5th Annual Bethesda Fine Arts Festival

The Bethesda Arts & Entertainment District will present the 5th annual Bethesda Fine Arts Festival, a two-day fine arts event highlighting 140 contemporary artists who will sell their original fine art and fine craft on the streets of Bethesda, Maryland. The festival is scheduled for Saturday, May 10 from 10am-6pm and Sunday, May 11, 2008 from 10am-5pm.

The festival will take place in downtown Bethesda’s Woodmont Triangle along Norfolk and Auburn Avenues, located six blocks from the Bethesda Metro Station. Free parking is available adjacent to the event in the parking garage located on Auburn Avenue.

With over 20,000 attendees over the two day period, the Bethesda Fine Arts Festival has become one of the top art events in the Greater DC region and a must see for those who think that good art is only available in gallery or museum walls.

Direction here and a list of details here.

Go buy some artwork!

Con La Mirada en el Cielo

In his second solo show at Philly's Projects Gallery, Henry Bermudez presents “Con La Mirada en el Cielo” where Bermudez continues "his exploration of spiritually surreal imagery, combining his unique vision of pre-Colombian and Christian iconography. The complex arrangement of interlocking lines and colors are reminiscent of intricate Persian tapestries. The dense arrangement invites us to travel further into a realm of contemplation. Bermudez’s current body of work expands upon the tradition of cut-paper assemblage, in some cases expanding his surface to monumental proportions."


An internationally exhibited artist, Bermudez’s work is in numerous museum and private collections throughout the world. He was the Venezuelan representative to the 1985 Venice Biennale. A solo exhibition of his work is scheduled at the National Museum of Catholic Art and History in New York City in 2009.

The exhibition opens this coming First Friday, May 2nd with artist receptions from 5-8 p.m. The exhibition continue through May 31st, 2008.

DCAC’s Sparkplug opens this coming Friday

DC Arts Center’s resident collective Sparkplug launches its first exhibition as part of "an ongoing pursuit of adventures beyond the commercial gallery system."

Sparkplug is "a gathering of a dozen or so Washington, DC metro area emerging artists, curators and writers that meet once a month to discuss their work, explore common concerns and ideas, grow their community, and dream up creative engagements both in DC and around the globe."

This inaugural two-week catalyst show will include work by: Deborah Carroll-Anzinger, Peter Gordon, Lisa McCarty, Kathryn McDonnell, Michael Matason, Mark Planisek, Karen Joan Topping and Jenny Walton. It is curated by Lea-Ann Bigelow.

The goal of Sparkplug is "to identify superior artists, curators and arts writers without current gallery representation or institutional employ, to provide them with an ongoing source of support, inspiration and encouragement, and to enlist them in the long-term development of a vital DC Arts Center collective."

Sparkplug is still actively seeking members – "dedicated visionaries with a broad range of backgrounds and experiences and a diversity of professional preoccupations and creative aspirations – from all communities in the Washington, DC region."

The Opening Reception is May 2, 7 - 9pm and some of the artists will be on hand on Saturday, May 10th from 3:00 PM to 6:00 PM to discuss the show, their work, and Sparkplug at the DC Arts Center.

Sculpture at Evergreen

Wanna go to an opening in Philly next Friday?

The Bridgette Mayer Gallery in Philly has coming up an interesting solo show of gallery artist Ivan Stojakovic -- titled Build-Up -- opening on the 29th, which will run through May 24, 2008.

This is Stojakovic's second solo show at the Bridgette Mayer Gallery. He currently lives and works in New York City, and is originally from Belgrade. Along with his solo show at the gallery in 2007, Stojakovic has exhibited in New York, Canada and Serbia in solo and group exhibitions.

Build-Up will run from April 29- May 24, 2008. An opening reception with the artist will be held, First Friday, May 2nd from 6:00- 8:30p.m.

Post Modernist Writing

". . . invents puzzles out of nonsequiturs to seek congruence in seemingly incongruous situations, whether visual or spatial . . . inhabits those interstitial spaces between understanding and confusion."

The above quote is from the Whitney Museum's Biennial exhibition of contemporary art... yeah.

That elitist deconstruction of the English language is what passes in some circles for art lingo, but the Wall Street Journal's Eric Gibson has it right when he writes that "there is no excuse for a museum letting nonsense of the sort quoted above out in the open, particularly an institution whose mission includes educating the public. If the Whitney continues to snub this public -- its core audience -- by "explaining" art with incomprehensible drivel, it shouldn't be surprised if people decide to return the favor and walk away."

Bravo Mr. Gibson! Read the whole article here.

I visited the Biennial a few weeks ago intending to write a review, but I just couldn't justify spending time doing so. Everything seemed... so common and typical... nothing stood out in my mind.

For example, Oliver Mosset's work is exactly like a the work of a couple of hundred art school students each year (and because I am curating a student exhibition even as I type these words... I know!) and even like the work of a few Artomatic artists every time that there's a new AOM. As is Ry Rocklen's... or Frances Stark or 97.756% of these artists' works.

