Rough day

As some of you know, I had a small accident recently, but which aggregated to larger proportions this morning, as I headed towards McLean for their ArtFest. It seems the impact points caused an inner portion of the body metal to rub against the passenger side tires with the expected result of flat tires, which essentially wrecked my day (pun intended).

Van is in the body shop for the next two weeks.

Tomorrow: MPAartfest!

This Sunday is MPAarfest in McLean - I did it last year and it was amazing, so I'm back this Sunday.

Thus, on Sunday, October 2nd, 2011 MPAartfest will transform McLean Central Park into a lively landscape of mini art galleries showcasing and offering for sale the work of a diverse group of 46 juried artists, including The Lenster.

MPAartfest includes activities to captivate art-lovers of all ages. Stroll through the Children's ArtWalk, sponsored by McLean Community Foundation and coordinated by New Dominion Women's Club, to experience the work of young artists from McLean area schools. Budding artists may create their own works of art at Innovation Station sponsored by TTR/Sotheby's International Realty.

Live model drawing, courtesy of MPA's Open Studio, will give all ages a chance to draw and an "en plein air" demonstration will help round out the festival.

The Gazebo Stage will feature a variety of live performances throughout the day. Click here for the schedule

And their food vendors will offer a wonderful selection of food and beverages for your discerning palate.

See ya there!

Opportunity for Artists

Deadline: Wednesday, November 1, 2011 at 5 PM

The Alexandria Office of the Arts and Alexandria Commission for the Arts invite artists to submit proposals for two and three dimensional, original exhibits to be shown in one of fifteen gallery spaces during 2012-2014. Individual artists or consortia of artists, who work, study or live in the City of Alexandria are eligible. There is no entry fee to apply but a 10 percent commission will apply to all artwork sold. Each of the exhibitions will run for six months.

To be considered, each proposal must consist of:

- Completed application form
- A resume
- PC-compatible CD or a DVD with a maximum of 12 number images representing the work, each labeled with artist’s name and the title of the work
- An artist’s statement of no more than one page containing a description of the artist(s), consortium, or organizations involved in the exhibition.

Proposals (solo exhibition, consortium, or organization) must be received by Wednesday, November 1, 2011 at 5 PM by the Durant Arts Center at 1605 Cameron Street, Alexandria, VA 22314, with attention to: Call for Entries 2012-2014.

Artists selected are required to sign a Loan Agreement and will be responsible for the shipping/delivery, pick-up, preparation, and installation of works to be exhibited.

More information is available at this website or contact the Office of the Arts at (703) 746-5588 or by e-mail at aca@alexandriava.gov. In the subject line, please mention “Call for Entries 2012-2014.”

This weekend: MPAartfest!

This Sunday is MPAarfest in McLean - I did it last year and it was amazing, so I'm back this Sunday.

Thus, on Sunday, October 2nd, 2011 MPAartfest will transform McLean Central Park into a lively landscape of mini art galleries showcasing and offering for sale the work of a diverse group of 46 juried artists, including The Lenster.

MPAartfest includes activities to captivate art-lovers of all ages. Stroll through the Children's ArtWalk, sponsored by McLean Community Foundation and coordinated by New Dominion Women's Club, to experience the work of young artists from McLean area schools. Budding artists may create their own works of art at Innovation Station sponsored by TTR/Sotheby's International Realty.

Live model drawing, courtesy of MPA's Open Studio, will give all ages a chance to draw and an "en plein air" demonstration will help round out the festival.

The Gazebo Stage will feature a variety of live performances throughout the day. Click here for the schedule

And their food vendors will offer a wonderful selection of food and beverages for your discerning palate.

See ya there!

Tolman creatures

I am hearing all kinds of great things about Ben Tolman's show "a few more drawings..."? at The Fridge.

Wonder how he does it? Come on Sunday, October 2nd from 2-4 and learn how to design a creature with him. All ages and skill levels welcomed. Supplies are included for a suggested $20 donation

Details here.

Tonight: Contrasts at Arlington Artisphere

Artisphere presents an exhibition of large format black and white photographs by Arlington, VA based photographer Andrew Zimmermann.

The artist uses an 8 x 10 camera and traditional darkroom processes to reveal the changing forms of light, perception, and landscape. This series of images, made half in winter and half in summer in Colorado’s Front Range, presents a particular geographic place as a set of dynamic contrasts. The series shows the natural world is constantly in flux, rather than fixed and unchanging.

