Airborne today and heading to New Mexico... more later.
Friday, June 23, 2006
Wanna go to an opening tonight?
"Cut" by Bradley McCallum & Jacqueline Tarry, opens at Conner Contemporary tonigt with an opening reception from 6-8 pm.
Thursday, June 22, 2006
More on the Odom and Banks Controversy
Teresa Annas, writing for the Virginian-Pilot in Norfolk pens a superb article that goes to the point of the "copying" issue between naive artist Michael Banks and his former framer Doug Odom. Read the Annas article here and my posting on the same issue here.
By the way, according to Banks' art dealer, she sold 22 of his paintings during last week's Affordable Art Fair in NYC. Their space was 10 feet from ours and it was humming, so I believe her.
The painting on the left is done by Doug Odom. The one on the right is by Michael Banks.
Update: The Right Reverend chimes in.
At AU
I'll be at American University today as guest lecturer for their Curatorial Practice class (ARTS 596-N01).
More later...
Partytown
Hoity toity party last night at the new and improved (and renamed) Smithsonian American Art Museum, which will soon re-open to the public. There will be a series of parties receptions to celebrate the reopening of this building after extensive renovations.
However, the "happening" party was actually almost across the street from SAAM at Tim Tate's pad, as several of the artists who live in that building on G Street were having a summer solstice bash and a couple of the artsy apartments were packed with artists, gallerists, curators and food and drinks.
Wednesday, June 21, 2006
Rousseau on Bethesda Painting Awards
Dr. Claudia Rousseau reviews Joe White and Renee Butler at Bethesda’s Osuna Gallery and also reviews our current exhibition of the Bethesda Painting Awards.
Read the review in The Gazette here.
Opportunity for Artists
Deadline: Jul 01, 2006
Seeking proposals from artists, groups of artists, arts organizations and curators for exhibition in Marfa, Texas in Oct 2006. No slides; no returns. Please send 1-page written explanation of the premise of exhibition, names and resumes of all participants, images of artists' work on non-returnable CD-ROM/printed images from invitations, brochures etc. to:
A Marfa Moment
The Marfa Studio of Arts
Box 1189, Marfa TX 79843
Art Panel at DCAC
On Sunday, June 25th, DCAC is hosting a panel titled: "The role of art historians, curators and critics in the contemporary art scene". The panel starts at 7:30PM and it's free to the public.
Panelists include:
- Joshua Shannon, Assistant Professor of Contemporary Art History & Theory at the University of Maryland.
- Rex Weil, independent curator, artist and art critic covering DC area for Art News magazine.
- Judith Brodie, Curator of modern prints and drawings at the National Gallery of Art
- JW Mahoney, independent curator, artist and art critic covering DC area for Art in America magazine.
New Gallery
A new art gallery has just opened in Shaw: Long View Gallery. The gallery is interested in building up a community in Shaw and bringing on local artists.
The gallery's director is Bill Smith and more details about this new space can be read online here.
Tuesday, June 20, 2006
Best of...
The 48 Hour Film Project's "Best of...." with films about Tim Tate: Glass Sculptor Extraordinaire will show at the Warehouse Theater on 7th St. this Thursday, June 22nd starting at 7:00 pm, and it is free.
Details here.
Congratulations
To the CP's art critic Jeffry Cudlin, who won the 3rd place award in the 2006 AltWeekly Awards.
Note that Cudlin came in third after two... uh... film critics -- not that movie criticism is easier to do than visual arts criticism... right...
Online Arts Sales Workshop
Maryland Art Place (MAP) is hosting a workshop given in partnership with the Maryland Lawyers for the Arts on Saturday, June 24 th at 1pm.
Cynthia B. Sanders Esq., from Astrachan Gunst Thomas, will address ways artists can protect themselves when conducting online art sales and other issues relevant to artists’ legal concerns. The talk will be followed by a question and answer session. Contact MAP for more information.
Maryland Art Place
8 Market Place, Suite 100
Baltimore, Maryland 21202
410-962-8565
www.mdartplace.org
email: map@mdartplace.org
$10,000 Art Prize Controversy
When is copying another artist's style and imagery beyond inspiration and "in the style of..."?
Perhaps when art jurors award a $10,000 art prize to the alleged copy cat?
Serendipity
At the Affordable Art Fair last weekend, one of our neighbors was Marcia Weber who was displaying the work of Michael Banks and selling it quite impressively thoughout the weekend (including a piece to Bryant Gumbel).