It is not to say that they are all bad, but what it does says -- to anyone who visits a few art fairs and a few hundred art gallery openings a year -- is "I've seen a few dozen artists who do exactly this stuff... yawn."

In this blue chip setting, I and we want to see something that WOWs us... never mind the shitty writing to explain the shitty art.

We say this because we expect this show to -- at least-- show us a couple of artists and works which really stand out, but instead, it seems likes it continues to degrade into a masturbatory event of "what-does-the-chosen-curator-who-never-actually-goes-to-gallery-openings-regularly... so that he/she only has a tiny perspective..." think is "new" and worthy of inclusion.

But it is not the curators's fault, but the mix of curators.

Whitney Museum: Throw in some common sense in there and you'll be shocked by the changes. Add a small time collector to the curatorial mix; not a multimillionaire, but a guy who owns a dry cleaners or a deli and has a passion for collecting art, or a bartender from NYC who has a passion for going to gallery openings and whose apartment is full of art. Include a small city curator or gallery director with a very focused perspective and you might be surprised what some commoners' blood does add to your blue blood curatorial effort: stamina and a new set of eyes (and new eyes have new perspectives),

For arts' sakes, connect to the "outside the art world" world... somehow.

Otherwise, stay they way you are, and resign yourselves to be the laughing stock of the critical and public world, but at least show me at least one memorable fucking painter or at least one video worth remembering, or one installation that doesn't look like garbage.

Pick out a really young artist whose name hasn't come to you via the usual routes... someone still in school but struggling to deliver something that is good and still someone can choose to display in their homes, for after all, some significant parts of the production of the art community are commodities -- not all mind you -- but not all are just ideas and undecipherable conceptual art.

It's supposed to be sort of a survey... right? So stop trying to be so edgy, because by the time you get to the edge, we've already seen it before when we got there first.

Because unlike you, we are not stuck in offices in museums, waiting for someone in our inner circle to tell us what is the latest and greatest in edgy art, so that we can then re-invent the English language to explain it.

Get out and see some stuff, and remember what the word "survey" means. Or take the approach that some Latin American nations' Biennials take (such as El Salvador and Costa Rica) and open the Biennials so that artists can send submissions for consideration. In this cyberspace world, it is not that hard to do and not that difficult to view and jury.

As for the text, it also brings me to the non-issue of: since every signage in public spaces these days are of the bilingual nature, why isn't museum wall text also displayed in Spanish?

Oy Gevault! Imagine translating all that crappy writing into Spanish if the Whitney Biennial was to travel around the US, as some have suggested.

Que Barbaridad!

Orphan Works Bill

(Via)

In their final report, the independent review has recommended that the UK adopt a similar policy to what U.S. Orphan Works legislation is proposing, namely that works can be used if the copyright owner cannot be found after a 'reasonable search'.

Is Congress on drugs or what? Give up copyright if the copyright owner cannot be found after a "reasonable search"? This is crazy! Especially in the cyberspace world of today, where an image may be reproduced myriads of time and then lives forever as multiple digital footprints of that original image!

According to the Orphan Works Blogspot, earlier on, the Copyright Modernization Act of 2006, HR6052, which incorporated the Orphan Works legislation, after intense pressure, was withdrawn, but it is now back!

Read the Senate Version here and/or the House version here and then contact your Lucy-in-the-Sky-with-Diamonds elected official and tell him or her to drink a lot of coffee and realize what they're doing!

You'd think that the Republicans were in charge of Congress or somethin'!

Talking about Romare Bearden...

A Romare Bearden mural at a Port Authority subway station has been appraised at $15 million and could cost the transit agency more than $100,000 a year if it is forced to insure it, officials said Wednesday.

The financially troubled Port Authority is now struggling to decide what to do with the mural, according to spokeswoman Judi McNeil.

"We have to put our practical hats on and say, 'We're a bus company. We're not art experts,' " she said.

The mural, in the Gateway Center Station, was appraised as the Port Authority plans to build a new station. The project is part of the $435 million North Shore Connector T expansion from Downtown to the North Shore.

Port Authority officials plan to meet with members of the arts community, including local museums, to discuss the mural and whether it should be relocated to the new subway station or to another venue.

Interesting, uh? There's more!

The mural was mounted in the subway as it opened in 1984. The agency commissioned Bearden for $90,000, using donations from public and arts organizations.

Officials are leaning toward appraising a second subway mural, also potentially valuable. A Sol LeWitt mural called "Thirteen Geometric Figures" is mounted in the Wood Street Station, Downtown. LeWitt is considered the father of conceptual art.

I think some DuChampians would have a little issue with that last statement, but read the Pittsburgh Tribune-Review story here.

Rice on Duane Michals

The Philly City Paper's Robin Rice with an excellent review of Duane Michals at the Sol Mednick Gallery, Univ. of the Arts, in Philly.

The Poet decorates his muse with verse, c.2004 Duane Michals
Read it here.

