The Art of Change


Artomatic, Inc. and Playa del Fuego, Inc. – institutions of the mid-Atlantic arts community – have joined together to create this year’s most distinctive inaugural celebration, The Art of Change (www.artists-ball.org), on Jan. 20, 2009 at 8pm.

With the generous support of corporate sponsor Scion (www.scion.com) and location sponsors The Warehouse Arts Complex (www.warehousetheater.com) and Douglas Development (www.douglasdevelopment.com), this event brings Washington, D.C., a unique opportunity to celebrate the inauguration of Barack Obama as President.

Tickets are available immediately for $50 at www.artists-ball.org.

Occupying three separate venues on the 1000 block of 7th Street, NW in downtown Washington D.C., The Art of Change will feature visual and performing arts, multiple dance floors, fire dancing and live music. DJs from across the mid-Atlantic region will be spinning an eclectic mix of musical styles on two dance floors, and in The Art of Change Galleries, displaying artworks created for this celebration. The Variety Stage will showcase performances all night long, including live music, comedy, belly dancing and spoken word poetry. And outside, attendees will enjoy fire-dance performances while dancing to up-and-coming DJs in the heated White Tent.

George C. Koch, chair of Artomatic, Inc.: “The Art of Change is an example of the collaborative spirit within the creative community and it speaks to the desire of artists to be a full partner in the change that is taking place in our country and our community. The Art of Change brings together the progressive and creative communities to support a new vision for our creative economy.”

For more information visit www.artists-ball.org.

Che: Early Look


It all started at 7PM and by 11:30PM it was all over, and I must report that there were some deserters, but I went to see Steve Soderbergh's "Che" last night. I have four separate publications which have asked me for reviews, so I'll be doing those first, but meanwhile a quickie for you guys:

- Movies are way too long and too many fighting skirmishes in both of them and zero plot to them.

- Benicio del Toro does a great job as Che, but supporting actor Santiago Cabrera steals part one as Camilo Cienfuegos.

- Part one and two delivers Che as a champion of the poor, the illiterate, the peasants and generally everyone who is shoeless. Even a light reading of Che's own writing and memoirs would reveal that this simplistic offering of this highly complex figure is incomplete and perhaps even dishonest. A more balanced approach should have included the Guevara who was judge, juror and executioner, and the inexperienced post-revolution Guevara who helped to destroy the Cuban middle class, the island's business infrastructure and its agricultural base.

- Part two is a huge disappointment in its lack of character development or even the slightest explanation why the storyline jumps from Cuba to Bolivia. Che's Bolivian guerrillas, which never numbered more than 51, included 17 Cubans who went along with Guevara in his effort to "export" revolution to the Americas after secret failures in Africa and Venezuela. The Cubans, who looked and talked very different from most Bolivians, held nearly all the command positions, but they were unable to speak the local Quechua or Aymara languages of the indigenous local Indians. This doomed the effort.

More later! I gotta go watch some football!

Obama and the Arts

Though Obama hasn't made any arts or humanities appointments yet, he has signaled that he regards culture seriously. During the campaign, he took the unprecedented step of forming an Arts Policy Committee, which produced a thorough list of policy objectives. (Rare are the campaigns that can boast a statement of principles drafted by a Pulitzer Prize-winning novelist—in this case, Michael Chabon.)

Read Jeremy McCarter in Newsweek here.

Opportunity for Artists and Curators

Deadline: February 20, 2009

VSA arts seeks exhibition proposal(s) that include artists with disabilities for consideration to be displayed at the Kennedy Center Terrace Gallery from May-June 2009. Proposals will also be considered for programming in advance of and during the 2010 International VSA arts Festival. VSA arts encourages curators and researchers from the cultural, university, and museum communities, including those with disabilities, to incorporate the work of artists with disabilities into their exhibitions. We welcome proposals that address, challenge, and expand the discussion about disability and culture.

Exhibitions may include a wide range of media such as digital art, drawing, installation, painting, photography, printmaking, sculpture, and video.

VSA arts is committed to expanding the understanding, development, and appreciation of contemporary work by artists with disabilities.

For more information visit this website.

This weekend in DC


Irvine Contemporary is the exhibition manager of Manifest Hope:DC, a celebration of art and artists who were motivators of the national movement that helped bring Barack Obama to the presidency. Manifest Hope:DC is produced by EMG and Shepard Fairey's OBEY group, and is also sponsored by MoveOn.org and the SEIU.

Details here.

