Seventh Annual Bethesda Painting Awards

Deadline: Friday, February 25, 2011

The Bethesda Arts & Entertainment District is currently accepting applications for the seventh annual Bethesda Painting Awards, a juried competition honoring four selected painters with $14,000 in prize monies. Deadline for submission is February 25, 2011. Up to nine finalists will be invited to display their work at a Bethesda gallery.

The competition will be juried this year by Philip Geiger, an art instructor at the University of Virginia; Evelyn Hankins, associate curator at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and Jinchul Kim, a painting professor at Salisbury University.

The first place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A “young” artist whose birth date is after February 25, 1981 may also be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. All original 2-D painting including oil, acrylic, watercolor, gouache, encaustic and mixed media will be accepted. No reproductions.

Each artist must submit five digital files or slides, application and a non-refundable entry fee of $25.

Applications are available online at www.bethesda.org.

The Bethesda Painting Awards were established by my good friend and Bethesda philanthropist, art collector and community activist Carol Trawick in 2005.

Book Cover


Here's the book cover for the 100 Artists of Washington, DC book.

Book Details

ISBN: 9780764337789
Size: 8 1/2 x 11
Illustrations: 735+ images
Pages: 224
Availability: Jun 2011
Binding: Hard Cover
Price: $50

You can order the book from the publisher here. It will also be at most major DMV area bookstores after it is released. You can also get it at various other online book dealers here and at Amazon at a really good price here.

Galleys are in

They changed the name from 100 Washington Artists to 100 Washington DC Artists, but in any event, the galleys for the book are ready for proof reading.

I also have to cull down a significant number of images from the book. That will be the hardest editing.

Feh!

Jacobson on MEG's Small Works

When the Multiple Exposures Gallery says it’s putting on a Small Works Show, they aren’t kidding. In an era when digital technology has pushed prints ever larger, none of the 39 photographic works in the show – curated by D.C art fixture F. Lennox Campello – is bigger than a breadbox, and some, like Karen Keating’s 1930s-snapshot-looking image of cabanas in Florida, are quite petite.

The CP's Louis Jacobson reviews the show I curated at Alexandria's MEG.

Corcoran seeks Canadian help

The financially precarious Corcoran Gallery of Art in Washington, D.C., has retained an outside consultant group to determine how the institution can continue to survive, and whether its operation should remain linked to that of the Corcoran College of Art + Design. The gallery and college also plan to lease their adjacent parking lot to a local developer, who will erect an eight-story office building on the site, which was once slated for a Frank Gehry-designed expansion to the Corcoran. In a recent telephone interview, the Corcoran's director and CEO, Fred Bollerer, said that the deal will reap around $1 million per year in rent, but will not provide more space for the institution.

While Bollerer declined to identify the developer until a deal is signed, he said that the Corcoran has hired Toronto-based consultants Lord Cultural Resources to develop ideas for the institution's future. The college has been growing, but the museum operation is "unsustainable," he says, adding that while there is no plan to divest the collection it is not clear what form the museum will take in the future.

Read the whole piece by Jason Edward Kaufman in artinfo.com here.

I have a few ideas of my own; easy ideas; homegrown ideas that I suspect will not be on "Toronto-based consultants Lord Cultural Resources"'s radar.

They know my email address.

Cuban Pollo Anaranjado

Just sort of made this up the other night when I had to use half a bottle of Naranja Agria (sour orange) juice, which is one of the key not so secret ingredients of Cuban cooking. I had a couple of bottles that I picked up in Miami last December. You'll need 3-5 boneless chicken breasts or any other boneless chicken (I wonder what they do with the bones?).

Start by making a mojo of 2 cups of sour orange juice (Naranja Agria). If you can't find it in the DMV area (I haven't been able to find it anywhere, as it seems that none of the Central American/Mexican focused supermarkets and bodegas around here don't carry it, as it must not be used in their cooking), then just mix 2/3 orange juice with 1/3 lime juice.

Anyway, two cups naranja agria, four tablespoons brimming with chopped garlic, and 2 tablespoons dried oregano. Put that in a big ziplock baggie with the chicken and marinate overnight.

The next day, start by making a sofrito. The basic sofrito recipe has green and/or red peppers in it, but I don't like either, so I skip them, but you don't have to. Here's a basic sofrito recipe.

