Lorton Arts

Last month I juried the Lorton Arts Foundation exhibition at the University of Phoenix, Reston Campus. Below is a quick video of that exhibit.

Another AOM Top 10

Melissa Hackmann with her AOM Top Ten here.

Private Museums

Mr Margulies, who estimates he now owns around 4,500 works, is among the more respected of a growing group of collectors who choose to create independent spaces, rather than donating works to public museums, where it might stay in storage “for the first 15 years”, he said.

Read Lindsay Pollock and Georgina Adam discuss why the rise of the private museum is rewriting the rules of the market - in the Art Newspaper here.

Art Fairs

Art Basel, one of the world's largest and oldest contemporary art fairs, opens to the public today; about 55,000 people will throng to it and its satellite events. Whether you consider the crowd lemmings or pilgrims may depend upon your bias -- and your bank account -- but one thing is certain: Fairs are a power shift in the art world. For good or ill, they are changing where you buy art, how you look at it, and even how artists make it.

Alexandra Peers on art fairs at the WSJ. Read it here.

Early Look Video

Last night's opening of Early Look, an exhibition of undergraduate art students selected by me from various schools in the Mid Atlantic, opened at DC's Long View Gallery and below I have a quick video of the opening and artwork.

Several pieces sold, including what I think is perhaps the show's major work, a huge pastel by GMU's Tanya Wilson, which sold to a major Virginia ubercollector. There is a lot of good work at superb prices at this exhibition, make sure to stop by and buy some art!

Come to the Early Look opening tonight

Drop by the Long View Gallery in DC today from 5-8PM for the opening reception of Early Look, my curated exhibition of some outstanding young artists from undergraduate programs along the Mid Atlantic.



You will see work by Moore College of Art & Design students Krista Rothwell, Erika Risko, Lauren Albert, Catherine Badger and Melanie Bergwall, Corcoran College of Art + Design student Marissa Valko, MICA student Anton Merbaum, American University student Caitlin Servillo, Virginia Commonwealth University student Deborah Shapiro, St. Mary’s College of Maryland student Jenny Davis, George Mason University students Aaron Miller, Ryan McCloy and Tanya Wilson, and West Chester University of Pennsylvania student Meghan Buozis.

The Long View Gallery is at 1302 9th ST NW, Washington, DC 20001 (202.232.4788) just a short walk from the Convention Center. This is an excellent opportunity for beginning collectors.

See ya there!

The Collector Strikes at AOM

Read all about this in MeanLouise.com.

Lockheedian Christo

I have never seen these pictures or knew that we had gone this far to protect industrial and defense operations. During World War II the Army Corps of Engineers needed to hide the Lockheed Burbank Aircraft Plant from Japanese air attack. They covered it with camouflage netting to make it look like a rural subdivision from the air.

Below is Lockheed before the camouflage was created:



And below are some amazing images after it was hidden away:

Grants for Maryland Artists

Deadline: July 31, 2008

The 2009 Maryland State Fellowship guidelines and applications are now available. The funding categories available for 2009 include:

Dance: Choreography
Music Composition (World, Classical and Non Classical)
Playwriting
Poetry
Visual Arts: Crafts
Visual Arts: Photography
Visual Arts: Sculpture

All applications must be submitted online. Applicants can click here to access the MSAC Individual Artists Fellowships Application. The deadline for 2009 applications is July 31, 2008.

Fallon & Rosof Curate


Philly's Northern Liberties neighborhood is rapidly developing (no pun intended) into one of my favorite areas - it reminds me a lot of Brooklyn when I was a kid.

And Northern Liberty's Projects Gallery today opens their collaboration with curators and uber art bloggers Roberta Fallon and Libby Rosof in an exhibition simply titled ID.

This exhibition will put the gallery lights on a number of emerging Philadelphia artists united in pushing the boundaries of myth and persona in contemporary art. From what I know of the show so far, we will see video, performance, sculpture, and photography, as the exhibition explores "broad and self-focused concepts ranging from issues of applied identity to the id of the artist."

As Roberta and Libby put it, "the works are metaphorical in ways that come out of the core of who they are and what they see around them." Artists include:

Samantha Hill - Moore College of Art and Design
Andria Bibiloni and Carl Marin - Tyler School of Art
Jay Hardman, Alex Gartelmann, and Phil Jackson - The University of the Arts
Jamie Diamond, Katy Rose Glickman, and Sarah Zimmer - University of Pennsylvania

And Philadelphia-based artist Diedra Krieger from the Vermont College of Fine Arts.

ID opens tonight with an artist reception from 5-8 p.m. and continues through July 26. There will be a performance of artist Samantha Hill’s “Black Iconography” at 7 p.m. The reception is free and open to the public.

Funny

Someone emailed me the following:

I came across an artist at Artomatic the other day who listed his painting medium as “gauche” – is that like gouache, only crude and tacky? It was topped only by the guy at Glen Echo who painted in “tempura.”

More Congrats!

Kudos to Silver Spring artist Steve Resnick who was asked by the US State Department to create gifts for President Bush to give out while the Prez was visiting Israel.

Resnick created a six-sided glass "tzedakah" box. The box will be given to the state of Israel and put on permanent display in the Israel Museum.

