Opportunity for Artists

Deadline: November 7, 2011

The State University of New York at Cortland announces a call to artists for a group exhibition at the Dowd Gallery, January 18–March 2, 2012. Open to all artists nationally and internationally, to submit work for consideration that represents innovation in concept, subject or media use. All work must be the original work of the applicant, suitable for gallery installation. Full color publication produced.

Juried by committee of 5-9 professional artists. No entrance fee.

Artists are responsible for shipping fees. Selected artists may be invited for a subsequent short term visiting artist program with undergraduate studio art students including presentation of work, discussion and studio visit. The selected artist will receive a stipend of $1000 for his/her time and travel expenses. For more information contact Bryan Thomas at dowd.gallery@cortland.edu or visit the gallery website here.

On Columbus Day

If you think that you know early American history (I thought I did), then read A Voyage Long and Strange: Rediscovering the New World by Tony Horwitz and prepare to be left not only open-mouthed but well informed and armed with a spectacular knowledge of early American history seldom discussed in school.

"By the time the Pilgrims came to Plymouth, St. Augustine was up for urban renewal"

- Michael Gannon
Prof. of History
University of Florida

Bad Art Destruction Party

Time: Thursday, October 13 · 7:00pm - 10:00pm
Location:
Warehouse Theater
1017 7th St NW
Washington, District of Columbia

Facebook details and RSVP here.

Tsk... tsk...

Billions of dollars in arts funding is serving a mostly wealthy, white audience that is shrinking while only a small chunk of money goes to emerging art groups that serve poorer communities that are more ethnically diverse, according to a report being released Monday.

Read the AP story here.

Two will be heading for Miami

The Bombay Sapphire Artisan Series has teamed up with Russell Simmons’ Rush Philanthropic Arts Foundation to search for a new generation of cutting-edge visual artists and the show now at International Visions Gallery, showcases winning work by Washington semi-finalists.

Across all markets, a total of twenty artists will advance to the Bombay Sapphire Artisan Series Finale Competition exhibition, held during Art Basel Miami Beach in December 2011. From that group, two finalists will be invited to exhibit at Rush Arts Gallery in New York City in February 2012.

Artists in this DC exhibition include Michael Anthony Brown, Zoma Wallace, Shaunté Gates, Julian Lytle, Farah Ahmed, Rob Chester, Edward Savwoir, Miles Burrell, Osereime J. Aimua, David Allen Harris, Cheryl Edwards, Jay Coleman, S. Ross Brown, Al Burts, Nicole Marshall, Ann Marie Williams, Victor Ekpuk, George Kochev, Eusebio Choque, Cedric Baker, Jesi Pace-Berkeley, Larry Cook, Michael Singletary, Jamea Richmond-Edwards, Leonard Harris, Lawrence Charity, Helina Metaferia, Stephen Evans, Keah Fryar, Richard Thompson, Donivan York, W. James Taylor, and Tanekeya Word.

The cool thing for me is that I'm only familiar with the work of 3-4 of those named above. For information, visit the gallery’s Web site.

Percy Martin coming to Parish Gallery

Georgetown's Parish Gallery will showcase one of the DMV's most venerable and influential printmakers, Percy Martin, whose exhibition entitled “Bushmen Dreams” will open with a reception from 6:00 – 8:00 pm on Friday, October 21st and will run through November 15, 2011.

Percy Martin is a printmaker and teacher of art who has lived in the Washington, DC area since 1947. For over 25 years, he has been quietly working on a series of lush and technically complex prints detailing the daily lives and rituals of the Bushmen, a mythological people and culture born of Martin’s imagination. He studied printmaking and graphic design at the Corcoran Gallery of Art where he received a Ford Foundation Fellowship in 1966. In 1975 the National Endowment for the Arts awarded him with an Artist-in-Residence.

Mr. Martin taught private classes in etching and has been the Director of the W.D. Printmaking Workshop in Washington, DC, since 1947. He taught at the New Thing Art and Architecture Center, University of Maryland, Corcoran School of Art, printmaking to inmates at Lorton Prison, the Duke Ellington School of the Arts and finally the Sidwell Friends School, from which he is now retired.

