National Gallery of Art Returns a Non-Holocaust Painting

Chaim Soutine’s iconic painting entitled Piece de Boeuf (Piece of Beef c. 1923) is being returned to the Shefner Family in resolution of litigation commenced against the National Gallery of Art in Washington, DC. From the news release:

A unique and unusual settlement regarding Chaim Soutine’s iconic painting entitled Piece de Boeuf (Piece of Beef c. 1923) was approved last week by Judge Laura Taylor Swain of the Southern District of New York. Pursuant to the settlement, the painting is being returned to the Shefner Family in resolution of litigation commenced against the National Gallery of Art in Washington, D.C., Maurice Tuchman and Esti Dunow, the authors of the Soutine Catalogue Raisonné.

The settlement is believed to be the first time that the National Gallery of Art has deaccessioned a non-Holocaust work of art from its permanent collection. The stated policy of the National Gallery of Art is not to deaccession any of its permanent collection. In consideration of the unique nature of the settlement agreement and the circumstances surrounding the painting’s return, the parties have agreed that the painting shall remain on loan to the National Gallery of Art for the benefit of the American public for the near future.

“The Shefner Family is pleased to be welcoming this iconic Soutine back to their family,” said Karl Geercken, of Alston & Bird LLP, lead attorney for the plaintiff. “We believe this is a positive outcome for all parties involved.”

Chaim Soutine, a Russian-born French expressionist painter, lived from 1893 until 1943. His series of ten beef carcass paintings are considered to be among his most notorious and controversial works. The majority of the beef paintings are currently in prominent museums. This painting is one of the last in the series to be privately owned.

As noted by the National Gallery of Art, Piece of Beef (accession 2004.126.1) is an outstanding example of 20th century expressionist art that makes “deliberate reference to a long tradition of the subjects of butchers, market-stalls, and game in paintings by Rembrandt, Chardin, and Goya, whose works Soutine studied in his visits to the Louvre.” Soutine’s work has also been described as being especially significant during the 1950s to painters such as Willem de Kooning.

Armed Robbery at Dutch Museum

From the Art Loss Register:

In the first of two robberies at Dutch museums this month, two important 20th century artworks were stolen by a group of masked and armed thieves from the Scheringa Museum for Realism, located about 30 miles north of Amsterdam. The robbery occurred around noon on May 1. The artworks, a surrealist gouache by Salvador Dali and an art deco portrait by Tamara de Lempicka, were among the most valuable pictures in the museum's collection.

The theft coincides with a recent interest in Lempicka's work. Days after the heist, a similar painting by Lempicka sold at auction in the US for $6 million, setting the record for the artist. According to the Art Loss Register's database, Salvador Dali is the fourth-most stolen artist, with over 400 artworks currently missing.

From Top: Salvador Dali, Adolescence, 1941, gouache, 17.5 x 12 in., signed and dated lower right; Tamara de Lempicka, The Musician, 1929, oil on canvas, 51 x 28.75 in., signed and dated lower right. ALR Ref # L09.335.

Frida Kahlo on Ebay

Wanna own an original Campello vintage 1979?

This drawing of Frida Kahlo by yours truly just made an appearance on Ebay and is going for $40 - certainly a steal on a 20 year-old Campello original.

It is being sold by Americana Illustration Art. I did that drawing while I was a student at the University of Washington School of Art.

Bid on it here. Hurry, the auction ends May 25.

MAP has new director

Cathy Byrd is the new Executive Director of the Maryland Art Place.

After an expansive national search, MAP’s Board of Trustees has selected Cathy Byrd to lead the organization in efforts to maximize its engagement with the Baltimore cultural community. “Cathy's background has prepared her for all of the opportunities available to MAP today. I have confidence that she will lead and strengthen the organization in significant ways,” says Suzi Cordish, Board chairperson.

Ms. Byrd comes to Baltimore after eight years as Director of the Ernest G. Welch School of Art & Design Gallery at Georgia State University in Atlanta. In that position, she conceived and produced a series of contemporary art exhibitions and events that involved extensive local, national and international collaboration and outreach. Among her signature projects are Book Unbound; PG-13: Male Adolescence in a Video Culture; Strange Planet; Potentially Harmful: The Art of American Censorship; Re\constructing Atlanta: a contemporary continuum ; and New Wave Atlanta: When Urban Intervention Speaks French . Ms. Byrd is one of three curators currently organizing the exhibition Losing Yourself in the 21st Century through the blog site .

