Heading back

WIll have loads to post later today...

On the road again

Getting underway later today and heading to the East Stroudburg University of Pennsylvnia for a variety of business stuff.

Will continue to post from PA, so keep reading...

Art Deal of the Week

My pick this week is this almost painterly color digital photograph by American photographer Sandi Croan. She has captured the side of a ship, where the tires (serving as bumpers), have created a painting on the side of the ship's seaborne bulkheads. As a result, at first glance the photo looks like a painting or a watercolor, until closer examination reveal its true details.

It is titled "UMS" and the photograph measures 17.25 x 12.5 inches and then it is matted in a white pH-balanced acid free white museum mat and framed in a black moulding under glass to a framed size of 29x23 inches. Photo is signed by the photographer. The price (including frame): $300. That's an incredible deal for this large photo.

To buy it call 301/718-9651 or email the gallery.

Call for Erotica

Deadline: October 1st, 2006

Erotic Signature has launched the World's Greatest Erotic Art Competition (WGEAC).

With prizes ranging from $1,000 to $10,000 and the opportunity to have your work viewed by the world's leading publishers, curators, artists, academics, collectors, editors, and established masters in the field of erotic art.

This competition will culminate into a coffee table book entitled The World's Greatest Erotic Art of Today. This annual publication will be comprised of each year's 200 WGEAC's winners and all profits from its sale donated to an organization fighting to find a cure for HIV/AIDS.

All entrants are required to submit an entry fee of $45 for the first artwork, another $40 if you submit two and a total of $110 if you submit the maximum entry of three artworks during your initial registration.

Entries can be done via both their website application system online or by mail. Mail-in entries must include payment, CDs and all application forms, and be sent to:

Erotic Signature
P.O. Box 014837
Miami, Florida 33101

Visit www.eroticsignature.com for more details.

Opportunity for Photographers

Deadline: May 15, 2006

My good friend Philip Brookman, who is the Senior Curator of Photography and Media Arts at the Corcoran Gallery of Art will be the juror for the 2006 Photo Review Photography Competition.

The Photo Review, a highly acclaimed critical journal of photography, is sponsoring its 22nd annual photography competition with a difference. Instead of only installing an exhibit that would be seen by a limited number of people, The Photo Review will reproduce accepted entries in its 2006 competition issue. Thus, the accepted photographs will be seen by thousands of people all across the country and entrants will have a tangible benefit from the competition.

Also, the prize-winning photographers will be chosen for an exhibition at the
photography gallery of The University of the Arts, Philadelphia, and will be
exhibited on The Photo Review’s website.

Awards include a Microtek i800 scanner, $350 in gift certificates from Calumet Photographic, two Lensbaby 2.0 SLR selective focus lenses with macro kits, two $100 gift certificates from Sprint Systems, a professional level membership in Women in Photography International (worth $235), several Case Envy portfolios from Lost Luggage, and $250 in cash prizes.

An entry fee of $30 for up to three prints, slides, or images on CD and $5 each
for up to two additional images entitles all entrants to a copy of the catalogue. In addition, all entrants will be able to subscribe to The Photo Review for $34, a 20% discount. All entries must be received by mail between May 1 and May 15, 2006.

For a prospectus and details, send a self-addressed, stamped business-size (#10) envelope to:
The Photo Review
140 East Richardson Avenue, Suite 301
Langhorne, PA 19047

The prospectus may also be downloaded from The Photo Review website at www.photoreview.org/compete.htm. For further information call
215/891-0214.

Back from H-M Opening

Just back from the grand opening of the new Heineman Myers Gallery in Bethesda.

Tons of people, including a rare sight: major collectors from Baltimore in a DCish opening. This was a class opening, with uniformed waiters, a beautiful catalog of the exhibition, and the great photography of a proven big name and talented photographer: Connie Imboden (and a magnificent video of how Imboden does her photography on a large screen flat TV).

And also a good warm sight, in seeing all the major gallery owners in Bethesda show up to wish Zoe Myers a warm and auspicious opening. Unfortunately, we also learned that Ozmosis Gallery will soon be closing its doors, and its owner moving to New York in hope of finding greener pastures in the Big Apple.

Pics later...

Openings on 1st Friday

There's a ton of openings tomorrow, being first Friday and all...and most of the Dupont Circle area galleries will have extended hours from 6-8PM. Go see (and buy) some artwork!

And Saturday don't forget to swing by the grand opening of the new Heineman Myers Gallery in Bethesda, just a few minutes from the Bethesda Metro stop.