Congratulations

Kudos to Bert GF Shankman of Olney, MD who had three of his photographs chosen for the permanent collection of the Museum of Fine Art, Houston. They were chosen by Anne Wilkes Tucker Chief Curator of Photography of the museum. This top notch museum has over 22,000 photos in its collection of photography which is the largest and easily amongst the finest in the country.

Bert will be having an Open Studio and Sale on June 7 and 8 from 12-5 PM where you may see the award winning photographs plus others,. Admission is free to this show and sale at his home gallery and open to the public. Call: 301-774-0655.

Top 20 Must-See US Museum Exhibitions for Summer 2008

According to MutualArt.com anyway:

· Making It New: The Art and Style of Sara and Gerald Murphy (Dallas Museum of Art)

· Los Angelenos/Chicano Painters of L.A.: Selections from the Cheech Marin Collection (Los Angeles County Museum of Art)

· Gilbert & George (Milwaukee Art Museum)

· Everything's Here: Jeff Koons and His Experience of Chicago (Museum of Contemporary Art, Chicago)

· The Baroque World of Fernando Botero (New Orleans Museum of Art)

· Calder Jewelry (Philadelphia Museum of Art)

· Life on Mars, the 2008 Carnegie International (Carnegie Museum of Art, Pittsburgh)

· Frida Kahlo (San Francisco Museum of Modern Art)

· Louise Bourgeois (Solomon R. Guggenheim Museum in New York City)

· Buckminster Fuller: Starting with the Universe (Whitney Museum of American Art in New York City)

Good story!

The CP's Angela Valdez has a really interesting article on DC area ubercollector and museumeister Mitch Rales. Read it here.

Opportunity for DC Artists

Deadline: Wednesday, July 9, 2008 at 5:30 pm

The DC Commission on the Arts and Humanities (DCCAH) is purchasing artwork that captures archetypes of Washington DC. Subjects include specific neighborhoods, parks and circles, festivals, gathering places, or cultural events. Less obvious motifs include downtown redevelopment, restaurants, shops and businesses, work places, or Metro stations. Artists should consider a broad range of subject matter as long as the works have an unmistakable subject reflecting life in the District. Artists should also consider submitting images of Washington that depict the changing neighborhoods and the parts of the city that are disappearing. The Committee is very interested in depictions of all wards of the city. The collection serves to honor and embrace life in the District.

This opportunity is open to all artists who reside and have their studio in the District of Columbia.

For more information and to download the Call to Artist, please visit www.dcarts.dc.gov or to request an application in HTML format, email Beth Baldwin or call (202) 724-5613.

Open Studio in Baltimore

Our own Rosetta DeBerardinis will host an open studio on Saturday, June 7th; Time: 1-7 pm at:

School 33 Art Center
1427 Light Street
Studio #201
Baltimore, Maryland 21230

Black Art

Months ago it drove me crazy when Washington Post writer Jacqueline Trescott described Jacob Lawrence a great "African American" artist and now it drives me even crazier when her Washington Post's colleague and that paper's chief art critic writes (in reviewing current shows by American artists Aaron Douglas and Jacob Lawrence in the nation's capital) that:

The surprise isn't that Douglas couldn't overcome all the obstacles there were to making the first fully convincing black art. It's that the young Lawrence, in his "Migration of the Negro," did.

"Black Art"????? Is there really such a genre? If there is, then haven't Africans been making "Black Art" for milennia?

And yes, I do know that there are commercial art fairs that are focused to attract collectors of art about African American subjects, just like there are art fairs focused on Latin American artists, European artists, Australian artists, Asian, etc. They all create art, and their race and ethnicities are part of the processes and cultural contributions to the end commodity, but in the end, it is art.

But Gopnik really means "African-American art," doesn't he?

It's just American art; it happens to depict African American subjects and history, and its talented creators were African American, but the end result is no more "black art" than Andy Warhol's art is "white art" and Morris Louis' art is "Jewish Art" and so on.

It's just "American Art."

Makes my head hurt.

10 Great Towns for Working Artists

10. Oil City, Pennsylvania

What makes it special: The birthplace of the oil industry and former headquarters of Standard Oil, Quaker State and Pennzoil, this northwestern Pennsylvania town is reinventing itself into a lively, committed arts community. With affordable Victorian homes and mixed-use properties (many under $50,000), theater, music, a branch campus of Clarion University, easy accessibility to art markets from Cleveland to Buffalo, and dozens of artists who have already claimed this small town as home, Oil City is one of the best deals on the market.

What it offers: 100 percent fixed-rate financing up to $150,000 on live-work space (when using First National Bank). This includes rehab costs, and mortgage insurance is waived. $7,500 toward down payment and closing costs on a residence through Venango County Affordable Housing (income guidelines apply). Plus there are opportunities for facade grants and loans, tax abatements for commercial properties and tax breaks for certain properties in the Historic District. Downtown studio space is available at $0.49 per square foot, with the first three months rent free.

Read this excellent article by Kim Hall to discover the other nine cities here.

“If you don’t move, you get fat”

The “If you don’t move, you get fat” campaign is found found in Hamburg and is creative genius of the German ad agency, Scholz & Friends, for the German Olympic Sport Federation.