New Aussie Art Prizes

The Queensland Government says:

"two new prizes will make the state a leader in contemporary art."

Premier Anna Bligh has told Parliament the Government will award a $75,000 prize to an artist who uses new media technologies. The Gallery of Modern Art will invite candidates to apply. The Government will also offer a $25,000 scholarship for an emerging new media artist.

"These awards combined are worth $100,000 and will be Australia's most significant award in new media," Ms Bligh said. "As a national award it will build Queensland's reputation as a leader in contemporary art."

Bailey, Bailey, Bailey...

He's at it again... read Bailey here.

Intended to Provoke: Social Action in Visual Culture[s]

The Fifth Annual Visual Culture Symposium, “Intended to Provoke: Social Action in Visual Culture[s]” will take place at George Mason University on Thursday, March 27, 2008 and I have been invited to participate.

I will be discussing the emergence of a significant number of visual art blogs at the turn of the new century. This emergence was almost immediately ignored by both the mainstream media and the fine arts world. Just a few years later art blogs not only challenge the mainstream media in the reporting and discussion of the arts, but often lead the way in in-depth announcement, discussion, imagery and promulgation of socially challenging, subversive or political art, as well as presenting historically bound street art, such as graffiti and street installations to worldwide audience.

In this presentation I will discuss the emergence of visual art blogs and offer examples of how blogs have taken over the lead from other sources and venues, as the leading proponent, critic and publicist for art intended and created in order to provoke. The presentation includes discussion and examples of work from artists from places such as Cuba and Iran, which was only recognized and discovered by a worldwide audience through those artists’ own illegal blogs or discussion of their work in other blogs or through the process knows as the “blog roll.”

Questioning accepted literary styles, the visual art bloggers also became part of the social reaction towards established art criticism, and in a way also provided a way to criticize and dissect the critic him/herself. I draw on a variety of widely read visual art blogs to establish bloggers initial discordance and break from formal art criticism and reporting conventions and the eventual alignment of many of them with the same conventions as their influence grew. As a visual arts multi-political and international force they now wield a powerful impact on what is considered an “intentionally political work of art,” such as the Abu Ghraib paintings by Colombian artist Fernando Botero or the chalcography etchings by Cuban artist Sandra Ramos Lorenzo.

The day-long Symposium is being held at the Johnson Center Cinema at George Mason’s Fairfax Campus. The day will end with a reception in the art gallery on the first floor of the Johnson Center, Gallery 123.

Schedule - "Intended to Provoke:Social Action in Visual Culture[s]"
March 27, 2008
George Mason University

9:00 – 9:30a.m. Introduction & Video

9:30-11:00a.m.
Panel 1:
1. Robles & Stein (Community Art)
2. Wolpa (Visual Culture education)
3. Cohn (Design School)
4. Campello (Art Blogs)

11:15a.m. – 12:15p.m.
Panel 2:
1. Derr (Walking/Chance)
2. Namaste (non-violent intervention)
3. McCoy (bodies in China)

12:30 – 1:00p.m.
Dance Performance

1:00 - 2:00p.m.
Panel 3:
1. Johnson (Crises & the everyday)
2. Greet (Ecuador)
3. Campbell (culture jamming)

2:00 - 2:15p.m.
Mark Cooley and Art Exhibit Selections

2:15 – 3:15p.m.
Panel 4:
1. Clements (childbirth)
2. Slavick (R&R/altered images & things)
3. Okunseinde (Fugitives)

3:30 – 4:15p.m. Keynote/Debate

4:30 – 5:30 p.m. – Art Exhibit/Reception

Artists' Websites: Zoe Strauss

Philly-based photographer Zoe Strauss was one of the few bright presences in an otherwise bleak 2006 Whitney Biennial. She's one of the coolest photographers working in the nation, and you can own her work for as little as five dollars a photo!

Visit her website here.

Wanna go to a DC opening on Thursday?