And also on Saturday, Engineers Without Borders, which is an University of Maryland student group on campus that works with developing communities around the world to improve people's lives through specific projects are hosting an art auction to be held Saturday April, 8th from 5-8pm and Sunday, April 9th 2-4pm. The auction will be held at the Leland Community Center, located at 4301 Willow Lane in Chevy Chase, Maryland.

O'Sullivan on TEXT

The WaPo's art critic Michael O'Sullivan reviews the current Text exhibition at the Greater Reston Arts Center.

Read the review here.

On the Return of Art and Antiquities

You can't pick up a newspaper or visit an art blog these days without running into a story about some country suing an American museum or institution over the return of some artwork or antiquities which may have made their way to the US through either shady means or even forgotten formal agreements.

And now Bloomberg reports that the government of Peru plans to sue Yale University, over hundreds of artifacts taken from the ancient city of Machu Picchu nearly a century ago.

And this may be the straw that breaks the camel's back (or in this case the llama's back).

The artifacts made their way to the US through Yale archeologist Hiram Bingham. One side claims that the artifacts were on loan. Yale contends the artifacts were legally excavated and exported "in line with the practices of the time."

And if these artifacts were sent to the US through some agreement with the Peruvian government nearly a century ago, then Yale has a case for keeping them; otherwise -- in the event that the American archeologists simply found them, crated them and shipped them to the US - all on their own -- then today's courts may well rule in Peru's favor.

And that straw that may break the camel's back may also unlock Pandora's box (which Greece will soon be suing for).

First: let's get one thing clear: Nazi art loot should and must be returned to their original owners or descendants.

But for most of all the other demanding of artwork returns: where does it stop?

Because unless you have some official paperwork signed, stamped and approved (and recognized as valid) then...

Does every Roman artifact in museums around the world have to be returned to Italy? And do Italian museums have to return Roman antiquities that were made in other parts of the Roman Empire to the nations that now exist there? And Italy better start packing the 13 Egyptian obelisks that are all over Rome: Cairo is clearing out some spaces for them.

Every Greek vase back to Greece? But do Greek museums have to return Cypriot antiquities to Cyprus?

Does every mummy have to find its way back to Egypt?

That "official" cadaver of Christopher Columbus in the Havana Cathedral? Sorry... back to Spain; or is it Italy, or Portugal? All three of those nations currently claim him as a native son, although I suspect that the Grand Admiral's descendants, currently living in Spain, have first dibs on Chris' bones.

And the fake Columbus cadaver in the Seville Cathedral? Back to Genoa, even if it's fake (just in case).

After all, that fake Scottish Stone of Destiny has made its way back to Scotland (God only knows where the real one is), but there are probably hundreds of thousands of antiquities (if not millions) from all over the world disseminated... all over the world.

Our own Smithsonian has over 100,000 pre-Columbian antiquities in its inventory (most of which are not even on display). Do the ones that were created by pre-Columbian artisans from north and south of our border have to be returned to the countries that now exist there?

Unless these museums have a provenance with lots of country of origin stamps authorizing the removal of the antiquity, I'd be pretty nervous if I was one of those museums.

And even if you have such a paper, what's to stop today's version of a country's government from saying that they do not recognize the authority of their predecessors to allow the removal of a national treasure from their nation.

And where does it stop?

Frida Kahlo was essentially ignored by Mexico while she was alive, and yet decades after her death she was deified outside of Mexico, and eventually the government of Mexico made her works a national treasure and forbade the export of any of Kahlo's works from Mexico. I think that this is a good (if late) thing for Mexico and Mexicans.

But what's to stop a future Mexican government from demanding the return of any and all Frida Kahlos outside of Mexico back to her mother nation.

It would just be a case of this "return" trend being pushed a little more.

Personally, I think that from now on, when I visit foreign museums, I will be making a list of American Indian artifacts in those museums, and they better damned have a piece of paper somewhere full of stamps and signatures from the Sioux, or the Walla Walla, or the Cheyenne, or the Seminoles or the Oneida or whatever indigenous Native American nation that currenly lives in the USA created them.

Official export paperwork from the United States government is not valid, and will not be accepted, regardless of how many non-Indian Washington, DC officials have signed it.

Of course, that may also mean that every non-Indian museum in the USA itself, would have to return every Native American Indian artifact back to their tribes.

Makes my head hurt...

The show, as a whole, is garbage

So writes JT Kirkland as he trashes what has been called the worst Whitney Biennial of all time.

