DC in American Contemporary Art Magazine

The current issue of American Contemporary Art magazine has a focus piece on DC area shows and discusses the recent FALL SOLOS 2011 at the Arlington Arts Center, Percy Martin's solo show at Parish Gallery in Georgetown, and Frederick's version of Art-O-Matic.

Read it online here; starts in page 16.

Congrats!

To my good buds and DMV uberartists Tim Tate & Michael Janis - each one of them has been named as recipients of Fulbright Scholarships. This March, both of them will be heading over to the University Of Sunderland and to the Institute for International Research in Glass (IIRG) in the United Kingdom. Janis is represented locally by Maurine Littleton and Tate by several galleries.

Also congrats to the very talented Jason Horowitz, who just won a Franz and Virginia Bader Fund grant of $15,000 for his impressive photographic works. He is represented locally by Curator's Office.

Postcards from the Edge



I'm in this benefit art show; check it out online here.

List free on Ebay

Got any artwork taking up space and looking for a new owner? For the next two days you can list for free on Ebay.

Ebay is pretty much bottom feeders only when it comes to art acquisition, but hey! what have you got to lose other than your time?

5 x 5 Curators selected

First of all, congrats to my good friend and ubercurator Laura Roulet; now the release from the DC Commission on the Arts and Humanities:

Mayor Vincent C. Gray and the DC Commission on the Arts and Humanities (DCCAH) have identified the five curators chosen to complete 25 ground-breaking public art installations, totaling $500,000 in grants, for the 5x5 Public Art Project presented with the National Cherry Blossom Festival. The installations will be unveiled and showcased during the Festival's Centennial Celebration, March 20 - April 27, 2012. 5x5 is the new temporary art project that will result in 25 public art exhibitions and be installed concurrently throughout the District of Columbia to activate and enliven publicly accessible spaces and add an ephemeral layer of creativity and artistic expression to neighborhoods across the District. The Festival's Centennial Celebration commemorates the 100-year anniversary of the gift of trees from Tokyo to Washington, DC and will showcase unprecedented arts and culture. The groundbreaking 5x5 Public Art Project offers a unique cultural experience for over one million people expected to take part in the nation's greatest springtime celebration.

A five-member selection committee carefully chose five curators from more than 90 submissions. All media and art forms were considered, including, but not limited to visual art, performance, light, digital, projection, and event-based work.

"We considered submissions from curators locally, nationally and worldwide and, ultimately, these five curators demonstrated an impressive body of work," said Lionell Thomas, Executive Director for the DC Commission on The Arts and Humanities.

The five selected curators named below must select five artists each to create five bodies of public work. These five curators will lead the 5x5 implementation process and will manage and oversee each artist's concept, budget and schedules. The installations can be of any duration, but they can not exceed four months.

Amy Lipton; New York, NY: Amy Lipton is the east coast curator and co-director of ecoartspace, a bi-coastal non-profit organization that creates opportunities for addressing environmental issues through the arts since 1999. She has curated numerous exhibitions for museums, galleries, sculpture parks and environmental centers, and has written for books and publications. She organizes and participates on panel discussions and lectures frequently on art and the environment. Amy's 5x5 project is titled "BiodiverCITY." She has chosen five artists whose works address biodiversity both in scientific and cultural terms.

Justine Topfer; San Francisco, CA: Justine Topfer of Out Of The Box Projects is an international curator and writer based in San Francisco with a particular interest in public art. For six years she has been working collaboratively in Australia and internationally with a broad spectrum of contemporary artists, art organizations, institutes of higher education. Justine's project name for 5x5 is "Betwixt & Between," a reference used to denote a liminal state; one which we pass through oblivious, as we rush toward the next thing. Justine asked her group of selected international artists to create five public interventions which breathe new life into the ordinary, reinvigorating the fabric of the urban environment.

Richard Hollinshead; Newcastle-Upon-Tyne, UK: Richard Hollinshead is Director of Grit & Pearl, an artist, designer and curator, and holds a BA, MA and PhD by Practice with a specialism in contemporary projects for heritage landscapes. Richard's 5x5 project is titled "Magnificent Distance." It is based around Washington DC's best known epithets, City of Magnificent Distances, drawing inspiration from exploration of the rich territory that exists between that ideal and "reflect the character and identity of the city [Washington DC.]"

