C'mon women!

Yesterday I discussed my new digital drawing titled "Eve sees herself for the first time" and I told you that I need help with it!

Wanna be in this piece?

In the pond in front of our Biblical mother, I will insert a digital device which will play 200 portraits of women of all ages, all four races and multiple ethnic backgrounds... if you're a woman interested in being in the piece, send me an email to lenny@lennycampello.com with your picture... free signed print to all participants!

I've received about 30 submissions so far, but I can load up to 200, so the more the merrier!

Below are some early tests with some of the images received so far (and guys, don't feel bad - the call for assistance for Adam is coming soon):

Wanna be in my next digital drawing?

This is "Eve sees herself for the first time" and I need help with it!

Wanna be in this piece?

In the pond in front of our Biblical mother, I will insert a digital device which will play 200 portraits of women of all ages, all four races and multiple ethnic backgrounds... if you're a woman interested in being in the piece, send me an email to lenny@lennycampello.com... free signed print to all participants!

New Gallery in town

La Luna Gallery is new to me and they wanted me to invite all of you to the exhibition and opening receptions of leading contemporary Irish artist, Roisin Fitzpatrick. This is a wonderful opportunity to see Ms Fitzpatrick's art in Washington D.C.

Roisin's original artworks, created with the finest quality crystals and silk on canvas, with themes inspired by her Celtic heritage and the cosmos have been described as:

"Inspiring!" Deepak Chopra

"A great example of contemporary Irish art." H.E. Michael Collins, Ambassador of Ireland to the United States

"Inspires us to connect with the light within, creating more peace and joy in our lives." Mark Burnett, TV producer of Emmy Awards and The Voice and Roma Downey actress from Touched by an Angel

"Brings beauty and nature together, expressing intricate patterns with simple elegance." Forbes

"Fitzpatrick's rise in the art world in New York has been nothing short of meteoric." Arts Editor of the Irish Central and Irish Voice.

Exhibition Dates: March 1 to April 30, 2012.
Opening Reception: with Ambassador Elizabeth Frawley Bagley on Thursday March 22nd, from 7 p.m. to 9.30 p.m.
Party: with the Artist on Saturday March 24, from 7 p.m. to 9.30 p.m.

RSVP: as early as possible to info@lalunagallerydc.com or 202 316 4481, as spaces are limited.

Tour of exhibition with the artist: Call Roisin on 347 549 0551 or visit during gallery hours, Mon- Sat, 11 am-6 pm & Thurs 7pm.

La Luna Gallery, Palisades, D.C.
5171 MacArthur Blvd, NW
Washington, DC 20016

Woody quotes

I've never been an intellectual but I have this look.
-- Woody Allen

Opportunity for DC area artists

Deadline: April 19, 2012

The Capitol Hill ART League presents its Third Annual Metro DC open juried exhibition: It’s a Wonderful World?

All artists, 18 years of age or older residing in the Washington, DC metropolitan area are eligible to enter.

Deadline for submissions is Thursday April 19, 2012.

The Capitol Hill ART League (CHAL) is a program of the Capitol Hill Arts Workshop. Located in the historic Capitol Hill neighborhood in Washington, DC, CHAL is composed of approximately 100 artists. Each season CHAL mounts a series of seven juried exhibitions and conducts gallery talks at the openings; CHAL hosts lectures on a variety of art related topics, offers workshops, and strives to develop a supportive artistic community. The greater Washington community is encouraged to participate in all of these events.

JUROR: I am honored to return as this year's juror.

ENTRY: Selections for the show will be made by the judge from JPEG images submitted by the artists. All work must be original and signed by the artist. Any work previously shown at a Capitol Hill ART League juried show is ineligible. All work must have been created within the last three years.

ENTRY FEES: Up to 3 entries may be submitted for a non-refundable fee of $15 for current Capitol Hill Art League members or $30 for the community at large (non members). Up to two additional entries may be submitted at $5 each. Artists submitting 3-dimensional work may provide two images of each piece.

AWARDS: Awards will be decided by the judge and will include cash awards for ‘Best in Show’, and ‘Merit’ awards. Two Honorable mentions will be awarded. All awards will be presented at the opening reception with the judge’s talk on Saturday, May 12, 2011 from 5:00-7:00 PM.

SALES: A 30% commission will be deducted from CHAL members’ exhibition sales and 35% commission on all non-member exhibition sales. All work must be for sale and the price submitted on the registration form will be the price presented at the time of the show for accepted work.

