Artists' Websites: Claudia Hart

Ophelia (detail) by Claudia Hart, c.2008
Claudia Hart has been active as an artist, curator and critic since 1988. She creates virtual paintings that take the form of 3d imagery integrated into photography, animated loops, and multi-channel animation installations. Featured above is an out-take from Ophelia (2008), a single-screen work.

Visit her website here.

The UK comes to Artomatic

Remember Glass3, the international glass show in Georgetown that incorporated artists from the UK's National Glass Centre last February?

Well, they are back!

24 glass artists are part of this year's Artomatic and the DC art extravaganza's first international participants. The artists will be also performing demonstrations of their unusual techniques at the Washington Glass School in Mount Rainier and at DC GlassWorks in nearby Hyattsville.

Saturday, May 30, 2009: starting at 1.30 pm, Phil Vickery and Roger Tye will be glass blowing at DC GlassWorks. RSVP to info@dcglassworks.com.

On Sunday, May 31, 2009, starting at 2:00 pm, Stephen Beardsell and Karin Walland will be demonstrating their techniques at the Washington Glass School.

Karin will show how to cast small objects in frozen glass powder (an alternative to the messy lost wax method). Stephen will be showing and describing his method of creating great depth with frit casting and inclusions.

RSVP to washglassschool@aol.com

Both events are free and open to the public.

Artomatic early report

An artist from AOM writes:

Went around looking at other peoples artwork after finishing install on Monday.

With 8 floors of art to see I went through it all pretty quick - but noticed the following:

(a) still a lot of artists had not set-up.

(b) On level 5, the British artists who are participating in this year's AOM are due in tomorrow (Wed) but all thru the levels there were still untouched walls - hopefully all wait-listed artists are in and working today.

(c) Glad to see Anne Benolken's Kali series is back; Level 2 has some knockout works, with Drew Graham's 3-D tatoo inspired wall sculptures are strong as ever.

(d) Margaret Dowell has a painted portrait of artist Joseph Barbacia holding that penis knife that you had in 'Seven' - creepy cool.

(e) I got tired going down from Level 9, but there was so much on Level 2 that was good, that I'd recommend that one does not overlook that floor .

(f) Many of the Washington Glass School artists are on 8 - Tim Tate, Erwin Timmers, Syl Mathis, Cheryl Derricotte & Michael Janis are all in one bay, facing Laurel Lukaszewski and Novie Trump's setups.

The building is easy to walk thru and see a lot.

Bummer

I'm bummed out because my application to Pulse Miami was rejected. I had applied to bring the work of one of our artists to Pulse.

Young Photographers 2009

Opening Reception and awards ceremony for the "Young Photographers" exhibition is on Saturday, May 30th, 5:00 - 6:30 PM at Photoworks Gallery, 1st Floor Arcade Building in Glen Echo Park, MD.

This exhibition is all about a talented group of photographers from high schools, middle schools and elementary schools throughout the Washington Metropolitan Region.

"What is so gratifying here is to know in one's bones that the young photographers displayed on these walls love the process of making pictures. You don't produce work like this without loving the process -- the physical act of taking photographs."

Frank Van Riper, Juror
Young Photographers Competition

Artists' Websites: Ana Serrano

Came across Ana Serrano's work through Regina Hackett and loved the cardboard work (that's a detail of Serrano's Chalino to the left).

Serrano recently graduated from the Art Center College of Design with honors, and currently resides in Los Angeles.

Visit her website here.

Aqui Estamos talk tonight

If you are around the Northern Liberties' section of Philadelphia later today, drop by Projects Gallery for my talk on the subject of Cuban art.



You can't miss the gallery. It's the one with the giant milk cross by Alejandro Mendoza hanging above it. Talk starts at 6:30PM.

The Power of Democratizing Art

Billed as the first arts competition of its kind to incorporate public voting in an online forum, the inaugural Baker Artist Awards recently invited artists from Baltimore and its surrounding counties to upload examples of their work to a Web site. More than 650 people responded, in disciplines as diverse as drawing, sculpture, painting, photography, video, film, animation, spoken and written word, dance, theater, graphic design and craft.

More than 35,000 visitors to the site then voted on their favorites, narrowing the field to a top 10, from which three were chosen by an interdisciplinary panel of experts to receive $25,000 each, no strings attached. Each of the seven runners-up got a check for $1,000. As with the MacArthur Foundation "genius" fellowships, the judges were anonymous. The money comes from the William G. Baker Jr. Memorial Fund, established in 1964 in memory of a Baltimore investment banker but only focusing on arts and culture since 2007.

And guess what? The results, on view in a bricks-and-mortar showcase at the Baltimore Museum of Art, aren't half bad. You can view, listen to or watch submissions by all 656 artists at http://www.bakerartistawards.org. But to fully appreciate the work of the top three prize-winners -- sculptor John Ruppert, jazz saxophonist Carl Grubbs and Hadieh Shafie, whose works here are in a variety of 2-D media -- you'll need to tear yourself away from your computer.

