Academy 2007 at Conner Contemporary

Next Friday, July 6, Conner Contemporary Art in DC opens Academy 2007, the seventh year of their annual invitational survey dedicated to outstanding work by recent fine art graduates of the Washington - Baltimore area college art programs. The exhibition opens Friday, July 6th with a reception for the artists from 6:00 - 8:00 pm.

The following artists were invited to exhibit by curators Jamie Smith and former gallery director, Karyn Miller:

PAUL CHAPMAN (George Washington University)
GRAHAM CHILDS (American University)
RUSSELL KELBAUGH (Corcoran College of Art + Design)
MAGNOLIA LAURIE (Maryland Institute College of Art)
JODI LIEBURN (Maryland Institute College of Art)
ISAAC MAISELMAN (Corcoran College of Art + Design)
TIFFANY MIELCAREK (Maryland Institute College of Art)
CHRISTINA MOST (Maryland Institute College of Art)
NATALIA PANFILE (Maryland Institute College of Art)
SANDRA PARRA (Maryland Institute College of Art)
DEBORAH ROCK (Catholic University)
NATHANIEL ROGERS (Maryland Institute College of Art)
BRIAN SYKES (University of Maryland)
JESSICA VAN BRAKLE (Corcoran College of Art + Design)
OLIVIA WOLFE (Georgetown University)

Tomorrow at the Katzen

At the Katzen Arts Center in DC, in honor of its 50th anniversary, the Association of American Editorial Cartoonists (AAEC) presents this rare collection of current political cartoons about George W. Bush and his most trusted advisers. More than 80 cartoonists from newspapers across the country, including several Pulitzer Prize winners, have contributed their best cartoons, depicting the president, Dick Cheney, Karl Rove, Donald Rumsfeld, Condoleezza Rice, Alberto Gonzales and more. The challenge will be to figure out how many are pro and how many are con!

Also opening is "True Dutterer: The Work of William S. Dutterer." Bill Dutterer was an important and beloved Washington artist and teacher who moved to New York City in 1979 and continued to make powerful and innovative paintings until his death this past January.

The opening for both exhibitions is Saturday, June 30, 2007, 6 p.m. - 9 p.m. Free and open to the public.

Opportunity for Galleries for Portrait Paintings

The Department of Housing and Urban Development is interested in procuring the services of a contractor to provide corporate or official type standing oil painting portraits on canvas of the current and past Secretaries of HUD. This solicitation is a 100% small business set-aside. Details here.

Since this is a small business set-aside, this would be a great opportunity for a gallery to respond as a "contractor" and submit a proposal.

If you have any questions regarding this procurement, please email Karen Thomas at Karen.V.Thomas@hud.gov, Contracting Officer. You may also telephone Ms. Thomas at 202-402-2806. Please be sure to refer to Solicitation #R-OPC-23169 when requesting additional information.

Old Drawing

Below is one of my early 1990s charcoal and conte drawings of Mantonica Wilson, who was Wifredo Lam's formidable godmother and the woman who was probably the most direct influence for Lam ever becoming one of the best-known artists of the Surrealist movement, and perhaps of the 20th century, despite his later subservient, lackey attitude to Castro's repressive regime.

During the latter half of the 19th century, many immigrants arrived in Cuba, mostly from Europe, but also huge numbers from China. One such immigrant was a Cantonese man by the name of Lam Yam, who settled in Sagua La Grande in the province of Las Villas.

There Lam Yam married a much younger Cuban woman of African, European and Native American ancestry, and eight children were born from this marriage. In 1902, when Lam Yam was 84 years old, his eighth child was born: Wifredo Oscar de la Concepcion Lam y Castillo.

My drawing of Mantonica is derived from a 1900 photograph that shows a gigantic, strong woman, who also happened to be a powerful Santeria practitioner of pure Yoruba ancestry.

