Olympic Report: Is a gold medal worth this?

Most civilized nations gag when we see images like this, but in the People's Republic, apparently this is part of the path to gold...

Olympic Report: Asshole of the Day

See the guy in the USA shirt in the process of standing up to cheer his daughter Alexandra "Aly" Raisman's gold-award winning performance on the floor exercise today in London?

See the Ernst Stavro Blofeld-looking jerk behind him telling Raisman's justifiably excited dad to "sit down!"? - That's our Olympic Asshole of the Day.

Local College Artists now at Hillyer

Local College Artwork, Fresh Perspective

College students studying the visual arts spend time developing work which may pose questions and  offer possibilities for themselves, and for all of us, in this age of information. This is a small survey of work done by students who craft honest, expressive responses to the world they observe and live in. Life trumps art, but art insists, sometimes with bravado and sensuality, sometimes with subversive humility and humor, on being considered for what it is: one of the few great disciplines which merits a lifetime of study. 

Participating artists include Adam Void, Aselin Lands, Autumn Moran (featured), Brittany Moore, Cathleen Sachse, Dan Perkins, Dandan Luo, Larry Cook, Paullette Palacios, Peter Miller, Rebecca Harlan, Samantha Fein, Samual Scharf, Temme Barkin-Leeds, Travis Poffenberger, Veronica Melendez, and Wesley Clark.

• Hillyer Art Space is located at:
  9 Hillyer Ct. NW
  Washington, D.C. 20008
  Gallery Hours:
  Mon 12-5
  Tues-Fri 12-6
  Sat 12-5
  and by appointment
  Contact Us:
  202.338.0680
  
• Gallery Genral Info:
  gallery@artsandartists.org
  

Opportunity for Artists

Hillyer Art Space is nearing the end of their Open Call for Artists for the 2012-2014 exhibition year and they are currently looking for local DC Metro area artists and international artists to submit work for solo shows for the 2013-2014 exhibiition year.

Proposals must include the following materials:

• Minimum of 5 images with a Maximum of 10 submitted on a disc or by email as a high resolution JPEG* (please save each of the images with their corresponding title—minimum resolution accepted is 1920x1080 pixels)
• A complete checklist of works containing the title, year, medium, and dimension of each work
• Resume including address, email, phone number, education, and any previous exhibitions (with clear indications whether it was solo or group)
• Artist statement or exhibition narrative not to exceed one page
• *Minimum accepted resolution on images is 1920x 1080 pixels.

Submissions Due August 31, 2012 by 6:00pm

Requirements:

• DC Metro area artists cannot have had a solo show within the past three years - senior thesis shows, small scale shows in non-traditional spaces, or shows with attendance rates less than 50 people do NOT count as solo shows
• DC Metro area includes any area within a 150 mi. radius
• International artists have no restrictions on exhbition history but must be currently living abroad

Artists who are sponsored by an Artist Advisory Member should clearly note the Members name on their application. Please note that you do not have to be sponsored to apply.

Artists may deliver proposal materials via mail or email. If mailed, please provide a self-addressed stamped envelope if you would like your materials returned.

Mail Submissions to:
Hillyer Art Space
attn: Samantha May
9 Hillyer Court NW
Washington DC 2008

Or Email them to:
gallery@artsandartists.org

Smithsonian Contemporary Artist Award Nominees

Smithsonian American Art Museum Announces Artists Nominated for its Contemporary Artist Award  

My bet is on Ryan Trecartin...

         The Smithsonian American Art Museum announced today the nominees for its contemporary artist award, established in 2001 to recognize an artist younger than 50 who has produced a significant body of work and consistently demonstrates exceptional creativity. The 15 nominees are Matthew Buckingham, Kathy Butterly, Christina Fernandez, Amy Franceschini, Rachel Harrison, Oliver Herring, Glenn Kaino, Sowon Kwon, Ruben Ortiz-Torres, Jaime Permuth, Will Ryman, Ryan Trecartin, Mark Tribe, Mary Simpson and Sara VanDerBeek. Nominated artists work in a diverse range of media, including painting, sculpture, photography, film and video.