Exhibition Calendar:
April 19, 2012 - deadline for entries
April 30, 2012 - Notification sent to accepted Artists
May 4-9, 2012 - Art delivery dates
May 12, 2012 - Artists’ Reception and Awards, Presentation (5:00 - 7:00 pm)
June 1, 2012 - Exhibition closes
June 2-6, 2012 - Pick up artwork

Contact info: caphillartleague@yahoo.com Prospectus at: www.caphillartleague.org

Monster

There's a really cool group show coming together at Marlboro Gallery at Prince Georges Community College. Each artist was asked to create new work and a statement in two months based on the theme "Monster."

Curated by Adam Bradley, I can see that this is a really great group of artists and I bet there will be some fantastic work in the show.

It opened Monday, there is a reception on Thursday the 8th from 6-8:30PM. Here is a list of artists:

Thomas Berault
Adam Bradley
Scott G. Brooks
Lisa Montag Brotman
Patrick Burke
David D'Orio
Margarida Kendall-Hull
Steven Jones
David Lee Page
Suzanne Pender
Erik Thor Sandberg
Rachel Schmidt
Megan Von Wagner
Sean Watkins
Sarah Wegner
William Whitaker

Construct::Destruct

Opening reception March 9th 6-8.30pm


CountDown Temporary Artspace presents its ultimate exhibition.

Of its own volition, CountDown will implode in the very near future, go underground and may or may not reincarnate in another form, at another time, at other places.

To commemorate its short-lived life, CountDown has invited four DMV artists to participate in this event: Jessica van Brakle, Mei Mei Chang, Scottie Fleming and Thomas Drymon.

Each will construct site-specific works that relate to the theme of construction and destruction. Their works will not be cherished but rather demolished with the art space.

They are open until implosion! Opening reception March 9th 6-8.30pm. All other visits by appointment only - please contact Jackiehoysted@aol.com for details

Virtually Digital VI at Montogomery College

Virtually Digital VI is a biennial exhibition that features the fine art work of regionally, nationally and internationally known artists who incorporate some form of digital method in the creation of their art. Works in this exhibition includes drawings, paintings, photographs, prints, video and mixed media.

The organizer and curator of the Virtually Digital biennials is Professor Mike Cantwell who is the coordinator of the Computer Graphics: Art and Animation program at Montgomery College.

The exhibit will open today, March 5th and runs through April 6th. There will be an artist reception on Wednesday March 21st in the CAT (Communication Arts Technologies) Gallery at Montgomery College Rockville Campus from 6 to 8 PM. The reception is free of charge and open to the general public.

The participating artists are Professor Anne Benolken, Richard Dana, Clay Harris, David Kastner, Agniezka Ligend, Russ McIntosh, John McMahon, Professor Harry St. Ours, and I am honored to have been invited to exhibit in this show as well.

The Gallery is located in room 106 Technical Center (TC) on the Rockville campus, Montgomery College and is open Monday through Wednesday 10 AM until 6 PM, Thursdays 10 Am until 8 PM, Fridays 10 AM until 1 PM, and Saturdays by appointment.

For more information call 240-567-7535, 240-567-7520 or e-mail mike.cantwell@montgomerycollege.edu.

See ya there!

T-Shirt God

Here's the initial step, a the charcoal drawing of the psychopath Che Guevara, one of my recurring themes. The drawing is on watercolor paper, which gives it that rough texture.


Ready to acquire a halo


Che Guevara with his halo


He begins to turn into an icon (is if)... the Latinized inscription reads T-Subula Deus or "T-Shirt God". Notice that I've cut a window in the forehead.


And here's the small LCD screen which will be embedded behind the drawing.


And here's the final set up, with the LCD screen playing about 75 images of Che's ubiquitous appearances on billions of T-shirts.


And here and below are some close-ups of some of the images which rotate through the embedded LCD screen.

Fellow Potomackers: Fresh Flowers and Furry Friends tonight!

I would have picked somewhat of a better title for the show, but watercolors by Barbara Bell, collages by Merry Lymn, digital work based on photographs of flowers by the very talented Bert GF Shankman, fused glass portraits of dogs by Shirley Hendel and ceramics featuring cats by Leigh Partington all make up the next show at Potomac's Gallery Har Shalom (located at Congregation Har Shalom, 11510 Falls Road, Potomac, MD) and because we're neighbors, I really want to make sure that this gallery gets some attention! And when was the last time that a gallery held an opening reception that started at 11AM?