How about the National Society of Arts and Letters’ 2007 arts competition?

Washington DC’s Nevin Kelly Gallery will host a traveling exhibition of works by the winners of The National Society of Arts and Letters’ 2007 arts competition. The 2007 competition was open to young artists ages 18 to 29 working in water media on paper. Local artist Jenny Davis, a previous exhibitor at the gallery, won this year’s $10,000 national first prize for her watercolor “Portrait of Tess.” The winning painting and works by the winners of 18 other local chapter competitions who competed for the top prize will be on display. The gallery will host an opening reception at 1517 U Street, NW on Thursday, February 28, from 5:30 until 7:30 pm. The public is invited.

The NSAL was established in 1944 as a non-profit, philanthropic, volunteer organization of art professionals, art educators and patrons of the arts. Its mission is to encourage and assist promising young artists through scholarships, career support and arts competitions. NSAL’s competitions rotate annually through six categories: fine art, dance, drama, literature, music and musical theater. The 2007 competition was NSAL’s first painting competition in 20 years (the 2008 competition will focus on voice). As winner of the Washington, DC Chapter’s local competition, Ms. Davis, was invited to Tempe, AZ in May 2007 to compete with other regional winners for the top prize: the $10,000 Nicholson-Nielsen Memorial Award. Jenny’s watercolor “Portrait of Tess” captured the award.

“We are very pleased to have been asked to host this very impressive exhibition and to welcome Jenny Davis back to our gallery,” says gallery director Nevin J. Kelly. “This exhibition provides an ideal fit with our goal of introducing talented emerging artists to the local art community.”

Other regional winners whose works will be on display (and the NSAL chapters whose competitions they won) include Carrie Tompkins, (Birmingham), Maureen Forman (Bloomington), Vanessa Monot (Boca Raton), Ryan Rocha (Central Illinois); Erin Saladino (Clearwater-Tampa Bay), Alfred Perez (El Paso), Tawni Shuler (Greater Arizona), Morgan Canavan (Greater Chicago), Danielle Trejo (Evanston), Will Anderson (Kansas City), Gerren Dugger (Kentucky), Amber Carraway (Little Rock), Adrian Lyjak (Mid-Michigan) Mattias Lanas (New Jersey), Kelsey Berkley (North Florida), Mark Bush (Ohio River Valley), Thommy Controy (Pittsburgh) and Timothy Rusterholz (Virginia-North Carolina).

Christine Bailey's new inventions

"After the mini-controversy stirred up over artist Christine Bailey's exhibition of faux Cara Ober paintings at a downtown office building last month, we were eager to check out Boundary Crossings, the current show at School 33 Art Center that Bailey curated.

The show presents three artists -- Ariana Wol, Nadine Freund and "the international digital collective" A.N.N.A. -- who, on closer inspection, all turn out to be creatures of Bailey's own fertile imagination. During a phone conversation yesterday it only took a little prodding before she admitted that the show's trio of "artists" are, in fact, completely fictitious identities invented by her."

More details here.

By the way, that's the Sun's art critic, Glenn McNatt, who blogs in a Sun blog for the paper's critics.

27th Annual WPA Art Auction

The Washington Project for the Arts (WPA) has announced the 27th Annual Art Auction Gala to be held Friday, March 7, 2008 from 7:00 pm until midnight at the Katzen Arts Center at American University, 4400 Massachusetts Avenue, NW, Washington, DC.

The 2008 WPA Art Auction Gala is a full evening of activities that include a cocktail reception, seated dinner, a silent auction of more than 130 original works of art, and an art party. Held in the rotunda of the veautiful Katzen Arts Center at American University, this event draws young collectors, art enthusiasts, established and emerging artists, as well as leaders from the regional corporate, social and cultural communities.

Artists selected for the exhibit this year include painters, sculptors, illustrators, photographers and street artists, from Greater Washington, DC, New York, Philadelphia, Australia, Italy, and Russia.