Andrew Zimmermann lives and works in Arlington, Virginia. His work has been influenced not only by photographers, but also by old masters such as Titian and Cezanne, and 17th century Chinese ink painters Dong Qichang and Bada Shanren.

Artisphere is located at 1101 Wilson Boulevard in Arlington, Virginia. The general hours are 11AM – 11PM Monday – Friday, 11AM – 2AM Saturday, and 11AM – 9PM Sunday. The opening reception and artist talk are free and open to all.

Opening Reception: Thursday September 29, 5:30 – 7:30 PM
Artist Talk at 5:30

Me in the Med


That's me and my second-born (Elise) floating in the Mediterranean around 1992... Check out that tan line! And below is a pic of her now as an actress and model...

Elise Lenna Campello

Opportunity for Artists

Deadline: Friday, October 28, 2011

The gorgeous BlackRock Center For the Arts is accepting entries for their October 2012 - August 2013 exhibit season.

You can download the prospectus here.

Eligibility: Open to all artists 18 years and over residing in Maryland, Virginia, and Washington DC.

Special Consideration: Artists who are willing to conduct a lecture or workshop for a BlackRock standard fee will receive special consideration during the selection process.

About the Gallery: BlackRock Center for the Arts gallery is 1500 square feet of exquisite gallery space located in Germantown, Maryland. With its high neutral walls and beautiful windows strategically placed it allows in just the right amount of natural light. The windows are located above the walls which makes it an ideal space for fiber art. BlackRock Center for the Arts takes pride in the eclectic group of artists we have exhibited in the gallery since 2002.

Jurors: Jack Rasmussen: Director and Curator of the American University Museum at the Katzen Arts Center in Washington, DC.

Jodi Walsh: mixed medium artist, curator, national speaker, owner and Gallery Director of Gallery 555 in Washington, DC.

Carol Brown Goldberg: professional fine artist and lecturer, Carol has been exhibiting her work locally and internationally over the past 36 years.

Artomatic baby!

Now that the Big Bang of (e)merge and 30 Americans has taken the DMV by storm and following in the footsteps of the DMV's amazing Artomatic's footsteps, Artomatic @ Frederick opens its doors on September 28 and runs through November 6.

Artists are occupying 27,000 sq ft in the former Frederick County Public School Central Office Building at 115 E. Church St. in historic downtown Frederick. This mega, mega, mega arts event includes 300+ visual artists and 100+ performing artists.

Did you get that performance art lovers?....... 100+ performing artists!

A ribbon cutting ceremony and "Meet the Artists" night is being held on Saturday, October 1, starting at 5 PM. More information: www.artomaticfrederick.org!

Five gets you ten that the WaPo ignores this...

Artinfo on (e)merge

So, will (e)merge return? The nation's capital, according to the fair organizers, has youth, vitality, a "tremendous interest in culture," and, perhaps most importantly of all, wealth (the suburbs of Washington include many of the wealthiest communities in the nation). All that is left is convincing the D.C. upper crust that they should be spending their money on art.

That, it seems, might prove to be harder to do than to say. As Mayer Fine Art's Lenny Campello said during a Friday lull, "A curator here would rather take a cab to Dulles to see an emerging artist in Berlin than take a cab to Georgetown to see an emerging artist at a local gallery." Still, (e)merge was a step in the right direction.

Read the whole article here.

Anne Marchand at King Street Gallery





Anne Marchand will give a short talk about her work in the show, "Of Shining Worlds: Recent Paintings by Anne Marchand" curated by Claudia Rousseau. Artist Tom Block, a scholar of medieval literature, will do a reading of poems by Rumi, the great early thirteenth century Persian mystical poet. Maurice Sedacca, a musician and composer from New York, will play a prelude and accompanying music on the the guitar and the oud, a middle eastern instrument that is the forerunner of the lute.

Location: The King Street Gallery is located on the ground floor of The Morris and Gwendolyn Cafritz Foundation Arts Center on the west side of the Takoma Park/Silver Spring Campus off Georgia Avenue at 930 King Street. Parking is available in the West Garage, which is located immediately behind the Arts Center.