It was through her Santeria practices that the young Lam was introduced to the African-based rituals and images that would later influence and people his artwork. And it was probably at Wilson's urgings (and possible financial assistance), that the young Lam was sent to study art in Europe in order to avoid the Cuban societal limits set because of his race.

It is often through the strong will and influence of others, that genius takes seed and given an opportunity to grow. My drawing is an homage to such a person.

Philadelphia's First Friday Video Project

A new growing website (complete with videos) provides fascinating insights about Philadelphia's First Friday art scene -- and about how artists and galleries revitalized an urban neighborhood. You can check it out at www.firstfridaytv.com.

Wanna go to a DC art event tonight?

The WPA\C’s Experimental Media Series - ColorField.remix, Night #3, challenged artists to create experimental video, sound and performance pieces reinterpreting or inspired by Color-Field artists. Jurors, Richard Chartier and Brandon Morse, awarded the $1000 Kraft Media Prize to Erika Suderburg and Linda Besemer, and the $500 Honorable Mention to Alan Callander, based on the overall quality and innovation of the work, as it relates to Color-Field influences.

Tonight, from 7-9PM at The Armand Hammer Auditorium in the Corcoran, and free and open to the public, you can view the work created by Christina Battle, Gregg Biermann, Alan Callander, Rebecca Carter, John Davis, Eric Fleischauer, Kerry Laitala, Oliver Lyons, Tony Myatt, Kamran Sadeghi, Semiconductor, Erika Suderburg and Linda Besemer, Champneys Taylor and TeZ.

Beckman on Anonymous III

The WaPo's Rachel Beckman has a really good article on the recent "Anonymous III," annual exhibition by the Washington Project for the Arts\Corcoran, with a very readable story on ubercollector Fred Ognibene.

Wanna go to a DC opening this Saturday?

Irvine Contemporary has an exhibition of new and recent photographs by internationally acclaimed artists Kerry Skarbakka and Marla Rutherford. Opening Reception: Saturday June 30, 6-8 PM.

Marla Rutherford, Abandoned Housewife, 2006. C-Print

Right on target!

Via and thanks to www.comics.com

Cooper Carry hosts Art Show Fundraiser in Alexandria, VA

Deadline: Friday, July 27, 2007

Cooper Carry, a national architecture and design firm, is hosting its first biannual fundraiser and art exhibition in its award-winning Alexandria office. Cooper Carry is seeking artists from the Baltimore/Washington Metro area to display their work at the event. Sales will benefit the artists (60%) and the HSC Pediatric Center (40%).

The HSC Pediatric Center is a pediatric health care facility in Washington, D.C., that provides transitional care to children from infancy to age 21. For the entry form and prospectus, please visit this website. Phone: 202-492-7228; Email: liani.foster@gmail.com.

Opportunity for Artists

Deadline: August 17, 2007

The Curfman Gallery at Colorado State University announces a national call to artists for the 2009-2010 exhibition season. No entry fee. All work/exhibition proposals will be considered. Please send a SASE along with slides and or CD of high res. images of your work, as well as an artist CV and formal exhibition proposal to:

Curfman Gallery
8033 Campus Delivery
Fort Collins, CO 80523-8033

For more information contact Stanley Scott at lscarts2@lamar.colostate.edu or 970-491-2810.

And the Cane controversy begins

A few days ago I wrote my opinions on the new CBS series "Cane," which is sort of a new Sopranos-themed series with a powerful Cuban-American family running a sugar empire in Florida. I also told you that it appeared to me that the series was loosely based upon the powerful Fanjul Family billion dollar empire.

The Palm Beach Post seems to think so as well, and the Fanjuls are pissed. Read the story here.

Opportunity for Art Students

The Regional Museum in Stalowa Wola, Poland has a call for art students for the "International Competition Self-Portrait for Art Students." It is open to art students from universities, academies and colleges.

Additional information as well as complete instructions, forms that need filled out or to contact the exhibition coordinator directly visit this website, or the contact person is Ms. Monika Kuras, at mkuras@stalowawola.pl.