Attendees each receive a bid number to vie for the original works of art featured in the auction, which have been selected from the following group of curators:

- Heather Darcy Bhandari, Curator and Artist Manager, Mixed Greens, NYC

- Andrea Douglas, Curator, Collections and Exhibitions, University of Virginia Art Museum, Charlottesville, VA

- Sarah Kennel, Assistant Curator, Department of Photographs, National Gallery of Art, DC

- Erin Chase Mackay, Principal, Chase Contemporary Art Consulting LLC, DC

- Dennis O’Neil, Director, Hand Print Workshop International, Alexandria, VA (who brought a ton of Russians to the auction)

- Marc and Sara Schiller, Wooster Collective, NYC

- Emily Smith, Curatorial Fellow, Modern and Contemporary Art, Virginia Museum of Fine Arts, Richmond, VA

- JD Talasek, Director, Exhibitions and Cultural Programs, National Academy of Sciences, DC

- Kathryn Wat, Curator of Modern and Contemporary Art, National Museum of Women in the Arts, DC

Some of the DC area artists selected for the 2008 Art Auction Gala include: Amy Lin, Maxwell MacKenzie, Foon Sham, William Christenberry, Steven Cushner, Eric Finzi, Bridget Sue Lambert, Joseph Mills, Renee Stout, Scott Hutchison, Akemi Maegawa, and Noelle Tan and many others. For a complete list of artists please visit www.wpadc.org and for Reservations and information: www.wpadc.org or contact the WPA office at 202.234.7103.

The preview for the gala is this coming Thursday, Feb. 28th, from 6-8:30PM; click on the below image for more details.

See ya there!

Art for Obama is tomorrow

Art for Obama III takes place tomorrow at Heineman Myers in Bethesda starting at 6:30PM.

Details and directions here.

S.548

Congressional alert: The artist deduction bill (S.548) would give artists the right to deduct the fair market value of their work when donating it to a charity.

Right now artists and artisans can only deduct the material costs of creating their work.

Please follow the link below and support this bill. It allows you to fill in and send on-line to your congressmen.

Click here.

Identities in extremis

Last week my desktop, after many faithful years finally gave up the ghost; a new one has been ordered.

Yesterday we drove down to DC to visit Glass3 in Georgetown - a gorgeous exhibition that once again shows that Washington, DC area artists are doing and creating something new in the genre. If you don't believe or understand my words to this effect over the years, go visit the exhibition and you'll see what I mean -- It stands out to the most casual observer. DCist has reviewed the show here and Heather Goss immediately picked up on the visual revelations of a three city international exhibit; let's see if the WaPo and the WCP get it.

Then we also wanted to see, and did swing by the opening for the talented new minimalist works by Akemi Maegawa at Irvine Contemporary. Akemi used to be my wife's neighbor in Bethesda for many years, and we walked away from the Irvine show with our second Maegawa original!

We then planned to swing over to Heineman Myers in Bethesda for their 10PM-10AM art party. We did get there eventually, but around 1AM, because we had an unplanned DC incident when we returned to our car. Heineman Myers was packed to the gills at 1 Am and still packed at 2:30AM when we left; full of music and dancing and booze.

In all the old movies, when the main character drives somewhere, he or she always finds a prime parking spot close or right in front of wherever they are going. I call this curious Hollywood effect "Doris Day parking," since in all of her movies she always managed to drive right up to and park right in front of wherever she was going.

So we had found an almost Doris Day spot on our visit to Irvine Contemporary, about a block away, almost corner of P Street and Kingman Place, in a nice, quiet residential neighborhood one block away from busy 14th Street, and right under a bright street light.

When we got back to the car around 9:30 PM, the rear passenger window had been smashed in and my laptop and my wife's travel bag were gone.

And so was my remaining computer, and my back-up to the dead desktop, which now has to make a visit to the expensive PC surgeon to see if they can somehow reclaim its files from its tired innards.

