Cameron Kitchin moving up

The executive director of the Contemporary Art Center of Virginia is leaving to run a larger museum in Memphis, Tenn.

Cameron Kitchin, after six years at the Oceanfront-area fine-arts center, will direct the Memphis Brooks Museum of Art. His last day is Oct. 31.

"We're disappointed," said Randy Sutton, chair of the board of trustees at the Beach center. "We wish him the best. He's going to a great museum."

The Memphis Brooks Museum has a wide-ranging permanent collection of about 8,500 works, from Auguste Renoir to Frank Stella. It stages special exhibitions and has a strong educational outreach program. The museum has more than 60 full-time employees, a $5.2 million budget and 36,600 square feet of gallery space.

Details here.

Art Fair Coming to DC


The Washington DC International Arts Expo is coming to the DC Convention Center next month, the hard work of artist Lisa Jones and The Collective. This will be the second year for the Expo and over 100 artists and galleries from around the country are expected.

Details here.

New Drawing

"Woman who Finally Figured Out a Way to be Outside the Influence of Men"
Charcoal and conte on paper, c.2008
40 x 30 inches by F. Lennox Campello
Click on it for a larger image.

End of the art dealer? Naaah!

What does it mean for the art market that a living artist bypasses dealers altogether and sells his wares directly at auction? There is some speculation that this might be a pivotal moment, like the end of the studio system in movies or the continuing decline of the record labels in the music business. Could the gallerist's traditional role as mediator between the contemporary artist and his market be passé?

Most insiders say that only at the topmost end of the market, where sales at auction are guaranteed by the artist's fame, could the middleman become an anachronism -- and that just a handful of artists, such as Damien Hirst and Jeff Koons, have the kind of fame it takes. Dealers still have a crucial role to play, the argument goes, in building the reputation of artists; in finding the right -- influential -- homes for artists' works; in persuading museums of artists' worth; in taking reviewers out to lunch. Furthermore, it is noted, the art biz differs from show biz in a fundamental way: Movies and music sell to a mass audience, while art sells singly to individuals.

That is where, for now, the debate seems to have stalled, at the consensus that nothing much will change. A comforting thought, perhaps, but one that falls apart at the slightest prodding. It's certainly comforting that the most imperiled are the top-end headhunters, like Mr. Gagosian, who encouraged the cult of celebrity to supplant content and aesthetics as the foremost value in art. But beyond that, one wonders how it will affect the role of galleries when ultimate success automatically carries a built-in penalty: If they create a big enough star, the star will have no need of them. At the very least, dealers and gallerists in contemporary art will face a solid ceiling beyond which they cannot maximize profit on the investment they made nurturing artists. They simply cannot compete with the global footprint of international auction houses, which offer artists instant access to world-wide markets.

In reality, the art biz is more like the movie or music biz than one might think. Mass markets, like mass media, affect the thinking of visual artists all too palpably these days, however uniquely each of their pieces may be made and sold.

Read this excellent article by Melik Kaylan in the WSJ here.

Congratulations

To Ledelle Moe, who is the recipient of the Kreeger Museum Artist Award $20,000 prize, underwritten by Chevy Chase Bank.

This biennial, juried award recognizes a mid-career artist whose life and work have significantly influenced the Greater DC area arts community. A selection of Ledelle’s work will be on view at the Kreeger from October 3 – November 29, 2008.

Opportunity for Artists

Deadline: October 1, 2008 at 4:00pm.

The City of Philadelphia's Department of Public Property, Public Art Division, and the Department of Human Services announce a competition for the commissioning of site specific interior artwork for the new Philadelphia Youth Center.

A total budget of up to $225,000 has been allocated for this Percent for Art project. The competition is open to artists or collaborative teams who reside in the following states: PA, DE, NJ, and MD. For a prospectus visit this website.

Opportunity for Artists

Deadline: October 24, 2008

Coker College's Cecelia Coker Bell Gallery is reviewing entries (all media) for solo shows in the 2009-2010 exhibition season. Send ten 35mm slides or jpeg files (they prefer 1024 x 768 pixels) on CD/DVD, list for images, statement, resume, and SASE to:

Larry Merriman
Coker College Art Dept
300 East College Av
Hartsville SC 29550.

