Thursday, August 02, 2012
New public art for Connecticut Ave
The D.C. Commission on the Arts and
Humanities (DCCAH) and the Golden Triangle Business Improvement District (BID) have
selected a permanent light art concept to be installed along Connecticut Avenue
between K Street and Dupont Circle.
The display, designed by local artist Alexander Cooper, incorporates
programmable, low energy LED lights which will enliven the iconic boulevard
with bright colors, patterns and movement throughout the year.
The art will be showcased on a four block raised median,
scheduled to be completed this fall, from K Street to Dupont Circle. The art
will light the lush landscaping and seasonal plantings of the medians to create
a dynamic nighttime element along this highly travelled downtown corridor.
The light art project is part of a major streetscape
enhancement project on Connecticut Avenue, which includes a beautifully
landscaped median, sidewalk improvements featuring 20 foot tree gardens and
other sidewalk amenities. The first section of the median, from K to L Streets,
was completed in the fall of 2011 and transformed 3,000 square feet of asphalt
into green space with thousands of flowers, plants and trees rotated
seasonally. Construction for the remaining portion of the median will begin
this fall.
Artist Alexander Cooper is a lighting and scenic designer
with more than 10 years of experience in the Washington D.C. area. He has
created the lighting design for more than 60 exhibitions and permanent collection
installations. He recently installed the lighting for “Farragut Spheres,” an
art project funded by DCCAH and the BID, which was donated to WMATA.
“We are proud to partner once again with the D.C. Commission
on the Arts and Humanities and look forward to working with Mr. Cooper on this
spectacular project,” said Leona Agouridis, Executive Director of the Golden
Triangle BID. “The light art display will create an abstract and stunning
architectural landscape along Connecticut Avenue and will enhance the Golden
Triangle neighborhood for the many workers, residents and visitors.”
“It has been a pleasure working with the Golden Triangle
Business Improvement District, and we look forward to the installation of this
dynamic artwork,” said Lionell Thomas, Executive Director of the D.C.
Commission on the Arts and Humanities. “Mr. Cooper’s light display is an
excellent example of how public art and urban planning can come together to
create a beautiful environment for our residents.”
“Designing and creating the art display for Connecticut
Avenue is a tremendous opportunity to add dynamic lighting element to the heart
of the city,” said Alexander Cooper. “I am very excited and honored to be a
part of this project.”
Wednesday, August 01, 2012
BlackRock has a new boss
BlackRock Center for the Arts is pleased to announce that
Krista Rimple Bradley joins the not-for-profit arts organization as its new Executive Director on August 6. She replaces
Charlotte Sommers, who leaves the Washington area after a
successful four-year stint at BlackRock. As Executive Director, Bradley
is responsible for developing, guiding and implementing the strategies,
programming and operations of the arts center,
as well as overseeing the day-to-day execution of BlackRock’s
fundraising, marketing, arts programming and operations. BlackRock Board
President,
Jean Casey, says that “Krista brings more than 20 years of
experience as a seasoned arts administrator, funder, consultant and
leader in the performing arts presenting field, having worked with a
variety of local, regional, and national arts organizations
and foundations. The Search Committee was impressed with Krista’s
intelligence, extensive experience in all aspects of arts
administration, and leadership in the performing arts field. She also
brings a wide network of relationships from the performing arts
and funding communities, which she will leverage in her work leading
BlackRock in its next phase of growth.”
Bradley states that she is “thrilled to be
joining BlackRock at this exciting time in its 10-year history and I
look forward to building on its past success. BlackRock is poised to be
a model multidisciplinary arts center, offering local
residents affordable and convenient opportunities to participate in,
learn about, and explore a wide range of performing, visual and creative
arts --be it through classes, workshops, or performances of high
quality regional, national and international artists.
I’m excited about broadening and diversifying our programming and
increasing opportunities for residents of all ages to explore and engage
with the arts more fully.”
Most recently, Bradley has been Program Officer
for Performing Arts at Mid Atlantic Arts Foundation, where she managed
performing arts touring and funding programs for presenters and artists
in the Foundation’s nine states and jurisdictions
and curated annual rosters of regional, national and international
performing artists for touring across the mid-Atlantic region. She has
served as a consultant, funder and arts administrator with a variety of
performing arts and philanthropic organizations
to commission and develop new work, support artists, facilitate
presenting, producing, and touring collaborations and engage diverse
communities in meaningful ways.
