Nudashank Grand Opening in Baltimore

Nudashank is the new independent, artist-run gallery space in Baltimore, Maryland.

Their first exhibition, Wise Guise, is a colossal group show featuring 23 young and emerging artists. Representing a diverse selection of work, ranging from the figurative to the abstract, Wise Guise presents a cross-section of visual themes from contemporary counter-culture. The works in the show include paintings, works on paper, screenprints and zines.

Exhibiting artists are: 6 Baltimore-based artists: Xavier Schipani, Mark Brown, D’Metrius Rice, Walter Carpenter, Noel Freibert, and Molly Colleen O’Connell. Three European artists: Arnaud Loumeau, Thomas Bernard and Miruki Tusko.

And 14 artists from throughout the US: Jason Redwood, Bonner Sale, Jon Clary, Reuben Breslar, Drew Beckmeyer, Edie Fake, Jordan Bernier, Caitlin Cunningham, Emily Nachison, Edward Max Fendley, Matt Lock, Chris Warthen, Andrew St. Lawrence and Kevin Hayden.

The opening is March 27th, with a reception from 7 pm – 9pm and an after-party in the adjacent Whole Gallery. Wise Guise will be on view through April 25th. The 1000 square foot gallery is located at 405 West Franklin Street, on the third floor of the H&H building in downtown Baltimore, which already houses the Whole Gallery, Gallery Four, and Floristree.

Call to Artists: In the Spirit of Frida Kahlo

Deadline: June 6, 2009

Frida Kahlo remains one of the most influential artists of the 20th century, but her spectacular life experiences, her writing and her views on life and art have also influenced many artists throughout the years.

From July 1 - August 29, 2009 The Joan Hisaoka Healing Arts Gallery at Smith Farm Center in Washington, DC will be hosting Finding Beauty In A Broken World: In the Spirit of Frida Kahlo.

This exhibition hopes to showcase the work in all mediums of artists influenced not only by Kahlo’s art, but also by her biography, her thoughts, and her writing or any other aspect in the life and presence of this remarkable artist who can be interpreted through artwork.

This will be the third Kahlo show that I have juried in the last decade and we are seeking works of art that evoke the prolific range of expression, style and media like that which Frida Kahlo used as an outlet for her life’s experiences.

Get a copy of the prospectus by calling (202) 483-8600 or email gallery@smithfarm.com or download it here.

Opportunity for Artists

As many of you know, my good friend Jesse Cohen and artdc.org has started a new gallery in Hyattsville, MD. The space is about 500 square feet, and has movable walls.

They are going to do their first 12x12 show in May to coincide with the Hyattsville Arts Festival.

Artists can buy a spot for $12, and they hang your art. The way that it works is that a limited number of artists can now pre-register first come first serve; register now or at the day of the hanging, but first come, first served.

Either way, you can register now, or they'll see you at the door for the remaining spaces. It's their goal to hang at least 120 works of art.

The limitations: each work has to be 12"x12" and weight under 10 pounds, and they have a wire on the back suitable to be hung on a hook. Make your work professionally presentable.

To pre-register, check it out here.

All details are listed at the link above. Dates, location, and more. For now, they are going to limit pre-registration to 50 slots and I am told that registrations are coming in already.

Race in America at Widener University

Modern science tells us that the DNA of any two humans is 99.97 percent identical. And starting today the Division of Student Affairs at Widener University in Chester, Pennsylvania explores race in American society through a very interesting interactive exhibit.

The exhibit features informational tools to learn more about biological race and human variation, online activities, documentaries that confront race perceptions and racism, and the very cool Human Race Machine.

The Human Race Machine is an interactive tool that permits users to explore their own racial identity through images of themselves as other races. As one user expressed, "It's weird to see myself as Asian or Black. How would I think of myself differently and how would others see me?"

I'd like to think of the machine as a sort of machinated Linda Hesh.

The exhibit will be open for exploration and inquiry during the hours of 11:00 a.m. to 7:00 p.m. Monday-Friday, March 23-27 and housed in the Lower Level Lounge of University Center.

Art Auction

There are some great works of art at some very low starting bids at the Habatat for Healing Auction to raise funds for the Leukemia & Lymphoma Society.

It all starts April 1st at 12:00 p.m. and runs through April 7th at 5:00 p.m. but you can view the artwork and start bidding now. Details here.

You can bid on my donation (see below) here.

Woman Jumping into the Void. Charcoal on Paper. 11x14 inches framed.
F. Lennox Campello, c. 2009.

