Community" events.
The initial exhibition, titled "Little Differences," features the work of Melissa Glasser and runs through March 20, 2006. The reception is Saturday, March 11 from 5-7 pm. There are also viewing hours Fridays 4:30-7:00pm, Saturdays 1-6:00pm, Sundays 1-5pm and Mon-Thurs by appt.
Wanna go to a couple of openings tomorrow?
"Stretchted Tight" is a painting exhibition juried by Dr. Jack Rasmussen, (Director and Curator of the Katzen Arts Center at American University, Washington, D.C) and opening tomorrow at the Target Gallery in Alexandria. The exhibition goes through March 26. The opening reception is Thursday March 9 from 6 to 9 pm.
Dr. Rasmussen selected the following artists for the exhibition: Aaron Bowles, Anna Davis, Francoise Dureese, Heidi Fowler, Kurt Godwin, Pat Goslee, Kimberly MacArthur Graham, Arlette Jassel, Felice Koenig, John Mattson, John Alan Nyberg, Cara Ober, Victor Pytko, Bonnie Ferrill Roman, Amy Royce, Arielle Sandler, and Laura Yang.
Also new works by Ed Cooper at Susan Calloway Fine Arts. Opening reception is Thursday, March 9, from 6 - 8:30pm.
Gordon Parks
I just received word that Gordon Parks passed away today.
He once said that he "picked up a camera because it was my choice of weapons against what I hated most about the universe: racism, intolerance, poverty."
Las Placitas
Last night I juried the Capitol Hill Arts League show (will post prize winners later) and had two other things happen.
I got there a little early, and I found a primo Doris Day parking spot on the side street just a couple of minutes from the Capitol Hill Arts Workshop. And so I parked, as I was (a) early and (b) ravenous, I decided to walk around 8th Street SE and look for a good, and new place to eat.
I ended up at Las Placitas Restaurant and it was superb!
When I got there it was quite early, and I was the only other person in the whole place, so service was immediate and good.
The chips and salsa were OK, and although the salsa was not the best I've ever had, it was fresh and tasty and I did scarf down the whole serving of chips and a second serving of salsa.
I then ordered a plate that they call "El Tipico," which in Spanish means that it is a typical Salvadorean dish. I also had a Tecate and then a Tamarind Juice drink.
I will admit that until I arrived in the DC area (first between 1987-1989 and then again for good in 1993), I had never tasted Salvadorean food.
El Tipico consisted of fried sweet plantains, a chicken papusa, fried yucca, white rice, black beans and Salvadorean style cole slaw (very spicy) and a dollop of sour cream for the plantains. It was a massive plate of food for about $10.
The food was good, plenty and fresh, and while I was there I noted a constant procession of people who had called their order in and were picking it up. It was obvious that La Placita is a "neighborhood" restaurant which does brisk pick-up business.
I also witnessed the sort of business acumen that makes one feel good about hard-working immigrants doing good in our nation.
This tiny lady came in and placed an order of shrimp salad to go. She sat and waited, and while the order was being prepared, the owner (I assume) chatted with her in broken English. It was soon evident that she had never tried "flan" and magically a flan appeared on the house, for her to eat while she waited.
As I listened in to the conversations between the owner, and the wait staff, two things became apparent:
(a) Someone called "El Gordo" had just quit from working in some nearby establishment because that establishment's owner was mistreating the staff.
(b) The restaurant pays $55 for a box of 20 chickens.
The chicken papusa was one of the best I've ever had, and whenever I eat one, I always wonder: just how do you make a papusa?
Essentially it is a stuffed tortilla, right?
I mean: do you make a circle of dough, then spread the stuffing on that disc of dough, and then place a second disc of dough on top, seal the edges and then quick-grill it on the pan? That seems to be a lot of work for essentially getting a papusa for a buck in most places.
But I digress; by the time I left, the place was fairly full of a very diverse crowd of locals eating what looked and smelled like delicious food.
Mine was!
P.S. I almost forgot; by the time I got back to my van, after jurying the show, I found a nice parking ticket from the city, as I had overstayed my two hours on a DC residential street.
Art Donations for BRITE Auction
Irvine Contemporary's Heather Russell is curating artwork donations for a fundraiser for BRITE in NYC.
The event will be held on April 5 at the Scandinavia House at 58 Park Avenue at 38th Street in New York City from 6.30-9:00 pm. You can learn more about BRITE here.
All donations of artwork are to be dropped off to Heather here in DC at Irvine by March 29th. Works on paper, sculpture, painting, photography, digital prints, and original works encouraged in the $500-$1000 retail range. Works can be mailed or hand delivered to her at the gallery. Flat works must be framed or matted. As this is an organization for supporting children, she kindly asks that each artist keep that in mind when selecting a work to submit!
Please email jpegs and bio to Heather directly at heather@irvinecontemporary.com.
She has 17 accepted submissions already, and is limited to about 30-40 works of art, so hurry! All artists are invited for free to the event itself and their personal contact info will be listed that night, available to collectors and patrons.