Prior to joining Mid Atlantic Arts Foundation,
Bradley worked with the Bill T. Jones/Arnie Zane Dance Company,
Washington Performing Arts Society, the Walker Arts Center and Harlem
Stage on programming and audience and community engagement
initiatives. She has directed national and regional arts programs for
OPERA America and the Wallace Reader’s Digest Fund and held management
positions with both Houston Grand Opera and Virginia Opera. Bradley is a
frequent grants panelist and reviewer for
national and regional funders, including the National Endowment for the
Arts, Association of Performing Arts Presenters, New England Foundation
for the Arts, and the New York State Council on the Arts. She holds a
B.A. degree in Literature and Society from
Brown University.
Bradley is delighted to take on this leadership
position at BlackRock and concludes: “I believe the arts are central to a
vibrant community life and help create an enriched sense of place. I
look forward to working with our board, staff
and community leaders to realize BlackRock’s potential to be that vital
hub and catalyst in Upper Montgomery County.“
Tuesday, July 31, 2012
Fake Painting
Read the whole story here.Viktor Vekselberg, one of the world’s richest men, paid £1.7 million for Odalisque, a nude said to be the work of Russian artist Boris Kustodiev.The price was 10 times the pre-sale estimate and represented the “pure absurdity” of the art market, the court heard.Soon after the purchase in 2005, experts working for Mr Vekselberg’s arts fund, Aurora, began to cast doubt on the picture’s authenticity. They claimed that Kustodiev’s signature, dated 1919, was done in an aluminium-based pigment not available until after the artist’s death in 1927.
Callanish Stone Circle
Callanish Stone Circle (Clachan Chalanais), Isle of Lewis, Outer Hebrides, Scotland |
"Cross Stitch" or "Claire Beauchamp at the stone circle" c. 1991, charcoal and conte on paper |
The above 1991 drawing was done after I read a book titled "Cross Stitch" by Diana Gabaldon, which is about time travel and stone circles. At the time those were (and still are) two of my fave subjects! The circle is made up of a couple if real stone circles in Scotland, heavily influenced by Callanish.
Monday, July 30, 2012
Olympic Update: The Koreas battle!
You'll never see this sort of Olympic coverage in the mainstream media:
Good news for the weirdo who runs the starving Communist Workers' Paradise of North Korea: You guys have won 4 medals as of today - including 3 golds! Those winners have it "made for life now" (or DPRK's life expectancy of 68 years)...
Bad News: The Democratic economic powerhouse to your South has won six! And their life expectancy is 80 years! And they don't threaten their athletes if they don't win... Go ROK!
Oh No!
Heads will roll!
PS - Japan has 11 the hard way... China doesn't count because we all know they cheat with junk they inject into their athletes' bodies (like East Germany and the old USSR did for decades) but we won't figure out how they do it for another two decades...
Good news for the weirdo who runs the starving Communist Workers' Paradise of North Korea: You guys have won 4 medals as of today - including 3 golds! Those winners have it "made for life now" (or DPRK's life expectancy of 68 years)...
Bad News: The Democratic economic powerhouse to your South has won six! And their life expectancy is 80 years! And they don't threaten their athletes if they don't win... Go ROK!
Oh No!
Heads will roll!
PS - Japan has 11 the hard way... China doesn't count because we all know they cheat with junk they inject into their athletes' bodies (like East Germany and the old USSR did for decades) but we won't figure out how they do it for another two decades...
Art Scam Ripoff Alert
This email address and this email is a rip off seeking to part artists from their artwork:
From: Vincent Kube <vincentkube@yahoo.dk>
Date: Sat, Jul 28, 2012 at 7:03 PM
Subject: Art purchase inquiry
To:
Good Afternoon,
I hope you having a wonderful day?,i was able to see your work of art from your website and i must say that your work is fascinating and vivacious,it shows that you took your time to perfect its creation. I am a resident of Copenhagen, Denmark and am interested in owning some of your work to decorate my living room and office to elevate my lifestyle, unfortunately ilost the link to your website. I will be pleased if you can send me the link to your website so that i can select the one's had like to purchasefrom you. i await your response.RegardsVincent
More Scottish watercolors
You can probably tell that I've got a new gizmo that scans slides (remember slides) as digital files at the push of a button. Subsequently, I've begun the process to scan the thousands of slides that I have accumulated over the years.