DC Police Officer Negron was on the scene within ten minutes, and in my mind has given the DC police department a huge positive checkmark in my book. He was friendly, helpful, made us feel a little better and was very detailed. We were also surprised when a crime scene expert then showed up (Officer Negron had called him) and did a CSI routine on the scene, including looking for fingerprints, etc.

I am thankful and impressed by the professionality, but more than anything else I want and need that damned computer back!

"They usually pawn it," said Officer Negron.

My laptop is useless to most people. Unless you are able to defeat 128-bit double encryption, no one will be able to log on without my 16 character alphanumeric password.

But, who knows, maybe pawn shop owners have the help of seedy SysAdmin experts who can bust through anything, and I suppose that you can always wipe out the computer OS and reload a new Windows OS and start from scratch.

But if any of you see a veteran (3 years at least) dark gray Hewlett-Packard laptop with a Verizon Wireless Card sticking from the left side port, anywhere around the 14th Street corridor, in a pawn shop or anywhere else... give me a shout.

Things happen for a purpose, and one reaps what one sows, and maybe I shouldn't have busted Mr. Molinari's window when I was a kid playing basketball in our backyard in Brooklyn and my shot went really wide.

Life moves on and I will go through hell over the next few weeks with a new desktop and a new laptop and waste weeks trying to reorganize my Virgo life; and calling all the credit bureaus, and the social security administration, etc. as inside the PC bag were also 4-5 really important pieces of ID cards for various things.

That worries me more than the loss of the laptop.

"In the worst case scenario," said Officer Negron, "those can be sold and used to start bank accounts, credit card applications, etc."

Identity theft; but life moves on and so does that window-smashing thief.

Motherfucker....

Proposing a new art fair model

There is a sense of art fatigue brewing in the art world. Read on a little background below and then read a new art fair model that I am proposing.

If you're jonesying because artDC got cancelled, you should consider attending the Baltimore Fair for Contemporary Prints and New Editions, which is an interesting deviation from the most common art fair model - which is usually led by a commercial entity such as a gallerist or art dealer-- since it is a project of the Baltimore Museum of Art.

The Baltimore Fair for Contemporary Prints & New Editions is presented by the BMA's Print, Drawing & Photograph Society. Proceeds from the fair are used to acquire contemporary works on paper for the BMA’s collection.

BMA invited 12 galleries, dealers and presses for this biennial weekend fair, offering drawings and prints, photography and digital images - so it's more than just prints.

Participants:

Center Street Studio, Milton, MA
Dolphin Press & Print, Baltimore, MD
Gallery Joe, Philadelphia, PA
Gemini G.E.L. at Joni Moisant Weyl, New York, NY
Goya Contemporary & Goya-Girl Press, Baltimore, MD
Harlan & Weaver, Inc., New York, NY
Jungle Press Editions, Brooklyn, NY
Jim Kempner Fine Art, New York, NY
Maryland Institute College of Art, Baltimore, MD
Pyramid Atlantic, Silver Spring, MD
Solo Impression, New York, NY
Charles M. Young Fine Prints & Drawings LLC, Portland, CT

---

A new art fair model

The other important thing to remember, as I mull, chew and refine a "new" art fair model to replace the existing art fair model, which seems to work well in Miami and New York, but not so well in the West coast, and as we have seen, not at all in the capital region, is the marriage of a legitimate art entity (a museum) with an art-for-sale process as a means to raise funds.

The seeds for this model already exist in the DC region with the Smithsonian Craft Show, now in its 26th year.

Considered by many to be the finest craft fair in the world -- and from the many artists that I have spoken to over the years -- one of the best places to sell fine crafts as well, this prestigious and highly competitive juried exhibition and sale of contemporary American craft will take place from April 10 through April 13, 2008.

It takes place at the National Building Museum in Washington, DC and it includes one-of-a-kind and limited edition craft objects in 12 different media: basketry, ceramics, decorative fiber, furniture, glass, jewelry, leather, metal, mixed media, paper, wearable art and wood.