Congrats!

To my good friend Mark Jenkins, DC's own Tapedude, whose solo show opens in New York's Stricola Contemporary today with a solo show titled The Golden Ass.

From the press release:

Documentary photographs of characters, such as The Golden Ass, are extracted from their usual street environment, then montaged with found and altered landscapes. Jenkins sources his background environments from Google, which are then layered to create landscape ‘mashups’. In re-contextualizing his characters and their environments, Jenkins creates 2 dimensional versions of the absurdist visions dramatized in his street work. By sampling and remixing his own work in this way, Jenkins moves from street illusionist to story teller. At the same time, he extends the themes first seen in his 2006 Embed Series, merging his packing tape world and other hybridized figures into a physical-mythological composite.

The Golden Ass, a figure from Lucius Apuleius’ ancient Roman novel of the same name, is one of Jenkins’ reoccurring characters. The book relates the adventures of Lucius, a virile young man whose obsession with magic gets him transformed into an ass. Originally Jenkins’ Golden Ass statue appeared on a street in Barcelona, populated by tourists and living Statues, or people who pretend to be statues in hopes of earning a few euros. The irony of having a real statue competing for tips with false statues becomes completely absurd as pedestrians gather to ogle the Ass (The Golden Ass, Embed Series video, 2009).

This character now appears in Jenkins’ collages, silently watching as giant women perform felatio on a rainbow (Under the Rainblow, 2009). In the ancient novel and in Jenkins’ work, the Ass, like the Artist, stands as witness and commentator to humanities strange machinations.

Jenkins has shown on the streets and in the galleries of Tokyo, London, Sao Paulo, Los Angeles and his native city, Washington DC. His works have been featured in the book Hidden Track: How Visual Culture Is Going Places, Juxtapoz Magazine, and many other publications.

Congrats!

To the Maryland Art Place (MAP), which was recently recognized by the Baltimore City Paper as “Baltimore’s Best Art Gallery” of 2008.

Art of Glass II

Ten years ago, the major arts institutions of the Greater Hampton Roads area in Virginia joined together to put together of the most successful examples of region-wide art partnership events: The Art of Glass.

Across Norfolk and the Greater Tidewater area, through the Art of Glass, they proved that art has the power to be a transcendent force.

In April 2009, the Chrysler Museum of Art, the Contemporary Art Center of Virginia and the Virginia Arts Festival, as well as many of the Norfolk-area art galleries, will once again collaborate to create a landmark event for Hampton Roads: Art of Glass 2.

Anchored by The Art of Glass II, the Chrysler Museum of Art will have Lino Tagliapietra in Retrospect: A Modern Renaissance in Italian Glass. Held at the Chrysler Museum of Art. This is the first exhibition to thoroughly examine the career and art of Lino Tagliapietra. The exhibition presents 155 works from Tagliapietra’s 40-year career, including pivotal works from the artist’s own collection and collections around the world as well as designs made for industry and objects that have never before been exhibited.

The Chrysler Museum will also have Contemporary Glass Among the Classics, which features glass installations from four contemporary artists: Katherine Gray, Stephen Knapp, Karen LaMonte, and Beth Lipman. Focusing on each artist’s approach to the versatile material of glass, this exhibition will present new works inspired by the Chrysler’s collection. Gray, LaMonte, and Lipman’s works will be featured throughout various galleries alongside objects from the Museum’s collection.

The Contenporary Art Center of Virginia has a wide host of events and exhibitions lined up with Hank Murta Adams, Dante Marioni, and others; see them all here.

Several key DC area artists will be involved in the festivities as Mayer Fine Arts hosts Dialogues in Glass with the usual powerhouse names from the DC area. Click on below image for more details.

Thomas on Huddy

The WaPo's Holly E. Thomas writes about The Torpedo Factory and Margaret Huddy.

Elise Campello reviewed again!

"Showing great range as an actor, Campello goes from sexy and brash to tender and vulnerable in the bat of an eye.

She sets the tone for Ariel when, once out of her parent’s sight, she slips out of her modest clothes to reveal tight shorts and an exposed midriff and she then vamps wildly to 'The Girl Gets Around.'"

Read the News Tribune review here.

Is it just me?

Maybe it is just me.

But doesn't the new McDonald's singing fish commercial look, feel and sound like the work of former DC area artist (and now in Los Angeles I think) Thomas Edwards's 2004 Artomatic entry "School of Fish Pain" which was subsequently exhibited at Fraser Gallery's 2005 show?

