Opportunity for DMV Artists

Deadline: October 30, 2010

The BlackRock Center for the Arts has a huge gorgeous gallery space and their call for artists for the 2011 art season is now up.

The 2011 Call to Artists is open to all artists residing in Maryland, Virginia, and Washington, DC over the age of 18 for original artwork only. This call will cover exhibits in the gallery from October 2011 through August 2012. An exhibit may include on applicant or a combination of applicants, based on the judgement of jurors. The jury panel is comprised of Kathleen Moran, Jack Rasmussen and yours truly.

Details here.

Opportunity for Artists

Deadline: November 12, 2010

Gallery West in Old Town Alexandria has a call for artists for their 14th Annual National Juried Show (Exhibit Dates: February 9–March 6, 2011).

The all media show will be juried by yours truly and awards to total $1,000. Click here to download the prospectus.

And the DC opening to go this Friday is...

The amazing Michal Hunter has a show of new paintings opening tomorrow at Pass Gallery from 7-10PM.

Hunter is one of my favorite DMV painters, and her work and technical facility with the brush has to be seen to be believed. Go see this show.

Artists' Websites: Marina Reitner


Marina Reiter was born in Moscow, Russia and she currently resides either in Washington, DC or New York City. She received her B.A. and M.A. degrees from Moscow State University, where she studied literature, fine arts, and art history. In the US, Marina studied art at the Corcoran College of Art and Design and the Torpedo Factory Art School. Check out her website here.

Defending Rockwell

Just in case that you thought that I was the only art critic on the planet defending the current Norman Rockwell exhibition at the Smithsonian American Art Museum, Ryan L. Cole, who writes from Indianapolis on politics and culture for the City Journal, shares my point of view about Rockwell and his critics:

Critics would likely seize upon the sight to observe that popular approval does not equal artistic quality, especially when the art in question is insufficiently socially aware. Certainly that’s the view of Washington Post art critic Blake Gopnik, who in reviewing the show derided Rockwell as the cowardly, “aw, shucks” epitome of Middle America. Rockwell “doesn’t challenge any of us, or himself, to think new thoughts or try new acts or look with fresh eyes,” wrote Gopnik. “From the docile realism of his style to the received ideas of his subjects, Rockwell reliably keeps us right in the middle of our comfort zone.”

This perception of the artist’s work as soothing sentiment for the masses is nothing new, but “Telling Stories” proves it simplistic. The show, drawn from the collections of fellow storytellers George Lucas and Steven Spielberg, confirms that Rockwell had a deep understanding of America’s character and a masterly ability to convey it to canvas. True, his vision focused on our virtues, not our sins. But only in the self-loathing landscape of contemporary intellectual thought would that be cause for criticism.

Read the review here.

Binstock at the Katzen

Currently on exhibition at American University's Katzen Museum is Alan Binstock: Way-Stations. The exhibition drives home a couple of important points: (1) The Katzen's presence continues to be a major player not only in the "local" DMV art scene, but its unique design and exhibition space delivers an opportunity for large scale artwork to be exhibited in the perfect setting for size and appreciation, and (2) The DMV is one powerful magnet area for talented artists working with glass as the main substrate.

As one walks around the minimalist and somewhat Teutonic courtyard around the Katzen, the large scale sculptures by Binstock (most of which are glass, resin and steel) resonate with the space and represent a wonderful opportunity to check out one of the DMV's most gifted sculptors.

Terra by Alan Binstock
In Terra, Binstock accomplishes the successful marriage of these materials in a piece that allows to viewer to admire the work from a distance, as a cosmic visitor might, or from underneath; as if from within the attractive model of the Earth itself.

This positioning of the perspective repeats itself in most of these large scale works: A two-pronged approach at observing and interacting with the work itself. In Tradak (which means "gazing meditation" in Sanskrit), a far view reveals an enticing and slim architecture that suspends a hanging globe of green glass. As the cosmic view is reduced to a closer inspection, the piece offers three open seats within its design, further inviting closer inspection of the globe.

The title of the exhibition (Way-stations), refers to Clifford D. Simak's classic 1960s science fiction novel about virtue and galactic travel. And perhaps the piece which best exemplifies Simak's morality tale is "Chapel."


Chapel by Alan Binstock
There is a quiet and universal elegance to the work that manages to place it as both a stopping place on the light-years trek from Earth to perhaps asteroid B612, or the miles long medieval pilgrimages from northern European cities and villages to Santiago.

