Another Good Day Painter
First there was Duane Kaiser with his one-a-day paintings, and we all know what a spectacular success he has enjoyed since.
And now Queenstown, Maryland area artist Joseph Miller has taken the daily brush to a painting-a-day task and begun a daily painting regime. See his work here.
Tuesday, July 31, 2007
Kata Mejia
If you have noticed a stage being built in the parking lot off 14th Street/Corcoran in DC, it is being built for "Healing," a four night performance by Philly artist Kata Mejia.
The performances will take place Wednesday through Saturday (August 1st-4th), nightly at 6pm and each performance lasts approx. 1 hour. The location is the BodySmith Parking Lot (1622 14th Street, NW (between Corcoran and R streets, NW in DC).
"Healing" commemorates the first anniversary of the death of the artist's little brother, who was kidnapped and murdered in Colombia by the FARC terrorist guerrillas.
Details at the Randall Scott Gallery's website.
Opportunity for Artists
Massachusetts' Storefront Artist Project is currently looking for artists for Exhibitions, Projects, Etc.
The Storefront Artist Project is in the process of expanding its artist network and is looking for artists interested in participating in its various activities.
Areas of opportunity include: exhibitions, studios, residencies, and artist mentors for high school students and other outreach programs.
Please send a letter (and/or email) stating areas of interest, bio, images, website, etc. to:
Storefront Artist Project
124 Fenn Street
Pittsfield, MA 01210
Or email: mail@storefrontartist.org
Pyramid Atlantic Art Center Seeks Executive Director
Deadline: August 17, 2007
Pyramid Atlantic Art Center, a contemporary visual arts center and gallery in Silver Spring, MD, dedicated to creation, exhibition and appreciation of paper, prints and book art, seeks a new Executive Director to succeed founder, Helen Frederick, who has been running the joint for over 26 years.
“We have been working with Helen to ensure that Pyramid Atlantic will continue to flourish in our Silver Spring home,” said Board Chair Sally Sternbach. “For the board, our members and patrons, this is a time to celebrate Helen’s remarkable artistic and administrative achievements in building this organization over the past 27 years. It’s also a time of great excitement with the advent of new leadership, which will continue the tradition of excellence that Helen has established and assure a bright future for Pyramid Atlantic.”
The new person will direct, inspire and oversee art programs through collaboration with external artistic leaders for the organization's programming and artistic activity. Reporting to the Board, they will work closely with local, regional and broader philanthropic community, including state and local agencies, to cultivate financial and other support.
Experience should include: arts background, proven leader with entrepreneurial flair, experience with diverse fundraising of $500k annually, experience leading a management team and staff through change process, Master's or Bachelor's degree in Art, Arts Management or related field.
Click here for a full job description. To apply send (by August 17) an email with your cover letter, resume and salary requirements to: info@successionusa.com.
Monday, July 30, 2007
Che Che Kole
If you have kids, then you know that "Che Che Kole" is a Ghanian children's chant that's usually taught in the US to kids in pre-school or the early years of school as part of having them learn children music from other nations.
It goes on like this:
Chekere, kalimbaGreat artists have the ability to take anything, including a Ghanian children's chant and re-invent it as another song, such as Willie Colon and Hector Lavoe did with Che Che Kole as a 70s super mega dance floor salsa hit. Listen and see them below as they perform the hit and then hear the Ghanian words in the song.
Che che kole, che che kole
Che che kafisa, che che kafisa
Kafisa langa, kafisa langa,
Co co shi langa, co shi langa,
Koom ma dye day, koom ma dye day,
Ya!
From something with a long history and tradition, something new and exciting, but aligned with the past and with tradition without any issues or baggage.
Introductions3 at Irvine
Irvine Contemporary has Introductions3 coming up next month. This exhibition is a selection of recent graduates from leading national and international art schools.
This third year of Introductions at Irvine Contemporary is the first gallery exhibition of its kind. Over 250 artists from 60 different art colleges were reviewed for Introductions3, and final selections were made with the advice of a panel of art collectors, rather than curators or gallerists. Introductions3 has grown to an inclusive “MFA annual” that brings the best rising artists to Washington, D.C. Participating artists are listed below with their most recent college or institute affiliation. Opening reception with artists, Saturday, August 11, 6-8 PM.
Look for the work of Akemi Maegawa (Cranbrook Institute, Sculptures and Installation) and Sarah Mizer (Virginia Commonwealth University, Sculpture and Installation) to stand out.
Wanna do something this Wednesday in DC?
ALEATORIC is going on this coming Wednesday!
Several local artists fill up two floors with installation art and emerging bands will be performing to keep up a lively atmosphere.