The Lorton Arts Foundation

Lorton Arts Foundation, Inc. (LAF) is leading an innovative “adaptive reuse” of the former Washington D.C. Lorton Correctional Complex. With the creation of the Workhouse Arts Center at Lorton, Virginia, this extraordinary 55-acre cultural arts center is designed to promote, facilitate and provide life-long arts education opportunities. They have a plan that will celebrate the architectural significance and convey the fascinating story of this historic landmark, while creating an inspirational center for artistic expression.

Plans include: 68 artist studios in seven studio buildings, art galleries, exhibition spaces, a 500 seat events center, a 300 seat theater, an outdoor music barn, classes and workshops for art education, a museum, restaurants, residences for artists, gardens and a visitors center. They are on track to open all of the artists’s studio buildings as well as the main gallery building in early 2008

Opportunity for Artists

Deadline: Postmarked by Sept. 4th, 2007

The Workhouse Arts Center is pleased to announce their first call to jury for the Workhouse Artist Association membership, and studio rental. The Workhouse Photographic Society is also issuing its call to jury for membership. Submittal deadline: postmarked by Sept. 4th, 2007.

All information about the Workhouse, jury packets and the many opportunities to be available in early 2008 are available on the web at www.lortonarts.org.

Applications may also be picked up at their office trailers on the site, 9601 Ox Road, Lorton, VA Monday – Friday 9AM to 4PM. Informational sessions & site tours are scheduled for July 14th and August 18th 10AM, setting is limited, so pre-registration is required. Registration and/or questions may be sent to Marti Kirkpatrick, Studio Manager at martikirkpatrick@lortonarts.org or phone 703 495-0001 ext 301.

Letter to the Editor

Theodora T. Tilton writes an interesting Letter to the Arts Editor about Blake Gopnik, art, and the Venice Biennale reporting.

Wanna go to a few DC area openings tonight?

A few cool DC area openings tonight are: District Fine Arts' "Summer Solstice," a group show of contemporary art from the United States and Turkey. It includes drawings by the amazing photographer Lida Moser, who says "It was so wonderful to discover the joys of drawing after more than forty years in photography!" The opening is Saturday June 23rd, from 5 p.m. - 8 p.m. and it features an acoustic set by Brad Radish at 7pm.

Up the road off Wisconsin Avenue in Bethesda, at Heineman Myers Contemporary Art, Zoe serves "Yummy," and exhibition by artists and their relationship to food and food issues. The opening is on Saturday, June 23rd with an artist talk at 4pm and a reception for the artists from 6 to 9pm.

And Randall Scott Gallery has Hiroyuki Hamada opening tonight, but I'll be willing to bet that the photographer in the back gallery, Elena Volkova, will steal the show. Her ethereal photographs are simply gorgeous and she has a singular eye and touch. Volkova lives in Baltimore and is completing her MFA at MICA in July, although she has already exhibited widely in the DC area. The reception will be held on June 23rd from 6-9pm.

Glass Onion

I told you about strawberry fields
You know the place where nothing is real
Well here's another place you can go
Where everything flows.

Looking through the bent backed tulips
To see how the other half live
Looking through a glass onion.

I told you about the walrus and me-man
You know that we're as close as can be-man
Well here's another clue for you all
The walrus was Paul.

Standing on the cast iron shore-yeah
Lady Madonna trying to make ends meet-yeah
Looking through a glass onion.

I told you about the fool on the hill
I tell you man he living there still
Well here's another place you can be
Listen to me.

Fixing a hole in the ocean
Trying to make a dove-tail joint-yeah
Looking through a glass onion.

- Lennon & McCartney

Cane on CBS

I guess because I am an American of Cuban ancestry someone sent me an advance (I guess) preview copy of the new CBS show Cane. This new TV series is about a Cuban-American family running a sugar empire from Florida.

Think "Sopranos" without all the cussing and better haircuts.

Thank you... I am honored.