Mr. Martin has shown his work widely in the U.S., Russia, the Ukraine, and Africa. His works have been in traveling exhibitions of the Smithsonian Institution and are found in numerous private collections and the collections of the Washington Post, University of Maryland, and the National Collection of American Art.

There are a lot of DMV area artists, mostly those who were schooled around here, who received the spark of creativity from this talented artist, and I know that no art collection with any sort of focus on DMV artists, is complete without a Percy Martin in the collection.

Don't miss this show.

Heard on Univision

There are as many Americans from Latin American ancestry who despise the term "Hispanic" (my Dad is one of them) or "Latino" (he doesn't even know what that means and neither do I) as those who like that Nixonian label.

I think that Univision newscasters have begun a semantic revenge upon Non Hispanic Americans of European ancestry; lately I've noticed that they refer to this group as "Anglo-Saxons".

That ought to piss off Scots, Italians, Spaniards, French, Russians, Bulgarians, Greeks, Welsh, Irish, Swedes, Norwegians, Estonians, Finns, Laplanders, Andorrans, Belgians, Poles, Danes, and all the other folks who live from Portugal to Russia, etc. as much as being labeled under one label pisses me (and a lot of other gente) off...

You describe a Scot as an Anglo-anything; you better be ready to fight...

Heh, heh... makes my head hurt.

Airborne

Heading back home today, and almost finished with the almost 1,000 page-long A Dance with Dragons: A Song of Ice and Fire: Book Five by the "American Tolkien" George R.R. Martin.

I told you before that I could never stomach Tolkien, but absolutely devour this guy's writing and that in my eyes Tolkien is the British G.R.R. Martin. Part of his genius is how his made-up world and characters are so human while being fantastical... and how he traps you into rooting for a character which he then kills -- because in the "real world" of savagery where they live, they would be killed.

Opportunity for Artists

Deadline: November 15, 2011

The College of Southern Maryland is seeking proposals for exhibition opportunities at the Tony Hungerford Memorial Art Gallery. All proposals received by November 15, 2011, will be placed into consideration for the 2012 / 2013 exhibition season. They welcome proposals for solo, group, and small curated exhibitions, and encourage submissions in all media.

More information is available, and current exhibits may be previewed, at the gallery’s website here.

To submit a proposal, please send a CD containing 20 images in a single PDF format; an identifying list with titles, sizes, and media; a CV; and artist’s statement to:

Dr. H.Christian Carr
College of Southern Maryland
PO Box 810
8730 Mitchell Rd.
La Plata, MD, 20646

Applicants wishing return of their submission may include a SASE with their materials. For further information, contact ccarr@csmd.edu.

Kennicott on 30 Americans

I've been digesting Philip Kennicott's ‘30 Americans’: A challenging study of identity, currently on exhibit at the Corcoran.

As Kennicott is not the easiest writer to read, this digesting process has taken me a few days and at least one trip to the dictionary, an odd thing, I think, for someone with three degrees and a MENSA-qualifying perfect SAT score many years ago.

My thoughts on the article start with the issue that I think that because nearly every writer in this town, including art writers, are somehow cast in the shadow of Woodward and Bernstein, almost every writer in this town approaches nearly every story in this town as a possible Watergate. I like the way that I managed to sneak "in this town" multiple times in that sentence.

Because the DMV is a "town" in the smallish sense of that word; no Gotham or Metropolis like word will be used ever to describe the DMV, where everybody and everyone knows your name... right? Cheers...

But I meander.

It was sooooo predictable to see the mouth-watering effect upon art writers such as Kennicott (and others to come), to try to find a less than ethical reason for this exhibition.

And thus we get:

And that raises the issue of the second problem with “30 Americans,” the appearance of a conflict of interest in presenting a private collection at a prominent museum, especially when a financial transaction has happened between the parties. Is this a quid pro quo between the Corcoran and the Rubells that serves to boost the value of a private collection?

Never mind that:

The Rubells have categorically denied any quid pro quo, and Kristin Guiter, spokeswoman for the Corcoran, says “the two are completely unrelated.” Discussion of the “30 Americans” show began well before any plans to sell the Randall School, she says.

But Lenny, some of you are probably saying, he also admits that

A few things militate against a cynical view of the question. First, the work on display is important and needs to be seen. Second, the Rubells probably bring more prestige to the relationship than the Corcoran, which has been damaged by financial and institutional mismanagement over the past decade. Third, museums would hardly exist without courting the favor of private collectors.