Kirkland is kinder to some, including Zoe Strauss when he writes:

Zoe Strauss' photos are thought-provoking, quiet, striking and humble. They feel very real... well, because they are.

Unfortunately, in the WB they have a hard time grabbing a viewer's attention... even when shown as a slideshow. One must sit down and just look to get swept up in Strauss' world.

But, while I viewed the show I lost count of the number of people who walked in and out almost immediately looking for the next porn video or loud sound. Speaking of loud sounds... the curators really hurt Strauss' show by allowing the incredibly loud noises from neighboring installations to creep into her space.

Strauss' work is more enjoyable when in silence. But silence allows thought and the curators couldn't have that. Funny thing is that Strauss' work stood up to the noise and certainly could have handled silence.

Read Kirkland's review here.

Opportunity for Artists

Deadline: April 15, 2006

unRappahannock County, Virginia is a juried exhibition of themes and visions contrary to the scenic, small town, and natural settings of Rappahannock County, VA. The gallery is looking for work that captures visions of urban sprawl, waste, pollution, traffic, mass culture, etc.

Open to artists living in DC, MD, PA, VA, and WV.

Jurors: Jane Livingston, who is a well-known independent author and curator living in Rappahannock County and Chris Johns, Editor in Chief of National Geographic Magazine.

Size Limit: No larger than 42" in length or width. No 3D works or prints (monoprints & photos accepted). Work must have been created within the last two years.

Prizes: $600 in cash awards. 30% commission to gallery.

Dates: Show June 2 - July 2.

Entry Fee: $25/1-3 slides labeled with name, title, medium, dimensions.

Send slides and application fee to:

Middle Street Gallery
P.O. Box 341,
Washington, VA 22747

Include SASE for return of slides. Info at 540-675-3440.

Irvine's new space

Martin tells me that it's all done and that Irvine Contemporary has signed the lease for Fusebox's old space at 1412 14th Street, NW.

And the fair Heather sent me the below pic showing the new space entrance.

They will be moving in May 1st, and having a kickoff party on May 12th.

This coming Friday Irvine will be hosting Susan Jamison & Robert Mellor’s solo exhibitions and the farewell to their old space.

Opportunity for UMD artists

Deadline: April 13, 2006

The Union Gallery at the University of Maryland has a call for artwork for Unjuried II, a campus-wide showcase of student creativity.

All University of Maryland students are invited to exhibit their artwork in an upcoming exhibition at the Union Gallery, located in the Stamp Student Union.

This unjuried student exhibition will open on April 29th and run through May 12th. The exhibit will be on display during Maryland Day and Art Attack! One piece of artwork from the exhibition will be selected for purchase by the Union with a purchase award of $400.

Submissions are accepted from all UM students (not just art majors). That means all you architecture, journalism, theater, music, landscape architecture, English and yes, even Engineering students are encouraged to submit! The exhibition is also open to acts that can be performed in the Union Gallery, such as readings and musical performances.

Registration forms are available on the Union Gallery website at www.union.umd.edu/gallery or can be picked up in the Art and Learning Center and the Union Gallery.

Registration forms are due by April 13th. No late registrations will be accepted.

There is a limit of two (2) submissions per student and only one (1) piece is guaranteed entry in the show. Artwork may not exceed five (5) feet in any dimension and must be finished work that is presented in a professional manner (i.e., mounted, framed or otherwise ready to hang or display). Please include directions for hanging or displaying.

All work must be dropped off on Thursday, April 20th or Friday, April 21st , between noon and 6PM.

Got questions? Please contact them at uniongallery@umd.edu or visit their website at www.union.umd.edu/gallery.

Phillips Collection Launches Interactive Online Catalogue

The Phillips Collection is now providing worldwide access to its American art collections with the launch of a new interactive online program.

The virtual catalogue, American Art at the Phillips Collection, is centered on a timeline of world events, providing a context for 150 years of American art. It features detailed biographies of nearly 150 artists and full-screen images of hundreds of works.

Check it out here.

Numerically Singular

According to someone's Cray supercomputer, on Wednesday of this week, at two minutes and three seconds after 1:00 am, the time and date will be 01:02:03 04/05/06 and that number sequence will never, ever happen again happens every hundred years.

Trawick Prize Deadline Coming Soon!

Deadline: April 10, 2006

The Bethesda Arts & Entertainment District is accepting submissions for The Trawick Prize: Bethesda Contemporary Art Awards. The 4th annual juried art competition awards $14,000 in prize monies to four selected artists. Deadline for slide submission is Monday, April 10, 2006 and up to fifteen artists will be invited to display their work from September 5 – September 29, 2006 in downtown Bethesda at Creative Partners Gallery, located at 4600 East-West Highway.