Read WaPo art critic Michael O'Sullivan here.

O'Sullivan also has another small piece on the same subject here.

An ailing art market

Since the financial crisis began, the art market has taken a series of severe blows and is now subject to various external and internal pressures. In the United States, for example, the fall in private subsidies to the Arts has led to significant personnel reductions at some of the most prestigious museums (the Detroit Institute of Arts and the Museum of Contemporary Art in Los Angeles have both cut staff by 20%). At the same time, an enormous volume of cash that was fuelling the market has literally disappeared as the new ultra high net worth individuals in Russia, India and Turkey have seen their fortunes substantially diminished (by the end of Q1 2009, the world counted 300 less billionaires) and the banks have stopped financing acquisitions of art works: the giant UBS has closed down its art advisory pole dedicated to buying and selling artworks.

Read the analysis in Artprice.com here.

Opportunity for Artists

The Delaplaine Arts Education Center in Frederick, Maryland is seeking proposals for solo and small group shows. They are currently scheduling for 2010-2011. The Center houses 6 galleries; the shows change on a monthly-bimonthly basis.

All media is considered, a preference is given to regional artists, but every properly submitted proposal is reviewed.

For more information please visit their website and download a prospectus from the bottom of the EXHIBITS page or email Diane at dsibbison@delaplaine.org.

Aqui Estamos in City Paper

The Philadelphia City Paper highlights Aqui Estamos, the Cuban group art show that I curated for Projects Gallery in Philadelphia.

Read it here.

Mrs. Obama supports Artomatic

You have to read between the lines but, here it is!

National Gallery of Art Returns a Non-Holocaust Painting

Chaim Soutine’s iconic painting entitled Piece de Boeuf (Piece of Beef c. 1923) is being returned to the Shefner Family in resolution of litigation commenced against the National Gallery of Art in Washington, DC. From the news release:

A unique and unusual settlement regarding Chaim Soutine’s iconic painting entitled Piece de Boeuf (Piece of Beef c. 1923) was approved last week by Judge Laura Taylor Swain of the Southern District of New York. Pursuant to the settlement, the painting is being returned to the Shefner Family in resolution of litigation commenced against the National Gallery of Art in Washington, D.C., Maurice Tuchman and Esti Dunow, the authors of the Soutine Catalogue Raisonné.

The settlement is believed to be the first time that the National Gallery of Art has deaccessioned a non-Holocaust work of art from its permanent collection. The stated policy of the National Gallery of Art is not to deaccession any of its permanent collection. In consideration of the unique nature of the settlement agreement and the circumstances surrounding the painting’s return, the parties have agreed that the painting shall remain on loan to the National Gallery of Art for the benefit of the American public for the near future.

“The Shefner Family is pleased to be welcoming this iconic Soutine back to their family,” said Karl Geercken, of Alston & Bird LLP, lead attorney for the plaintiff. “We believe this is a positive outcome for all parties involved.”

Chaim Soutine, a Russian-born French expressionist painter, lived from 1893 until 1943. His series of ten beef carcass paintings are considered to be among his most notorious and controversial works. The majority of the beef paintings are currently in prominent museums. This painting is one of the last in the series to be privately owned.

As noted by the National Gallery of Art, Piece of Beef (accession 2004.126.1) is an outstanding example of 20th century expressionist art that makes “deliberate reference to a long tradition of the subjects of butchers, market-stalls, and game in paintings by Rembrandt, Chardin, and Goya, whose works Soutine studied in his visits to the Louvre.” Soutine’s work has also been described as being especially significant during the 1950s to painters such as Willem de Kooning.

Armed Robbery at Dutch Museum

From the Art Loss Register:

In the first of two robberies at Dutch museums this month, two important 20th century artworks were stolen by a group of masked and armed thieves from the Scheringa Museum for Realism, located about 30 miles north of Amsterdam. The robbery occurred around noon on May 1. The artworks, a surrealist gouache by Salvador Dali and an art deco portrait by Tamara de Lempicka, were among the most valuable pictures in the museum's collection.

The theft coincides with a recent interest in Lempicka's work. Days after the heist, a similar painting by Lempicka sold at auction in the US for $6 million, setting the record for the artist. According to the Art Loss Register's database, Salvador Dali is the fourth-most stolen artist, with over 400 artworks currently missing.

From Top: Salvador Dali, Adolescence, 1941, gouache, 17.5 x 12 in., signed and dated lower right; Tamara de Lempicka, The Musician, 1929, oil on canvas, 51 x 28.75 in., signed and dated lower right. ALR Ref # L09.335.

Frida Kahlo on Ebay

Wanna own an original Campello vintage 1979?