Laura Roulet; Washington, DC: As 5x5's sole local curator, Laura Roulet is an independent curator and writer, specializing in contemporary and Latin American art. She has organized exhibitions in Puerto Rico at El Museo de Arte de Puerto Rico, la Galería Nacional, and in Washington, DC at the Art Museum of the Americas, the Mexican Cultural Institute, Edison Place Gallery, Hillyer Art Space, Project 4, Fusebox, and the DC Art Center. Laura's 5x5 exhibition is titled "Activate => Participate," and has chosento work almost entirely with local artists to create communal, multi-sensory experiences for diverse audiences. All fall under the conceptual umbrella of "relational aesthetics," where a temporary community is formed through the shared experience of an ephemeral art event.

Steve Rowell; Culver City, CA: Curator Steve Rowell is an artist, curator, and researcher working in and between Los Angeles and Washington, DC. His spatial practice involves the overlapping aspects and perceptions of technology, culture, and infrastructure on, beneath, and above the landscape - contextualizing the built and the natural environment, appropriating the methods and tools of the geographer and cartographer. Steve's 5x5 project is called "Suspension of Disbelief," selecting five artists who will investigate the fringes of the monumental core: airspaces, zones of exclusion, perimeters, liminal landscapes, waterways, shorelines, perceived non-places, and lesser-known or overlooked (sometimes even conspicuously absent) memorials, around the National Mall and along the federal periphery.

Congrats to all the curators and I'm looking forward to the results...

Merry Christmas and Happy Holidays!

Home Cooking

Home cooking

Since tonight is Nochebuena, and per request,I've been preparing the classic Nochebuena Cuban feast for the night.

The fare for tonight:

Cuban Roasted Pork
Mariquitas with Mojo Sauce for Dipping
Sweet Corn Tamales
Broiled Yucca with Garlic Mojo
Broiled Ňame with Olive Oil
Moros y Cristianos (Rice and Black Bean Soup)
Cuban Nochebuena Salad

And from our family to all: a Merry Christmas, Happy Holidays and a Terrific 2012 to all!

Just looking...

Artists and Art Fairs (Part II)

On Tuesday I related how almost a decade ago, the founders and organizer of a European art fair called Art Basel (which of course, takes place in Basel, Switzerland), decided to try an American version of their successful European model and started an art fair in the Miami Beach Convention Center and they called it Art Basel Miami Beach or ABMB for short.

And I told you how that one mega art fair spawned a few satellite art fairs in Miami at the same time and how by now there are over two dozen art fairs going on around the Greater Miami area and art collectors, artists, gallerists, dealers, curators and all the symbiots of the art world descent on America’s coolest hot city in December and art rules the area.

I also pointed out, that if you are a visual artist in 2011 and are not aware of these events, and are not trying to get there (get your artwork there is what I mean), then something really big is missing from your artistic arsenal (unless you’re happy just painting or drawing or photographing or sculpting, etc. and could care less who sees and possibly acquires your work – if that’s the case, then skip the rest of this post and more power to you!).

But, if like some of us, the commodification of your artwork doesn’t bother you, and the fact that when you or your gallery sell one of your pieces, you feel honored and pleased that someone laid out their hard earned cash to simply add one of your creations to their home or collection, then Miami in December should be in your radar.

But how to get there? The fairs are mostly gallery-based – that means that galleries are invited or juried to exhibit; not usually individual artists --- more on that later – but there are some other ways to begin to crack the Miami art fair presence, and today I want to share some of my ideas.

Let’s start with gallery-based artists.

If you are already represented by a gallery, why not discuss Miami with them? The enormous expenses associated with the art fair scene are the main reason that most art galleries do not consider them. And this is a darn good reason, as most galleries are run by the skin of their teeth and the expense associated with doing an art fair are enormous and could wreck an entire financial plan in less than a week.

But, what does it hurt to bring it up to your gallerist? Who knows where that may lead?

I am still shocked at how many art dealers are not even aware of the potential financial and exposure rewards of doing an art fair.

Let me be clear: I don't want to hype this issue as a surefire path to moving artwork. But, this much I know… for roughly the same amount of money that a gallery spends on a full page ad in a national art magazine, you can get a small booth in some of the satellite fairs and the return on their investment has a lot more avenues than taking a chance with an ad.

Gathering information is the key thing… bring the subject up to your dealer, and if they want more info, have them email me… the best thing for art is more art.

How about if you are a cooperative gallery? Why not consider applying to one of the art fairs and spreading the cost of the booth amongst the exhibiting artists? A word of warning: the better fairs are juried and that means that someone gets always rejected. But the same key that allows cooperatives to survive for decades (spread the expenses) should and must be the key to give them a presence at the art fairs!