The story so far: I lived in Scotland from 1989-1992 and while I was there, I was seduced by that ancient land and produced a lot of artwork focused on all the Scottish visual offerings around me.
Below are some watercolors (and one charcoal drawing) of some the birds which seemed to be constantly flying in formation all year round (especially the Canada geese). Most of these watercolors were rather large (30 x 40 inches) and all of them are in Scottish or American private collections, and a few have even shown up in British auction houses since they were done over 20 years ago.
The story so far: I lived in Scotland from 1989-1992 and while I was there, I was seduced by that ancient land and produced a lot of artwork focused on all the Scottish visual offerings around me.
Below are some watercolors (and one charcoal drawing) of some the birds which seemed to be constantly flying in formation all year round (especially the Canada geese). Most of these watercolors were rather large (30 x 40 inches) and all of them are in Scottish or American private collections, and a few have even shown up in British auction houses since they were done over 20 years ago.
Canada Geese, Brechin Skies, Angus, Scotland |
Flight Formation, Edzell Skies, Angus, Scotland |
Flight Formation, Fettercairn Skies, Angus, Scotland |
Canada Geese, Montrose, Scotland, Charcoal and Conte, c. 1991 |
Sunday, July 29, 2012
Saturday, July 28, 2012
Edzell Arch
Queen Victoria, on her way to the Highlands, used to travel through the tiny Scottish village of Edzell, in the Angus region of Scotland. Thus, the locals built an arch to honor their English queen.
From 1989-1992, I lived a few minutes from the village of Edzell, and the arch was a much visited subject of my drawings back then. Below are some examples of those works from those years. These are all in multiple collections in Scotland and the US.
From 1989-1992, I lived a few minutes from the village of Edzell, and the arch was a much visited subject of my drawings back then. Below are some examples of those works from those years. These are all in multiple collections in Scotland and the US.
Edzell Arch, Edzell, Angus, Scotland - as seen from the village - c. 1989 |
Edzell Arch, Edzell, Angus, Scotland - as seen from the village - c. 1990 |
Edzell Arch, Edzell, Angus, Scotland - as seen from the Edzell to Fettercairn Road - c. 1991 |
Scottish road
This watercolor shows a winter snowfall on the road from the Scottish farmhouse (where I lived from 1989-1992 (Little Keithock Farmhouse)) that lead from the farmhouse to the the B966 (I think it was also called the Trinity Road) paved road. It was about a quarter of a mile from the farmhouse to the road, but at night in the winter you could not see your hand in front of your face because it was so dark out in brooding Angus.
Winter Road, near Brechin, Angus, Scotland, c. 1990 |
Friday, July 27, 2012
Olympic Games Opening
What the hell was that opening all about? Was I the only one who thought it was rather unintelligible? And that opinion is coming from someone who lived in the UK for a few years...
What were those guys (dressed like the Monopoly guy) in the top hats supposed to be?
Jitterbugging nurses and doctors?And the scary huge puppets being taken down by the dozens of Mary Poppins (who looked like giant flies coming down)... and what about that giant creepy baby!
Interesting that the Scottish kids sang an anti-English song (Flower of Scotland)... the ahh... National Anthem of England's pesky Celtic Northern neighbor...
Cool part: When the Olympic rings lit up and rained fire... did anyone notice that one of the rings was sort of "leaking" fire for a bit while all the others had stopped?
Awright... the Queen's entrance was cool too...and that bit with 007 eclipsed the robotic Chinese opening four years ago. And Mr. Bean (Blackadder!!!!) was really funny in that subtle English way
I am a big McCartney fan, but... has Sir Paul become the duty "closer" for anything British (or big name musical)? Didn't we just see him doing the same skit for the Queen's 1000th Jubilee?
And after Kobe and LeBron made the comments about this team being better than the dream team, they better not get surprised by Spain, or Argentina, or some Eastern European country...
I'm just saying... cough, cough...
What were those guys (dressed like the Monopoly guy) in the top hats supposed to be?
Jitterbugging nurses and doctors?And the scary huge puppets being taken down by the dozens of Mary Poppins (who looked like giant flies coming down)... and what about that giant creepy baby!
Interesting that the Scottish kids sang an anti-English song (Flower of Scotland)... the ahh... National Anthem of England's pesky Celtic Northern neighbor...
Cool part: When the Olympic rings lit up and rained fire... did anyone notice that one of the rings was sort of "leaking" fire for a bit while all the others had stopped?