I intend to donate and hope that many of you do as well.
Kirkland on Manuel
Thinking About Art reviews Nathan Manuel at Flashpoint.
Read Kirkland's review here.
Missing
An alert reader noticed that the Whitney's official list of Biennial reviews is missing both the Washington Post review and the Newsday review as well as ignoring the myriad of art blog reviews.
I've brought it up to their attention. You can read the Whitney's list here.
Update: The Whitney responds and says that "this is an ongoing compilation of selected press reviews and previews. Thanks for mentioning the missing reviews."
It's still a little odd to me; I mean, it's understandable if they want to skip a review such as the Newsday review, which basically trashes the show; but it's odd that they would skip (even initially) the review from the world's second most powerful newspaper.
A Colossal Agglomeration of Ugly Stuff
Is how Newsday art critic Ariella Buddick describes the Whitney Biennial. She adds on:
"Which would be fine, if the sculptures, videos, paintings and installations sacrificed attractiveness for thoughtfulness, profundity, visceral power or wit. But this year's Biennial is depressingly shallow. Oh, yes, and also heavy-handed, humorless, puerile and just plain boring."I love it when a critic really goes for the jugular of a review! And this degree of passion in writing about art should be applied to both the positive and negative view of a show.
"Curators Chrissie Iles and Phillipe Vergne have selected works that conform to their murky concept of what the state of contemporary American art should be...I know where: Inside museums.
This vague herd, we are told, has been busily "challenging concepts," "transgressing boundaries," "blurring lines" and "investigating relationships." ...
I have some news for the curators: There are no boundaries left to transgress. Art can't be liminal in the absence of the thresholds. How can you challenge conventions that have already been burned beyond recognition? There's something almost quaint about the use of these cliches. Where have the curators been for the past 20 years?
Secondsight Meeting
The next Secondsight meeting will be held on Friday, March 24 at 6.30pm. The guest speaker will be one of the areas most successful commercial photographers, Katherine Lambert
Katherine specializes in editorial and corporate portrait photography. Her work has appeared in numerous national publications including Businessweek, Time, Newsweek, People, Bloomberg, Audubon, Fortune and Forbes as well as annual reports and corporate brochures.
Secondsight is an organization dedicated to the advancement of women photographers through support, communication and sharing of ideas and opportunities. Secondsight is committed to supporting photographers at every stage of their careers, from students to professionals. Each bi-monthly meeting includes an introductory session, a guest speaker, portfolio sharing and discussion groups. Each photographer will have the opportunity to present their work within a small group of other photographers, ask for constructive criticism, gain knowledge or simply share their artistic vision and techniques.
Please visit www.secondsightdc.com for all the information you'll need to attend the meeting or contact Catriona Fraser at:
secondsight
PO Box 34405
Bethesda, MD 20827
www.secondsightdc.com
301/718-9651
Ouch!
Check out what happened to Teague in New Orleans. And I think that it has something to do with this?
See it here.
Selected Photographers
These are the photographers and photographs selected by juror Catriona Fraser for the IV Annual Bethesda International Photography Competition.
See them here. The exhibition opens next Friday at our gallery with an opening reception from 6-9PM as part of the Bethesda Art Walk.
See ya there!
Juror
Tonight I'll be jurying an exhibition for the Capitol Hill Arts Workshop, a terrific art venue on 7th Street, SE.
More on that later.
Vettriano original nets £290,000
Everytime one of Jack Vettriano's paintings comes up for auction in the UK, it's as if British art collectors spit on the face of British art critics and British museums.
One of Jack Vettriano's most popular paintings, Dance Me To The End Of Love (one of the world's bestselling posters), just sold for nearly 300,000 pounds in Scotland (and way over that once all commissions are added in) - that's a lot of dollars!
Untrained, gruff and very un-PC, Vettriano is perhaps the world's best-selling artist. He has been shunned by the high art world, with major UK galleries refusing to acquire his works. However, this self-taught Scottish artist has huge worldwide popular appeal. His painting The Singing Butler sold for almost £750,000 in 2004, the highest price ever paid for a Scottish painting at auction.
The only example of his work to be featured in a public collection in the world is a painting donated by a collector to the Kirkcaldy Museum in Fife, Scotland, Vettriano's birthplace.
New Photography Curator
Toby Jurovics has been hired as the Smithsonian American Museum's new Curator for Photography.
Previously, Jurovics served as a curator of photography at the Princeton University Art Museum.
As a federal government employee, Jurovics will be now responsible for research, exhibitions and acquisitions related to the Smithsonian American Museum's photography collection.
What Hollywood didn't tell you
Congrats to Philip Seymour Hoffman for winning an Oscar for playing Truman Capote in the movies.
And now for what Hollywood didn't tell you...
Between 1946-1956, around 50,000 Cubans obtained legal permanent visas to emigrate to the United States.
It was during this migration that José Capote migrated to the USA and settled in New Orleans in search of work, met and married Lillie Mae Faulk, and became a father to her young son Truman.
