Stories like this one used to spin me up... now I just say: Hey! What the heck... there's plenty of room for all of us in the art world.
Friday, July 13, 2012
Thursday, July 12, 2012
After Artomatic
The most common criticism levied upon Artomatic, is that because it is lacking the dictatorial. yet benevolent hand of the curator, it is a jumbled universe of so much art and so many artists, that art critics and other art world symbiots soon run out of brain storage and processing power and all they see is kitsch and trash and dreck.
For the past several years, some enterprising independent commercial art galleries from the region have staged their "after" AOM shows, where they have usually showcased the gallery owner's selection of what artists he or she were the top picks of that particular AOM. That's how PostSecret's Frank Warren and WGS' Tim Tate got their first commercial gallery shows.
Some galleries have also taken my AOM selections and organized post-AOM shows based on my picks, the most recent of which you can read here.
And I can tell you that in that post AOM tradition, next month I will be curating a post AOM exhibition at The Edison Place Art Gallery in Washington, DC. Then the critics can take their critical pot shots at me, the vastly experienced, highly respected, immensely virile and good looking curator, rather than shoot empty, lazy negative word bullets at a show in general.
More news later as I ramp up for putting this show together in record time.
For the past several years, some enterprising independent commercial art galleries from the region have staged their "after" AOM shows, where they have usually showcased the gallery owner's selection of what artists he or she were the top picks of that particular AOM. That's how PostSecret's Frank Warren and WGS' Tim Tate got their first commercial gallery shows.
Some galleries have also taken my AOM selections and organized post-AOM shows based on my picks, the most recent of which you can read here.
And I can tell you that in that post AOM tradition, next month I will be curating a post AOM exhibition at The Edison Place Art Gallery in Washington, DC. Then the critics can take their critical pot shots at me, the vastly experienced, highly respected, immensely virile and good looking curator, rather than shoot empty, lazy negative word bullets at a show in general.
More news later as I ramp up for putting this show together in record time.
Wednesday, July 11, 2012
Montrealing
Bus touring around the Montreal Gay Village |
Touristin' in Montreal... can you see me? |
Little Junes doesn't want to miss a thing! |
Tuesday, July 10, 2012
Montreal, Canada
We're in Montreal, Canada, where the Professor is lecturing at a conference and I'm gallery hopping in order to write some impressions of Montreal art galleries, as well as meeting and delivering a commissioned piece to a local art collector.
We're staying in the old city, which is a great venue for walking with a stroller, although Little Junes' mom just informed him that she's weaning him out of the stroller pretty soon.
This is a great walking area, packed with tourists, entertainers and lots of people walking around with official-looking badges.
But first things first, and first of all is some good Canadian suds at a local joint off Rue de la Commune accompanied by a nice salad with smoked salmon.
Tan is compliments of all the time outdoors in the last few days checking out the hole in the roof and clearing out fallen branches from the back yard.
Of course, while waiting I did some sketches on the paper provided... in the end we ended with a set of sketches of Anderson as :
Sorry about all the food stains.
Heh, heh...
We're staying in the old city, which is a great venue for walking with a stroller, although Little Junes' mom just informed him that she's weaning him out of the stroller pretty soon.
This is a great walking area, packed with tourists, entertainers and lots of people walking around with official-looking badges.
But first things first, and first of all is some good Canadian suds at a local joint off Rue de la Commune accompanied by a nice salad with smoked salmon.
Tan is compliments of all the time outdoors in the last few days checking out the hole in the roof and clearing out fallen branches from the back yard.
Of course, while waiting I did some sketches on the paper provided... in the end we ended with a set of sketches of Anderson as :
- himself wearing his favorite orange Dolphins ball cap (gift from his padrino Jorge);
- Junes as a bird;
- Junes as a bicycle;
- Junes as a pepper shaker.
Sorry about all the food stains.
Heh, heh...
Monday, July 09, 2012
Sunday, July 08, 2012
Uninformed art critic turns into misinformed opinionist
As someone who resolutely avoids the commercial side of the art world whenever possible and prefers to focus on the artwork itself, my impression of art fairs comes largely from written accounts. Fairs in places like Basel, Switzerland, Miami Beach and New York City have been represented as typically glitzy affairs in which most of the best work sells out during exclusive previews and to which the unwashed public is invited as a kind of afterthought. The idea of bringing this kind of art culture to Buffalo initially struck me, to put it nicely, as unexciting.This sort of initial misinformation/impressions - largely driven by ignorance - astounds me... how can someone be the art critic for a major city newspaper (we're talking Buffalo here; the second largest city in New York state!) and still has not been to an art fair in 2012!