The exhibition goes through October 24.

Joe White at Jane Haslem

Artists' Talk Today

The show is at the School of Art & Design at Montgomery College's King Street Gallery, located in the beautiful Morris & Gwendolyn Cafritz Foundation Arts Center at 930 King Street in the Montgomery College, Takoma Park/Silver Spring Campus.

And the associated artists' panel is today at noon, for one hour. The artists and curator will be discussing the show and taking questions.

I will be available at the panel and after the panel to discuss and answer any questions that you may have about anything dealing with the visual arts, career, galleries, etc.

Dream songs

I had the lyrics to this song come to me in a dream... and also the music to it, which I have now forgotten. It's sort of an homage to my father.

Pá Guantanamo

Con cuatro pesos vamos a jugar los gallos
Y en caballo nos vamo pá Caimanera
Ya que en Los Caños siempre gana Campello
Ese gallego no pierde desde antaño

En Caimanera juegan mucho lo Americano
Y por eso espero que triunfe mi gallito sano
Y si gana facil mi gallito bueno
Ahi mismito empieza la parrandera

Pá Guantanamo salimo en caballo
Pá Guantanamo a cojer la borrachera
Pá Guantanamo a tomar un palo bueno
Pá Guantanamo a bailar un son montuno

Pá Guantanamo salgo de Caimanera
Pá Guantanamo a bailar con la jeva entera
Pá Guantanamo a buscar los tragos buenos
Pá Guantanamo en fiesta gallito bueno

Yo nunca má juego en Los Caños
Ya que alli siempre gana ese gallego
Ese Ciclón no pierde de hace muchos años
Y a mi gallo y bolsillo le ha hecho much daño

En Caimanera juegan mucho lo Americano
Y por eso espero que triunfe mi gallito sano
Y si gana facil mi gallito bueno
Ahi mismito empieza la parrandera

Pá Guantanamo salimo en caballo
Pá Guantanamo a cojer la borrachera
Pá Guantanamo a tomar un palo bueno
Pá Guantanamo a bailar un son montuno

Pá Guantanamo salgo de Caimanera
Pá Guantanamo a bailar con la jeva entera
Pá Guantanamo a buscar los tragos buenos
Pá Guantanamo en fiesta gallito bueno

Myth & Transformation Opening

Dr. Claudia Rousseau curated an amazing show. More on that later but for now, that's me sans mustache, Little Junes and the photography legend known as Lida Moser at the opening. Pic courtesy of Laura Seldman.


The show is at the School of Art & Design at Montgomery College's King Street Gallery, located in the beautiful Morris & Gwendolyn Cafritz Foundation Arts Center at 930 King Street in the Montgomery College, Takoma Park/Silver Spring Campus.

There will also be an artists' panel tomorrow, Monday, Sept. 27, at noon, for one hour. I will be available at the panel and after the panel to discuss and answer any questions that you may have about anything dealing with the visual arts, career, galleries, etc.

Artists' Talk

At the awards ceremony (for the Marlboro Gallery's 2nd National Juried Sculpture Exhibition) on September 17th, juror Molly Donovan, Associate Curator at the National Gallery of Art, presented awards to Millicent Young, winner of the Kari Beims Sculpture Award for Best in Show, Emily Biondo, 2nd place winner, Karen Bondarchuk, 3rd Place winner, Christina Day, Honorable Mention and Adam Bradley (who is in my 100 Washington Artists book), Honorable Mention.

A total of $3400 in prizes was awarded including the $2000 prize that accompanies the Kari Beims Sculpture Award for Best in Show.

The artists will be discussing their work in an open panel discussion on
Thursday, September 30th, from 11am - 12pm in the Marlboro Gallery.

WALA events this coming week

The Washington Area Lawyers for the Arts has a couple of cool events lined up for this coming week: On Monday 9/27, the Writer's Evening will be hosted at the International Arts & Artists, Hillyer Art Space and Thursday 9/30, an Artful Evening will be hosted at Industry Gallery and Conner Contemporary.

Click on the links for details and tickets.

From Univision

Reporting stuff that gets reported in Spanish language newscasts that never makes it to the mainstream media: There are "elections" coming up in Venezuela in a couple of days.

During the last "elections", the opposition to Hugo Chavez skipped them, because of fraud accusations ahead of the elections. This year they are apparently going through the paces, although they are still claiming that Chavez is rigging the "elections" to favor his continued elected dictatorship.

