Christmas 2010: The opening of the loot


It all started the usual way...

But soon it was clear that the favorite Christmas loot opening thing for Anderson Lennox Franklin Lars Timothy Angus Pict Eric Florencio Brude James Tiberius Campello Anderson Cruzata Jaspersen Alonso Zaar Marrero Karling Comba Noren Dalke Hartsell y Lennox to do was to put the Christmas wrapping paper in the recycling bag...


















And towards the end it was: "look Ma, no eyes..."

Merry Christmas!

The Giving Season, by David FeBland, Oil on Canvas, 2007

Bola de Nieve

On Nochebuena, a little short video of Bola de Nieve singing his classic Ay! Mamá Inés.

Mamá Inés (Mother Inés) was a famous Cuban character. She was an African slave brought to Cuba who achieved fame through the song that Bola de Nieve (and many others) sings. According to Juan Perez's wonderful website on traditional Cuban characters, the song (rhythm credited to Emilio Grenet) begins with "Ay Mamá Inés, ay Mamá Inés, todos los negros tomamos café".

Mamá Inés lived with her beautiful daughter Belén in the Jesus Maria neighborhood of Old Havana. Cuban songwriter Moisés Simons added the classical lines of the song, where Mamá Inés is looking for Belén.

"Belén, Belén, Belén en dónde estabas metía,
que en todo Jesús María yo te busqué y no te encontré".

And Belén answers her mother:

"Yo estaba en casa e Mariana
Que ayer me mandó a buscar."

Then, after that singers tend to improvise the lines...

Feliz Nochebuena!

Merry Xmas and Happy Holidays!

Nochebuena tomorrow

Since tomorrow night is Nochebuena, I recall last year when I was preparing a classic Nochebuena Cuban feast for the in-laws. One of the key ingredients in the 24 hour marinade for Cuban roast pork is orange juice (sour oranges if possible).

When I was looking for the orange juice (I swear we had some) and couldn't find any, my wife suggested that I substitute it with some diet Pineapple soda that we happened to have in the cupboard.

As I dug out some oranges to get the juice out of them the old-fashioned way, I thought to myself that it is no wonder that one doesn't see too many Swedish restaurants around.

Tonight there's a sweets and booze party at the ole homestead, but the fare for tomorrow tonight:

Cuban Roasted Pork
Mariquitas with Mojo Sauce for Dipping
Sweet Corn Tamales
Broiled Yucca with Garlic Mojo
Broiled Ňame with Olive Oil
Moros y Cristianos (Rice and Black Bean Soup)
Cuban Nochebuena Salad

And from our family to all: a Merry Christmas, Happy Holidays and a Terrific 2011 to all!

Kilt talking

Not only do I own (and wear quite often) a kilt, but unlike a lot of kilt-lovers out there, I am actually authorized to wear a kilt, which is an important thing in many kilt-wearing circles and useless elsewhere. And where it is important, it is ahhh... important. I've seen what happens when scotch and unauthorized kilt-wearing mix at the Celtic Games around here and in Braemar: drunk men rolling on the ground kicking and gouging.

I remember a few years ago when a tipsy Coast Guard dude told a very drunk retired Marine that he was wearing the Edzell tartan because he "liked the colors." Soon the two were rolling on the ground: the Coastie yelling blue murder and the jarhead (who had been stationed at RAF Edzell) trying to rip his kilt off.


That's the official US Navy Edzell tartan, an officially recognized and documented Scottish tartan (as opposed to plaids), which is authorized for wear to all personnel who were ever stationed or worked at the now closed Royal Air Force base in Edzell, Scotland, where I served from 1989-1992.

I have a US Navy Edzell tartan kilt (8 yards)... maybe I should post a pic of me wearing it.

And technically, I'm just saying, I could make claims to being entitled to wear also the Lennox tartan, as my mother's grandmother on her mother's side was from Clan Lennox and eventually ended in the Canary Islands during the Clearances.

Faithful to Two Worlds

He’s an artist on his way to his second war, and he wants to make one thing perfectly clear: He is not a Marine who paints, but a painter who fights.

A series of Lt. Col. David Richardson’s bold canvases, with their bright colors and geometric themes inspired by Homer’s “Iliad,” is on view in “Trojan War Years” at the Ralls Collection, a gallery in the Georgetown neighborhood here. The show, through Jan. 29, demonstrates his abstract style, emphasis on color and design, and the considerable influence of his tours of duty in Asia.