There are 120 exhibitors in this year's show including emerging artists and master craftsmen, 39 of whom are first-time participants. Twelve of those selected were also first-time applicants to the show. All were chosen by a panel of expert jurors from a highly competitive field of close to 1,400 applicants.

So we have a model for printmaking in Baltimore and a model for crafts in DC that has been working for 26 years.

See where I'm going?

Can we envision the Smithsonian American Art Fair?

The Smithsonian American International Art Fair would dramatically expand the business model of the Smithsonian Craft Fair to a Mall-wide, or even citywide art fair anchored and guided by the Smithsonian Institution, and possibly either (a) spread throughout the various accommodating spaces at the various SI locales around the National Mall or even (b) in temporary art spaces, booth or containers on the open spaces of the National Mall itself!

The latter is not as big of a deal as it sounds. The National Mall already hosts a spectacular variety of outdoor events on the Mall spaces where complex display spaces are temporarily built, secured and just as quickly dismantled, grass re-seeded and by Monday the Mall is back to normal. For art, all we need is protection from the weather and security.

Perhaps even a combination of "free" (to the public) set of exhibitors (maybe out on the Mall) coupled with a paid admission set of exhibitors inside SI spaces -- or just make them all free to the public?

Details... details...

This new fair model would be open to both commercial art galleries and art dealers, as well as to art schools, and (and here's the key "and") to individual artists and cooperative artist-owned galleries.

Size matters.

Would 1200 galleries, dealers, schools and artists in a mega, new-model art fair raise some interests from art collectors to come to DC for a long weekend in May? It would if it attracted 60,000 visitors to the fair instead of 10,000 (like artDC attracted).

Are you aware that in May the Bethesda Fine Arts Festival in nearby Bethesda attracts 30-40,000 people to the streets of Bethesda for this artist-only street fine arts fair? or that also in May the Northern Virginia Fine Arts Festival attracts the same number of people to the streets of the Reston Town Center to buy art from individual artists? Both Bethesda and Reston have two of the highest median household incomes in the US.

And I am told that the Greater Washington, DC region has the second highest concentration of multi-millionaires in the world. The money is here - the key is to get the disposable income crown in touch with the art. Both Bethesda and Reston manage to accomplish this one weekend a year.

Do not, under any circumstances assume that these are "street fairs" where teddy bears, country crafts and dried flowers are sold. These are both highly competitive fine arts outdoor fairs where artists from all over the nation come to and compete for spots because artwork sells well. I have seen $80,000 worth of sculptures sell to one collector in Bethesda and a painter with a price point of $17,000 sell out in Reston. Do not let the snobby attitude of the high art world affect your preconception of what these two street art fairs are like; go visit one this coming May and open your eyes.

And because of them, and because of the success of ABMB, we know that given a certain critical mass, people will come out to an art fair.

The primary key for art dealers to have interest in an art fair is sales (and also exposure to new collectors, museum curators, etc.), but mainly sales. If you are a British gallery, by the time you get yourself and your artwork to Miami Beach, you're in the hole a whole bunch of Euros; if you don't sell anything (like it happened to a British gallery in artDC and an Israeli gallery at another fair), chances are that you won't return to that fair.

But increase the public attendance numbers exponentially, and Economics 101 tells you that sales will also increase exponentially.

And unlike the hotel-deprived artDC location at the Convention Center, I am told by DC's tourist gurus that the National Mall is already a magnet location where visitors, regardless of where they are staying around the Greater DC region, flock to during their visits to the capital.

Since two major Greater DC area street art fairs already exist in May in the Greater DC area, we can even consider aligning the weekends so that both Reston, Bethesda and the The Smithsonian American International Art Fair all take place on the same weekend! Offer free bus service between Reston and Bethesda and the National Mall for collectors to hop around during the fair weekend, and a public buzz alignment will begin to happen.