Militate? ahem...

This is such a challenge for so many people around here: to write an art review about the art or artists, without a need for militation (ahem, ahem) of any sort. And if one militates (ahem, ahem, ahem) against this particular writer's cynicism, what else is there?

Envy, elitism, rancor?

See where this led? Now I need to militate my own nastiness, which is the result of a visceral reaction that screams: Not everything has a hidden, unethical root! (Note to PK: Observe how I avoided the temptation to use "Raison d'être" - in other words, I militated the temptation to sound like a cultural egghead.

Not every story is a potential Watergate.

Read PK's article here.

Airborne

Heading to the Left Coast today, and armed with the almost 1,000 page-long A Dance with Dragons: A Song of Ice and Fire: Book Five by the "American Tolkien" George R.R. Martin.

Funny thing is that I could never stomach Tolkien, but absolutely devour this guy's writing. In my eyes Tolkien is the British G.R.R. Martin.

At the Arlington Arts Center

First and foremost, a warm welcome to Stefanie Fedor, the new Executive Director of the Arlington Arts Center. Ms. Fedor comes from the Katzen, where she was an Asst. Curator, and now takes the helm of one of the leading non profit art venues around the DMV.

And AAC's annual call for entries gave 14 emerging artists the opportunity to have solo exhibitions at the Center. This year's crop was selected by DC collector and curator Michael Pollack and independent international curator Melissa Keys, formerly of the Perth Institute of Contemporary Art. All of the artists will be on hand at the opening reception, which is Thursday, October 6, 2011, 6-9 pm. The artists are:

Chloe Watson: Chairmen's Gallery
Stephanie Elaine Robbins: Experimental Gallery
Arden Bendler Browning: Meyer Gallery A
Jason Irla: Truland Gallery
David D'Orio: Meyer Gallery B
Matt Dunn: Tiffany Gallery

I'm particularly looking forward to seeing the work of the three artists in this group whom are new to me, as well as the always fascinating photography of Matt Dunn (whose "bearded dude riding the chicken" photo at (e)merge was - in my opinion - the defining image for that terrific art fair).

Rough day

As some of you know, I had a small accident recently, but which aggregated to larger proportions this morning, as I headed towards McLean for their ArtFest. It seems the impact points caused an inner portion of the body metal to rub against the passenger side tires with the expected result of flat tires, which essentially wrecked my day (pun intended).

Van is in the body shop for the next two weeks.

Tomorrow: MPAartfest!

This Sunday is MPAarfest in McLean - I did it last year and it was amazing, so I'm back this Sunday.

Thus, on Sunday, October 2nd, 2011 MPAartfest will transform McLean Central Park into a lively landscape of mini art galleries showcasing and offering for sale the work of a diverse group of 46 juried artists, including The Lenster.

MPAartfest includes activities to captivate art-lovers of all ages. Stroll through the Children's ArtWalk, sponsored by McLean Community Foundation and coordinated by New Dominion Women's Club, to experience the work of young artists from McLean area schools. Budding artists may create their own works of art at Innovation Station sponsored by TTR/Sotheby's International Realty.

Live model drawing, courtesy of MPA's Open Studio, will give all ages a chance to draw and an "en plein air" demonstration will help round out the festival.

The Gazebo Stage will feature a variety of live performances throughout the day. Click here for the schedule

And their food vendors will offer a wonderful selection of food and beverages for your discerning palate.

See ya there!

Opportunity for Artists

Deadline: Wednesday, November 1, 2011 at 5 PM

The Alexandria Office of the Arts and Alexandria Commission for the Arts invite artists to submit proposals for two and three dimensional, original exhibits to be shown in one of fifteen gallery spaces during 2012-2014. Individual artists or consortia of artists, who work, study or live in the City of Alexandria are eligible. There is no entry fee to apply but a 10 percent commission will apply to all artwork sold. Each of the exhibitions will run for six months.

To be considered, each proposal must consist of:

- Completed application form
- A resume
- PC-compatible CD or a DVD with a maximum of 12 number images representing the work, each labeled with artist’s name and the title of the work
- An artist’s statement of no more than one page containing a description of the artist(s), consortium, or organizations involved in the exhibition.