Full prospectus here

Olympian ending

We learned loads about the beautiful, talented people of China during these Olympics, and perhaps even more about its cheating, lying, oppressive government. The more the Chicoms tried to appear as another ordinary government, the more their decaying Communist yoke showed.

So to close out the Olympics:

"Birds Nest, in the Style of Cubism," a painting by Zhang Hongtu, is now at the Lin & Keng Gallery in Taipei, awaiting shipment back to New York.

The ashen-brown picture shows the gleaming new Olympic stadium, designed by the Swiss architects Herzog & de Meuron, as Piranesi might have imagined it and Picasso painted it -- as a decaying ruin rendered in fragmented angled forms. On the canvas, cubist-style, are inscriptions in English letters and Chinese characters: "Tibet," "human right" and the Olympic motto, "one world, one dream."

The painting was supposed to be in Beijing during the Olympic Games, in the exhibition "Go Game, Beijing!" organized by a Berlin marketing firm and displayed at the German Embassy. But it was seized by Customs on arrival and denied entry as "unacceptable" for its color, its depiction of the stadium, and its inscriptions.

Read the WSJ story here.

NIH Darwin Day call for art entries

Deadline: September 19, 2008

February 12, 2009, marks the 200th birthday of Charles Darwin and the 150th year since his seminal work, “On the Origin of Species,” was published. To recognize Darwin’s scientific accomplishments, including his observations on plant and animal life, NIH is planning a variety of activities, such as a lecture series, film screenings, and theater performances.

From November 2008 through February 2009, the Clinical Center’s artistic gallery spaces will display photographs of the Galapagos Islands, where Darwin visited. NIH employees and patients, as well as photographers from the community, may submit their photos for consideration by September 19, 2008. Artists will be notified within two weeks if their work is selected. Contact Crystal Parmele or Lillian Fitzgerald at 301-402-0115 with questions or submissions.

Art and the Olympics

Bill Gusky writes on Art and the Olympics.

Read it here.

Art and religion

India's biggest art fair opened on Friday, but the show was mired in controversy when organisers left out the works of the country's best-known painter for fear of attacks by Hindu vigilantes opposed to him.

The works of Maqbool Fida Husain, typically a blend of cubism and classical Indian styles that fetch millions on international art markets, were conspicuous by their absence at the India Art Summit.

The artist's famous paintings of naked Hindu gods have delighted art afficionados but enraged Hindu vigilantes who have attacked his house in the past and vandalised shows displaying his works.

It is clear that Maqbool Fida Husain is not aware that the only contemporary religion that artists can safely spoof and have fun with is Christianity. Read the Reuters story by Melanie Lee here.

Wanna go to a DC opening tonite?


Photographs by Alison Brady and Ryoko Suzuki open in DC's Randall Scott Gallery today with a reception from 7-9PM.

European Heirs Demand New York Museums Return Picassos

The heirs of German-Jewish banker Paul von Mendelssohn-Bartholdy are demanding that New York's most important museums hand over two Picassos. But MoMA and the Guggenheim are fighting back, claiming they are now the rightful owners.

Read the story in Der Spiegel here.

Documenting the New Northern Virginia

Lela Dehne - "Canal Center, Alexandria, Virginia 2008"
Documenting the New Northern Virginia is an photography exhibition by NOVA students. In fall 2007 the Photography Program at Northern Virginia Community College received funding from the college’s Professional Development College-Wide Initiative.

This funding provided support for a multifaceted project called Documenting the New Northern Virginia. The project included course work, guest speakers, student exhibitions, and a web site. We plan to extend the project with a book produced by students, traveling exhibitions, and a permanent archive of the work.

The student photographs you see in this gallery are the result of four documentary photography classes on the Woodbridge and Alexandria campuses during the 2007-2008 academic year. Students photographed the changing physical and cultural landscape of Northern Virginia, and considered the purpose and practice of documentary photography.

Thirty-nine students have work in this exhibition. The classes were taught by Gail Rebhan, Charles Kogod, and Page Carr.

At the Verizon Galleries, Ernst Cultural Center, Northern Virginia Community College from 21 August - 10 September 2008.

Time for DC to be shamed

"Managers of a downtown office building yanked a sculpture called "Unmentionables . . . then and now" from an exhibition last week after tenants complained that the art was inappropriate.