Sponsored by the new Artcade Magazine, and by Civilian Art Projects and by Panache, with Marissa Botelho, Curator, Reuben Breslar, Music Coordinator and work by local arts students, artists, musicians, and creative writers.
Bands involved include "Pontiak," "The Show is the Rainbow," and "Black and Tan Fantasy Band."
This night of Music and Installation Art is Wednesday, August 1, 2007 from 7:45pm – 12am and donations for the bands are encouraged. It takes place at:
Bobby Fisher Memorial Building (aka Borf Building)
1644 North Capitol St, NW,
Washington, D.C., 20002
*3 blocks north west of New York Ave. Metro Station
Another art fair coming to DC
It will be August 10-12, 2007 at the Washington Convention Center.
Click on the image for a larger image of the card or visit this website.
Sunday, July 29, 2007
Johnny Cash
Like many people my age, when I was a kid in Brooklyn, I grew up knowing who Johnny Cash was and who Ray Charles was, but I was not at all interested in their music.
I find it peculiar that now, after the two hit biographical movies came out about these two music giants (and both Jamie Fox and Joaquin Phoenix did such great jobs in recreating Charles and Cash's music), my interest -- along that of millions of new fans -- has been kindled for their music.
My house backs to up to a large park in Media, PA, and they have a stage there which is set-up for outdoor concerts, sort of a mini Wolf Trap. I can walk there from my house, so once in a while we walk and sit in for whoever is playing.
Last night Johnny Cash was playing. Well, actually David Stone and the Johnny Cash Experience, but let me tell you, this man was amazing!
He is not a Johnny Cash impersonator, but clearly a highly talented artist and someone who has studied Cash's life, music, mannerisms, voice and style for many, many years, and now delivers a nearly scary ability to assume the role of the man in black.
He was really good.
Stone did not try to impersonate Cash, but rather walked the audience through Cash's life and music, while at the same time sounding, looking and playing exactly like the real man in black.
The few thousand people in the audience -- which covered the whole range of ages, although oddly enough I noticed a lot of tattooed women, not just one or two tattoos either, but whole arms and chests covered in them -- really enjoyed Stone's performance and were on their feet several times.
He was really good.
Corcoran responds to my idea
A few days ago I discussed one idea that I had sent the Corcoran for possible inclusion in their Ansel Adams exhibition. And below, Paul Roth, Curator of Photography and Media Arts at the Corcoran Gallery of Art responds:
Dear Lenny,Good points all.
Paul Greenhalgh and Philip Brookman have referred your letter of July 12 to me for response, as I am the in-house curator supervising the Corcoran's installation of the Ansel Adams exhibition. Please accept my apology for the lateness of this reply; our coming photography exhibitions have had many pressing deadlines the last couple of weeks.
First, regarding your suggestion about the public domain set of Ansel Adams photographs at the Library of Congress. This idea is interesting and would no doubt be a feature valued by many of our visitors. Unfortunately, a variety of reasons--relating to logistics, timing, available space, and other factors--make this an impossible option for us at this time. Another major issue for us is our consideration of the best way to balance presentation of two major exhibitions by two very different photographers.
With reference to the issues you raise, I am encouraged by the fact that the technology now in use by the Library of Congress allows people to download many if not all of the Adams images directly from home, in reasonably large digital files. Over the years digital availability at the Library has evolved to minimize the complications presented by institutional bureaucracy, the large volume of print orders, and staffing limitations. For a very long time, several-month waits were the norm when people would order prints (of any of millions of pictures in the public domain, not just Adams) from the LOC in gelatin silver. The downloading feature of the LOC website is going a long way to making access more direct.
Finally, I'd like to thank you for mentioning the issue of collaboration with other institutions (in your blog a couple days back). Collaboration is something that is very important to us, and we have had many professional interactions with a number of museums, alternative art spaces, non-profits, libraries, and archives over the years. Since I came to the Corcoran eleven years ago I have had three opportunities to collaborate with the Library of Congress Prints and Photographs Division and Photoduplication Office on exhibitions: HALF PAST AUTUMN: THE ART OF GORDON PARKS; PROPAGANDA AND DREAMS: PHOTOGRAPHY IN THE 1930S IN THE US AND USSR; and THE QUILTS OF GEE'S BEND. Each was a great experience. While I appreciate your suggestion that these interactions can be difficult, we have found ways to work together very productively for the benefit of our audience.
Best wishes,
Paul
Saturday, July 28, 2007
Two million
The most visited blog by a Cuban-American is...
Perez Hilton's celebrity juice and gossip blog in LA! With over two million hits a day!
But we're hot on your tail Perez!
Friday, July 27, 2007
New Curator at AAC
Jeffry Cudlin tells us that he's the new curator at the Arlington Arts Center.
This is nothing but good news for the AAC and for Arlington.