Awright... the Queen's entrance was cool too...and that bit with 007 eclipsed the robotic Chinese opening four years ago. And Mr. Bean (Blackadder!!!!) was really funny in that subtle English way
I am a big McCartney fan, but... has Sir Paul become the duty "closer" for anything British (or big name musical)? Didn't we just see him doing the same skit for the Queen's 1000th Jubilee?
And after Kobe and LeBron made the comments about this team being better than the dream team, they better not get surprised by Spain, or Argentina, or some Eastern European country...
I'm just saying... cough, cough...
Gallery B call for proposals
The Bethesda Arts and Entertainment District and Bethesda Urban Partnership are accepting applications for Gallery B in downtown
Bethesda!
This beautiful gallery space (the former Fraser Gallery), located at 7700 Wisconsin Avenue, Suite E in downtown Bethesda, is available to interested artists and arts organizations for one-month rentals. All media including, but not limited to, painting, photography and sculpture is eligible to use the space. Gallery B does not take a commission on any artwork sold during the exhibition.
This beautiful gallery space (the former Fraser Gallery), located at 7700 Wisconsin Avenue, Suite E in downtown Bethesda, is available to interested artists and arts organizations for one-month rentals. All media including, but not limited to, painting, photography and sculpture is eligible to use the space. Gallery B does not take a commission on any artwork sold during the exhibition.
They are seeking applications from local artists and arts organizations for
month-long exhibitions in 2013. There is approximately 1,500 sq. feet
of available exhibition space. The deadline for submission is August 10, 2012.
To be considered for a solo or group exhibition, and to review the gallery requirements, please complete this application.
To be considered for a solo or group exhibition, and to review the gallery requirements, please complete this application.
Questions? Please send them an email to artist@bethesda.org.
Opportunity for Artists
629 N 2nd St Philadelphia, PA 19123
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267.303.9652
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About | Artists | Contact | Current | New | Past | Press | Upcoming | |
CALL TO ARTISTS: “Fresh Impressions” Juried Exhibition
Deadline: August 20, 2012
Exhibition Dates: October 5-27, 2012
Nationally known Projects Gallery announces a call to artists for an exhibition. Occasionally, this prestigious gallery creates opportunities in its exhibition schedule to showcase quality artists in a respected exhibition venue. The gallery seeks to serve the wider artist community through a variety of thematic group shows, opening new avenues for artists to present their work to a broader audience. In the past, these types of venues have occasionally resulted in Projects Gallery discovering unique talent, which have resulted in long-term relationships.
The Brandywine Workshop, which is celebrating its fortieth anniversary in 2012, has been a presenting partner with Projects Gallery in the past. The Philadelphia Museum of Art (PMA) is hosting Full Spectrum: Prints from the Brandywine Workshop, from September 7-November 25th this fall. Projects Gallery is joining with The Print Center, Taller Puertorriqueño and other art groups to extend the impact of Full Spectrum by providing related programming outside the PMA. In this particular case, Projects Gallery will partner with the Brandywine Workshop to present Fresh Impressions, which will draw attention to the breadth and depth of printmaking talent and innovative, new approaches. The combined efforts of local institutions and artists will demonstrate the prominence of Philadelphia in the global field of printmaking.
Theme: Artists are invited to submit examples of contemporary printmaking for review by an expert jury. Today’s technologies and mixed media approaches challenge age-old forms of printmaking, creating new genres and new forms. It is a goal of Fresh Impressions to help introduce young artists or those new to the area with a sincere interest in printmaking or print media as a creative process.
Anticipated Jurors: Raphael Damast, Exhibitions Director, Taller Puertorriqueño; Shelley Langdale, Associate Curator of Prints, Philadelphia Museum of Art; Elizabeth F. Spungen, Executive Director, The Print Center
Eligibility: Open to all non-student artists. Works for consideration may be of any print media. There is no size limitation but weight may not exceed 50 lbs. All works must be original, for sale and available for the duration of the exhibition. Gallery commission on sales is 50%. An artist statement and resume will be required for all accepted artists. Artist is responsible for transportation of work to and from gallery. Projects Gallery will not be responsible for loss or damage of any work while on the premises or during transit to or from the gallery. All works must be exhibition ready, including wire, hooks, etc. Accepted video artists must supply viewing equipment. Selected artists must permit use of their work images for publicity purposes, including but not limited to print and web.