But for the last several months Colonel Richardson, 45, has been studying Pashto in preparation for his February deployment to Helmand Province in southern Afghanistan, where he will work with Afghan security forces.

Read this fascinating Michael Gordon article in The New York Times here.

Now we know...

Blake Gopnik says:

"My move is now official: Come Jan. 15, I will be writing about art and visual and aesthetic culture for Tina Brown's 'new' Newsweek, and coordinating art coverage for her 'old' Daily Beast. I'm tremendously excited by the opportunities that presents...."

We all wish the Gopnikmeister the best in his new NYC gig.

Opportunity for Artists

Deadline: Friday, January 14, 2011

The Crystal City Business Improvement District is seeking qualified artists to help produce a temporary, outdoor art exhibit featuring illuminated sculptures in the Crystal City Water Park. Selected artists will receive a grant of $5,000 to build and implement their concept.

Click here to download the submission packet.

Celebrate Gay Marriage

"Celebrate Gay Marriage" is the new January show at the Foundry Gallery (located at 1314 18th St, NW).

The show includes juried works selected on their ability to visually represent the theme of gay marriage. Show runs Jan 5 through Jan 30. Hours: M-F, 1 to 7pm; Sat & Sun, 12 to 6pm. Opening reception Fri Jan 7, 6 to 8pm.

Professor/Dr. Jonathan Katz, co-curator of now notorious National Portrait Gallery's "Hide/Seek" exhibition, will deliver a lecture on Sat. Jan 15 at 4:00 pm. Questions, please call 202-463-0203.

Seventh Annual Bethesda Painting Awards

Deadline: Friday, February 25, 2011

The Bethesda Arts & Entertainment District is currently accepting applications for the seventh annual Bethesda Painting Awards, a juried competition honoring four selected painters with $14,000 in prize monies. Deadline for submission is February 25, 2011. Up to nine finalists will be invited to display their work at a Bethesda gallery.

The competition will be juried this year by Philip Geiger, an art instructor at the University of Virginia; Evelyn Hankins, associate curator at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and Jinchul Kim, a painting professor at Salisbury University.

The first place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A “young” artist whose birth date is after February 25, 1981 may also be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. All original 2-D painting including oil, acrylic, watercolor, gouache, encaustic and mixed media will be accepted. No reproductions.

Each artist must submit five digital files or slides, application and a non-refundable entry fee of $25.

Applications are available online at www.bethesda.org.

The Bethesda Painting Awards were established by my good friend and Bethesda philanthropist, art collector and community activist Carol Trawick in 2005.

Artists' Websites: Dalya Luttwak

Dalya Luttwak has "been working since early 2007 on a series of sculptures depicting the root systems of various plants. The sources of these works are actual roots, which I literally dig up out of the earth. Sometimes I work from the roots themselves, other times I photograph, Xerox or make drawings of them in order to figure out how to physically and aesthetically make them into steel sculptures, how to connect the separate parts, and how to hang the final constructions from ceilings, on walls or place them on floors. The dramatic transformation of size, scale, and material lends the works metaphoric significance..."


Check out her website here.

Music to wrap Xmas presents by...

Other suggestions welcomed...

Blake Gopnik's best art of 2010

"The old masters are getting younger by the day. 2010 was a year -- maybe the first -- in which all of modern art has started feeling safely in the past, fully museum-able. There were fine shows of older work, but they rarely had the force of exhibitions exploring the last century. Here, in chronological order, are 10 shows that have stuck in my mind."

Rousseau on BlackRock

Walking into the art gallery at BlackRock Center for the Arts in Germantown feels almost like a breath of fresh air. The current exhibit features the large canvases of Carol Brown Goldberg, Sondra Arkin and Greg Minah.

Read the review online here.

(e)merge

More about (e)merge here including an interview by Isabelle Spicer with Mera Rubell.

Seen on Univision

Modern Family's Colombian-born actress/model Sofia Vergara is currently doing an ad for Comcast on Spanish-language TV.

Something seemed a little off from the Vergara on the ad and the Vergara Gloria character on Modern Family.

I could be wrong, but it looks to me that Vergara's Colombian character requires that the actress dye her hair black and darken her skin; I guess to make her fit the stereotype that Hollywood has for "Hispanics/Latinos."