          Artists must be nominated by a juror to be considered for the award; there is no application. The $25,000 award is intended to encourage the artist's future development and experimentation. Previous winners were Pierre Huyghe (2010); Mark Dion (2008); Jessica Stockholder (2007); Matthew Coolidge, director of the Center for Land Use Interpretation (2006); Andrea Zittel (2005); Kara Walker (2004); Rirkrit Tiravanija (2003); Liz Larner (2002); and Jorge Pardo (2001). From 2001 to 2008, the award was known as the Lucelia Artist Award. The award is part of the museum's ongoing commitment to contemporary art and artists through annual exhibitions, acquisitions and public programs. 

           

          "The artists nominated this year draw on a wide range of cultural and aesthetic experiences to create work that is both visually stimulating and conceptually rigorous," said Joanna Marsh, The James Dicke Curator of Contemporary Art at the Smithsonian American Art Museum.

          Marsh is coordinating the jury panel selection and the nomination and jurying process. Five distinguished jurors, each with a wide knowledge of contemporary American art, were selected from across the United States. The panel nominated the artists and will determine the award winner in a day of discussion and review, remaining anonymous until the winner is announced in October. Past jurors have included John Baldessari, Klaus Biesenbach, Lynne Cooke, Richard Flood, Elizabeth Murray, Jerry Saltz, Rochelle Steiner, Nancy Spector and Robert Storr, among others.

At Adam Lister Gallery

Please join Adam Lister Gallery on Saturday August 11 from 2-4PM for the opening reception of "As Far As The Eye Can See"

featuring artwork by:

T.J. Donovan

Bob Elliott

Lori Ellison

J.T. Kirkland

Matthew Langley

Evan Read

Karen Schifano

AUG.11-SEPT.3 2012

gallery reception: Sat. Aug.11 2:00-4:00PM

This exhibit brings together a selection of pure abstract artwork.  The artists featured here deal primarily with absence, space, color, and surface.  The works reflect the contradictory human desire for things to be obvious as well as hidden.  Drawing strength and influence from the rich history of minimalism, these seven artists speak visually in separate but connected languages.  Each unique approach, harnessing and expanding, containing and releasing, while ultimately striving to make nothing out of something.

ADAM LISTER GALLERY

3950 UNIVERSITY DRIVE

FAIRFAX VA 22030

646.263.7305

2012 Plein Air-Easton names winner

Hiu Lai Chong of Gaithersburg, MD is the grand prize winner of 2012 Plein Air-Easton, the Avalon Foundation announced on July 22. Chong’s nocturnal painting of the Hooper Strait Lighthouse (pictured) also won the Artists’ Choice Award.

Plein Air-Easton is a top plein air festival nationally, and among Easton’s largest annual events. Ninety-six paintings totaling $121,780 were sold at this year’s Collector’s Preview Party at the Academy Art Museum.

A few years ago I had the honor of being the keynote speaker at the Museum's artists gala and I was pleasantly astounded at both the quality of the work and the sales frenzy that takes place!

Wanna buy a cheap Frida Kahlo?

Then this Peruvian art dealer has the line on all the undiscovered Frida Kahlo originals on the planet... and some other masters... I'm just saying... cough, cough...

See this one here

And then this one...

They have some more undiscovered masters (including more Kahlos) here...

Cough... cough...

You gotta see this...

Trust me... this is very cool...

Maryland artist featured at Smithsonian

Sebastian Martorana, a sculptor and illustrator living and working in Baltimore, is featured in 40 under 40: Craft Futures, an exhibition at the Smithsonian American Art Museum’s Renwick Gallery that investigates evolving notions of craft within traditional media such as ceramics and metalwork, as well as in fields as varied as installation art, fashion design and mathematics.

A 2012 Individual Artist Award recipient and alumnus of the Maryland Institute College of Art’s Rinehart School of Sculpture, Martorana’s current studio is part of the stone shop at Hilgartner Natural Stone Company in Baltimore. 

