Polish Artists
Stop by and experience "An Ideal Mix-Up," an exhibition of works by Polish and local DC area artists at the Nevin Kelly Gallery in DC next Saturday, January 26, 4 pm for a lecture by gallerist Nevin J. Kelly on the Polish artists featured in the gallery followed by refreshments.
Essentially this show is a group exhibition that includes works by the contemporary Polish artists that helped launch the gallery in May 2003 and the many local artists who have joined the gallery along the way.
The exhibition will feature works by DC area artists Sondra Arkin, Joan Belmar, Ellyn Weiss, Mary Chiaramonte and Laurel Hauler and by Polish artists Edward Dwurnik, Darek Pala, Krzysztof Kokoryn, Pawel Król, Lukasz Huculak and Michal Zaborowski.
The show will be on view in the gallery from now until February 24, 2008.
Tuesday, January 22, 2008
Wanna go to a Virginia opening tomorrow?
The University of Mary Washington Galleries in Frederiscksburg, Virginia presents Mid-Atlantic New Painting 2008 with an Opening Reception on January 24, 2008 5 - 7pm.
There will be also a presentation of awards and remarks by the juror, John B. Ravenal, Curator of modern and Contemporary Art, Virginia Museum of Fine Arts. The exhibition runs through March 2, 2008.
Wanna go to an Arts Panel in DC tonight?
DC's Transformer Gallery kicks off the new year with Art School, Confidential: Rethinking Art Education, the 7th installment of their dynamic Framework Panel Series.
Art School, Confidential: Rethinking Art Education, which is free and open to the public, brings together "an esteemed group of area artists and professors in a dialogue about the influence of art schools in the lives of artists and on the direction of contemporary art-making within the larger arts landscape."
The panelists are:
- Billy Colbert (Adjunct Faculty, American University)
- Maggie Michael
- Brandon Morse (Associate Professor of Digital Media & Director of Graduate Studies in the Department of Art, University of Maryland, College Park, MD)
- Renee Stout
- Rex Weil (Professor of Art Theory, University of Maryland, College Park, MD)
And it is moderated by Dean Kessman (Assistant Professor of Photography, George Washington University), the panel discussion will be followed by a thirty minute question and answer segment with the audience.
Another Frida Show
In addition to the two Frida Kahlo type exhibitions coming to Philly that I mentioned yesterday, I was just told about this exhibition, so now make that three!
The Delaware Art Museum will present Frida Kahlo: Through the Lens of Nickolas Muray, an exhibition of nearly 50 photographs of Frida Kahlo, on view in the Brock J. Vinton Galleries February 2, 2008 - March 30, 2008. The show is courtesy of the collection of the Nickolas Muray Archives, and is part of a national tour over a two-and-a-half year period. The tour was developed and managed by Smith Kramer Fine Art Services, an exhibition tour development company in Kansas City, Missouri.
Cloverfield
Rob: [into shaky camera] My name is Robert Hawkins. Approximately seven hours ago some *thing* attacked the city. If you found this, if you're watching this then you probably know more about it than I do.
Saw Cloverfield last night and in spite of the online hype, and in spite that I usually love this kind of movies, and in spite of the cool trailers about the new Star Trek movie coming Xmas 2008, and maybe because of the fact that I shelled out $6.50 for a large popcorn which seemed to be the size of what a small popcorn used to be in the 90s (AMC, what's up with that?), I really didn't think much of the movie.
Why?
Cloverfield is a highly derivative mix of the Blair's Witch Project camera style married to the Godzilla movies with a sprinkling of "Gadzuki meets Alien" (tunnels included).
The Godzilla and Alien influence is just too much to overcome. Not just the rambling monster destroying a city, but then the monster's offspring is up and about biting people and then the people seem to then explode and perhaps host the new offspring as it goes forth and multiplies?
The decent special effects in the film of New York being torn apart by a seldom seen monster (until almost the end) with those psych effects derived a little from M. Night Shyamalan's "Signs," unfortunately then yield a silly looking monster a little too closely related to Kermit the Frog and those weird looking spidery-looking camel crickets that seem to infect every basement in the Greater DC region.
And the logic also fails at times... the main characters seem to have little trouble killing off the nasty crawly creatures that
If its offspring can be killed with a bat, how come Mom survives two MOABs without even missing a step or an inch of green skin?
And the last issue that bothered me is the Hud (the actor who is the cameraman in the movie) character spends most of the time yelling: "Rob! Rob! Where are you going?"
Nowhere.
Monday, January 21, 2008
This Saturday in DC
On Saturday January 26, from 4-6PM, Irvine Contemporary in DC will have the first Washington, DC projection screening of Paul D. Miller's acclaimed video, New York is Now, selected for the 2007 Venice Biennale.