To Enter: Artists may submit via email or snail mail up to three artwork entries. Three additional detail images are permitted. Entry materials will not be returned. Do not send original artwork. No slides. All documents should be in .doc or .pdf format. All entries for this exhibition must be received no later than Monday, August 20th. If any of these requirements are not met, the submission will be deemed ineligible.
Documents required:
Image submissions: Must be digital 300 dpi and at least 600 pixels but no greater than 1200 pixels in either direction. Jpg, gif or tiff format. Each image file should be labeled as follows: (LastName_FirstName_TheEntryNumber.jpg (Smith_Joe_1.jpg).
- Artist contact information: including name as it should appear in print, email address, phone number(s) and mailing address
- List of entries: including the following information – artist name, titles of images, media, date and retail price of work submitted (Smith, Joe / Image 1 – Untitled / mixed media / 24”H x 36”W x 6”D / 2011 / $xxx)
- Short resume or bio
- Artist statement
Email entries to: info@projectsgallery.com Please indicate on the subject line “Fresh Impressions”
Snail mail all materials to:
Projects Gallery
Attn: Fresh Impressions
629 N. 2nd St.
Philadelphia, PA 19123
Calendar for Fresh Impressions
All shipped works must arrive in reusable packaging (with complete installation instructions where applicable) and include a prepaid, return-shipping label. An appointment must be made for hand-delivered works. Any works not picked up by November 3, 2012 will be charged a $5 per day storage fee.
- Entry deadline: Monday, August 20, 2012
- Final notification via email: Monday, September 3, 2012
- Selected work(s) to Philadelphia gallery: Friday, September 28, – no works accepted after September 30th
- Exhibition opens: Friday, October 5, 2012
- Exhibition closes: Saturday, October 27, 2012
- Reception: First Friday, October 5, 2012 6-9 pm
- Work pick up or return shipping: October 31 – November 3, 2012
In addition to the exhibition, press releases and images will be sent out; and the exhibition will be highlighted on the gallery’s website.
Questions? Contact info@projectsgallery.com.
Wanna go to an opening tomorrow?
IN BLACKROCK’S MAIN GALLERY JULY 25-AUGUST 18:
WORKS BY ROBERT STUART COHEN, ELISSA FARROW-SAVOS, FIERCE SONIA
WHO: BlackRock Center for the Arts
WHAT An exhibit with works by Robert Stuart Cohen, Elissa Farrow-Savos and Fierce Sonia
WHERE: Main Gallery at BlackRock, 12901 Town Commons Drive, Germantown, MD
RECEPTION: Saturday, July 28 5:30 -7:30 pm
WHEN: Wednesday, July 25-Saturday, August 18, Mon-Fri 10:00-5:00; Closed Sat & Sun
PRICE: Admission is free
CONTACT: Gallery phone is 301-528-2260, website is
www.blackrockcenter.org
Take a cool and inspiring break
this summer at BlackRock’s Main Gallery where work by Robert Stuart
Cohen, Elissa Farrow-Savos, and Fierce Sonia is on exhibit July
25-August 18, 2012. Pieces on display include mixed media,
sculpture, photographs and acrylics. Hours are Monday-Friday
10:00-5:00. There is an Artist Reception on Saturday, July 28 from
5:30-7:30, which, like the exhibit, is free and open to the public.
About the Artists and Their Work
Robert Stuart Cohen finds painting to be
“a process of discovery, in which working with change, matters of
perception and color is essential.” He likes to combine multiple
canvases and a variety of techniques, believing “differences
working together are beautiful...a new energy emerges and relationships
continue to surprise and overlap.” Cohen taught for more than 30 years
at Montgomery College in Rockville and is now a full-time artist. View
his gallery online at Robertstuartcohen.com.
Elissa Farrow-Savos tells stories through
her sculpture, “each a narrative of some woman somewhere, and every
woman everywhere.” She uses common themes, such as physical, emotional,
and spiritual burdens, connections lost and found,
love and anger, dignity and strength. She incorporates rusty chains,
weathered wood, decaying bones, abandoned objects, and scraps of fabric –
the debris of life, lived. Says Farrow-Savos, “My women are the same,
they show their scars and wear them proudly
because after all, they make a good story, if nothing else.”