RSVP Facebook Event Page here

The Morris and Gwendolyn Cafritz Foundation Arts Center
The King Street Gallery
930 King Street
Silver Spring, MD 20910
240-567-5821

DC in American Contemporary Art magazine

Read it online here.

until every shape has found its city

Reston, VA: GRACE (Greater Reston Arts Center) is pleased to present until every shape has found its city with Evan Reed from September 29 through November 12, 2011. The exhibition explores the intersection of art, literature, and architecture through complex sculptures and drawings that transcend literal interpretations.

Using commonplace materials – lumber, plaster, wall board, and nails – Evan Reed creates fantastical sculptures that reference reality but travel beyond into the realm of imagination. His “impossible buildings” with skewed framing, walled-off rooms, and disappearing passages invite the viewer to slip through reality and enter an alternative space where architectural forms become departure points for dreams.

Reed’s diverse influences range from poetry and literature to sacred geometry and visionary architecture. His title, until every shape has found its city, is borrowed from Italo Calvino’s Invisible Cities, a novel featuring imaginary conversations between Marco Polo and The Kublai Khan. In the book, the explorer describes his travels to the emperor through a series of evocative stories. In a similar manner, Reed invites his audience to discover his works through multiple viewpoints. By building sculpture as Calvino organized his novel through complex interlocking sections, Reed draws the viewer deeper into the mystical meanings of his work.

until every shape has found its city (all in lower case) features six large-scale sculptures and twelve drawings which incorporate diverse, multi-cultural sources. Visitors entering the gallery are met by the soaring, thirteen foot “Burj al-Shawq” (Tower of Desire) growing and evolving from its solid, spiral base into a tower of cluttered construction cranes. Drawing on a trip to Dubai during its building boom, Reed explores the conflicts between the old and the new Middle East in architecture, culture, and political upheaval.

Towards the rear of the gallery “October Hive” hangs in space just as its name implies – like a beehive suspended from a tree. In an unplanned coincidence, the sculpture’s eight interconnected chambers precisely mirror the hexagonal architecture of the GRACE gallery space. Although “October Hive’s” eight peaks resemble dormers on a traditional Cape Cod home, Reed is also referencing the round Hakka houses in

Fujian, China and eighteenth century Panopticon architecture designed so that prison guards could secretly observe inmates from a central tower.

Filling the gallery’s main front window “A Corner for Gaston and Gonzalo” extends over a built-in bench and five feet into the gallery. The sculpture’s simple, overall form is based on Reston’s nineteenth century Bowman distillery building while its center niche (the corner referred to in the title) references Reston’s more recent architecture – in particular the built-in planting boxes on Heron House balconies and the decorative sculpture and niches designed by Gonzalo Fonseca in Lake Anne. Reed made several exploratory trips around Reston gathering ideas for this site-specific work including visits to the Reston Museum and a meeting with Reston’s founder, Robert E. Simon, who discussed his intentions for the community.

The niche in “A Corner for Gaston and Gonzalo” also holds a surprise – an etched glass panel which reveals a street scene projected by a hidden camera obscura. Here Reed has brought the outside cityscape into his sculpture and given form to his title while alluding to the community’s history and hopes.

“Using architectural forms has given me a way to create a dialogue between many distinct impulses. The viewer can move through time and location. Memories of familiar forms yield to frameworks that describe a potential future or reveal a desertion of plans.” Reed’s beautifully crafted, intricate sculptures and drawings offer a rare opportunity for dialogue about our complex relationship to structures

A twenty-four page catalog accompanies the exhibition and includes an essay by Vesela Sretenovic, Curator of Modern and Contemporary Art at The Phillips Collection, Washington, DC.

What's the next big art event in town?

"30 Americans showcases works by many of the most important African American artists of the last three decades. This provocative exhibition focuses on issues of racial, sexual, and historical identity in contemporary culture while exploring the powerful influence of artistic legacy and community across generations."

Check it out online here.

(e)merge day three


That somewhat odd pic of me was taken at (e)merge by Tim Tate.

Today was the last day, and even though people traffic was a little slower, towards the 4PM hour, it increased and then suddenly there were five good sales at once: one of the very cool self contained video installations by the very young John Miles Runner (who I think was the hit of the MFA room), two paintings by Sheila Giolitti and three more drawings by yours truly.... yeah buddy!