But judging only by a walk-through of the fair and of Larkinville Saturday morning, this sort of elitist vibe does not surface in Echo in any way. And while a typical complaint from attendees and exhibitors at other fairs is that they do not provide an ideal place to see or understand work, I found Echo to be a pretty extraordinary one.
He lives in New York state! A few hours away from the second largest epicenter of art fairs on the planet!
But more importantly for his readers, how can someone be a newspaper's art critic and still "resolutely avoids the commercial side of the art world whenever possible."
Yikes! And all along here we thought that Blake Gopnik was the only art critic who did that!
And where does that "typical complaint" come from? First heard for me...
Nearly everyone there... was extremely approachable and willing to talk to visitors about their work. That's something you don't get in many galleries...What??? Where does this gent get those impressions from? The 1990s?
There's more intellectual disservice to this Buffalo News readers in this article by Colin Dabkowski and zero actual art review/criticism in the column... maybe I'm missing something, but his title is "Art Critic."
Makes my head hurt... Buffalo News, please send this guy down to NYC or Miami for the next cycle of art fairs so that he can open his eyes a little wider shut.
Saturday, July 07, 2012
Friday, July 06, 2012
Civilian tries to find solutions to the Corcoran's problems
As you surely know, today the Corcoran is in serious trouble, and your
help and support is needed at this extremely critical time.
A quorum (not all) of the Board voted on June 5th to price the historic Flagg building that houses both the Corcoran Gallery of Art and the Corcoran College of Art + Design. The process to sell the building is moving forward at an extremely rapid pace and the community still has not been invited into the conversation.
Like you, we believe that the Corcoran/Flagg building is an historic cultural icon, deeply tied to the history of Washington, D.C and the nation. Its proximity to the White House, Old Executive Building and National Mall is ideal placement for an art school and a museum, as the location is at the center of national activity and public discourse.
It would be detrimental for the Corcoran to be sold because it not only represents a very important part of this city and our country's history, but it also holds a significant place in current art dialogue. The Corcoran Flagg building (17th Street & New York Avenue, N.W.) is a National Historic Landmark, one of only 2,500 sites and buildings in the U.S. designated by the Secretary of the Interior, and it should be protected and preserved. We believe the solutions to keep the Corcoran where it is can be found within the community that admires, loves, utilizes, and needs it.
Please go here to sign the Change.org petition.
See the below articles:
Maintaining the Artistic Vision of the Corcoran
- June 14, 2012 (The Washington Postl)
Comments on the above
Corcoran Gallery Considers Selling Building, Moving Elsewhere
- June 4, 2012 (Washington City Paper)
Link to all Post articles
Developers cool on Corcoran Gallery of Art reuse
- June 5, 2012 (Washington Business Journal)
Ideas, solutions suggestions should be sent to: savethecorcoran@gmail.com
Twitter: savethecorcoran
Facebook: SaveTheCorcoran
website: www.savethecorcoran.org
A quorum (not all) of the Board voted on June 5th to price the historic Flagg building that houses both the Corcoran Gallery of Art and the Corcoran College of Art + Design. The process to sell the building is moving forward at an extremely rapid pace and the community still has not been invited into the conversation.
Like you, we believe that the Corcoran/Flagg building is an historic cultural icon, deeply tied to the history of Washington, D.C and the nation. Its proximity to the White House, Old Executive Building and National Mall is ideal placement for an art school and a museum, as the location is at the center of national activity and public discourse.
It would be detrimental for the Corcoran to be sold because it not only represents a very important part of this city and our country's history, but it also holds a significant place in current art dialogue. The Corcoran Flagg building (17th Street & New York Avenue, N.W.) is a National Historic Landmark, one of only 2,500 sites and buildings in the U.S. designated by the Secretary of the Interior, and it should be protected and preserved. We believe the solutions to keep the Corcoran where it is can be found within the community that admires, loves, utilizes, and needs it.
Please go here to sign the Change.org petition.