I just heat up a few bottle dashes of olive oil in a large pan, some salt and pepper to taste, add one large chopped onion (chopped very small) and lots of chopped garlic and cook them until onions are translucent, then add some tomato sauce and chopped cilantro and that's a basic sofrito without peppers.

Then take the chicken out of the mojo bag and add and brown the chicken in the sofrito.

Once it is browned, add the naranja agria mojo to the pan; it should cover the chicken.

Add a couple of laurel leaves and bring to a simmer and cook for about 30 minutes or so, then add olives (the manzanilla kind stuffed with pimentos work the best) and also add about half a cup of raisins.

If you want to eat this as a main course, then add a few chopped potatoes at this point and cook in low heat until the chicken is tender and the potatoes are done.

Otherwise make some rice (and a salad) and put the chicken and the naranja agria sauce on top of the rice.

Enjoy!

Best guitar picks ever?

Nothing fancy, no fancy picking... but perhaps the best guitar notes in the history of rock...

Snow coming?

No problem! Especially now that we have this little monster in the garage.

For Xmas, three other neighbors and us chipped in and bought the Craftsman 179cc 24'' path Two-stage Snowblower. Now we're armed and dangerous.

You see, the Soviet Socialist Republic of Montgomery County does not clean our cul de sac street of snow until (generally) 2-3 days after they've cleaned the rest of the neighborhood. During last year's snow we were stranded and without electricity for several days.

Snow? No problem!

WTF?

Tell me it isn't so...

Christmas 2010: The opening of the loot


It all started the usual way...

But soon it was clear that the favorite Christmas loot opening thing for Anderson Lennox Franklin Lars Timothy Angus Pict Eric Florencio Brude James Tiberius Campello Anderson Cruzata Jaspersen Alonso Zaar Marrero Karling Comba Noren Dalke Hartsell y Lennox to do was to put the Christmas wrapping paper in the recycling bag...


















And towards the end it was: "look Ma, no eyes..."

Merry Christmas!

The Giving Season, by David FeBland, Oil on Canvas, 2007

Bola de Nieve

On Nochebuena, a little short video of Bola de Nieve singing his classic Ay! Mamá Inés.

Mamá Inés (Mother Inés) was a famous Cuban character. She was an African slave brought to Cuba who achieved fame through the song that Bola de Nieve (and many others) sings. According to Juan Perez's wonderful website on traditional Cuban characters, the song (rhythm credited to Emilio Grenet) begins with "Ay Mamá Inés, ay Mamá Inés, todos los negros tomamos café".

Mamá Inés lived with her beautiful daughter Belén in the Jesus Maria neighborhood of Old Havana. Cuban songwriter Moisés Simons added the classical lines of the song, where Mamá Inés is looking for Belén.

"Belén, Belén, Belén en dónde estabas metía,
que en todo Jesús María yo te busqué y no te encontré".

And Belén answers her mother:

"Yo estaba en casa e Mariana
Que ayer me mandó a buscar."

Then, after that singers tend to improvise the lines...

Feliz Nochebuena!

Merry Xmas and Happy Holidays!

Nochebuena tomorrow

Since tomorrow night is Nochebuena, I recall last year when I was preparing a classic Nochebuena Cuban feast for the in-laws. One of the key ingredients in the 24 hour marinade for Cuban roast pork is orange juice (sour oranges if possible).

When I was looking for the orange juice (I swear we had some) and couldn't find any, my wife suggested that I substitute it with some diet Pineapple soda that we happened to have in the cupboard.

As I dug out some oranges to get the juice out of them the old-fashioned way, I thought to myself that it is no wonder that one doesn't see too many Swedish restaurants around.

Tonight there's a sweets and booze party at the ole homestead, but the fare for tomorrow tonight:

Cuban Roasted Pork
Mariquitas with Mojo Sauce for Dipping
Sweet Corn Tamales
Broiled Yucca with Garlic Mojo
Broiled Ňame with Olive Oil
Moros y Cristianos (Rice and Black Bean Soup)
Cuban Nochebuena Salad

And from our family to all: a Merry Christmas, Happy Holidays and a Terrific 2011 to all!