Proposals (solo exhibition, consortium, or organization) must be received by Wednesday, November 1, 2011 at 5 PM by the Durant Arts Center at 1605 Cameron Street, Alexandria, VA 22314, with attention to: Call for Entries 2012-2014.

Artists selected are required to sign a Loan Agreement and will be responsible for the shipping/delivery, pick-up, preparation, and installation of works to be exhibited.

More information is available at this website or contact the Office of the Arts at (703) 746-5588 or by e-mail at aca@alexandriava.gov. In the subject line, please mention “Call for Entries 2012-2014.”

This weekend: MPAartfest!

This Sunday is MPAarfest in McLean - I did it last year and it was amazing, so I'm back this Sunday.

Thus, on Sunday, October 2nd, 2011 MPAartfest will transform McLean Central Park into a lively landscape of mini art galleries showcasing and offering for sale the work of a diverse group of 46 juried artists, including The Lenster.

MPAartfest includes activities to captivate art-lovers of all ages. Stroll through the Children's ArtWalk, sponsored by McLean Community Foundation and coordinated by New Dominion Women's Club, to experience the work of young artists from McLean area schools. Budding artists may create their own works of art at Innovation Station sponsored by TTR/Sotheby's International Realty.

Live model drawing, courtesy of MPA's Open Studio, will give all ages a chance to draw and an "en plein air" demonstration will help round out the festival.

The Gazebo Stage will feature a variety of live performances throughout the day. Click here for the schedule

And their food vendors will offer a wonderful selection of food and beverages for your discerning palate.

See ya there!

Tolman creatures

I am hearing all kinds of great things about Ben Tolman's show "a few more drawings..."? at The Fridge.

Wonder how he does it? Come on Sunday, October 2nd from 2-4 and learn how to design a creature with him. All ages and skill levels welcomed. Supplies are included for a suggested $20 donation

Details here.

Tonight: Contrasts at Arlington Artisphere

Artisphere presents an exhibition of large format black and white photographs by Arlington, VA based photographer Andrew Zimmermann.

The artist uses an 8 x 10 camera and traditional darkroom processes to reveal the changing forms of light, perception, and landscape. This series of images, made half in winter and half in summer in Colorado’s Front Range, presents a particular geographic place as a set of dynamic contrasts. The series shows the natural world is constantly in flux, rather than fixed and unchanging.

Andrew Zimmermann lives and works in Arlington, Virginia. His work has been influenced not only by photographers, but also by old masters such as Titian and Cezanne, and 17th century Chinese ink painters Dong Qichang and Bada Shanren.

Artisphere is located at 1101 Wilson Boulevard in Arlington, Virginia. The general hours are 11AM – 11PM Monday – Friday, 11AM – 2AM Saturday, and 11AM – 9PM Sunday. The opening reception and artist talk are free and open to all.

Opening Reception: Thursday September 29, 5:30 – 7:30 PM
Artist Talk at 5:30

Me in the Med


That's me and my second-born (Elise) floating in the Mediterranean around 1992... Check out that tan line! And below is a pic of her now as an actress and model...

Elise Lenna Campello

Opportunity for Artists

Deadline: Friday, October 28, 2011

The gorgeous BlackRock Center For the Arts is accepting entries for their October 2012 - August 2013 exhibit season.

You can download the prospectus here.

Eligibility: Open to all artists 18 years and over residing in Maryland, Virginia, and Washington DC.

Special Consideration: Artists who are willing to conduct a lecture or workshop for a BlackRock standard fee will receive special consideration during the selection process.

About the Gallery: BlackRock Center for the Arts gallery is 1500 square feet of exquisite gallery space located in Germantown, Maryland. With its high neutral walls and beautiful windows strategically placed it allows in just the right amount of natural light. The windows are located above the walls which makes it an ideal space for fiber art. BlackRock Center for the Arts takes pride in the eclectic group of artists we have exhibited in the gallery since 2002.

Jurors: Jack Rasmussen: Director and Curator of the American University Museum at the Katzen Arts Center in Washington, DC.

Jodi Walsh: mixed medium artist, curator, national speaker, owner and Gallery Director of Gallery 555 in Washington, DC.

Carol Brown Goldberg: professional fine artist and lecturer, Carol has been exhibiting her work locally and internationally over the past 36 years.