“Impressions” (pictured)—a marble piece depicting a pillow showing the indentation left by a sleeping head—is made from reclaimed Baltimore marble. The piece was acquired by the Smithsonian and can be viewed on the first floor of the Renwick Gallery as part of the 40 Under 40: Craft Features exhibit through February 3, 2013.

Arkin at Long View

Long View Gallery presents “Pattern Transformation”, by Sondra N. Arkin

 

August 23 – September 23, 2012
Opening Reception: Thursday, August 23, 6:30 – 8:00pm

Washington DC – Long View Gallery is pleased to announce Pattern Transformation, an exhibition by local artist Sondra N. Arkin on Thursday, August 23, 2012, with a public reception from 6:30-8:00pm. The exhibit will remain on view through September 23, 2012.

Sondra N. Arkin has spent years perfecting her encaustic techniques through countless art experiments. Her process-driven work requires bursts of concentration, hours of labor, and an unmatched focus on repetitive tasks. The failures and successes of her experiments provide invaluable data that have influenced the direction her work has taken in Pattern Transformation.

In Pattern Transformation, Arkin builds upon her mastery of wax to include the results of her experiments with both shellac and walnut ink. The transparency of the wax and shellac combined with the opaque walnut ink allows Arkin to build up layers of interest through mark making. Her mark making techniques with the walnut ink are traditional, but she has found inspiration in a less conventional mark making tool – fire. Torching away portions of the shellac, or drawing with fire, help to build depth through every layer.

The central works of Pattern Transformation (Permutations Toward Infinity 1-50) offer a Mandelbrot fractal-like beauty. Each group of nine images presents a virtually infinite potential of visual patterns. Each grid, not just interchangeable but rotatable to all four orientations, can be rearranged into a vast number of aesthetically viable patterns—with the absolute permutations from any single grid being over 95 billion.

Arkin has not strayed from the shapes and patterns of which we have become accustomed, lines and circles still make up the bulk of her markings. The patterns feel familiar yet the work is transformed. Her experiments with shellac and walnut ink, and her ability to recreate their successes, have taken her encaustic paintings to new heights. Arkin’s new mark making techniques, the often-innumerable layers of abstract patterns and the growth of her color palette each contribute to the work’s transformation. Pattern Transformation establishes a new period in the encaustic work of Sondra N. Arkin.

Pattern Transformation is the first solo show for Sondra N. Arkin since Long View Gallery’s re-opening in October of 2009. Her work is included in public and private collections including Bloomingdales, Washington, DC, the Copenhagen Residence through the Art in Embassies Program, Copenhagen, Denmark and the Donatelli Corporation, Bethesda, MD. Arkin received her MA from Florida Atlantic in 1984 and currently lives and works in Washington, DC.

Almost immortal pita bread

New public art for Connecticut Ave

The D.C. Commission on the Arts and Humanities (DCCAH) and the Golden Triangle Business Improvement District (BID) have selected a permanent light art concept to be installed along Connecticut Avenue between K Street and Dupont Circle.  The display, designed by local artist Alexander Cooper, incorporates programmable, low energy LED lights which will enliven the iconic boulevard with bright colors, patterns and movement throughout the year.

The art will be showcased on a four block raised median, scheduled to be completed this fall, from K Street to Dupont Circle. The art will light the lush landscaping and seasonal plantings of the medians to create a dynamic nighttime element along this highly travelled downtown corridor.

The light art project is part of a major streetscape enhancement project on Connecticut Avenue, which includes a beautifully landscaped median, sidewalk improvements featuring 20 foot tree gardens and other sidewalk amenities. The first section of the median, from K to L Streets, was completed in the fall of 2011 and transformed 3,000 square feet of asphalt into green space with thousands of flowers, plants and trees rotated seasonally. Construction for the remaining portion of the median will begin this fall.