Since they were next to us at the Fair, we became quite familiar with Banks' work and he even came by and chatted for a while with Catriona Fraser.
And yesterday, an artist who participated in the 51st Annual Boardwalk Art Show in Virginia Beach was talking to Catriona about the work of Doug Odom, the Alabama artist who had been awarded the $10,000 Best of Show prize at that event.
She described the work, and once Catriona saw the artwork via this Virginia Pilot article and studied the imagery of the artwork itself, it immediately dawned on her that the award winner's artwork was essentially very similar to Michael Banks' work.
Imitation?
And thus the question: Should an artist whose work is essentially done is a close copy style of another, better known artist, be awarded a $10,000 prize?
Especially since the jurors apparently praised the originality and naive style of the award-winning work.
The Plot Thickens
And now I am told that Odom used to be Banks' framer, and is thus quite familiar with Banks' work.
And most recently Odom's "art" used to be in making birdhouses, until he started painting the Banks-style paintings.
Opinion
In my opinion, while it may not be illegal to copy another artist's style, in this case it is certainly unethical, especially since the copier has received a major art prize based, in part, on originality and style.
Furthermore, I think that the Contemporary Art Center of Virginia, which is the institution which awards the prize, should recall the award and present it to the second place winner, whoever that artist may be.
Monday, June 19, 2006
AAF Full Report
We attended our first Affordable Art Fair in New York City the last four days and although it was very hard work, it paid off handsomely. Herewith a full blow by blow:
Thursday
4:00 AM - Wake up, shower and shave and prepare to drive van full of artwork to New York.
5:15 AM - On the road, and driving the gallery van full of Lida Moser, Sandra Ramos, Andrzej Pluta, Marta Maria Perez Bravo, David FeBland, and Maxwell MacKenzie work.
9:00 AM - I'm at the entrance to the Holland Tunnel, as by some weird warp of time I've actually made it this far in less than four hours.
10:00 AM - Takes one hour to cross the tunnel.
10:05 AM - Arrive at David FeBland's studio. I'm an hour early, so I call David to let him know that I'm outside his studio on Greenwich Street, but an hour early. David's at his doctor's appointment. "I'll be there in an hour," he says.
11:45 AM - FeBland arrives, and we load his work and drive to the AAF at the Metropolitan Pavillion on 18th Street.
12:15 PM - Arrive at AAF and found a primo parking spot right across the street from the entrance! Our space is about ten feet from Richmond's ADA Gallery and 25 feet from DC's Curator's Office.
12:30 PM - Begin unloading artwork; everyone else is pretty much already set up.
2:00 PM - I get a massive Pastrami sandwich and a Diet Coke for $7 at a nearby deli.
3:00 PM - Camera crew asks if we can please stop hammering while they film around us.
3:17 PM - I find a parking ticket on my van as my welcome to NY; noticed that all other unloading vans and trucks are also ticketed for parking in a loading zone.
4:00 PM - We're pretty much done with the hanging and display and the show opens to the press. Tons (I mean tons) of people with "Press" badges begin crawling all over the place taking notes; didn't run into any NYC art bloggers, although bloggers were accredited as press (as they should be).
6:00 PM - Doors open to preview for collectors, and the place packs right away; open (and free) bar(s) at this point and I suck on a brew and grab another one for the booth.
6:30 PM - Bryant Gumbel and lady friend come by and admire the work of New York painter David FeBland. He says that he'll come back.
7:00 PM - Christie's photography curator comes in, with Lida Moser in tow. We discuss all the amazing stories that Lida has about the New York art scene from the 50s through the 80s. Magically several art dealers and other curators appear in our booth to say hello to the Christie's curator. She and her partner give us an amazing idea for Lida Moser's next exhibition.
8:00 PM - We've sold several thousand dollars' worth of artwork, and by now Gumbel has returned four times to stare and ponder a $4,200 original oil by FeBland.
8:01 PM - Gumbel apparently decides that (either) the FeBland is too pricey for his budget or his taste, and then acquires a lesser-priced art of naive style piece from our neighbor gallery.
9:00 - One last minute sale of a Sandra Ramos digital print.
9:30 PM - Drive to the Marcel Hotel in a terrifying dance with NYC cabs as I try to make my way to 24th Street according to the "directions" of MapQuest.
10:15 PM - Forty-five minutes to drive 1.44 miles.
10:30 PM - As if the $200 for a tiny hotel room is not enough, I am informed that vans are an extra $10 a day parking for a total of $85 parking bill.