Apparently Vergara is a natural blonde and has hazel eyes. According to several internet websites, although she was well-known in Spanish-language TV, she could not get any Hollywood gigs unless she dyed her hair dark to force her into a more "Latina" look. In fact Vergara has stated that:

“I’m a natural blonde. But when I started acting, I would go to auditions and they didn’t know where to put me because I was voluptuous and had the accent - but I had blonde hair. It was ignorance: They thought every Latin person looks like Salma Hayek. The moment I dyed my hair dark, it was, ‘Oh, she’s the hot Latin girl.’ I loved it. I’d always felt a little ‘too much’ as a blonde, like a big-mouth version of Pamela Anderson. Being brunette toned me down a bit.”

I'm just curious if now she also has to tan her skin a few shades in order to fit the way Hollywood wants her character to look like.

Makes my head hurt.

Hamiltonian Artists Fellowship Program

Deadline: Monday, February 28, 2011

The Hamiltonian Artists Fellowship Program is now accepting applications for its 2011-2013 term.

This is the fourth annual open call to emerging artists to apply to their two-year Fellowship Program, aimed to aid in the professional development of contemporary visual artists.

Please refer to their website for application requirements, restrictions and forms. The application process will close at 6:00 pm on on Monday, February 28, 2011, and any applications received after that date will not be considered.

Wild Assed Guessing

Yesterday I told you how Blake (and Jessica) got his job at the WaPo back in the days when the Post used to have a weekly galleries column, a weekly museum review and a weekly "Arts Beat" column focused often on local galleries and visual artists, and wasn't such an ardent member of the Fake News Industrial Complex.

Over the decade that was all pretty much decimated by Eugene Robinson when he ran the Style section for a few years. In my opinion, and as an outsider looking in, Robinson all but destroyed the visual arts coverage in the Style section, pretty much reducing it to the sorry state that it is today: the galleries column is about twice a month, "Arts Beat" is gone and the chief art critic writes ad hoc about museums and New York art shows. A studied review of old entries about this issue reported in this blog will reveal me reporting on many promises by the WaPo Style leadership over the years; promises which were never actually delivered.

And in 2011 I can almost understand why... after all, readers are leaving the WaPo and other papers in droves, advertising revenues are down, management still has a 1990s mindset in the 21st century (they fought the opportunities opened by the internet when they had an early chance), etc.

And in view of all this, I think that there are three scenarios for the expected replacement of Blake Gopnik.

I write "expected" because we're all assuming and expecting that the Post will replace Gopnik's voice, tasks and assignments with another writer. But even that is not a given in 2011, and I'm sure that someone at the Post, probably outside of Style (and instead one of the bean counters) will make a case for just using AP or UPI art reviews.

But I suspect that even Don Graham understands that as (arguably) the nation's second most influential newspaper, the WaPo must have a chief art critic. All the other big boy newspapers do. If you don't get it, you don't get it.

So in order of probability the three scenarios are:

1. WaPo gets a replacement for Gopnik from "in-house" by filling the position with someone already in the employment of the WaPo.

2. WaPo contracts a local DMV writer to contribute museum reviews and he/she shares the load with Dawson, already a contracted freelancer.

3. WaPo hires an outsider art critic from another newspaper below the "newspaper food chain" from the WaPo (same as they did with Gopnik).

Scenario one is the most probable because it is the least costly to the WaPo. By replacing Gopnik with a critic already in the employ of the WaPo, salary negotiations are easier, and the WaPo saves on moving expenses as well as travel expenses in interviewing applicants from outside the area. It also makes the paperwork a lot easier and in the end the payroll is one less as no one has had to be hired in order to replace Gopnik. If this scenario is the principal one, then this would be good news for the DMV art scene, as the logical replacement for Gopnik would be O'Sullivan. And he is already well-versed in the DMV art scene, knows everyone and everyone knows him, and would just have to move his desk from Weekend to Style. Cost to the WaPo?: A well-deserved pay raise bump to O'Sullivan. Cost to O'Sullivan?: He may end up writing reviews for both Style and Weekend and doubling his work load (and thus his paycheck?). Or Weekend would hire a freelancer to do some random visual art reviews every couple of months or so. An interesting twist to this scenario would be if Style got Dr. Claudia Rousseau, who (a) writes for the Gazette, which is owned by the Post and thus already within the Post financial borg, and (b) comes with a respectable and award winning provenance for critical art writing derived from many years of writing about art (in Spanish) for Latin American newspapers and locally for the Gazette, (c) she is a respected college professor on the subject of art and art history, and (d) would add some highly needed diversity to the ranks of Style critics.