The Smithsonian American International Art Fair starts on a Thursday through Sunday and both Reston and Bethesda continue to run on Saturday and Sunday.

And the The Smithsonian American International Art Fair is focused as a major fundraiser for the cash-hungry SI. A formula of booth prices + perhaps a 5% commission on all sales (both tax deductible for American galleries) would take care of temporary Mall booth construction, reseeding of grass, and booth construction inside SI venues and still yield a nice chunk of cash for the SI.

If there's commercial success and high public attendance, soon we'd see some satellite hotel fairs popping up all over DC and its easy-to-get-to suburbs; the Corcoran will jump on the bandwagon right away. ABMB had 22 fairs all over the place last December.

I think that this "new" model could (and eventually when someone does it will) challenge Miami Beach -- and yes, I am aware that DC in May is not Miami in December -- but I also think that the District's own museums and public attractions trump Miami's anytime, so the District has something different to offer the potential collector who may be considering attending a new art fair in a city (like DC) that also offers him/her some other cultural and visual attractions besides good weather and nice beaches and sexy Cubans.

DC art commisioners... Smithsonianos... DC city fathers and mothers.... call me! Let's work this out before I offer my idea to Philly!

Update: My good friend Fernando Batista adds a new element to the above model, and an important element that only a Washington art fair weekend can add: include the Embassies! It's brilliant! In addition to all the above events taking place, the fair could also align with shows at 15-20 embassy galleries around DC. The embassies would showcase one (or a group) of their national artists, and then the fair would really have an international flavor, and the beginning seeds of a mini-Venice.

DC is a small city; it's fairly easy to set up transportation between the embassies and the Mall. In fact, some embassies could probably set that up themselves.

Artists Websites: Dana Ellyn

Winning Smile (Barack Obama), 18"x18" - acrylic on canvas by Dana Ellyn
Dana Ellyn is one of the District's hardest working and most talented artists. She is currently exhibiting in the Peace Now! show that opened tonight at the Warehouse Gallery in DC.

Artists' Websites: Richard Vosseller

"Captain Ahab Model" 1/16th scale - wood, chipboard & glue, 13.5" x 9" x 40" by Richard Vosseller
Richard Vosseller is a member of the faculty at the School of Art and Design at Montgomery College, MD where he is an assistant professor. He's having a solo show at the Black Rock Center For the Arts June 11th to July 11th, 2008. The opening is Saturday, June 21st.

Visit his website here.

Airborne again



Heading back home before the snow! More later...

The Trawick Prize Returns

Deadline: Friday, April 11, 2008

The Bethesda Arts & Entertainment District is now accepting submissions for The Trawick Prize: Bethesda Contemporary Art Awards. The 6th annual juried art competition awards $14,000 in prize monies to four selected artists. Deadline for slide submission is Friday, April 10, 2008 and up to fifteen artists will be invited to display their work from September 3 – September 28, 2008 in downtown Bethesda at Heineman Myers Contemporary Art.

The Trawick Prize is without a doubt, the key fine arts competition available to DC, MD and VA artists and has already produced some spectacular results for its winners.

This year's competition will be juried by Molly Donovan, Curator of Modern and Contemporary Art at the National Gallery of Art; Irene Hofmann, Executive Director of the Contemporary Museum in Baltimore, MD and Leah Stoddard, Director of Second Street Gallery in Charlottesville, VA.

The first place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A “young” artist whose birth date is after April 10, 1978 may also be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. Original painting, drawing, photography, sculpture, fiber art, digital, mixed media and video are accepted. The maximum dimension should not exceed 96 inches in any direction. No reproductions. Artwork must have been completed within the last two years. Selected artists must deliver artwork to exhibit site in Bethesda, MD. All works on paper must be framed to full conservation standards.