Artist Alexander Cooper is a lighting and scenic designer with more than 10 years of experience in the Washington D.C. area. He has created the lighting design for more than 60 exhibitions and permanent collection installations. He recently installed the lighting for “Farragut Spheres,” an art project funded by DCCAH and the BID, which was donated to WMATA.

“We are proud to partner once again with the D.C. Commission on the Arts and Humanities and look forward to working with Mr. Cooper on this spectacular project,” said Leona Agouridis, Executive Director of the Golden Triangle BID. “The light art display will create an abstract and stunning architectural landscape along Connecticut Avenue and will enhance the Golden Triangle neighborhood for the many workers, residents and visitors.”

“It has been a pleasure working with the Golden Triangle Business Improvement District, and we look forward to the installation of this dynamic artwork,” said Lionell Thomas, Executive Director of the D.C. Commission on the Arts and Humanities. “Mr. Cooper’s light display is an excellent example of how public art and urban planning can come together to create a beautiful environment for our residents.”

“Designing and creating the art display for Connecticut Avenue is a tremendous opportunity to add dynamic lighting element to the heart of the city,” said Alexander Cooper. “I am very excited and honored to be a part of this project.”

BlackRock has a new boss

BlackRock Center for the Arts is pleased to announce that Krista Rimple Bradley joins the not-for-profit arts organization as its new Executive Director on August 6.  She replaces Charlotte Sommers, who leaves the Washington area after a successful four-year stint at BlackRock.  As Executive Director, Bradley is responsible for developing, guiding and implementing the strategies, programming and operations of the arts center, as well as overseeing the day-to-day execution of BlackRock’s fundraising, marketing, arts programming and operations. BlackRock Board President, Jean Casey, says that “Krista brings more than 20 years of experience as a seasoned arts administrator, funder, consultant and leader in the performing arts presenting field, having worked with a variety of local, regional, and national arts organizations and foundations. The Search Committee was impressed with Krista’s intelligence, extensive experience in all aspects of arts administration, and leadership in the performing arts field.  She also brings a wide network of relationships from the performing arts and funding communities, which she will leverage in her work leading BlackRock in its next phase of growth.”

 Bradley states that she is “thrilled to be joining BlackRock at this exciting time in its 10-year history and I look forward to building on its past success.  BlackRock is poised to be a model multidisciplinary arts center, offering local residents affordable and convenient opportunities to participate in, learn about, and explore a wide range of performing, visual and creative arts --be it through classes, workshops, or performances of high quality regional, national and international artists.  I’m excited about broadening and diversifying our programming and increasing opportunities for residents of all ages to explore and engage with the arts more fully.”

Most recently, Bradley has been Program Officer for Performing Arts at Mid Atlantic Arts Foundation, where she managed performing arts touring and funding programs for presenters and artists in the Foundation’s nine states and jurisdictions and curated annual rosters of regional, national and international performing artists for touring across the mid-Atlantic region. She has served as a consultant, funder and arts administrator with a variety of performing arts and philanthropic organizations to commission and develop new work, support artists, facilitate presenting, producing, and touring collaborations and engage diverse communities in meaningful ways.

Prior to joining Mid Atlantic Arts Foundation, Bradley worked with the Bill T. Jones/Arnie Zane Dance Company, Washington Performing Arts Society, the Walker Arts Center and Harlem Stage on programming and audience and community engagement initiatives. She has directed national and regional arts programs for OPERA America and the Wallace Reader’s Digest Fund and held management positions with both Houston Grand Opera and Virginia Opera. Bradley is a frequent grants panelist and reviewer for national and regional funders, including the National Endowment for the Arts, Association of Performing Arts Presenters, New England Foundation for the Arts, and the New York State Council on the Arts. She holds a B.A. degree in Literature and Society from Brown University.

Bradley is delighted to take on this leadership position at BlackRock and concludes: “I believe the arts are central to a vibrant community life and help create an enriched sense of place.  I look forward to working with our board, staff and community leaders to realize BlackRock’s potential to be that vital hub and catalyst in Upper Montgomery County.“

Fake Painting

Viktor Vekselberg, one of the world’s richest men, paid £1.7 million for Odalisque, a nude said to be the work of Russian artist Boris Kustodiev.