This drawing of Frida Kahlo by yours truly just made an appearance on Ebay and is going for $40 - certainly a steal on a 20 year-old Campello original.

It is being sold by Americana Illustration Art. I did that drawing while I was a student at the University of Washington School of Art.

Bid on it here. Hurry, the auction ends May 25.

MAP has new director

Cathy Byrd is the new Executive Director of the Maryland Art Place.

After an expansive national search, MAP’s Board of Trustees has selected Cathy Byrd to lead the organization in efforts to maximize its engagement with the Baltimore cultural community. “Cathy's background has prepared her for all of the opportunities available to MAP today. I have confidence that she will lead and strengthen the organization in significant ways,” says Suzi Cordish, Board chairperson.

Ms. Byrd comes to Baltimore after eight years as Director of the Ernest G. Welch School of Art & Design Gallery at Georgia State University in Atlanta. In that position, she conceived and produced a series of contemporary art exhibitions and events that involved extensive local, national and international collaboration and outreach. Among her signature projects are Book Unbound; PG-13: Male Adolescence in a Video Culture; Strange Planet; Potentially Harmful: The Art of American Censorship; Re\constructing Atlanta: a contemporary continuum ; and New Wave Atlanta: When Urban Intervention Speaks French . Ms. Byrd is one of three curators currently organizing the exhibition Losing Yourself in the 21st Century through the blog site .

During her tenure in Atlanta, Ms. Byrd co-organized public talks and performances by renowned artists including Ann Hamilton, Janine Antoni, Liliana Porter, Meschac Gaba and Karen Finley. A public art advocate, Ms. Byrd was a member of Atlanta’s Metropolitan Public Art Coalition. She served on review panels for city and county public art projects and for the Hartsfield Jackson International Airport’s newest international terminal. At GSU, she initiated and directed an annual Student Sculpture Garden Project, as well as a sustainable native garden in downtown Hurt Park, a temporary truck fountain in Cleopas R. Johnson Park, and Le Flash, a one-night performance art and installation event in Castleberry Hill District .

Her engaging conceptual projects have been awarded significant funding through local, regional, national and international institutions, including the Andy Warhol Foundation for the Visual Arts, Etant donnés: The French American Fund for Contemporary Art, and the Cultural Services of the French, Belgian and Dutch Consulates.

Ms. Byrd has produced books for Potentially Harmful and Re\constructing Atlanta and is currently completing a DVD box set to document New Wave Atlanta. She is a widely published art writer whose reviews and features on artists including Pierre Huyghe, Janet Biggs, Dan Graham, Carrie Mae Weems and Antoni Muntadas have appeared in contemporary magazine, London, Art in America, Sculpture, Art Papers, Beaux Arts and Public Art Review, among other publications.

We all wish her the best of luck in her new endeavor!

Call to Artists: In the Spirit of Frida Kahlo

Deadline: June 6, 2009

Frida Kahlo remains one of the most influential artists of the 20th century, but her spectacular life experiences, her writing and her views on life and art have also influenced many artists throughout the years.

From July 1 - August 29, 2009 The Joan Hisaoka Healing Arts Gallery at Smith Farm Center in Washington, DC will be hosting Finding Beauty In A Broken World: In the Spirit of Frida Kahlo.

This exhibition hopes to showcase the work in all mediums of artists influenced not only by Kahlo’s art, but also by her biography, her thoughts, and her writing or any other aspect in the life and presence of this remarkable artist who can be interpreted through artwork.

This will be the third Kahlo show that I have juried in the last decade and we are seeking works of art that evoke the prolific range of expression, style and media like that which Frida Kahlo used as an outlet for her life’s experiences.

Get a copy of the prospectus by calling (202) 483-8600 or email gallery@smithfarm.com or download it at www.smithfarm.com/gallery/FINALProspectus.pdf

Artomatic opens in 9 days!

Artomatic (or AOM) opens in nine days!

The Pittman WPA Scam

Some asshole is using the WPA Online Artfile to try to scam artists. If you get an email from ssgpittman115@yahoo.com, claiming to be from a soldier in Iraq, delete it and send the originator a mental curse in the name of some ancient god.

Artists' Websites: Catherine Tafur

Catherine Tafur, The Three Graces
Catherine Tafur was born in Lima, Peru in 1976 to a Peruvian father and a Japanese mother. She studied at the Cooper Union School of Art where she earned her BFA. The artist has since shown her work at venues throughout Brooklyn and Manhattan. Tafur's work "uses the image of the body as a way to explore ideas of gender deconstruction, confrontational sexuality, disillusionment and loss of innocence. She transforms personal experiences into allegorical works of poetic representational symbolism, often through painful disfigurements, idealized androgyny, and mutilation."

Tafur now lives and works in New York City and is an artist-in-residence at the Brooklyn Artists Gym. Visit her website here.