11:00 PM - I am exhausted and running on fumes but starving, so we go for a stroll along 3rd Avenue looking for a place to eat.
11:19 PM - 100 great eating places later we end up in a great Vietnamese joint with the unusual name of Lannam.
12:30 PM - After a walk through the packed streets of 3rd Avenue, I finally hit the sack in the postage sized room of the Marcel Hotel.
Friday
9:00 AM - Up and about and walk to the Met Pavillion.
10:00 - Breakfast of lox and coffee.
11:00 AM - At AAF to discover that the fair opens to the public at noon; wasted an extra hour of possible sleep!
2:00 PM - A couple begins a near marital spat as they argue over which three FeBland paintings they like best. It's their third visit during the day - they finally walk away in separate directions.
3:00 PM - The couple is back (apparently having decided and made up). She steps into the booth, he's a few feet behind her. She glances back at him. "So, which ones do you like?" she asks. He points to the same three paintings that they have been arguing for a couple of hours. "Should we get them?" she asks, looking back at him. "Just get them," he answers. She looks back at him anxiously, even I can tell that she's just wanting him to step next to her and be "there." He notices something in her look and asks, "Which ones do you like?" She looks at the display again and agrees with him. "I like those three as well." Now I'm thinking "sale made." She looks back at him, as I approach the wall to remove the first of the three paintings. "So, get those three?" she asks again. His cell phone rings and he answers it and begins to walk away. She rolls her eyes, yells something at him and follows him in a huff calling him names.
5:00 PM - A couple of good sales of two lifetime silver gelatin photos by Lida Moser are carrying the day so far. The crowds are fairly good and constant.
6:00 PM - Crowds thicken; the London gallery next to us is either doing gangbusters or rotating the work on their walls every hour.
7:00 PM - A man who had loved FeBland's work on the Thursday night preview and who wanted his wife to see it (to see if she liked him as well) returns with the wife in tow. She glances at the work and says "I don't like it." I look at her puzzled, as she has actually just glanced at it for a second. She notices and as if to offer an explanation tells me that "we always come to the art fairs, but we never buy anything because we can never agree on anything." The husband sighs, and I am sure prepares to dislike whatever she picks next.
8:00 PM - Fair ends.
10:00 - Another great spot to dine on 3rd Avenue - this time at Choice Restaurant. I order grilled shark from a nervous new waitress. She comes back and asks how I want it cooked. Never having been asked this before for seafood, I respond that I want it "flaky." She says that the computer is asking her if I want it rare, medium, etc. Even more puzzled I say "medium."
10:20 PM - I get a medium cooked steak (the other special). I inform the busboy that I had ordered shark. In Farsi he tries to communicate with me. The manager is there in a New York second and wants to know what the problem is. I tell him and he apologizes and tells me that she's a new waitress and that she made a mistake on entering the dish. I tell him that I'll take the steak and that she shouldn't get in trouble as she's new. He says "don't worry," and tells me that the shark will be there in 10 minutes, and that drinks are on the house.
10:35 PM - Two beers and ten minutes later a huge piece of really nice shark arrives. The food is excellent!
11:00 PM - Sated (and a little drunk) - I leave the waitress a really good tip.
11:45 PM - In bed, thrashed and full (bad idea).
Saturday
9:00 AM - Up and it - my feet are killing me; head OK.
10:30 AM - Have walked from hotel to AAF and sit down to watch a little Word Cup at the New York deli and have a bagel and lox again for breakfast; yummy.
11:00 AM - AAF opens to the public and good crowds begin to come in immediately.
2:00 PM - The director of a major Los Angeles gallery comes by and discusses representing the work of David FeBland in Los Angeles.
4:00 PM - A NYC photography collector who has acquired several photos from us through Sothebys.com drops by to pick up some work that he had adquired before and in the visit also buys a few Lida Moser vintage photos and also closes a sale that we've been working on for two years for a $7,000 Joyce Tenneson dyptich.
5:00 PM - Richmond's ADA Gallery seems to be doing gangbusters and selling quite well. The Brits next to us continue to sell or rotate work.
6:00 PM - Strong sales day, with more Lida Moser sales, as well as a major Sandra Ramos piece.
7:00 PM - We sell a FeBland painting to a collector near the very rare top of the 100 most influential people in the world in art. A couple of other art dealers magically appear as we're closing the sale to introduce themselves to the collector. They later inform me who this Ubercollector is, although the collector's spouse had done a pretty good job of filling me in already, as well as telling me that "the most important event that happened to your gallery in this fair is not the sales, but the fact that you have placed this painting in this collection and home; you'll see what happens now." OK, let's see.