The price was 10 times the pre-sale estimate and represented the “pure absurdity” of the art market, the court heard.

Soon after the purchase in 2005, experts working for Mr Vekselberg’s arts fund, Aurora, began to cast doubt on the picture’s authenticity. They claimed that Kustodiev’s signature, dated 1919, was done in an aluminium-based pigment not available until after the artist’s death in 1927.

Read the whole story here.

Callanish Stone Circle

Callanish Stone Circle (Clachan Chalanais), Isle of Lewis, Outer Hebrides, Scotland

My favorite stone circle on the planet - even more spectacular than Stonehenge and a lot harder to get to... I took a million photos from all angles and have done about 100 drawings as well, like the one below... sort of.

"Cross Stitch" or "Claire Beauchamp at the stone circle"
 c. 1991, charcoal and conte on paper 

The above 1991 drawing was done after I read a book titled "Cross Stitch" by Diana Gabaldon,  which is about time travel and stone circles.  At the time those were (and still are) two of my fave subjects! The circle is made up of a couple if real stone circles in Scotland,  heavily influenced by Callanish.

Olympic Update: The Koreas battle!

You'll never see this sort of Olympic coverage in the mainstream media:

Good news for the weirdo who runs the starving Communist Workers' Paradise of North Korea: You guys have won 4 medals as of today - including 3 golds! Those winners have it "made for life now" (or DPRK's life expectancy of 68 years)...

Bad News: The Democratic economic powerhouse to your South has won six! And their life expectancy is 80 years! And they don't threaten their athletes if they don't win... Go ROK!

Oh No!

Heads will roll!

PS - Japan has 11 the hard way... China doesn't count because we all know they cheat with junk they inject into their athletes' bodies (like East Germany and the old USSR did for decades) but we won't figure out how they do it for another two decades...

Art Scam Ripoff Alert

This email address and this email is a rip off seeking to part artists from their artwork:

From: Vincent Kube <vincentkube@yahoo.dk>
Date: Sat, Jul 28, 2012 at 7:03 PM
Subject: Art purchase inquiry
To:
Good Afternoon,

           I hope you having a wonderful day?,i was able to see your work of art from your website and i must say that your work is fascinating and vivacious,it shows that you took your time to perfect its creation. I am a resident of Copenhagen, Denmark and am interested in owning some of your work to decorate my living room and office to elevate my lifestyle, unfortunately ilost the link to your website. I will be pleased if you can  send me the link to your website so that i can select the one's had like to purchasefrom you. i await your response.

Regards

Vincent

More Scottish watercolors

You can probably tell that I've got a new gizmo that scans slides (remember slides) as digital files at the push of a button. Subsequently, I've begun the process to scan the thousands of slides that I have accumulated over the years.

The story so far: I lived in Scotland from 1989-1992 and while I was there, I was seduced by that ancient land and produced a lot of artwork focused on all the Scottish visual offerings around me.

Below are some watercolors (and one charcoal drawing) of some the birds which seemed to be constantly flying in formation all year round (especially the Canada geese). Most of these watercolors were rather large (30 x 40 inches) and all of them are in Scottish or American private collections, and a few have even shown up in British auction houses since they were done over 20 years ago.

Canada Geese, Brechin Skies, Angus, Scotland

Flight Formation, Edzell Skies, Angus, Scotland

Flight Formation, Fettercairn Skies, Angus, Scotland

When the farmers plowed the field, 100s of seagulls would fly from the North Sea and hover over the fields looking for insects to eat; as soon as the farmer was out of the way, they would land and start the buffet

Canada Geese, Montrose, Scotland, Charcoal and Conte, c. 1991

Elvis and Buster

"Elvis Presley and Buster Keaton Dressed as Nuns" Charcoal and Conte on Paper, c. 1995 by F. Lennox Campello