Opening Reception: Sunday, March 4, 2012, 11am - 1 pm
Exhibit dates: Friday, March 2 - Monday, April 30, 2012
Call for hours and directions: 301-299-7087

Barbara F. Bell uses her own photographs as a major resource for her watercolor paintings. She focuses in this exhibit on regeneration and renewal in the natural world, her palette reflecting the early light and gentle colors of May along the riverbanks, and in the forests and fields of England and America. Barbara began her formal training in art while on academic leave from university teaching. She worked in studio arts at Montgomery College (Rockville) in the 1980s. Retirement from teaching in Montgomery County Public Schools twenty years later afforded her the time to resume her artwork. See www.bellslessons.com for more information.

Merry Lymn began taking formal collage classes in October 2008. In 2009, she was juried into her first art show, and since then she has been juried into several others. She divides her work into five subject areas--landscape, still life, people, Judaica, and wildcard. For this show, the pieces are exclusively flowers for which she created special Jewish flowers including a Shin Flower, a Vase with Shin Flowers, a Shofar Flower, and a Lily from the Song of Songs. See www.artlymn.com for more images.

Bert GF Shankman presents his Flemish Series of flowers in this show. He first saw this technique of painting when he minored in Art History for his AB at Case Western Reserve University. He practiced this style, called Chiaroscuro, when he studied at the Corcoran College of Art and Design. These pictures use light and dark to model the shapes and forms of the flowers and vases. They are done digitally starting out with photographs of flowers which he grows in his garden. Though decidedly different, they give a feeling of 16th century Flemish art. Visit www.cameraflora.com for more details.

Shirley Hendel was an award-winning decorative painter for many years. Several years ago she was introduced to fused glass and became fascinated with the possibilities for expression that glass materials and techniques offer. She now works exclusively in that medium while trying to maintain the perspective that decorative painting provides. She specializes in pet portraits, especially dogs, but also other creatures both real and whimsical. Her fused glass portraits (you could almost call them caricatures) are not based on actual dogs and cats as much as they are reminiscent of the lovable mutts and house cats that we grew up with or may still be in our lives. Just like these mixed-breed pets, these portraits come in assorted shapes and colors; no two exactly the same.

Leigh Partington has been doing ceramic art for over 30 years. Her work has evolved to include a combination of whimsical wheel-thrown and hand-built pieces that emphasize her love of and appreciation for animals, birds and nature in general. As a feline fancier – cats have always been a part of her life, she portrays them as functional pieces and decorative objects. She combines different clays for a marbled effect in some of her pieces. All pieces are bisque-fired. Then she adds detailed illustrations painted on with Speedball underglazes and dips the pieces in a transparent glaze. She uses a combination of overglazes sponged on the exterior for mottled color effects. The pieces, including ceramic pitchers, garlic keepers, egg separators, ocarinas, and platters, are then oxidation fired in an electric kiln.

Just back...

Just back from the WPA Select Gala on L Street in DC. As usual, tons of collectors, loads of bids and plenty of good art.

Like any auction or group show curated by a diverse set of eyes, there were mostly excellent superb choices; amongst my favorites:

Joan Belmar. Talking Wood #2, 2011. Acrylic, ink, Mylar, wood, and vinyl on plywood, 30″ x 30″


Victoria F. Gaitan. Bustle No. 2, 2011. Archival print on 100% cotton paper, Edition 1/3, 22” x 33”

See all the artists here.

Looking for...

I'm looking for an emerging hyper-realist painter or a trompe l'oeil painter for a special project... send me some names or websites.

Opportunity for Artists

When: Friday, April 13, 2012

Out of Order is the Maryland Art Place's Annual free-hung Benefit Exhibition, Silent Auction and Party!

This is a great opportunity for artists to (a) help a great art venue and (b) sell work and get 50% of the Samolians.

For more details, access their website: www.mdartplace.org or call 410-962-8565.

Start preparing now...

Remember when the creator of the iconic Obama campaign poster, now in the permanent collection of the National Portrait Gallery, was accused of ripping off local DMV photographer Mannie Garcia?


A few days ago Shepard Fairey plead guilty to trying to destroy documents and fabricate others in an attempt to try to conceal his process.

“I was ashamed that I had done these things, and I knew I should have corrected my actions,” he said on Friday in Federal District Court in Manhattan. The LA-based artist and the AP had earlier settled their long-running legal battle over the issue of Mannie Garcia's photograph.

Three years ago I asked the NPG about many of the slimy issues associated with the acquisition of this contested image, including a question that I asked and which I received several run-around emails which never answered my request for clarification for the NPG's acquisition policy.