The Trawick Prize was established by local Bethesda business owner Carol Trawick. Ms. Trawick has served as a community activist for more than 25 years in downtown Bethesda. She is the Chair of the Bethesda Arts & Entertainment District and past Chair of the Bethesda Urban Partnership. Additionally, the Jim and Carol Trawick Foundation was established in 2007 after the Trawicks sold their successful information technology company.

For a complete submission form, please visit www.bethesda.org or send a self-addressed stamped envelope to the Bethesda Urban Partnership, Inc., c/o The Trawick Prize: Bethesda Contemporary Art Awards, 7700 Old Georgetown Road, Bethesda, MD 20814.

Hamiltonian Fellows

Congrats to the very first set of Hamiltonian fellows:

Christian Benefiel (Severna Park, MD)
Anne Chan (Baltimore, MD)
Ian Davis (Baltimore, MD)
Leah Frankel (North Wales, PA)
Alex Gutierrez (Kensington, MD)
Linda Hesh (Alexandria, VA)
Al Miner (Washington, DC)
Youngmi Organ (Nokesville, VA)
Brian Rojsuontikul (Springfield, VA)
Michael Sirvet (Washington, DC)

Opportunity for Artists

Deadline: April 11, 2008

2008 Rawls Museum Arts Juried Exhibition. Only original works not previously shown at RMA will be accepted. All media, styles and techniques are eligible. Artists may submit a maximum of three (3) images of individual works. You may submit digital images on a compact disc 300 dpi resolution, jpeg format. You may submit digital images on a compact disc 300 dpi resolution, jpeg format. For more details and copy of the prospectus visit www.rawlsarts.com.

Art Talk

The WPA has a very interesting talk coming up with Marc and Sara Schiller, the founders of the Wooster Collective; details below (click on image for larger image):

Peace Now!

Peace Now! opens with a reception on Friday, Feb 22 from 6-9 pm at the Warehouse Gallery in DC. Through April 6, 2008.

In observance of the 5th anniversary of the Iraqi War and as part of the March 19, 2008 "March for Peace" in Washington and other cities around the country, the Warehouse hosts its last peace exhibition. To the left is the room-dissecting Checkpoint Installation by Sondra Arkin in collaboration with Beth Baldwin.

Includes work by 40 artists including Matt Achhammer, JS Adams, Sondra N. Arkin, Beth Baldwin, Joan Belmar, BLK w/ BEAR, M.P. Brown, Travis Childers, Michele Colburn, James L. Cypher aka Joey Daytona, Richard L. Dana, Anna U Davis, Tom Drymon, John De Fabbio, Dana Ellyn, Elissa Farrow-Savos, Elizabeth Featherstone Hoff, Dara Friel, John Carlton Hagerhorst, Matt Hollis, Jackie Hoysted, Joseph Jones, Joroko, Mariah Josephy, Jenufa H. Kent, Lauren Kotkin, Heather Levy, Elizabeth Lundberg Morisette, Isabel Manalo, Anne Marchand, Carolina Mayorga, Patricia E. Ortman, Igor Pasternak, Jane Pettit, Mark Planisek, Sajeela Ramsey, Marina Reiter, Ann Ruppert, Julie Seiwell, Matt Sesow, Alexandra Silverthorne, Ira Tattelman, Gabriel Thy, Karen Joan Topping, Ruth Trevarrow, Jessica van Brakle, Mary Walker, Ruth Ward, Ellyn Weiss, Angela White, Andrew Wodzianski, Peter Wood... and me.

Wanna go to an opening in DC tomorrow?

Glass3 has an opening reception on Thursday, February 21, 2008, 6 - 8pm at The Shops at Georgetown Park (Level 1), 3222 M Street., N.W. Washington, D.C. 20007.

Glass 3, is an international studio glass exhibit featuring extraordinary glass artists from Toledo, OH (birthplace of the US Studio Glass Movement), Washington, DC and Sunderland, UK (Washington, DC Sister City). The exhibit runs through March 9, 2008.