And many, many co-ops are routinely showing now at art fairs in Miami, NYC, LA, London, Madrid, etc. The fact that they are returning to the fairs means that they’re having a positive experience there.

The look and feel of the fairs is different as well. Many of them are booth fairs – that means that a white cube booth of plain white walls, ready to be drilled and hung with art, is the main model.

Fairs such as the original Art Basel Miami Beach, Pulse, Red Dot, Scope, Art Miami, etc. are on this model. At least one of them (Red Dot) in 2011 allowed individual artists to apply for the first time and had quite a few artists’ booth in their huge tent in Wynwood District, right next to the Scope Art Fair and across the street from Art Miami (these latter two only accept galleries).

There are also hotel fairs. These are fairs that essentially take place in a local hotel, where the room is often emptied out and turned into a temporary gallery by the out of town galleries. The best hotel art fair in the world, according to many, is the Aqua Art Fair, held at the Aqua Hotel in Miami Beach, and having just participated in it, add my name to the list of people who thinks that this is the best hotel art fair on the planet. And at Aqua I saw at least two cooperative galleries…

There are also individual artists-based fairs – after all, with 22-25 art fairs around the area, new models are apt to develop – and they have! The Pool Art Fair is one of these, focusing on unrepresented artists. They had a bit of a drama this year in Miami, as the fair was shut down by Miami police due to "lack of a permit", but this fair has been around for seven years, so I'm sure they'll be back next year with all the right paperwork.

A little Googlin’ of Miami art fairs (or just art fairs in general) will reveal just how many fairs there are and where.

The key thought to leave you with: think art fairs and think Miami, New York, LA, Chicago... and think of a way to get there.

Opportunity for Figurative Artists

Deadline: February 6, 2012

First juried show at established Washington DC gallery located in Georgetown. Theme: You, Me and Everybody Else. Artists are encouraged to consider broad contemporary interpretation of the figure.

Fee: $15 FOR 3 IMAGES. For details and entry form go to UP FRONT page on this website. Juror and curator is artist and writer Lilianne Milgrom. Questions? Email upfront@mocadc.org with a subject line You, Me and Everybody Else

Artists and art fairs

If you are a visual artist or art dealer/gallerist in today’s ever changing visual art world, and you’re not aware or know about the Miami art fairs that take place each year-end and are clustered around Miami and Miami Beach, then you have a problem that needs urgent attention.

Almost a decade ago, the founders and organizers of a European art fair called Art Basel (which of course, takes place in Basel, Switzerland), decided to try an American version of their successful European model and started an art fair in the Miami Beach Convention Center and they called it Art Basel Miami Beach or ABMB for short.

This was nothing new in the American art fair scene, as even in Miami art fairs such as Art Miami had been going on for years. But whatever right timing and combination of European flavoring added to Miami's Cubanized international art scene did was spectacular and ABMB took off like Meat Loaf's second album's title.

In the halcyon days of the healthy economy of those days, the art fair proved to be a spectacular success, with millions of dollars of artwork by the blue chip names of the art world exchanging hands at ABMB as collectors from all over the world congregated in Miami’s balmy December to be seen at the sharp point of the spear of the contemporary art world.

ABMB’s success soon spawned other art fairs, which are called “satellite fairs”, since they all revolve around ABMB’s dates and presence on America’s coolest and most international beach city. The evolution of these satellite fairs was fed by the fact that ABMB focused almost exclusively on European galleries and a handful of the top tier American New York galleries.

In those days, even if you were the best gallery in Chicago, or LA or Miami itself, you had zero chance to be invited to ABMB.

And thus satellite art fairs with names like Scope, Red Dot, Bridge, Pulse, NADA and others began to appear around Miami at the same time as ABMB. Soon, someone came up with the novel idea that these art fairs could also take place in hotel rooms, and the “hotel fair” was born. Many of these also began to appear, none better than the Aqua Art Fair, now called “the best hotel art fair in the world.” Having just done Aqua, I can testify brother, that the Aqua organizers have it down, and in my limited opinion, this is indeed the best hotel art fair in the world.

Back to my story... by 2010, even with the economy in the doldrums that refuse to go away, there were 25 art fairs going on around Miami starting roughly around November 28 through the first Sunday of December.

Yes dear readers, 25 art fairs at once! Some developed a tight focus, such as for Asian art or photography, others tried to establish an artist-oriented focus, but in general, all recognized that something special happens each December in Miami.