Paul D. Miller (DJ Spooky), Film still from New York is Now, 2007, C-print
Frida Kahlo's coming to Philly
A while back I commented on the coup scored by the Philadelphia Museum of Art in getting on the Frida Kahlo bandwagon, and noted my amazement that no DC area museum was included in the tour - and yes, I know that Philly is only two hours from DC.
As most of you know, I am and have been a Fridaphile since I first came across Kahlo's work when I was 18 or 19 years old... read this essay about that particular obsession.
"Las Siete Fridas (The Seven Fridas)"
Pen and Ink Wash, F. Lennox Campello
Univ. of Washington Art School assignment circa 1980-1981
Collection of Seeds for Peace.
And thus my warranted excitement about the coming Kahlo exhibition at the Philadelphia Museum of Art. Organized in celebration of the 100th anniversary of the her birth, this will be the first major Kahlo exhibition in the United States in nearly fifteen years. It includes over 40 of the artist's most important self-portraits, still lifes, and portraits from the beginning of her career in 1926 until her early death in 1954. The exhibition also features a selection of nearly 100 photographs of Kahlo and her husband Diego Rivera, by such well-known photographers of the period, such as Manuel Alvarez Bravo, Lola Alvarez Bravo, Gisele Freund, Tina Modotti, and Nickolas Muray. It opens February 20, and runs through May 18, 2008.
Also in the Kahlo spirit, Philadelphia's Projects Gallery will have an exhibition titled Frida and Me, Common Threads, which is of course inspired and aligned to the centennial exhibition of Frida Kahlo at the Philadelphia Museum of Art.
In this show, four contemporary Latina/Hispanic artists, Doris Nogueira-Rogers, Michelle Angela Ortiz, Marilyn Rodriguez-Behrle, and Marta Sanchez present works that "reflect on the intertwining relationships between various identities and cultures of Latin American female artists."
I'm really looking forward to visiting both of these shows and will report on them later.
Frida and Me, Common Threads will be open from February 1- 23, 2008. The Opening Reception will take place on First Friday, February 1st, 2008 5-8 pm with a special reading from Las Gallas Artist Collective.
Blog Heat
Seattle's blogging art critic Regina Hackett is taking some undeserved blog heat after publicly asking a couple of blogging peers "if they wouldn't mind getting to the point faster."
Artists usually learn really quickly to develop a thick skin and must learn to graciously accept malicious criticism, constructive criticism and negative criticism.
Bloggers learn really quickly to dish out all three versions of the criticism; they/we certainly also need to develop thick skins in order to accept (as in Hackett's online criticism of two fellow bloggers) constructive criticism.
And constructive criticism is definitely not an "attack" as has already been written about Hackett.
In 1997 the Washington Post's art critic Ferdinand Protzman wrote a small review about a solo show that I had in Georgetown and wrote:
Fraser Gallery is showing charcoal drawings of nudes by F. Lennox Campello. The subjects are mostly women Campello found on X-rated Web sites. He then arranged to meet and draw them. The drawings are very dark and the artist's abundant use of shadow effects can be heavy-handed and irritating. But in a few of the works he manages to find a delicate balance between the black charcoal and cream-colored paper resulting in a grainy, film-noir effect, making his subjects, traffickers in mass-consumption prurience, seem tough but vulnerable, like a flowering plant in a sexual wasteland.I was delighted that the review-poor WaPo had chosen to review my show (and unfortunately since then the Post has further reduced gallery reviews from weekly to twice a month) and sent Ferd a thank you note, and as most of you know, proudly wear the fact that my drawings can be irritating!
Another Nude Bush Update
Another update and a call for you to remember when the below painting by Kayti Didriksen caused all that uproar at Artomatic and became the Internet's most downloaded image?
It became the most popular contemporary political art of all time.
Kayti tells me that her world famous painting has been chosen to be illustrated in an American college textbook: Art Appreciation by Debra J. Dewitte, Ralph M. Larmann & M. Kathryn Shields.
Sunday, January 20, 2008
Color Invitations Photos
Jeffry Cudlin has some good installation photos of Color Invitations here.
VSA arts’ Call for Entries: Derivative Composition
VSA arts is seeking visual artists with disabilities ages 18 and up whose work is inspired by the performing arts for “Derivative Composition,” an international juried art exhibition that will be on display at the John F. Kennedy Center for the Performing Arts in Washington, D.C., from May 29-July 20, 2008. Two-and three-dimensional art, digital art, installations, video and film, and other media that draw inspiration from music, theater, or dance are eligible. Submissions must have been completed in the last five years and after the onset of disability.
Applications will be accepted through March 21, 2008. For more information, please visit www.vsarts.org/derivativecomposition or call (202) 628-2800.