MANIFEST HOPE:DC
January 17-19
3333 M St., NW
Washington, DC

Saslow on Ellyn

The WaPo's Rachel Saslow on Dana Ellyn at H&F Fine Arts.

Half a day

I'm setting half a day to go see the "Che" movie today... the protests and picketing of the film have already begun.

Frank Warren at Lisner

One of the world's greatest art ongoing projects is PostSecret, and its creator, my good friend Frank Warren, will be at Lisner Auditorium at George Washington University on January 23rd discussing the project.

Online link to buy tickets for the Lisner event is here. Also check out this video.

American Hero

Chesley B. "Sully" Sullenberger III
The right guy, at the right place, at the right time. This 57-year-old former Air Force fighter pilot has been flying for more than 40 years, and has been with US Airways since 1980.

Andrew Wyeth

Chadds Ford, PA January 16, 2009--Andrew Wyeth, often referred to as America's most famous artist, died in his sleep at his home in Chadds Ford, surrounded by his family early this morning, after a brief illness. Wyeth, 91, was painting until recently, with some new works exhibited at the Brandywine River Museum in 2008.

Wyeth ignored the preferences of the art establishment during the heyday of abstract expressionism but nonetheless won international acclaim with exhibitions throughout the world, received many awards, and inspired countless imitators. His work brought some of the highest prices for a living American artist. His painting, Christina's World (1948), is one of the best-known images of the 20th-century.

"The world has lost one of the greatest artists of all time," said George A. Weymouth, a close friend and chairman of the board of the Brandywine Conservancy.

Andrew Newell Wyeth was born in Chadds Ford, Pennsylvania on July 12, 1917, a son of the internationally renowned painter and illustrator N.C. Wyeth and his wife Carolyn Bockius Wyeth. Theirs was a creative family: Henriette Wyeth Hurd, Carolyn Wyeth and Andrew were painters; Ann Wyeth McCoy was a composer; and son Nathaniel was an engineer and inventor with many patents to his credit.

At age 15, Wyeth began his academic training in his father's studio. In that year, on one of his boyhood walks, he discovered the Chadds Ford farm of Karl and Anna Kuerner. Wyeth was intrigued by Kuerner, a German immigrant and World War I veteran, developing a close relationship with him over the years. Wyeth has found subjects in the Kuerner farm's people, animals, buildings and landscapes for hundreds of works of art over more than 75 years.

The Wyeth family spent summer months in Maine, and Andrew Wyeth's early watercolor landscapes, much influenced by the work of Winslow Homer, met with enormous critical acclaim at his first one-man show at the William Macbeth Gallery in New York City in 1937. An exceedingly self-critical artist, this immediate success did not reassure him. Feeling that his work was too facile, he returned to his father's studio for further concentration on technique.

Wyeth soon began working in egg tempera, a technique introduced to him by his brother-in-law, the painter Peter Hurd. Tempera became his major medium. He said that it forced him to slow down the execution of a painting and enabled him to achieve the superb textural effects that distinguish his work. His other mediums were watercolor and drybrush watercolor.

In 1940, Wyeth married Betsy James, whom he had met in Maine the previous summer. It was Betsy who introduced Wyeth to her long-time friend Christina Olson, who had been crippled by polio. Olson's character represented "old Maine" to him, and she became his model for many works of art, including Christina's World.

Wyeth caused a sensation in 1986 with the revelation of a large collection of paintings featuring German immigrant Helga Testorf, a Chadds Ford neighbor. The paintings were first exhibited at the National Gallery of Art in Washington, DC, the following year, and were then exhibited internationally and seen by millions.

In 1987, the exhibition An American Vision: Three Generations of Wyeth Art, featuring 117 works by N.C., Andrew, and Jamie Wyeth, traveled to the Soviet Union and to nine cities around the world.

In addition to his wife, Wyeth is survived by two sons, Nicholas, a private art dealer in Maine, and his wife, Lee; and Jamie, also a very well-known painter, and his wife, Phyllis; and granddaughter Victoria Browning Wyeth.

Wyeth received many awards during his lifetime. In 1963, President John F. Kennedy named Wyeth the first artist to receive the Presidential Freedom Award, the country's highest civilian award. In 1970, he was the first living artist to have an exhibition at the White House. Wyeth's other tributes include the gold medal for painting from the National Institute of Arts and Letters (1965), several painting and watercolor awards and numerous honorary degrees. In 1977 he made his first trip to Europe to be inducted into the French Academy of the Fine Arts, becoming the only American artist since John Singer Sargent to be admitted to the Academy. The Soviet Academy of the Arts elected him an honorary member in 1978. He received the Congressional Gold Medal in 1990. Most recently, he was awarded National Medal of Arts in 2007. He also received numerous honorary degrees.