Scenario two is the next most probable because it ends with a couple of freelancers (not Post employees) sharing the Gopnik load for Style. That means they save on insurance, 401(k), etc. If scenario two is the one, then one of these guys/gals is the pool of DMV art critics and artsy writers (in no particular order): Jeffry Cudlin, Claudia Rousseau, Maura Judkis, John Anderson, Kriston Capps, Kevin Mellema, John Blee, JW Mahoney, Lou Jacobson (he'd only do photography reviews), John Blee, etc. and maybe some of those random names that show up once in a while in the back of the magazine reviews in the national artzines. The top two choices?: Cudlin or Rousseau. They are both award winning critics, well-known and respected in the DMV and I'm somewhat sure that they'd be interested in the job. Because of Cudlin's superb performance as a curator at the AAC, Cudlin is a double threat for moving up the food chain in the better paid curatorial food chain, and maybe he's more interested in following that line, but he'd still make an excellent Gopnik-replacement local choice (but not sure if he could do both jobs at once). Rousseau's strong points are discussed in the previous scenario, and also make her a formidable choice (if she's interested in the job). Because of Cudlin's success as a curator, I think Jeffry is probably more in tune with moving up the curatorial food chain (are you listening Hirshhorn?) and thus advantage Rousseau.

Scenario three is the least likely because it is the most expensive and time intensive for the Post. The new hire would have to be lured away from another newspaper, and be hired as a Post employee with all rights and benefits. This seems a long shot in this financially austere environment where the WaPo is early-retiring and letting go people of left and right. Four wild assed guesses: Fabiola Santiago from the Miami Herald, Alan Artner from the Chicago Tribune, Robert Pincus (formerly of the San Diego Union-Tribune) and Regina Hackett (formerly of the Seattle P.I.). My heart would be with Regina.

Let's see how right I am, meanwhile I will be waiting for the Post to call me to be part of their search committee for the hiring of the new Blake Gopnik.

Comments welcomed; I am sure that I skipped some potential names in scenario two.

Oh yeah... the replacement for Givhan is easy: Philippa P. B. Hughes.

(e)merge

I never got the news release, which bums me out, but now that I'm back in the DMV from Miami, I hear that Leigh Conner and Jamie Smith, whom are the hardworking co-founders of Conner Contemporary Art, and Helen Allen, former director of the PULSE Contemporary Art Fair, are launching an art fair in D.C.: (e)merge.

I got the news from Kriston Capps over at the WCP, who seems positive about it (yay), as do I.

Why?

As Capps points out, the fact that Conner & Smith are involved, plus the endorsement of world-class art collectors like the Rubells, plus the former Pulse imprimatura of the very fair Helen Allen, all seem to add to making this new art fair a good one.

Key to the success of the fair are also how successful the organizers are in ensuring that the key DMV art galleries participate.

Why?

Easy... if the top 15-20 DMV art galleries, the ones that already do art fairs in NYC, Miami, Europe, Latin America, Asia and the Persian Gulf, participate in this fair, they will bring with them their jealously guarded collectors' list and they will mail their VIP passes to those collectors.

And those collectors will come, just for a curiosity, and also a chance to hang around with other DMV collectors and some international names brought in by Rubell & Allen. And if they come (which they didn't en mass to Art DC), then the chances of success for this fair improves tremendously.

And because the very cool Rubells are involved, and because they are nice people who are big names in the world scene who have nothing to do with politics, the press will be interested and positive and supportive (witness Capps); as if some big movie star was doing this; but in this case an art star (can one have two semi-colons in one long, run-on sentence?)

Another big improvement: the change from the Convention Center to the Capitol Skyline Hotel is a huge one. The "savings" are both psychological and monetary, from such simple issues as union hands at the convention center requiring to move your art in and out of your booth (at an added cost), parking issues, etc. Let's just say (coming from someone who has done a lot of art fairs): I am glad that it is at a hotel rather than the Convention Center.

The formula looks good.

Can I hear an "Amen".... somebotttty!