The fucker is not even trying to hide it. According to Univision, of Venezuela's 17 million registered voters, one million of them were born on the exact same day.

Paying for art

Here’s an unhappy scenario: a young gallery, with nearly empty coffers, hasn’t collected payment on six of the seven sales the dealer closed at a June satellite art fair in Basel. The dealer—who paid all fair-related expenses months ago—needs to cover his rent and overheads. He can’t pay the artist, who needs money for his own bills plus materials for an autumn show. To make matters worse, the dealer must remain calm and detached, while trying to extract payment. “It’s this old-school gentleman thing,” the dealer told me. “You don’t want to appear desperate.”

Lindsay Pollock in the Art Newspaper; read it here.

Head North...

Andrew Wodzianki's Super! will open at the BlackRock Center for the Arts on Wednesday, September 29, and will run until Monday, October 25 with an artist reception schedule for Friday, October 1, from 5:00 to 7:00 p.m.

"We are thrilled to have the edgy, fun, thought-provoking and talked-about work of Andrew Wodzianski in the BlackRock Gallery,” said Gallery Coordinator Kim Olney."

In an interview with the Gazette newspapers, Wodzianski said, “I just started to play on my fantasy, which was to gender bend [the figures].” For instance, one image shows Clark Kent in a dress with heroic Lois Lane carrying him through the air and another depicts Alice in Wonderland investigating the skirt of Wonder Woman.

Opportunity for Artists

Deadline: November 12, 2010

Gallery West in Old Town Alexandria has a call for artists for their 14th Annual National Juried Show (Exhibit Dates: February 9–March 6, 2011).

The all media show will be juried by yours truly and awards to total $1,000. Click here to download the prospectus.

Losing Hope

The artist whose poster of Barack Obama became a rallying image during the hope-and-change election of 2008 says he understands why so many people have lost faith.

In an exclusive interview with National Journal on Thursday, Shepard Fairey expressed his disappointment with the president -- a malaise that seems representative of many Democrats who had great expectations for Obama.

Read it here.

Cuban gay activist arrested

Last Friday, the Castro dictatorship arrested gay activist Aliomar Janjaque Chivás, president of the LGBT Reinaldo Arenas Foundation, for collecting testimonies that documented abuses against the gay community in Cuba.

The testimonies were to form part of a legal proceeding initiated at the International Court of Justice (ICJ) in The Hague against the Castro regime for "crimes against humanity." They were subsequently confiscated by the Cuban authorities.

Janjaque was arrested while interviewing various men who had been interned in labor camps due to their sexual orientation.

New Drawing

I've fallen in love with the drawings, paintings and prints by 19th century German artist Ida Teichmann. Below is my homage to one of her best known works: Sleep.

Sleep (Homage to Ida Teichmann). Charcoal and conte on paper. 4 x 26 inches


Detail

Job in the Arts

The Cultural Development Corporation (CuDC), a non-profit organization dedicated to creating opportunities for artists and arts organizations that stimulate economic development and improve the quality of life in the DC metro area, is accepting applications for the position of Development Manager.

This full-time position works closely with the Director of External Relations to support organizational fundraising activities. This position will focus on individual donor development and special events but will encompass all aspects of fundraising.

Responsibilities:

· Work with External Relations Director to create and execute strategies for individual donor engagement including regular communication, fulfillment and outreach.

· Research, write and submit solicitation letters, proposals and reports for all sources of contributed income.

· Manage special events including Annual Gala, Source Festival Opening and 4-6 smaller events annually.

· Develop strategic relationships in the community and partnerships with other businesses/organizations.

· Work with Communications Manager on donor outreach strategy in conjunction with rebranding efforts.

Requirements:

· Dynamic fundraising skills with at least three years experience and proven track record

· Creative thinker with new ideas for donor engagement

· Superb writing, communication and analytical skills

· Bachelor’s degree or equivalent experience

· Exceptional organizational and time management skills

· Expertise in MS Office, experience with QuickBooks Pro and Raiser’s Edge a plus

· Ability and willingness to work flexibly in a fast paced, fast growing non-profit environment

Salary: Commensurate with experience

How to apply: To apply, submit a resume with cover letter to:

Cultural Development Corporation
Development Manager Search
916 G Street, NW
Washington, DC 20001
e hr@culturaldc.org
f 202.315.1303

Initial review of candidates will begin immediately, but applications will be accepted until October 15, 2010.