One-artist exhibitions of his work routinely broke attendance records at major museums, including the Pennsylvania Academy of Fine Arts in Philadelphia, the Baltimore Museum of Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; The Art Institute of Chicago; and the Museum of Fine Arts, San Francisco. His work was also exhibited at museums throughout the world, including the National Museum of Modern Art in Tokyo; the Hermitage Museum in St. Petersburg; the Palazzo Reale in Milan; and the Academie des Beaux Arts, Paris, among many other museums. He was the first living American artist to have an exhibition at the Royal Academy of Arts in London. An exhibition of his work at the Philadelphia Museum of Art in 2006 drew 177,000 visitors in 15 1/2 weeks, the highest-ever attendance at the museum for a living artist.

His work is included in many major American museums, including The Museum of Modern Art in New York City and the National Gallery of Art, as well as the Brandywine River Museum in Chadds Ford, Pennsylvania and the Farnsworth Art Museum in Rockland, Maine, to name only a few.

Services will be private. A celebration of his life and work will take place at the Brandywine River Museum at a date to be announced. In lieu of flowers, the family requests donations be made to the Brandywine River Museum and the Farnsworth Art Museum.

-- Brandywine River Museum

Opportunity for Artists

Deadline February 6, 2009

20th National Drawing & Print Competitive Exhibition. A minimum of $1500 available in purchase prize money. Drawings and prints (not photography) in any medium are eligible. A non-refundable entry fee of $30 entitles the artist to submit up to three entries. The Juror is Allegra Marquart, Professor of Printmaking at Maryland Institute College of Art. Deadline February 6.

Enter online here.

National Drawing and Print Competitive Exhibition
Attn: Geoff Delanoy
College of Notre Dame of Maryland
4701 North Charles Street
Baltimore, MD 21210

Email: gormleygallery.ndm.edu

Taxman

It makes me feel kinda warm and fuzzy that the nominee for Treasury Secretary, Timothy Geithner, who essentially will be in charge of the IRS, and who is supposed to be a financial genius, made an "innocent mistake" and failed to pay $34,000 in taxes between 2001 and 2004.

If financial geniuses can make $34,000 mistakes on their favor, get audited by the IRS, get off a couple of years' worth of back-taxes, and then become the IRS' boss, things are good for the rest of us "regular" financial types.

But, since some of Geithner's mistakes were forgiven by the IRS because of the statute of limitations, he actually got off not paying off some of his back taxes. I hereby call for Geithner to donate that tax amount that he should have paid, but didn't because of statute of limitations, to the Smithsonian Institution.

Live Model Drawing at MPA

The McLean Project for the Arts in Virginia is offering a January session as well as Winter and Spring sessions of Open Studio -- Live Model Drawing.

Details here or call 703.790.0123
for directions and registration.

The arts to get their $ from the economic recovery package

"For the last month, Americans for the Arts has been working with the field, Congress, and the Obama Transition Team to include support for the nonprofit arts sector and individual artists in any federal economic recovery package. With your help, we have been compiling examples of how the recession has affected arts groups. We are getting this compelling information along with our economic impact data into the hands of key policy leaders in Washington.

Last week, Americans for the Arts officially proposed Nine Recommendations for Economic Recovery & the Arts to help nonprofit and governmental arts groups as well as individual artists during this economic downturn. Today, Americans for the Arts President and CEO Bob Lynch met with the Obama Transition Team to discuss these and other ideas.

Also today, the House Appropriations Committee released an $825 billion economic recovery package. Included in the proposed bill is an infusion of $50 million for the National Endowment for the Arts (in addition to its annual appropriations) to specifically preserve jobs in the nonprofit arts sector threatened by declines in philanthropic and other support. The House plan proposes additional opportunities throughout other parts of the federal government that could also help the nonprofit arts sector and individual artists. Many of these other opportunities correspond closely with our Recommendations for Economic Recovery & the Arts."

Details here.

Steven Soderbergh's Che

More on my expectations of Steven Soderbergh's Che, which bring some prejudices, notions, knowledge, facts, and ideas about how a film should depict Guevara.

Ernesto "Che" Guevara de La Serna Lynch. Charcoal on paper, 5 x 17 inches, c.1999 by F. Lennox Campello
Read it here.