See the below articles:
Maintaining the Artistic Vision of the Corcoran
- June 14, 2012 (The Washington Postl)
Comments on the above
Corcoran Gallery Considers Selling Building, Moving Elsewhere
- June 4, 2012 (Washington City Paper)
Link to all Post articles
Developers cool on Corcoran Gallery of Art reuse
- June 5, 2012 (Washington Business Journal)
Ideas, solutions suggestions should be sent to: savethecorcoran@gmail.com
Twitter: savethecorcoran
Facebook: SaveTheCorcoran
website: www.savethecorcoran.org
Thursday, July 05, 2012
Irish Review
I'm currently in a show titled Eureka! at the Blue Leaf Gallery in Dublin, Ireland. The show focuses on artists whose work incorporates technology into their work.
Deirdre Mulrooney has a nice review of the show in Vulgo; read it here.
Deirdre Mulrooney has a nice review of the show in Vulgo; read it here.
Opportunity for Artists
Deadline: July 27, 2012.
The Cleveland County Arts Council is accepting two and
three dimensional art for an upcoming competitive exhibition based on the theme
of baseball. The exhibit coincides with the 2012 American Legion World Series
in Shelby, August 17 – 21, 2012. Artwork must pertain to or depict baseball.
The
American Legion Baseball Commission will sponsor a $500 Purchase Award. The
winning piece of artwork will be placed in the Keeter Stadium. The Cleveland
County Arts Council invites artists 18 and older to submit work to the
“Baseball as Art” Exhibit & Competition. Work must be original, created by
the artist within the last two years and not previously entered in a
competition at the Arts Center.
All two dimensional entries must be ready to
hang with picture wire on the back. No saw tooth hangers. The Arts Council
reserves the right to reject any entry that requires special installation.
Entries may be two and three dimensional but limited to paintings, drawings,
sculpture, print-making, photography, and fine craft. There is a $25.00
non-refundable entry fee for up to three (3) entries. Additional entries $5
each (max. 5 entries). Make checks payable to the Cleveland County Arts
Council. Shipping to and from the Arts Council is the responsibility of the
artist. Deadline to receive accepted work at the Arts Center is July 27th, 2012
and must include a prepaid shipping label or a call tag, check or postage for
return shipping. Please include any special packing and/or installation
instructions. Any work arriving in packaging not sturdy enough to return/reuse
will be returned COD. Cleveland County Arts Council, 111 S. Washington St.,
Shelby, NC 28150. For more information, visit: http://www.ccartscouncil.org
Wednesday, July 04, 2012
Tuesday, July 03, 2012
Monday, July 02, 2012
Hoyo
You are looking at the hole on our roof caused by the fact that Derechogeddon 2012 broke off the top of our neighbor's tree, which then fell on our roof, poked this hole, then rolled off, taking out the gutter in the process, and now lays in our backyard awaiting the insurance man to come over and see what happens next.
Still no power in the house or neighborhood.
The Spanish word for hole is hoyo (pronounced o-yo).
Ouch!
Still no power in the house or neighborhood.
The Spanish word for hole is hoyo (pronounced o-yo).
Ouch!
Sunday, July 01, 2012
Saturday, June 30, 2012
Oil City, PA
Oil City is a city in Venango County, Pennsylvania that is known in the initial exploration and development of the petroleum industry. After the first oil wells were drilled nearby in the 1850s, Oil City became central in the petroleum industry while hosting headquarters for the Pennzoil, Quaker State, and Wolf's Head motor oil companies. Tourism plays a prominent role in the region by promoting oil heritage sites, nature trails, and Victorian architecture. The population was 10,557 at the 2010 census.We're here for the wedding of a friend; lots of DMV area artists are also here... pictures later.
Friday, June 29, 2012
Thursday, June 28, 2012
Thomas Kinkade Museum
I can think of at least six artists whose work never received any critical acclaim but now have museums dedicated solely to their work... can you? Read the whole article quoted above here.
In the months before his death, Thomas Kinkade was "extremely focused" on establishing a museum of his artwork at his Monte Sereno home, his embattled girlfriend said in court papers filed Thursday."Thomas appreciated that while his art never received critical acclaim, he had legions of fans who were moved and uplifted by his art," Amy Pinto-Walsh wrote in a declaration filed in Santa Clara County probate court. "Thomas wanted to create this museum for his fans."
Pinto-Walsh said Kinkade took her on several trips to art museums -- including the Getty in Los Angeles -- for inspiration.
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