See Edwards' video of School of Fish Pain here. What Edwards did was to reprogram a whole set of Billy Bass talking fish to complain about being eaten and assorted other things.

Edwards is a superb technological artist; I think that MickeyDees needs to get in touch with him soon. See McD's fish commercial below. What McD's has done is to reprogram a Billy Bass talking fish to complain about being eaten.

Wanna go to a DC closing tomorrow?

Longview Gallery has a closing reception for Anna U. Davis's paintings of her made up "Frocasian" (from Afro and Caucasian) characters. Closing reception: 7-9 p.m. Saturday, March 21.

Hemingway's Cuban son

Details here.

Wanna go to an Alexandria, Virginia opening tomorrow?

"Private Arts: A Designer's Exhibition" is the event... don't miss this massive show of over 150 works by 40 artists. The opening is Saturday at Artery 717 in Alexandria from 7:30-11PM. There will also be Live Blues/Rock music, and of course, like most great gallery events it is all free!


With over 10,000 square feet of gallery and event space, Artery 717 is a world of art all by itself.

Congrats!

To my good friend Adam Griffiths, who is a new commissioner on the Takoma Park Arts and Humanities Commission.

They are having a public photo slideshow event tomorrow night in Takoma Park with live music, poetry, with a Word/Text Mural Workshop tonight that will be installed tomorrow. Click below image for more details.

Wanna go to a Baltimore opening tonight?

Gallery Imperato in Baltimore has Patterns of Obsession, a three-person show that brings into light the visual and behavioral patterns of each individual artist. On display will be Dana Reifler Amato's luminous and three-dimensional drawings, Chris Bathgate's precision made, metal sculptures, and Matthew Kern's mixed media Polaroid collages.

Join them tonight from 7-10pm for an opening reception. Meet the artists, view the work in person, enjoy a glass of wine and sample hors d'oeuvres courtesy of The Wine Market. Opening Reception: Friday, March 20, 7-10pm.

Wanna go to a DC opening tonight?

My good friend Nevin Kelly recently moved his outstanding gallery from its former U Street location to a new location in Columbia Heights (will have to visit soon), and the opening reception for "Atmospheric Conditions" tonight is the way to check out the new space!

Tonight's opening is for works by New Yorker H. Wesley Wheeler and takes place from 6-9PM. Details here.

Wanna go to a DC opening tomorrow?

Call for Artists

Deadline: March 27, 2009 (postmark).

Only a week left to submit your work!

I'm going to be jurying an art show for The Fine Arts League of Cary in North Carolina, and they are seeking entries for its 15th Annual Juried Art Exhibition to be held from May 8th to June 27th, 2009 in Cary/Raleigh, NC. Show awards and purchase awards will total over $5,000. Entries can only be mailed via CD. The postmark deadline for the mail-in registration is March 27, 2009.

Full details and a printable prospectus are available on the web here or call Kathryn Cook at 919-345-0681.

Breaking Through: Women Leading Museums

Breaking Through: Women Leading Museums is panel discussion celebrating Women's History Month 2009.

In celebration of Women's History month, four women who direct museums in Washington, D.C. will candidly explore the role of women in our nation's cultural life in a panel discussion at the National Museum of Women in the Arts at 6:30 p.m. on March 26, 2009.

The program is co-sponsored by ArtTable, the leadership organization for professional women in the visual arts, and the National Museum of Women in the Arts, dedicated to recognizing the contributions of women artists.

At the panel, nationally renowned interviewer and NPR Morning Edition special correspondent Susan Stamberg will moderate a lively conversation with directors whose institutions reflect Washington's broad range of museums:

* Camille Giraud Akeju, Director, Anacostia Community Museum, Smithsonian Institution

* Leslie Buhler, Executive Director, Tudor Place Historic House and Garden

* Dorothy Kosinski, Director, The Phillips Collection

* Susan Fisher Sterling, Director, National Museum of Women in the Arts

"Women are making extraordinary contributions to our nation's cultural life, but still face marked challenges, from the gender pay gap to work-life balance," said Elizabeth Ash, Chair of the D.C. Chapter of ArtTable. "These museum directors will offer their unique perspectives on how to succeed at the highest levels and what they wish they had known sooner."

During the evening, the panelists will share their professional journeys, offer advice to emerging professionals, and communicate their vision for leading museums today and beyond. Admission is $20 for ArtTable members, $25 for non-members, and $10 forstudents (with ID). Tickets are available at this website or 212-343-1735 x 25. For general information about the program, call 703-231-5242.