52 O Street open studios this weekend in DC

I alerted all of you a while back, and DCist's Lynne Venart now has an excellent walkthrough of the studios.

Read it here and then go buy some art... somewhere.

Lotta Art is tomorrow in Baltimore

Inaugural Exhibition

I've been remiss in failing to mention the inaugural exhibition of the new Lillian and Joseph C. Duke Gallery at the Community Arts Center of Wallingford, PA - the nearest art gallery/center to my own home!

On exhibit is the Philadelphia Watercolor Society juried members' show of works on paper and the show ends today. The juror was Geraldine McKeown, NWS.

By the way, Media Pennsylvania is known as "Tree City, USA," but I have a new name for them: "Allergy City, USA."

A rarity coming up

Aaron Douglas: African American Modernist presents "the first nationally touring retrospective of Aaron Douglas (1899-1979), one of the most influential visual artists of the Harlem Renaissance. This exhibition brings together more than 80 rarely seen works by the artist, including paintings, prints, drawings and illustrations."

The show opens at the Smithsonian American Art Museum in DC on May 9, and runs through August 3, 2008.

I really hate the segregation of art by race or ethnicity, but once in a while something stands out so grossly out of synch that it must be pointed out.

This coming show is also a rarity for the DC area museums: an exhibition by a black artist.

Example: As far as I know the National Gallery has only hosted one exhibition in its entire history by a black artist, in this case African American artist Romare Bearden.

The Corcoran has done a little better, most recently hosting Sam Gilliam's first retrospective. Jonathan Binstock, then the Corcoran curator, had done his thesis on Gilliam, so I am sure that this helped get this DC art star a long overdue museum show in his own city. And the Phillips Collection certainly has paid attention to my old professor Jacob Lawrence with a couple of traveling exhibitions.

But some black artists are way overdue for the kind of exposure that an NGA show can afford an artist. My first suggestion is Wifredo Lam.

Any others? Feel free to comment.

Wanna go to a DC opening tomorrow?

DC's Studio Gallery has an opening Saturday night April 26 from 5-7PM. They are featuring the work of Roberta Thole in the upstairs gallery. Her works "allude to classicism and the environment and are mixed media with paint, copper and emulsion."

Downstairs gallery has two emerging artists who "use paint in a very bold, abstract way." Katya Kronick "draws her inspiration from nature directly" and Andrew Acquadro "abstracts everyday images in a very bold and dynamic way."

Artists' talk: Alexandria, VA

Amy Lin will be discussing her work at the Art League Gallery in Old Town Alexandria on Saturday, April 26 @ 3:30pm.

Buy Amy Lin now.

Seeing double

One of the below invite cards is from the Corcoran's new "Anonymous" fundraising exhibition, the other is from the Washington Project for the Arts' own series of "Anonymous" fundraising shows...

Eakins update

The Philadelphia Museum of Art announced today that it has completed the funding of its share in the joint acquisition of Thomas Eakins’s heroic 1875 masterpiece, The Gross Clinic, through deaccessioning Eakins’s Cowboy Singing, which has been jointly acquired by the Denver Art Museum and the Denver-based Anschutz Collection, as well as two oil sketches for Eakins’s Cowboys in the Badlands, which have been acquired by the Denver Art Museum. The Museum acquired The Gross Clinic early last year with the Pennsylvania Academy of the Fine Arts from Thomas Jefferson University, amidst a spirited campaign to keep the painting in Philadelphia.

Above from the press release from a few days ago; details here.

Five ways to get sued for using people in your Art

Beth Russell is a musician and attorney admitted to practice law in New York, Connecticut and Wisconsin. She is the author of the book Art Law Conversations perhaps the key legal book for artists. Buy it here.

And Beth pens Five Ways to Get Sued for Using People in Your Art for Art Calendar magazine - which by the way is a must subscribe-to magazine if you're an artist looking for a great opportunites and business magazine for artists (disclosure: I've written tons of articles for Art Calendar over the years).

It's a great article; read it here.

Opportunity for Sculptors

Accepting Entries: May 2 to September 5 (received deadline)

The Washington Sculptors Group has a call out for "Aquifer," a sculpture exhibition to be held at the Edison Place Gallery (701 8th Street, NW Washington, DC 20001) and co-curated by my good friends Deborah McLeod and J.W. Mahoney.

The exhibition is open to members of Washington Project for the Arts and Washington Sculptors Group. Artists who are not current members may join either or both organizations. New members may request a membership form by contacting WPA at www.wpadc.org or WSG at www.washingtonsculptors.org.

For more info or details visit the The Washington Sculptors Group website.

New Look

Yes boys and girls... after five years with one of Blogger's earliest templates, I finally took the plunge and switched to a new template in order to allow comments.

You see, for quite a while I have been struggling to add comments to this blog; without an iota of success.

So then I decided to do a little research and quickly found out that my 2003 vintage blog template didn't support comments and that the only solution was to switch to a new one.

And so, countless hours later, here it is! Expects a few visual tweaks here and there.