During her tenure in Atlanta, Ms. Byrd co-organized public talks and performances by renowned artists including Ann Hamilton, Janine Antoni, Liliana Porter, Meschac Gaba and Karen Finley. A public art advocate, Ms. Byrd was a member of Atlanta’s Metropolitan Public Art Coalition. She served on review panels for city and county public art projects and for the Hartsfield Jackson International Airport’s newest international terminal. At GSU, she initiated and directed an annual Student Sculpture Garden Project, as well as a sustainable native garden in downtown Hurt Park, a temporary truck fountain in Cleopas R. Johnson Park, and Le Flash, a one-night performance art and installation event in Castleberry Hill District .

Her engaging conceptual projects have been awarded significant funding through local, regional, national and international institutions, including the Andy Warhol Foundation for the Visual Arts, Etant donnés: The French American Fund for Contemporary Art, and the Cultural Services of the French, Belgian and Dutch Consulates.

Ms. Byrd has produced books for Potentially Harmful and Re\constructing Atlanta and is currently completing a DVD box set to document New Wave Atlanta. She is a widely published art writer whose reviews and features on artists including Pierre Huyghe, Janet Biggs, Dan Graham, Carrie Mae Weems and Antoni Muntadas have appeared in contemporary magazine, London, Art in America, Sculpture, Art Papers, Beaux Arts and Public Art Review, among other publications.

We all wish her the best of luck in her new endeavor!

Call to Artists: In the Spirit of Frida Kahlo

Deadline: June 6, 2009

Frida Kahlo remains one of the most influential artists of the 20th century, but her spectacular life experiences, her writing and her views on life and art have also influenced many artists throughout the years.

From July 1 - August 29, 2009 The Joan Hisaoka Healing Arts Gallery at Smith Farm Center in Washington, DC will be hosting Finding Beauty In A Broken World: In the Spirit of Frida Kahlo.

This exhibition hopes to showcase the work in all mediums of artists influenced not only by Kahlo’s art, but also by her biography, her thoughts, and her writing or any other aspect in the life and presence of this remarkable artist who can be interpreted through artwork.

This will be the third Kahlo show that I have juried in the last decade and we are seeking works of art that evoke the prolific range of expression, style and media like that which Frida Kahlo used as an outlet for her life’s experiences.

Get a copy of the prospectus by calling (202) 483-8600 or email gallery@smithfarm.com or download it at www.smithfarm.com/gallery/FINALProspectus.pdf

Artomatic opens in 9 days!

Artomatic (or AOM) opens in nine days!

The Pittman WPA Scam

Some asshole is using the WPA Online Artfile to try to scam artists. If you get an email from ssgpittman115@yahoo.com, claiming to be from a soldier in Iraq, delete it and send the originator a mental curse in the name of some ancient god.

Artists' Websites: Catherine Tafur

Catherine Tafur, The Three Graces
Catherine Tafur was born in Lima, Peru in 1976 to a Peruvian father and a Japanese mother. She studied at the Cooper Union School of Art where she earned her BFA. The artist has since shown her work at venues throughout Brooklyn and Manhattan. Tafur's work "uses the image of the body as a way to explore ideas of gender deconstruction, confrontational sexuality, disillusionment and loss of innocence. She transforms personal experiences into allegorical works of poetic representational symbolism, often through painful disfigurements, idealized androgyny, and mutilation."

Tafur now lives and works in New York City and is an artist-in-residence at the Brooklyn Artists Gym. Visit her website here.

New Baltimore Gallery

TAG Gallery is a new space that opened last year in Baltimore. They're located at 732 S. Broadway, Baltimore, MD 21231.

Visit them online here.

Review of Aqui Estamos

Aqui Estamos, the group show of Cuban art that I curated for Projects Gallery in Philadelphia and which is currently on display at that Northern Liberties' gallery gets a cool review in Fallon & Rosof's Artblog.

Juego de Roles (Role Game). Oil on canvas by Aimee Garcia Marrero
Read the review here.

TAKI 183

Graffiti artists all around the world know the name that started it all: TAKI 183.

As a High School student who lived in Brooklyn but went to High School in Queens, I had about a 90 minute subway ride each morning and each evening going and coming from my High School in Long Island City. It all started in the LL line and finished in the number 7 Flushing Line. All along those trains I was very familiar with TAKI 183's tag, which seemed to be all over and everywhere at once. In fact, I even developed my own little tag back then. I would draw (with a magic marker) a little tombstone and write UNDERTAKER ASH underneath it. I have no idea how I came up with it and what it meant, or even if I had seen it somewhere, but back then any train or subway station that I used to ride had both TAKI 183 and UNDERTAKER ASH all over them.