The hot wire known as Mera Rubell dropped by the space during the day (she'd also come by the day before to chat), bringing in some of her friends and colleagues, and said some very nice things about both my work and Giolitti's paintings. Several of them stayed behind after she left, chatting and asking for business cards. That dynamo of a woman is something else, and her presence in the DC art scene is electric; I also met her gigantic husband, who is also a very nice guy.

Who was the (e)merging star from (e)merge? I predict that it will be Wilmer Wilson IV. The kid was on fire and I am told that some key collectors were picking up the photographs of his performances. Get him now (I've already have and plan to get some more).

Was (e)merge a success? Only time and 2012 will tell, but as an experienced art gallery participant (as critic, artist and dealer), I can tell you that (e)merge's success can be best measured by the fact that in its first year, it felt like an established art fair. I know, I know... were people buying art? That's the key question and the main one that gallerists use to measure a fair's success, especially in these times of financial austerity.

However, and lacking any empirical financial/sales data, it certainly "felt" like most other successful art fairs: some galleries appeared to do well, some appeared to have broken even (always a "success") and some appeared to have sold nothing. That's what happens at every art fair on the planet.

However Number Two: (e)merge is more (at least for the DMV) that just a fair:

(a) It sparked a satellite fair which in turn gestated a couple more satellites of its own; this is good for our art scene.

(b) It brought a small number of art collectors from New York and other places to DC instead of the other way around and I think they were pleased.

(c) It broke through the art apathy of the Washington Post, even if it was the typical snarkellitist diatribe of Philip Kennicott (did you notice that I've just invented a new word?) Note to the WaPo: Next time send Michael O'Sullivan please.

(d) It brought cool, new (and even snarkier) art bloggers to DC.

(e) It was a key element in getting the immensely talented Victoria F. Gaitán hooked up with Conner Contemporary.

(f) It will prove to be the launching pad for Wilmer Wilson IV's art career and I'm betting that several other unrepresented artists will be picked up by galleries.

(g) It got semi-naked people into the Skyline Hotel's pool - that's tame by Miami standards, but a first for a Washington art event.

(e)merge 2012 coming up...

(e)merge day two

Whatever ends up happening with (e)merge - and I think that good things will happen - one issue is clear: they have brought in the crowds.

People were constantly streaming in throughout the day, and very heavy at night. It is clear the buzz of (e)merge has worked in bringing in people to the Skyline Hotel, and the question now is: "is anyone selling artwork?"

I can only discuss what's happening on the third floor, since I haven't had the time or opportunity to escape room 313 and visit the other galleries on the second floor, but today was the first day that red dots began to show up in the rarified upper floor of the fair, as most of the spaces there were selling work today.

My dealer sold a massive 7 feet by 7 feet woodcut by Virginia artist John Miles Runner (currently living in Japan - see image above) to a Baltimore collector. She also sold one of my video drawings (yay!) to a well-known DC art collecting couple who have recently re-located as well as a couple of loose drawings.

That's Tim Tate below reversing the process on art paparazzi and uberartcollector Steve Krensky.



And that's someone checking out two of my video drawings. The one on the left is the one that sold.



Tomorrow is the last day - let's hope it doesn't rain when we all have to compete for the elevators to take the art to the street and reload all the vans and trucks... come see some artwork!

(e)merge day one

I never got to the pool deck last night, but I was told by reliable sources that at one time about 1500 people were jamming the Skyline's famed pool area for (e)merge's opening party.

"Some folks were jumping in the pool and swimming around in their clothes or their underwear," reported the very young reporter from one of the newspapers' covering DC's cool new art fair.

"Was anyone naked?" asked you-know-who.

"Naw..."

OK, so maybe next year.

The pre-opening party night was packed, as I reported yesterday, and (as an astute observer of the DC art scene) I can tell you that there were a lot of new faces, in addition to the usual suspects; this is a good thing... and I've never seen so many gigantic women in one place in my life. Where are all these Amazons coming from all of a sudden?

Meander: Did I mention that I was involved in a car (actually van) crash on the way to the fair? Don't ask.

I have my work in room 313, as I am being represented by MFA, my hardworking Virginia dealer.