Fierce Sonia explores digital and
traditional photographic processes in her “Paper Dolls” works. “Paper
Dolls” is a series of narrative figurative self-portraits. Sonia
combines her photography with collage and painting mediums to
construct “an outward expression of an inner fantasy world.”
Thursday, July 26, 2012
Little Keithock Farmhouse
Little Keithock Farmhouse, Near Brechin, Angus, Scotland |
In fact, the dovecot next to it was so much older (built in 1534), that it merited an entry in the Scottish Ordnance Map as an "antiquity," not an easy thing in Europe's most ancient nation.
Anyway, the farmhouse had a beautiful garden, which was surrounded by a tall stone wall. One day, one of the trucks that used the dirt road that ran in front of the house, and led to the nearby potato and turnip fields, lost control, and slammed into the wall, destroying a couple of feet of wall.
A couple of days later, another truck dumped a small pile of new rocks, and soon afterwards an elderly gent showed up, and using nothing but a small hammer, began to rebuild the wall. He re-used the old rocks that had been disturbed by the accident, as well as some of the new ones.
Slowly but surely, over a few days, the wall was rebuilt before my eyes. When it was done, other than the fact that the moss on the stones had been re-arranged, it was impossible to tell that an accident had happened. A year later, the moss was back everywhere and no visual evidence that a chunk of the wall was "new" existed.
Opportunity for Artists
Holy Cross Hospital: Call for Entries
The Community Art Gallery at Holy Cross Hospital seeks local artists to exhibit work-specifically art with strong ties to the Holy Cross mission and community.
The application deadline is August 10, and exhibition period is from September 2012 through August 2013. Four to eight exhibitors will be selected. For additional entry info and specifications, contact Christian Payne at 301-754-7920 or paynec@holycrosshealth.org.
The Community Art Gallery at Holy Cross Hospital seeks local artists to exhibit work-specifically art with strong ties to the Holy Cross mission and community.
The application deadline is August 10, and exhibition period is from September 2012 through August 2013. Four to eight exhibitors will be selected. For additional entry info and specifications, contact Christian Payne at 301-754-7920 or paynec@holycrosshealth.org.
Simon Bolivar's reconstructed 3-D face
Here's the face of the man named Simón José Antonio de la SantÃsima Trinidad BolÃvar y Palacios Ponte y Blanco (July 24, 1783 – December 17, 1830), known to most of the world as Simón BolÃvar, and also as the man who kicked the Spaniards out of most of the Americas and led Venezuela, Colombia, Ecuador, and Bolivia to independence.
Brutish thug Venezuelan strongman Hugo Chavez recently commissioned and just released this 3D portrait of the Bolivar face.
Brutish thug Venezuelan strongman Hugo Chavez recently commissioned and just released this 3D portrait of the Bolivar face.
Wednesday, July 25, 2012
MSAC Awards
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Tuesday, July 24, 2012
Robert T. Cole at Zenith
Zenith Galleryest. 1978
Celebrating 34 Years
Celebrating 34 Years
ZENITH GALLERY at Eleven Eleven Pennsylvania Ave, NW
Presents
MATERIAL POWER: PURE METAL
Sculpture, Furniture and Wall Reliefs by Robert T. Cole
MEET THE ARTIST RECEPTION: Wednesday, July 25, 5:00 - 8:00 PM
At: 1111 Pennsylvania Ave NW, WDC 20004 (12th & Penn NW)
At: 1111 Pennsylvania Ave NW, WDC 20004 (12th & Penn NW)
SHOW DATES: JULY 16 - OCTOBER 6, 2012
Robert
Cole has been a major part of the U Street Renaissance and his
sculptures can be seen across the DC Metropolitan area. Some of his
commissioned work includes sculptures for the Washington Area Metro
Transit Authority at the Naylor Road Metro stop, the Gaithersburg
Maryland Humane Society, Jair Lynch Development Partners & AHD Inc.
in Washington DC, Bowie State University, and The Washington Post.
Cole's
art has earned him recognition not only in our nation's capital but
also in Italy where he won the Lorenzo IL Magnifico award for his
sculpture at the 2003 Florence Biennale.
1111 Pennsylvania Ave NW, Washington DC, 20004 (12th & Penn, NW)
Open Daily 8:00 AM - 7:00 PM
(weekends the entrance is on 12th Street; please knock on the door to be let in.)
Open Daily 8:00 AM - 7:00 PM
(weekends the entrance is on 12th Street; please knock on the door to be let in.)
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