By now the figures are mind blowing: I am told by Miami journalists from Rumor Control that during that week of the ABMB art fairs, roughly 20% of all the art work sold in the world exchanges hands in Miami.

Furthermore, as the magnitude of the event grew, so did the attendance by both the “need to be seen” crowd and by even more worldwide collectors and, just as importantly, the press.

Thus now the news media not only discusses what’s new or who’s hot in the art world, but also they let us know who Sly Stallone or other Hollywood stars of all magnitude are acquiring. It has become cool for Hollywood stars and wannabes to collect art, which in most Einsteinian dimensions is a good thing.

The concentrated press reporting has also made celebrities out of mega collectors, such as the Miami based Rubell or DeLaCruz families.

Most of the art fairs are gallery-focused; that means that it is art galleries, as opposed to individual artists, who exhibit artwork. The prices for the booths are spectacularly expensive, and generally, a small 200 sq. ft. booth can start at $10,000 or more, and a large booth can run as high as $100,000. And this is before a gallery adds other associated costs such as shipping costs of the artwork, transportation to/from Miami, customs, food, car rental, hotel and salaries.

For most galleries around the world it is a daunting economic investment, which can turn into a financial disaster if sales fail to materialize.

Around the DMV, only a handful of local area galleries took the risk over the last few years. Spaces such as Conner Contemporary, Civilian Art Projects, Hamiltonian Gallery, Fraser Gallery, Irvine Contemporary, and a precious few others, took the venture out to Miami. One local dealer, Art Whino, began its own model and sets up its own ABMB space in Miami during that week.

“I meet more art collectors that week in Miami than the entire year in DC,” related one local art dealer.

“Over the years,” added another, “about 80% of my sales take place at, or because of art fairs in Miami, New York, LA, etc.”

The opportunity to actually sell art is a powerful magnet to tempt art dealers to take the economic plunge. “My openings in Norfolk are always packed, and the shows get good press coverage here,” notes Norfolk’s Mayer Fine Art’s director Sheila Giolitti, who has been also going to Miami for the last few years (disclosure: she represents my work), “And yet, the Norfolk area has a very limited market for contemporary art. If it wasn’t for the art fairs, keeping a gallery in this area would not be a viable option.”

Read: "Because of Miami and other art fairs, I wouldn't be able to have a gallery in Norfolk." Norfolk should be grateful to Miami...

Individual artists have also begun to use the Miami opportunity to showcase their own approaches. None of these have been as cool or successful as Calder Brannock’s Camper Contemporary.

Camper Contemporary is a mobile gallery created and curated by Calder Brannock. According to the artist, “It is a fully functional art gallery set up inside an altered 1967 Yellowstone camper. Camper Contemporary gallery poses a solution for many problems a gallery faces in the modern art market. It allows the gallerist to showcase work in a clean controlled gallery environment without being tethered to rents or a geographic location. The mobile gallery model allows the gallerist to maintain a physical space where work can be displayed with all the benefits and gravitas of a traditional gallery while easily reaching collectors at art fairs and other large art markets.”

So how does an artist get to Miami if he/she is not represented by a gallery, or their gallery doesn’t do art fairs or chooses not to bring your work to the party?

Some ideas next later...

Opportunity for Collage Artists

Deadline: December 31, 11.

2012 marks the centennial of the inception of collage in the field of painting. Strange Glue - Collage is 100 is a three-part exhibition series that will open in September of 2012 and run through June of 2013. Collage is ubiquitous in contemporary culture and it is arguably the most democratic of artistic processes. The exhibition series aims to explore the current status of collage methodology within contemporary art practices as much as it endeavors to examine the conceptual and political manifestations of this evolving artistic strategy. To apply, please visit the Thompson Gallery website for a prospectus and/or follow this link.

Opportunity for Artists of the Nude

Deadline: January 27, 2012

CIAO Gallery of Jackson, Wyoming is pleased to offer the opportunity to participate in their 5th annual "Naturally Nude", an exhibition of exceptional nudes. This show is open to all artists in any medium, traditional renderings as well as unique interpretations. Work must be original and ready to be displayed, clearly labeled with the artists name and contact information. No substitutions of accepted work. Art work must be for sale. This exhibition opening takes place on Valentine's Day evening and has become one of our most popular events for the gallery. $45 entry fee. Visit website for prospectus, or send a SASE to:

PO Box 1274
Jackson WY 83001

Questions? Contact Michele Walters at ciaogallery@yahoo.com or call (307) 733-7833.