TAKI 183 was then a kid from 183rd Street in upper Manhattan, TAKI 183’s simple signature (he said it was a diminutive of his Greek name Demetrius) captured the attention of a reporter and, on July 21, 1971, the article “TAKI 183 Spawns Pen Pals” appeared in The New York Times.

Just like that, TAKI 183 became a graffiti legend, but TAKI 183 remained silent. Now, almost four decades later, TAKI 183 has emerged to tell his story.

This new website includes photos of TAKI 183’s work, images of his friends and contemporaries, his true story and, for the first time, official TAKI 183 limited-edition screenprints.

Check the first graffitti superstar here.

Congrats!

The Association for Alternative Newsweeklies announced finalists for its annual prizes today, selecting the Washington City Paper as a top contender in four categories: Photography, Arts Criticism, Media Reporting/Criticism, and Innovation/Format Buster.

My good bud and theory knucklehead and superb painter Jeffry Cudlin, who won the top prize for arts criticism last year, was again named a finalist for 2009. Yay Jeffry!

The great photographer Darrow Montgomery, who’s been shooting for City Paper for 23 years is also a nominee! This is the fourth time Montgomery has been a finalist.

Janis at Duane Reed


That shot above is a partial view of DC's own Michael Janis, whose solo show opened in St. Louis' Duane Reed Gallery's brand new space last Friday.

I hear that Reed's new space in SL is perhaps the most attractive new gallery space in the city. Reed is a powerhouse in the art glass world, but with Janis they have acquired an artist who will help their gallery make the jump from a glass gallery to a fine arts gallery, period.

Buy Michael Janis now.

Opportunity for Artists

Deadline: Saturday May 31, 2009.

Introductions5 at Irvine Contemporary. An exhibition of works by recent art school graduates in August 2009.

Notification: No later than June 21, 2009.

Eligibility: Artists who have graduated in 2008 or 2009 and are available for gallery exhibition. Application must include:

- Artist’s statement.
- Artist’s resume.
- A CD-ROM of up to ten images. For New Media and Time Based Media (Sound, Film/Video, etc) please submit only ten minutes worth of work.
- Self-addressed stamped envelope – required to have submitted materials returned.

Submitted materials will be handled with care, but Irvine Contemporary cannot assume responsibility for lost or damaged materials.

Send to:
Lauren Gentile
Director of Sales
Irvine Contemporary
1412 14th Street, NW
Washington, DC 20005

Call for Presenters for VSA arts International Conference

Submission Deadline: May 29, 2009

VSA arts is seeking presentation proposals from policy-makers, artists, school and program administrators, art organizations, researchers, and educators around the world for its international conference, to be held in Washington, D.C., June 10-12, 2010.

The conference will discuss “Advancing Inclusive Education and 21st-Century Learning Skills Through the Arts”. It will also provide a “Career Development: forum to assist artists with disabilities as they pursue their careers.

Keynote speakers include Kenneth Eklindh, the head of the UNESCO EFA flagship program “The Right to Education for Persons with Disabilities: Towards Inclusion,” Dame Evelyn Glennie, an internationally acclaimed soloist, and Sir Ken Robinson, a renowned expert in the field of creativity.

The conference is part of the 2010 International VSA arts Festival, an international and multicultural event celebrating the accomplishments of artists with disabilities.

Proposed presentations for the conference should reflect the following themes/thematic tracks: the arts and 21st-Century learning skills; inclusive arts curriculum, instruction, and assessment; and career development for artists with disabilities. They should share the presenter’s experience and include evidence-based knowledge of effective research methodology and innovative practices.

Education proposals may include successful arts-education programs within the regular school day, arts-integrated curriculum across the general curriculum, and extracurricular arts activities beyond the regular school day. Topics of discussion for the career development forum will include encouraging business skills and portfolio development, benefits planning, and increasing cultural access and funding. Each session will be in lecture, roundtable, panel, or workshop format. A review committee will select proposals based on their learning objectives and outcomes, expertise on the topic, level of participant involvement, and relevance to the conference’s theme and target audience.

To submit an application, go to vsarts.org for instructions. For questions regarding the conference, please contact Géraldine Simonnet at 1-800-933-8721 or 1-202-628-2800 (voice), 1-202-737-0645 (TTY), or via e-mail at conference@vsarts.org.

The Collector

Will "The Collector" return to Artomatic?

Amy Argetsinger thought I was the Collector by Andrew Wodzianski
One of the capital region's most innovative and creative voices is the very tall Andrew Wodzianski, whose intelligent works seem to be in nearly every important collection around the District's ubercollectors and whose coming show at Flashpoint will set a new standard for that very cool space.