The offending art, by Joyce Zipperer, was installed with other artwork in the lobby of the Washington Square building at 1050 Connecticut Ave. NW. "Unmentionables" consists of 10 styles of women's underwear -- from old-fashioned bloomers to a skimpy thong -- all made out of metal and strung along a clothesline."

So begins the story by Rachel Beckman in the Washington Post.

The complainers?

"Shortly after the installation went up on Aug. 3, a group of tenants complained to the building's manager, Cynthia Muller. Muller wouldn't say which tenants objected to the art, but the artist and curator say they were lawyers from two of the building's resident law firms."

As Beckman points out: "Of all the office buildings downtown, Washington Square is perhaps the oddest place for an underwear-art controversy: One of its tenants is Victoria's Secret."


Read the story here. Shame on you DC!

Job in the Arts

The Boston Center for the Arts (BCA), a nonprofit performing and visual arts center located in Boston's South End, is seeking a new Executive Director. The Search Committee intends to identify the successful candidate by fall 2008 with full-time employment beginning shortly thereafter.

Compensation will be competitive with similar positions throughout the country and will be negotiable. The range of benefits includes medical insurance, vacation pay, paid sick leave, and a 403(b)-retirement program.

The consulting firm retained to assist in the search will welcome qualified applications:

Stephen J. Albert and Thomas Hall
Albert Hall & Associates
942 Main Street #300
Hartford, CT 06103
Tel: (860) 808-3000 #321
Fax: (860) 808-3009
Email preferred:salbert@alberthallassociates.com

Artists Websites: Chawky Frenn

My good friend Lebanese-American painter Professor Chawky Frenn is a DC area painter who needs little introduction.

Having proved several times to be one of the the most controversial figurative artists in the United States, Frenn was born in Zahle, Lebanon and migrated to the United States in the 1980s. He is a currently a professor on the Art faculty at George Mason University in Virginia.

Art critic Donald Kuspit, one of the most visible art voices of the 21st century, has written that Frenn "constructs a spiritual space in which the contemporary public can feel emotionally at home, however troubling the emotions his imagery evoke in them."

The New York Times wrote that "Chawky Frenn is a painter who has nailed down the figurative mode, and this accomplishment gives him the license to convey anything he wants, including the grand theme: the elusive meaning of human existence."

The Washington Post wrote: "From a classical nude contemplating a human skull to his latest series of still lifes of slaughtered animal carcasses, Frenn is an artist's artist (as opposed to a critic's artist)."

Frenn's works are used to controversy. In 2001, his Boston gallery decided to cancel a Frenn solo show at the last minute as a result of the Sept. 11 attacks.

In 2004, his exhibition at Dartmouth caused an uproar on campus. Frenn, who was exhibiting at the same time at Damien Hirst, managed to outshock Hirst.

Visit his website here.

2008 Lucelia Artist Award Nominees

The Smithsonian American Art Museum announced a few days ago the nominees for the museum's 2008 Lucelia Artist Award.

The 15 nominees are Doug Aitken, Jennifer Allora and Guillermo Calzadilla, Slater Bradley, Matthew Buckingham, Mark Dion, Keith Edmier, Spencer Finch, Harrell Fletcher, Mark Grotjahn, Trenton Doyle Hancock, Rachel Harrison, Zoe Leonard, Suzanne McClelland, Wangechi Mutu and Dana Schutz.

Nominated artists work in a diverse range of media including film, installation, mixed media, painting, photography, sculpture and video.

The one artist in this list that continues to be a question mark for me is Dana Schutz.

OAS Show

Artsy Raincoats


Ahhh... the glamorous life of an art dealer...

Earlier this year we peddling art at a New York art fair, and when the fair ended one day, at the end of the day all the gallerists marched out as the building closed.

Except that it was raining out like a Florida rain; buckets and buckets of water. The sidewalks were like rivers, with at least a couple of inches of running, dirty New York City sidewalk water covering shoes and sandals.

You don't want your feet soaked in NYC sidewalk dirty water.

So everyone had to wait until the monsoon ended, and slowed down to a trickle. Since we didn't have umbrellas or raincoats, a little tape and bubbling wrap and voila!