And now some very pedantic and jingoist hits... The lead character is played by Jimmy Smits... great actor, but not what your typical Cuban sugar magnate would have looked liked in the racist Cuban society of the late 1950s and the Cuban-American refugee wave of the early 1960s.

CBS picked Smits, a brilliant actor, I guess based on their perception of what a Cuban looks like (Smits is not of Cuban ancestry... his father, Cornelis Smits, was a Surinamese immigrant from Dutch Guiana, and his mother, Emilina, is Puerto Rican).

This is what the person that Smits' character is loosely based upon really looks like...

That is him and his also Cuban wife to the left...but because, like a lot of Cubans, he looks too "Caucasian" and not enough of what Hollywood (and CBS) thinks that Latinos should look like, they hired a terrific Emmy-winning Surinamese actor who fits the sterotypical image of what Hollywood thinks Cubans should look like, to play the lead part.

HBO hired (for the most part), excellent Italian-American actors to play Italian-Americans for the Sopranos; it worked (awright, awright, so Jamie-Lynn DiScala, who played Meadow Soprano was actually a Cuban-American actress... ironic, uh?).

CBS has not only hired Smits to play the lead role, but also Puerto Rican actors Hector Elizondo, Eddie Matos, and Rita Moreno, Miss Colombia 1991 Paola Turbay, etc. to play other assorted Cubans.

And now for CBS: My list of actor candidates who are actually of Cuban ancestry and thus a shoe-in for the part and who actually fucking speak Spanish with a Cuban accent:

Andy Garcia (duh!!!! perfect for the part!... but probably too classy and too expensive to do TV).

Nestor Carbonell. OK, OK, he plays the nasty brother.

Mel Ferrer... ah!... I think he's dead.

Desi Arnaz... fine, fine... he's definately dead; but how about Desi Jr.?????

Jorge Perrugorria

Cesar Romero ... fine! I know that The Joker is definately dead.

George Alvarez...

OK, I'm off my pedantic box; it looks like a decent show - it's no "Sopranos" but let's give it a chance.

Opportunity for Artists

Deadline: July 31, 2007

Carol Lukisch, the former Director of Exhibitions/Curator at the Arlington Arts Center now plans to do some independent curatorial projects, the first of which will be "Fear and Hope" which will take place December 4, 2007 - January 19, 2008 at the Arlington Arts Center.

Mid-Atlantic artists who are doing interesting work in any media that deals with the subjects of Fear and or Hope, send some materials no later than July 31 to:

Carol Lukitsch
P.O. Box 4211
Alexandria, VA 22303 or online at caroluk2@aol.com.

Corcoran Curator Leaving

(Via RE) - Dr. Jonathan Binstock, whose thesis work in Philly was about DC artist Sam Gilliam, will be leaving his post as the Curator for Contemporary Art at the Corcoran in Washington, DC in order to join the corporate world at the Art Advisory Service at Citi (nee Citibank), where he will work as a senior vice president.

For almost 30 years, Citi has helped some of the Citigroup's customers find and collect art (since it's investment and banks and Samolians... I guess for investment goals) and a whole lot of other art services.

Their website implies "access" as a mean to penetrate the inside and outs of collecting artwork for fun and profit.

As a sideline, I advise and then buy artwork for two collectors, and have a $20,000 monthly budget to buy artwork for those two folks. This is not as easy as one would have imagined, and actually quite an arduous (but still fun) process.

What Citi does is a billion times harder, because they are somewhat promising investors a payoff and payback and return on their purchase price on artwork.

Jonathan Binstock is a sharp, hardworking and savvy dude, and DC and the Corcoran will miss him, but he's got a tough job in front of him, and I wish him the best of luck.

It will be fun to see if Jonathan pushes any DC artists. This will be somewhat difficult, as I suspect that this level of collecting seldom concerns itself with discovering artists who have not yet made it to the ranks of the secondary art market (only about 5-6 DC area artists (as far as I know) have done so... of those only 2-3 are alive.