Andrew was one of the suspects for being the "Collector", but because he is like nine foot tall and weighs about sixteen ounces, I (and most others) don't think that he fits any of the descriptions of the District's most elusive art character given in various (and very popular) WaPo columns (WaPo readers apparently love reading about "the collector").

But I do like Andrew's piece on the whole "collector" thing. And if you are a smart early picker of such things, then you'd be contacting Andrew trying to buy the above piece (or any of his latest works) before Amy Argetsinger buys it!

Drumroll!!!!! A new name is about to be added to the "Buy" list!

Buy Andrew Wodzianski now.... he is really, really affordable, but not for long.

I know people.

Artomatic 2009: Opens May 29!

Time for DC area art critics to roll their eyes: Artomatic is back and grander than ever!

The tenth version of the massive art shows that artists, collectors, gallerists and the public loves and most DC art critics hate (but would love if it took place in NYC, or Berlin or London) will deliver over five weeks of art, music, theatre, workshops and more this year in Washington, DC's Capitol Riverfront neighborhood from May 29 - July 5.

The 2009 Artomatic will be held at the new building at 55 M Street, S.E. - essentially on top the Navy Yard Metro - celebrating its tenth anniversary in a newly built 275,000 square foot "LEED Silver Class A building", whatever that means.

Held regularly since 1999, Artomatic transforms an unfinished building space into an exciting arts event that is free and open to the public. In addition to displays by hundreds of artists, the event features free films, educational presentations and children's activities, as well as music, dance, poetry, theater and other performances.

Artomatic 2008 attracted a record-breaking 52,500 visitors and 1,540 participating artists. Visit their Flickr site to see over 4,000 photos captured at Artomatic 2008 or check out the below video.

Who will be the emerging art star of this AOM?

Who will be the artist who cracks us up?

Will "The Collector" make a comeback?

Who will be the prima donna?

Congrats!


Congratulations to the District of Columbia Arts Center, which will be celebrating its 20th anniversary with an evening of dance, poetry, performance art, sound installation and live music in Georgetown's gorgeous Halcyon House.

Born in 1989 with the mission of providing the “missing link” between emerging artists and the broader community, DCAC has maintained its place in DC as an organization that operates with the needs of artists in mind, rather than focusing on commercial demands. DCAC also recognizes the need to support ongoing projects, including our Curatorial Initiative, which nurtures upcoming curators and enriches audience engagement with our exhibits, and SPARKPLUG, a collective of local artists and curators who exhibit at DCAC each year.

In 1987, a group of artists, arts advocates and administrators came together to address their frustration with DC’s cultural climate. In order to bring local artists closer to the community, arts advocates Aaron Levine, Alice Denney, and Herb White, with the support of councilman William Lightfoot, established a center where local artists would become more visible to the community and receive the support that was largely unavailable. DCAC’s founding board includes artists Jack Rasmussen, Lynn McCary, Sam Gilliam, Greg Hannan, Kathy Keler, Rockne Krebs, Evangeline Montgomery, June Shadoan, and Paula Schumann, critic and curator Annie Gawlak, and arts activist Eden Rafshoon.

The gala will take place on May 29, 2009, from 6:30 to 10:30pm. The happenings get underway at 6:30 with cocktails and light fare in the gardens and ballroom of the Halcyon House Mansion. There will also be a special VIP reception from 6:30 to 7:30 for the founders, our board of directors, the invitation committee and special level donors. At 8:00, the Studio opens for dancing to the sultry and swining Jenn and the Tonics along with desserts and more cocktails. Throughout the evening there will be performances, exhibited art, video projectors, sound installation, dance and more.

Artists featured at the event include performance artists Katherine Cornelius and Quique Aviles, poets Silvana Straw and Buck Downs, Alberto Gaitán with sound installation and visual artists Gretchen Schemmerhorn, Jefferson Pinder, Jose Ruiz and David Hartwell.

Details here.

Congrats!

To DC's own Michael Janis, whose solo show opened in St. Louis' Duane Reed Gallery last Friday.

And the DC Commission on the Arts has awarded Janis a 2009 Artist Fellowship. They are awarded to individual artists who make significant contributions to the arts and who promote the arts in the District of Columbia through artistic excellence. The Fellowship is funded in part by the DC Commission on the Arts & Humanities, an agency supported in part by the National Endowment for the Arts.

Oldest figurative art

"The 40,000-year-old carved figure of a voluptuous woman was excavated in Germany. It 'radically changes our views of the context and meaning of the earliest Paleolithic art,' its discoverer says."

Read the LA Times story here.