The competition will be juried by Ashley Kistler, Curator at the Visual Arts Center of Richmond; Jack Rasmussen, Director of the Katzen Arts Center at American University in Washington, D.C. and Gerald Ross, Director of Exhibitions at Maryland Institute College of Art.

The first place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A "young" artist whose birth date is after April 10, 1976 will also be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. Original painting, drawing, photography, sculpture, fiber art, digital, mixed media and video are accepted. The maximum dimension should not exceed 96 inches in any direction. No reproductions. Artwork must have been completed within the last two years. Selected artists must deliver artwork to exhibit site in Bethesda, MD. All works on paper must be framed to full conservation standards. Each artist must submit five slides, application and a non-refundable entry fee of $25.

The Trawick Prize was established by local business owner Carol Trawick. Ms. Trawick has served as a community activist for more than 25 years in downtown Bethesda. She is the Chair of the Bethesda Arts & Entertainment District and past Chair of the Bethesda Urban Partnership. Ms. Trawick is the owner of an Information Technology company in Bethesda, Trawick & Associates.

Jiha Moon from Annandale, VA, was awarded the 2005 "Best in Show" with $10,000; Dean Kessman of Washington, D.C. was named second place and was given $2,000; Denise Tassin of Baltimore, MD was bestowed third place and received $1,000 and the 2005 "Young Artist" award of $1,000 was given to Michele Kong of Baltimore, MD.

For a complete submission form, please visit www.bethesda.org or send a self-addressed stamped envelope to:

Bethesda Urban Partnership, Inc.
c/o The Trawick Prize: Bethesda Contemporary Art Awards
7700 Old Georgetown Road
Bethesda, MD 20814

Good Arts Related Job

Individual Gifts Officer: Hirshhorn Museum and Sculpture Garden.

Closing date: April 14, 2006.

Reporting to the Director of Development, the Individual Gifts Officer is responsible for creating and implementing strategies and programs which generate ongoing unrestricted and designated funding from individual donors.

He/she will be responsible for developing and managing patron affinity programs and managing a portfolio of individual 4 figure gifts and higher. A Bachelor's degree is required with a minimum of three years of demonstrated success in fund raising, including cultivation and solicitation of donors.

Knowledge of art and or cultural organizations and contemporary art are a plus.

Salary: $54,272-$84,559. Please see Announcement Number 06JW-6072 at www.sihr.si.edu for a full description of the position and for application instructions.

Tim Tate Opens at Arlington Arts Center on Friday

What : Solo Show By Tim Tate - "Windows into the Past and Future"
Where : Arlington Arts Center
When : April 4 thru June 3, 2006
Opening Night Reception : Friday, April 7 from 6pm to 8pm

This solo show will feature 22 new pieces from Tim Tate... one of his largest openings ever. This show focuses heavily on redemption as a theme and showcases some of the exciting new work that Tate has been creating over the last few months.

This is an excellent opportunity to catch up on the constantly evolving work of one of Washington's most visible artists, who will be also having his first major exhibition outside of the DC area later this year at Vanderbilt.

Art Deal of the Week

My fourth pick is this sensual photograph by American photographer David Myers.

It is titled "Nude Number One" and this pigment photograph measures 11x10 inches and then it is matted in a white pH-balanced acid free white museum mat and framed in a black matte moulding under glass to a framed size of 24x17 inches. Photo is signed and numbered from an edition of 25 by the photographer in pencil recto on the lower margin. The price (including frame): $200. That's an amazing deal for this sexy and professionally framed photo.


To buy it call 301/718-9651 or email the gallery.

Therman Statom Workshop

The Washington Glass School will be hosting the Renwick Alliance's upcoming workshop with Therman Statom on Saturday, May 6th, 2006, from 10am to 3pm.

Raised in Washington, DC, Therman studied at the Pilchuk Glass School, Rhode Island School of Design, and the Pratt Institute, where he studied sculpture.

He has become known and revered worldwide for his innovative use of materials, processes, and forms, and particularly for his unusual uses of glass that do not require extensive equipment, hot shops or teams. Much of his signature work is done with glass plate, and includes a diverse array of forms.

The workshop costs $20 and it is mostly filled, but there is still gallery space left. Its a great affordable way to see Therman Statom and get to hear his unusual approach to sculpture.

Reserve your space at 202-744-8222 or email the school at WashGlassSchool@aol.com.