It is my understanding that contemporary portraits could only be considered for acquisition if the portrait was done by the artist from the actual living subject. At least that's what I was told by an NPG curator a few years ago when I sold a portrait to the NPG. The NPG response should have been an easy one. They could either have said:

(a) Mr. Campello, you are right in that it is the policy of the NPG to acquire contemporary portraits only when the portrait has been done directly from the subject. However, because of the historical importance of this piece, the NPG made an exception to this policy as it would with any important contemporary portraits.

(b) Mr. Campello, you are incorrect when you ask if it is the policy of the National Portrait Gallery to only acquire those contemporary portraits which are done directly from the subject.

Instead I heard crickets back.

Then, I wrote to the NPG and recommended that since the Fairey piece is now in the permanent collection of the National Portrait Gallery (through the generous donation of the DC area's ubercollectors Heather and Tony Podesta) I thought that it is only fair that Garcia's photograph also hang next to Fairey's piece and that the wall text reflect the process via which the ubiquitous Fairey work was created; that tells the whole story about the Obama poster.

Otherwise 100 years from now, people would have forgotten that Fairey and Garcia were apparently linked in the creation of this image, but only one got the credit.

It never ceases to amaze me how some stuff, such as this, which could be so easily and fairly solved, by otherwise nice, kind, progressive people (as I am sure all the head honchos at the NPG are), are otherwise ignored and the little folk, such as Mannie Garcia, get shoved aside from the pages of art history.

Fairey crime can get up to a maximum term of six months in prison and a maximum term of supervised release of one year, as well as a possible fine of up to $5,000, or "twice the gross pecuniary gain derived from the offense or twice the gross pecuniary loss to the victims", whatever the heck pecuniary means.

He will be sentenced on July 16; the NPG is sentenced now for failing to do the right thing for Mannie Garcia.

Saint Sebastian

One of my recurring themes in my love and exploration of the human figure is the legend of Saint Sebastian (martyred around the year 268)... here are some new drawings on the subject; these and others will be in New York in mid April.

Go to this on the 3rd...

Born in Dublin, Ireland (which according to Irish creation myths was settled by Spaniards sent by King Milesius and thus why I'm always wondering why Irish people aren't considered Hispanic/Latino... Ireland that is... not Dublin (named after a witch who drowned in a pool of water), which was founded by Vikings and is thus not very Irish after all...), DMV area artist Jackie Hoysted made her home in Maryland in 1996 after working in France, England, Ireland and Florida as a software engineer.

She has a degree is Computer Science from Trinity College, Dublin (which happens to own a lot of my artwork in their private collection) and a fine arts degree from the Corcoran College of Art & Design (which happens to own zip of Campello art... is that weird or what?).

She has had multiple solo shows of her artwork throughout the US and has been featured in publications, including, The Gazette, the Washington City Paper and the Examiner and even here!.

She was selected by Scott Ligon for inclusion his book The Digital Art Revolution and this wizard and talented artist is the creator of the project Send Me Your Last Cigarette.

When you walk into Gallery 555dc you will be surrounded by Jackie’s current series “Out of Context” Girls! Nice Doesn’t Cut It. These women are "not to be messed with, taken for granted or pigeon holed. They can stand alone or together as sisters."

Champagne Reception: Saturday, March 3rd, 1-5pm and the show hangs till March 30th!

This Friday...

Cudlin buries the hatchet

I figured that I better hurry and come up with the above headline before the Washington City Paper does it, but in any event, my good bud Jeffry Cudlin has decided to end his Hatchets & Skewers art blog in perhaps the most eloquent art goodbye ever written.

Check it out here.

Current issue of ACA magazine

The current issue of American Contemporary Art magazine has my usual "Letter from DC" on pages 14-15.

Read it online here.

Washington Glass School is looking for incubator artists
‪
If you have always wanted a studio space to work on your art, but don't have the space right now, or don't have a huge amount to invest in your own studio, then you might like the thought of becoming one of the studio artists at the Washington Glass School.

They welcome artists of many sculptural disciplines – like jewelers, enamellers, and of course, glass artists. The Washington Glass School (near the Rhode Island / Route 1 Eastern Ave border of the District of Columbia) is now accepting applications for their incubator studio space (available immediately).

To get you settled, they are temporarily offering a $50 discount for the first three months. The regular table/studio space rent is $275 per month. Not only do you finally have a dedicated space to work in, but you also join a vibrant and successful group of glass artists and get to benefit from many new opportunities. As a studio artist - besides being part of the arts community - you have full access to the studio's cold shop facility and kiln firings.

Interested? Give Tim Tate a call 202-744-8222! Or email: washglassschool@aol.com.

Washington Glass School
3700 Otis Street
Mount Rainier, MD
202) 744-8222
www.washglass.com