Kilt talking

Not only do I own (and wear quite often) a kilt, but unlike a lot of kilt-lovers out there, I am actually authorized to wear a kilt, which is an important thing in many kilt-wearing circles and useless elsewhere. And where it is important, it is ahhh... important. I've seen what happens when scotch and unauthorized kilt-wearing mix at the Celtic Games around here and in Braemar: drunk men rolling on the ground kicking and gouging.

I remember a few years ago when a tipsy Coast Guard dude told a very drunk retired Marine that he was wearing the Edzell tartan because he "liked the colors." Soon the two were rolling on the ground: the Coastie yelling blue murder and the jarhead (who had been stationed at RAF Edzell) trying to rip his kilt off.


That's the official US Navy Edzell tartan, an officially recognized and documented Scottish tartan (as opposed to plaids), which is authorized for wear to all personnel who were ever stationed or worked at the now closed Royal Air Force base in Edzell, Scotland, where I served from 1989-1992.

I have a US Navy Edzell tartan kilt (8 yards)... maybe I should post a pic of me wearing it.

And technically, I'm just saying, I could make claims to being entitled to wear also the Lennox tartan, as my mother's grandmother on her mother's side was from Clan Lennox and eventually ended in the Canary Islands during the Clearances.

Faithful to Two Worlds

He’s an artist on his way to his second war, and he wants to make one thing perfectly clear: He is not a Marine who paints, but a painter who fights.

A series of Lt. Col. David Richardson’s bold canvases, with their bright colors and geometric themes inspired by Homer’s “Iliad,” is on view in “Trojan War Years” at the Ralls Collection, a gallery in the Georgetown neighborhood here. The show, through Jan. 29, demonstrates his abstract style, emphasis on color and design, and the considerable influence of his tours of duty in Asia.

But for the last several months Colonel Richardson, 45, has been studying Pashto in preparation for his February deployment to Helmand Province in southern Afghanistan, where he will work with Afghan security forces.

Read this fascinating Michael Gordon article in The New York Times here.

Now we know...

Blake Gopnik says:

"My move is now official: Come Jan. 15, I will be writing about art and visual and aesthetic culture for Tina Brown's 'new' Newsweek, and coordinating art coverage for her 'old' Daily Beast. I'm tremendously excited by the opportunities that presents...."

We all wish the Gopnikmeister the best in his new NYC gig.

Opportunity for Artists

Deadline: Friday, January 14, 2011

The Crystal City Business Improvement District is seeking qualified artists to help produce a temporary, outdoor art exhibit featuring illuminated sculptures in the Crystal City Water Park. Selected artists will receive a grant of $5,000 to build and implement their concept.

Click here to download the submission packet.

Celebrate Gay Marriage

"Celebrate Gay Marriage" is the new January show at the Foundry Gallery (located at 1314 18th St, NW).

The show includes juried works selected on their ability to visually represent the theme of gay marriage. Show runs Jan 5 through Jan 30. Hours: M-F, 1 to 7pm; Sat & Sun, 12 to 6pm. Opening reception Fri Jan 7, 6 to 8pm.

Professor/Dr. Jonathan Katz, co-curator of now notorious National Portrait Gallery's "Hide/Seek" exhibition, will deliver a lecture on Sat. Jan 15 at 4:00 pm. Questions, please call 202-463-0203.

Seventh Annual Bethesda Painting Awards

Deadline: Friday, February 25, 2011

The Bethesda Arts & Entertainment District is currently accepting applications for the seventh annual Bethesda Painting Awards, a juried competition honoring four selected painters with $14,000 in prize monies. Deadline for submission is February 25, 2011. Up to nine finalists will be invited to display their work at a Bethesda gallery.

The competition will be juried this year by Philip Geiger, an art instructor at the University of Virginia; Evelyn Hankins, associate curator at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and Jinchul Kim, a painting professor at Salisbury University.

The first place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A “young” artist whose birth date is after February 25, 1981 may also be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. All original 2-D painting including oil, acrylic, watercolor, gouache, encaustic and mixed media will be accepted. No reproductions.

Each artist must submit five digital files or slides, application and a non-refundable entry fee of $25.

Applications are available online at www.bethesda.org.

The Bethesda Painting Awards were established by my good friend and Bethesda philanthropist, art collector and community activist Carol Trawick in 2005.