Hand woes

Yesterday I was packing some Xmas presents and when I was taping up the shipping box, somehow my right hand slipped while I was cutting the tape and as a result I embedded the entire blade of the Exacto knife into the meaty portion of my left palm.

Sis in law drove me to emergency, where after a few lost hours I exited with a wounded hand hopefully on the way to recovery and one really gross image (taken while I was bored waiting for the doc in one of the emergency room cubicles) of what a very deep entry wound looks like.

New Xmas Song

Keep buying!!

Campello Pinot Grigio is available practically everywhere, most notably at Trader Joe's in those non fascist states where supermarkets can sell wine.

Reviews and comments here. For around six or seven bucks it has been getting rave reviews!

Keep buying!

Statement by the President on the Legacy of Laura Pollán

Today, as the National Endowment for Democracy awards the Democracy Service Medal posthumously to Laura Pollán, the founder of Las Damas de Blanco, we honor and celebrate her life by recognizing her significant contributions to the struggle to defend human rights in Cuba.

Laura Pollán and the quiet dignity of the Ladies in White have courageously voiced the core desire of the Cuban people and of people everywhere to live in liberty. Taking to the streets in peaceful protest to draw attention to the plight of those unjustly held in Cuba’s prisons, Laura Pollán and the Ladies in White have stood bravely against Cuban authorities who unleash mobs, and resort to house arrest, and temporary detention in a failed attempt to silence them. Through Laura Pollán’s and the Damas’ brave actions, the world bore witness to the repressive actions of Cuban authorities, eventually leading to the release of political prisoners wrongly jailed in the Spring of 2003.

Though Laura is not with us today, her bravery in the face of repression and her selfless commitment to democracy and human rights in Cuba, offer a living legacy that inspires us to keep moving forward. To Las Damas de Blanco who will watch or listen to today’s ceremony, you have our utmost respect for your efforts to stand up for the rights of the Cuban people even in the face of this weekend’s crackdown directed at you and we honor each of you as well.

The United States is steadfast in supporting the simple desire of the Cuban people to freely determine their future and to enjoy the rights and freedoms that define the Americas, and that should be universal to all human beings. I remain committed to supporting civil society in Cuba, including by protecting the ability of Cuban Americans to support their families in Cuba through unrestricted family visits and remittances.

The Castro brothers' criminal dictatorship will come to an end one day soon, and justice will touch the Castros and their fellow criminals who have brutalized the Cuban people for so many years.

It is a lesson in human will to see these brutal dictators throw the entire power of their 53-year-old repressive state machine at a bunch of valiant old women and have the Ladies in White show the Cuban police state what human will power and love for freedom is all about.

Laura Pollán, you will not be forgotten.

You won't believe this...

Hardworking Norfolk art dealer Sheila Giolitti is the owner of Norfolk-based gallery Mayer Fine Art.

MFA is not only Norfolk's best art gallery (in my biased opinion since they represent me), but also the only Norfolk-based gallery and one of 2-3 Virginia art galleries that does art fairs around the US and overseas.

This morning Giolitti woke up to the news that her gallery website had been hacked into by an extremist Muslim group who filled her website with anti Jewish, hate-filled slogans, causing her account to be suspended.

Who knows why the website was targeted, unless some idiot thought that the "Mayer" in Mayer Fine Art means that it is a Jewish-owned gallery, which it isn't.

I don't know if there's a relationship, but I am also aware of the fact that several artists' email accounts around the Tidewater area have been recently hacked into and hate-filled emails sent out, and this morning my own personal account had been shut down (for unknown reasons so far) and I had to go through a laborious process to restore it and hope that it was all a precautionary step from MS.

One word to those whose heart and actions are filled with hate: you reap what you sow.

Hizzoner's Weird Xmas Pic

"Mayor Jorge Santini of San Juan landed himself a spot in the famed Awkward Family Photo blog with his 2011 Christmas picture which depicts his family huddling around a taxidermied killing scene. As a leopard sinks its teeth into a poor creature’s throat, a little girl strikes a very sassy pose."

Read the whole thing online here.

Hockney Atop The Brits

A recent poll conducted by 'The Other Art Fair' asked thousands of artists of all ages who they thought was the most influential artist in the UK. The winner was David Hockney, leading many to ask: "really?" Hockney, known for his modern-pop appropriations of the traditional landscape, won a surprising victory over such giants as J.M.W. Turner, Francis Bacon and Thomas Gainsborough. Banksy made the shortlist, but influential Young British Artists (YBAs) Damien Hirst and Tracey Emin didn't even even make the top 10.

Read it online here.