I have three video drawings there; this is the one (which is hanging in the bathroom... oh yeah - The Lenster tricked out the head into a cool mini gallery), which has been gathering the most commentary:

Obama Agonistes. Charcoal on 300 weight paper with embedded video player and continuous loop video. Matted and framed under glass to 16 x 32 inches. Circa 2011 by F. Lennox Campello

On Thursday night, I managed to piss off members of both the vast left wing nuthouse and the even vaster right wing conspiracy.

"How dare you show our President looking so vulnerable and desperate?" questions the LWNH card-carrying member. I try to explain a little, but get interrupted: "There have been NO failures!" he almost shouts and stomps off.

Later on I catch it from the right. "I don't like the way that you pretend that this guy even cares about anything but his political agenda," notes the card-carrying member of the VRWC; I start to explain, "He's not worth the paper on this drawing," ha adds (I think) as he walks off.

Interesting how in Washington, politics even come seeping into narrative artwork; but we all knew this, right?

But that was all last night.

Tonight, after I arrived I aimed for Flashpoint and bought one of Kenny George's art slot machines; I had my eye on them last night and didn't want to become one of those "I'll be backs" who comes back and the piece is gone.

Essentially, Kenny George buys discarded slot machines, early table sized video games, pin ball machines, etc. and re-designs them so that they are each an individual work of Kenny George art. At $400 each, the fully functional slot machines (he rebuilds them) are the best deal in the entire art fair. There are two left, go buy them now.



That's me (on the left) and Kenny below, flanking my new art acquisition:



Later on the night, the amazing Mera Rubell dropped by and we spent quite a while chatting about DC and our art scene. Rubell is an amazing magnet - that's the best way that I can describe her. Before she left room 313, Sheila Giolitti's work caught her attention (always a good thing, uh?) and she popped back in and discussed it with the artist.

I had been hearing a lot of buzz about Wilmer Wilson IV's performance from various people ("His performance was amazing," noted Prof. Chawky Frenn), and later on I ran into him in the halls and Wilson was still buzzing, as he had just finished it. He looked both exhausted and primed for more action - if that's even possible.

I predict that Wilson will be offered representation this weekend: this is sort of what (e)merge is all about - at least in part - right?

Tomorrow: Back for the whole day this time.

(e)merge

(e)merge opened tonight and the joint was packed to the gills... saw lots of familiar faces, many of whom were greeted by Kristina Bilonick's crew of cheerleaders.

I didn't have much time to look at the artwork in most of the galleries, but I've already picked an amazing piece of artwork to buy from one of the galleries on the third deck - I think I'll get it tomorrow. The very quick walk-through through the ground floor revealed a lot of really good work from the individual artists showcased there.

Opening Tonight

Zenith Gallery hosts "Visual Voices" - an exhibition of DC area artists profiled in the new book "100 Artists of the Mid-Atlantic" by E. Ashley Rooney. The show at Zenith Gallery will open with a Book-signing Party with the author and artists, tonight, September 21, 6:00 – 8:30pm, and remains on display through October 29, 2011.

Visual Voices - featuring works by: Alan Binstock, Joan Danziger, Julie Girardini, Margery Goldberg, Robert Jackson, Michael Janis, Joan Konkel, Ann Marchand, Donna McCollough, Davis Morton, Carol Newmyer, Marc Rubin, Barton Rubenstein, Sica, Ellen Sinel, Betsy Stewart, Cassie Taggert, Tim Tate, Erwin Timmers, Paul Martin Wolf, Joyce Zipperer and yours truly.

Book Party, Meet the Author and Artists

Wednesday September 21, 6 - 9 PM
Exhibition: September 21 - October 29, 2011

Zenith Gallery at Chevy Chase Pavilion, second level next to Embassy Suites Chevy Chase Pavilion, 5335 Wisconsin Ave NW, Washington DC 20015

Opportunity for Photographers

Deadline: November 15, 2011

Call For Exhibit Proposals 2012 - Photoworks Exhibit Committee

The Photoworks Exhibit Committee invites photographers to submit a proposal for a group or solo photography exhibition in 2012 at Photoworks Gallery in historic Glen Echo Park. Proposals must be received on or before the November 15, 2011 deadline.

Photography Exhibition Dates:

1. March 2 - April 9, 2012

2. June 15 - July 23, 2012

3. September 7 - October 15, 2012

4. November 16, 2012 - January 17, 2013

Deadline for Exhibit Proposal Submissions: NOVEMBER 15, 2011

Visit www.glenechophotoworks.org for more details.