Via Simbolica
Via Simbolica is an exhibition curated by the very talented DC area curator Sarah Tanguy, and features works by Liset Castillo, Justine Reyes and Jose Ruiz.
Reception & Panel Discussion: Thursday, January 24, 4:30-6pm. The show goes through February 15, 2008.
St. Mary's College of Maryland
Boyden Gallery / Montgomery Hall
St. Mary's City, MD 20686
Tel: 240.895.4246
Friday, January 18, 2008
WPA Artist Directory 2008-2009
The WPA Artist Directory is not only the definitive listing of established and emerging contemporary artists throughout the Washington region, but one of the best advertising deals on the planet for both galleries and individual artists.
It is seen by more than 2,000 galleries, curators, and interested art patrons. Registering has never been easier. Artists can reserve a space through the WPA website and mail in slides or CDs later, or upload their image files instantly.
Sign up here.
Last night
And we actually had a standing room only crowd last night at the Greater Reston Arts Center for my talk on Contemporary Art.
Cool uh?
I also managed to check out the current exhibit at GRACE, which has a very powerful two person show of works by Anna Fine Foer and Sonya A. Lawyer and also a really good painting exhibition by Ann Williams at the Market Street venue. More on both later, but Lawyer's works are especially powerful.
Thursday, January 17, 2008
Art with a Twist Talk is Tonight
Nu, so it stopped snowing... and the roads are clean (I just drove from DC to Reston)... and from 7:30-9pm I will be doing a special presentation at the Greater Reston Arts Center in Reston, Virginia as part of their continuing education programs.
Space is limited and reservations are requested. Call 730.471.9242. Details here.
I will be doing a quick and fun walk through art history, all leading to contemporary art, where I will be discussing the work of some well known art superstars and also some Greater DC area artists.
Martinis are also involved. See ya there!
Opportunity for Artists
Deadline: January 18th, 2008
The Writer's Center in Bethesda is currently looking for a local artist to feature on their Carousel newsletter cover. They are accepting all mediums including photography, using the themes of "MUSE - what inspires you to create".
Please submit 1-5 jpeg images to jwalton@writer.org. They should be no larger than 300 dpi and 1Mb for consideration by January 18th at 5pm. Images submitted after that deadline will not be considered. Please keep in mind that the selected image will be used in printed materials and electronically. All credit is given to the artist.
They are unable to pay an honorarium, however your work and bio will be featured in the publication with a distribution list of more than 2,000 members, institutions, and the public within the Washington metro area.
For more info about us, please visit their website.
Congrats!
To one of my favorite DC area painters who's always doing stuff and showing all over the nation: Amy Marx.
Amy Marx's "The Dark Fantastic" opens February 16, 3-5PM (work on exhibition through March 15, 2008) at OK Harris works of Art in New York City.
There Is Dark and There Is Light, 46"x 74", oil on canvas, after Hollingshead, by Amy Marx
West fires back
By now you all probably know that W. Richard West, the founding director of the National Museum of the American Indian, has been catching all kinds of flak in the WaPo and the artblogsphere for alleged abuses of his travel and expense budgets.
On a separate issue, I myself gave the museum a talking to for their disclosed failure to find a native American portrait artist to create West's departure portrait.
And now West is firing back with a response that seeks to clarify some of the accusations levied against him. West starts by writing:
During my 17 years as director of the National Museum of the American Indian, I welcomed and learned from criticism, whether gentle or harsh. But nothing prepared me for the recent gossip passing for investigative journalism at The Washington Post and editorials in Indian Country Today. Real Indian country deserves better than rumor-mongering and character assassination, and so do I.Read the Indian Country Today article here.
Allegations, which are false, are that my travel was "excessive" and "lavish," as I was "eating and slumbering first-class on the federal dime." Provocative, undocumented adjectives make for good reading in tabloids, but should not be in the Post or ICT. Both should be ashamed of themselves.
About last night
Big crowds for the opening of "Color Invitations" at the new R Street Gallery. The show looks good, had the usual last minute hiccups with some unexpected artwork, but in the end it's all resolved and looks great from my biased perspective.
Drop by "Color Invitations," and check out what some of the Greater DC area's key artists have been working on lately. There is new work by Maggie Michael, Jeffry Cudlin, Amy Lin, Andrew Wodzianski, John Blee, Steve Lapin and myself. The show runs through February 4, 2008.
The crowd included the usual suspects, and I had a chance to say hi to Philip Barlow, Phillipa Hughes, Dan Steinhilber, Dr. Claudia Rousseau, ubercollector Steve Krensky, Kathryn Cornelius, Dr. Claudia Rousseau, Prof. Chawky Frenn, and many, many others... it felt kinda good to be back in a DC gallery opening.
Pics and videos later.