At the Corcoran

Alberto “Korda” Díaz’s image of Che Guevara as saint, guerrilla, and fashion statement is considered to be the most reproduced image in the history of photography. The stunning documentary film, Chevolution (Red Envelope Entertainment, 2008), codirected and produced by Trisha Ziff, explores how and why this image became so important. Through original footage, notable interviews, and a look into vast archival collections of Che images, this film tackles the complexity and contradictions of what this important photograph still means today. Ms. Ziff is a curator of contemporary photography, filmmaker, and Guggenheim scholar who lives and works in Mexico. Following the screening, she discusses the film and takes questions from the audience.

The lecture is January 21, 2009 at 7PM. Sign up for the lecture here.

That photo of Che by Korda has been commercialized beyond belief, and Korda never received any compensation from the appropriation of his image. A few years ago, just before he died, the Cuban dictatorship allowed him to sue a French company and prevent the use of the image on a "Che" Vodka.

A couple of years ago I helped one of the collectors that I advise to acquire a huge collection of vintage Korda photographs which were his private copies and proofs and which passed to his daughter upon his death. They are now safe in a private collection in West Palm Beach and she received some good money for them.

But from the millions of Che T-shirts and posters and endless reproductions of the photograph, Korda never received a penny.

My favorite Che T-shirt is below...

Artists' Websites: Jen Blazina

Longing Installation. Cast resin, steel, screen-print, bridal satin, reverse painting; varying dimensions by Jen Blazina

I find Jen Blazina to be one of the most interesting artists from the Greater Philadelphia area. Last year she was awarded two residencies: the Frans Masereel Centrum in Belgium and a National Endowment for the Arts Grant to attend a fellowship at The Women's Studio Workshop.

Before that Blazina has been awarded numerous other residencies including: Women's Studio Workshop in New York, in 2006; Scuola di Grafica in Venice, Italy; Kala Art Institute in Berkeley, CA, in 2005 and 2007; The Creative Glass Center of America's Residency Fellowship for 2003 in New Jersey; Millay Colony for the Arts in New York. She has also been awarded numerous grants including the Leeway Foundation Grant, the Maryland State Arts Council, and the Independence Foundation Grant.

Visit her website here.

Obamartmania

There's an orgy of art shows about Obama going on across the nation and I am a little overwhelmed by the huge number of galleries and venues which have all come up with the same idea of doing an art exhibition with BO as the subject.

In fact I'm even participating in one here in Philly myself; more on that later. I am in the process of creating my own Obama piece for that show.

The Man from Illinois, by Scott Seidman - At Manifest Hope DC
Around the DC region, from what I can gather from emails, buzz and talking to people, the Manifest Hope DC and the one at Heineman-Myers Contemporary Art seem to be the ones that people are talking about.

These kind of love-in art shows present a tremendous opportunity for artists looking for the cheap element of shock to help them gather their 15 minutes of fame. This is where an opportunist shockmeister can produce some really offensive artwork and exhibit it in the name of dissent. In this case, you don't even need an offensive work, just something against the huge pro Obama art tide.

Because we live in a free nation, and because people are people, and because the mainstream media only pays attention to art and artists when there's shock involved, someone exhibiting some anti-Obama artwork would make worldwide news in a sea of pro Obama artwork.

Artwork about Bush, at least what I saw in the last 8 years was 100% negative, and anti-Bush from the very beginning of his Presidency. I can't think of a single pro-Bush artist or work of art, and because logic tells me that not every artist in the world was anti Bush, I (perhaps with flawed logic) then deduce that no artist had the cojones to show his pro-Bush sentiment.

Artwork about Clinton always included a healthy mix of pro and con pieces.

But I seriously doubt that someone will have the cojones to create and exhibit any anti Obama work of art (at least not now). And because of that, they will miss this once in a lifetime opportunity to offend and be propelled to worldwide fame. Look what it did for Andres Serrano and Chris Offili! On the other side, no matter what those guys ever create, they will always be known for "Piss Christ" and "Virgin Mary."

We know you're out there.

Update: I forgot about Bailey.

Miriam Kagan

Miriam Kagan's GenerationYGive is a must read blog and this is the reason why she started blogging.

Visit it here.

More on Obama at NPG

Yesterday I told you that the Shepard Fairey portrait of Obama had been acquired by the National Portrait Gallery.



Today I learned from my colleague Martin Irvine, whose fine DC art gallery represents Fairey, that the work had been acquired through the generosity of my good friends and ubercollectors Heather and Tony Podesta.