8:00 PM - Fair closes for the day - good sales.
10:00 PM - Excellent pulpo at an Italian restaurant on 3rd Avenue.
12:00 PM - Out.
Sunday
6:00 AM - As much as I hate it, I get up super early in order to find a good parking spot at the Met Pavillion, as we will be loading the van at the end of today's last day. I drive to 18th Street and find a spot right in front of the door.
8:00 AM - It's already in the 90's in New York and the streets are nonetheless packed with people as I have breakfast and watch the World Cup on TV. The Central American deli guys tell me that the US got ripped off in their game versus Italy.
10:00 AM - I have a good, long chat with an Israeli art dealer who's having a slow fair. She tells me that her neighbor has only sold $1,000 in the first three days, and that last year the same gallery sold $40,000 at AAF.
11:00 AM - AAF opens for its final day - once again, good crowds come in.
2:00 PM - We've spent nearly two hours working with a young couple who wants to buy some Maxwell MacKenzie photographs - they're having a very difficult time deciding what to get.
4:00 PM - Nearly four hours later, the couple buys two MacKenzie's.
4:15 PM - A small child knocks a sculpture down in the ADA Gallery space. The parents (who had not been keeping an eye on their child) berate and yell at the child instead of immediately apologizing to the gallery and offering to pay for damages. Fortunately, the sculpture is minimally damaged and should easily be able to be fixed... still.
5:00 PM - A major New York City gallerist drops by and buys a large painting from ADA Gallery.
6:00 PM - Time to close, pack up and leave. And then a lady wearing a press badge comes in and wants to buy a Marta Maria Perez Bravo photograph. As I am closing the sale I notice that the photo has a tiny dimple. I unframe the photo to examine it and see if it can be repaired. It can't, but if reframed it can be hidden without the affecting the integrity of the image. I offer her (since it's the last one) a generous discount if she still wants to keep it, and she decides to keep the photo. By now it's almost 6:45PM, but we make one last minute sale.
7:00 PM - Begin loading van - it's super hot and muggy in NYC.
8:00 PM - All packed and ready to go, but I have to drop David FeBland off at his studio and pick up two large paintings for his upcoming solo with Fraser Gallery later this year.
9:00 PM - On the New Jersey Turnpike and heading home. The fair has been a terrific (but hard) success.
12:30 PM - Home.
Wednesday, June 14, 2006
What the flag?
Today the WaPo's Chief Art Critic reviews... ah... the flag.
And the blogsphere reacts; Bailey writes: "And so today the Washington Post’s chief art critic locks himself inside his 60s-era party pad, turns on his lava lamp, raises the volume on his scratchy Hendrix album, fires up his liberal hippie bong and connects the stars and bars for us to American art." Read the whole post here.
And Snarky Bastards writes: "Now Gopnik is not an ignorant man. In other parts of the piece, he mentions, by name, the Union Jack. But in this graph, he treats our red, white, and blue color scheme as something outlandish, created ex nihilo by madmen." Read the whole post here.
Ashe Tori simply says: "Don't wear the flag. It'll make you look fat." Read her post here.
Update: Others chime in:
More links here.
Art Teacher to be Fired Over Nude Photos
Of herself.
Austin ISD wants to fire an Austin High School teacher over nude photos posted on the Internet.Full article here.
The AISD school board Monday unanimously decided to begin the termination process for Tamara Hoover, who teaches art. The board said Hoover violated the terms of her employment contract.
Hoover has been on paid administrative leave since May 19 after school officials found out about the images.
She defended her actions in a blog by saying that the pictures are not pornography but "artistic photography."
Tuesday, June 13, 2006
AAF
Lack of extreme posting mostly due to the fact that I've been super busy preparing for the Affordable Art Fair in New York this coming Thursday through Sunday.
Tons of framing, plus cataloguing over 500 Lida Moser vintage and lifetime photos leave very little time.
On the other hand, I will take the laptop to NYC and will be doing some live blogging from AAF (if they have wireless in the Metropolitan Pavillion that is).
Monday, June 12, 2006
Roberge to leave
The Washington City Paper's Arts Editor, Leonard Roberge, will soon be leaving his job as Arts Editor for the CP to pursue a variety of private artistic issues.
Roberge will be missed sorely, as he was a key part of the CP's increased arts coverage while he was in charge of the cultural side of the free weekly.
Fair winds and following seas and we hope that your replacement will continue what you started!
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