Cool Art Thing of the Moment
I don't know where DC artist Guy Mondo finds these things, but he is certain to find the oddest things in the world of fine arts.
"The images above illustrate the results of an unusual artistic collaboration between the French artist Hubert Duprat and a group of caddis fly larvae... Duprat, who was born in 1957, began working with caddis fly larvae in the early 1980s...Read the whole article here.
After collecting the larvae from their normal environments, he relocates them to his studio where he gently removes their own natural cases and then places them in aquaria that he fills with alternative materials from which they can begin to recreate their protective sheaths. He began with only gold spangles but has since also added the kinds of semi-precious and precious stones (including turquoise, opals, lapis lazuli and coral, as well as pearls, rubies, sapphires, and diamonds) seen here.
The insects do not always incorporate all the available materials into their case designs, and certain larvae, Duprat notes, seem to have better facility with some materials than with others. Additionally, cases built by one insect and then discarded when it evolves into its fly state are sometimes recovered by other larvae, who may repurpose it by adding to or altering its size and form."
Call for Artists
Deadline: Saturday August 18, 2007
Somerville, Mass' Nave Gallery's Young Turks returns for a second year with an exhibition featuring art and artists "taking a walk on the wild side." The show aims to highlight all that is not part of the status quo. They seek work that questions, confronts, and, yes, attacks ideas, images, and ideology that others take for granted.
No submission fee!
Anger, disassociation, a rejection of the societal norm are some of the
emotions they expect artwork in this show to explore. Commentary on larger societal issues such as world poverty, the Middle East crisis, global warming or of issues closer to home such as the Big Dig mess, gas prices, gang violence, or drugs, left wing and right wing rhetoric, are just some examples of possible themes. Or it can be strictly personal, an illustration of the artist using the creative process to express a specific state of being or growth.
Artists are invited to submit work that addresses their connection with this theme as described above. Work of all mediums is encouraged. Both established and emerging artists are welcome to apply.
Applications should include:
- Artist resume, email contact info, image list (medium, dimensions, year
created)
- Artist statement 150 words about artwork and relationship to the call
- Supporting images may be either slides or digital. Label slides or
CD-ROM with their full name, and the name of their piece.
- Include a self-addressed envelope with adequate postage for return of
materials
- postmark deadline of Saturday August 18, 2007
- email submissions accepted: info@artsomerville.org
The Nave Gallery
155 Powderhouse Blvd.
Somerville, MA 02144
And the answer is...
Zoe's answer to my question below is: "it's a close second to the biennial. It's in a "suite" area so it's not open to everyone who comes to a game. If it was in a public area, it might tie the biennial."
Thursday, July 26, 2007
Congrats!
To Philly's wonderphotog Zoe Strauss, who tells us that The Philadelphia Eagles will be purchasing a vinyl print of her photo "Mattress Flip" for display in the "Red Zone" at Lincoln Financial Field.
So what's cooler, being selected for the last Whitney Biennial or being selected by an NFL powerhouse?
Time for the 'skins to step up and ante up some artwork for their stadium.
Mary Coble
Mary Coble will be performing "Marker DC" this Saturday, July 28th, 2-5pm at the entrance to the U Street / Cardozo Metro Station (green line) 13th and U Street, in Washington,DC.
In Marker, performance artist Mary Coble "expands the focus of her previous performances, Note to Self 2005 (on Gay, Lesbian, Bisexual and Transgendered persons murdered in hate crimes) and Aversion 2007 (shock aversion therapy). The artist now invites viewers to emulate the physical + verbal assaults marginalized groups have endured by penning hate-inspired epithets such as 'dyke', 'spic' or 'nigger' on her body."
Marker (DC) is a part of the WPA/C's SiteProject DC events curated by Welmoed Laanstra. Coble is represented by Conner Contemporary.
Renoir at the PMA
The Philadelphia Museum of Art will be the only U.S. venue for the first exhibition to explore the inventiveness and importance of the landscape painting of Pierre-Auguste Renoir (1841-1919) during the first 30 years of the artist’s career.
“We are delighted to collaborate with our colleagues in London and Ottawa on this major exhibition from public and private collections around the world to explore a little studied aspect of Renoir’s genius that is so central to his overall vision,” said Anne d’Harnoncourt, Director of the Philadelphia Museum of Art. “It will be especially gratifying to see the exhibition in the context of our own collections, which are renowned for their representation of Impressionism and particularly rich in figure paintings by Renoir. It will be a great pleasure to welcome visitors from throughout the United States and beyond to Philadelphia.”
Renoir Landscapes is organized by the National Gallery, London, The National Gallery of Canada, Ottawa, and the Philadelphia Museum of Art. The exhibition was seen in London and is currently on view in Ottawa through September 9, 2007.
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