Eyes... and more eyes

 

"Eyes of the woman standing behind the grassy knoll in Dallas in 1963"
Charcoal on Paper, c. 2007
2 x 6 inches
Sold

"Eyes of The Morrigan"
Charcoal on Paper, c. 2007
1 x 2.5 inches
Sold

"Eyes of Frida Kahlo"
Charcoal on Paper, c. 2007
1 x 1.5 inches
Sold

"Eyes of Frida Kahlo"
Charcoal on Paper, c. 2007
1 x 2 inches
Sold

"Eyes of Queen Boudicca, also known as Bodicea"
Charcoal and colored pencils on Paper, c. 2007
2 x 4.5 inches
Sold

"Eyes of Humphrey Bogart"
Charcoal on Paper, c. 2007
.75 x 1.5 inches
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"Eyes of a small New Orleans girl after Katrina"
Charcoal on Paper, c. 2007
.75 x 1 inches
Sold

"Eyes of Lauren Bacall"
Charcoal on Paper, c. 2007
.75 x 1.5 inches
Sold

"Eyes of John F. Kennedy"
Charcoal on Paper, c. 2007
1.5 x 4 inches
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"Eyes of John F. Kennedy II"
Charcoal on Paper, c. 2007
1 x 3 inches
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"Eyes of John F. Kennedy III"
Charcoal on Paper, c. 2007
1 x 3 inches
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"Eyes of Horus"
Charcoal and colored pencil on Paper, c. 2007
2 x 3 inches
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"Eyes of a Happy Man"
Charcoal and colored pencil on Paper, c. 2007
1 x 5 inches
Sold

"Eyes of Africa"
Charcoal and colored pencil on Paper, c. 2007
1 x 2 inches
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"Eyes of a Woman who in 1994 sent me naked photos of herself"
Charcoal on Paper, c. 2007
1 x 3 inches
Sold

"Eyes of Very Stormy Woman"
Charcoal and colored pencils on Paper, c. 2007
2 x 4.5 inches
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"Eyes of a woman about to make a mistake"
Charcoal and colored pencils on Paper, c. 2007
2 x 4.5 inches
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"Eyes of Very Strong Woman"
Charcoal and colored pencils on Paper, c. 2007
1.5 x 4.5 inches
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"Eyes of Mr. Spock"
Charcoal and colored pencils on Paper, c. 2007
2 x 4.5 inches
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"Eyes of Diego Rivera"
Charcoal and colored pencils on Paper, c. 2007
2 x 4.5 inches
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"Eyes of Paul McCartney"
Charcoal and colored pencils on Paper, c. 2007
2 x 4.5 inches
Sold

"Eyes of Frida Kahlo"
Charcoal on Paper, c. 2007
1 x 2.5 inches
Sold

"Eyes of Bettie Page"
Charcoal on Paper, c. 2007
1 x 2 inches
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"Eyes of Bettie Page"
Charcoal on Paper, c. 2007
2 x  4 inches
Sold

"Eyes of Barack Obama"
Charcoal on Paper, c. 2007
1 x 3 inches
Sold

"Eyes of Anderson"
Charcoal and Colored Pencils on Paper, c. 2011
1 x 3 inches

"Eyes of Bettie Page"
Charcoal on Paper, c. 2007
2 x  4 inches
Sold

"Eyes of Frida Kahlo"
Charcoal on Paper, c. 2007
1 x 3 inches
Sold

"Eyes of Frida Kahlo"
Charcoal on Paper, c. 2007
0.5 x 1 inches
Sold

"Eyes of The Morrigan"
Charcoal and colored pencils on Paper, c. 2007
1 x 3 inches
Sold

"Eyes of an Irish Woman"
Charcoal and colored pencils on Paper, c. 2007
1 x 3 inches
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"Eyes of a woman with an eye freckle"
Charcoal and colored pencils on Paper, c. 2007
1 x 3 inches
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"Eyes of a Sad Woman"
Charcoal and colored pencils on Paper, c. 2007
1 x 3 inches
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"Eyes of Maeve"
Charcoal and colored pencils on Paper, c. 2005
1 x 4 inches
Sold

"Eyes of a Small Child"
Charcoal and colored pencils on Paper, c. 2007
1 x 3 inches
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"Eyes of a Power Lawyer"
Charcoal and colored pencils on Paper, c. 2007
1 x 3 inches
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"Eyes of a Power Lawyer"
Charcoal and colored pencils on Paper, c. 2007
1 x 3 inches
Sold

"Eyes of a Professional Athlete"
Charcoal and colored pencils on Paper, c. 2007
1 x 4 inches
Sold

"Eyes of Candy"
Charcoal and colored pencils on Paper, c. 2007
1 x 4 inches
Sold

"Eyes of an Airport Hustler"
Charcoal and colored pencils on Paper, c. 2007
1 x 4 inches
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"Eyes of The Morrigan"
Charcoal and colored pencils on Paper, c. 2007
1 x 4 inches
Sold

"Eyes of a Famous Porn Star"
Charcoal and colored pencils on Paper, c. 2007
1 x 4 inches
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"Eyes of an Artist"
Charcoal on Paper, c. 2007
1 x 4 inches
Sold

"Eyes of a Sad Woman"
Charcoal on Paper, c. 2007
1 x 4 inches
Sold

Hotel California at auction again!

"Hotel California" shows up for auction in Ohio of all places! This is an art school assignment from 1976!

https://www.ebth.com/items/12072487-f-lennox-campello-jr-acrylic-painting-hotel-california-1976

Mortgage and Rent Relief

In accordance with the Arts and Humanities Capital Funding Emergency Amendment Act of 2020, the Commission on the Arts and Humanities (CAH) has established the FY21 FAB: Mortgage & Rent Relief (FAB-R) grant program to assist DC-based arts and humanities organizations with rent or mortgage expenses. Funding is being offered in response to the financial impacts related to COVID-19 to help ensure arts and humanities organizations remain in place, vibrant, and viable to open when safe to do so. The complete Request for Applications (RFA) is available online.

Submission Deadline: Friday | January 29, 2021 | 11:59 pm

Prospective applicants should read through the Request for Applications (RFA) in its entirety before initiating an application.

Merry Quarantine Christmas!

 

The Giving Season, 2007 David FeBland

The Christ, the Last Supper, and the missing afikoman

A few years ago, before governors in many states made it a Covidian crime, I was invited to a Seder meal by a friend who is also quite a well-known Philadelphia area artist and an even better known curator.

Somehow the conversation turned to Christ’s Last Supper, which of course was a Seder meal, and she observed how most paintings depicting The Christ’s last meal showed regular bread instead of the unleavened bread required by Jewish tradition to celebrate the Passover. This is very interesting to the pedantic part of me, already troubled by the fact that nearly every depiction of The Christ that was presented to me in art school depicted mostly Northern European-looking Christs, rather than the Semitic Middle East Israelite that He was.

And now I wonder, are there any contemporary depictions (or any depiction) of the last supper which depict this last Seder for Christ in a more historically correct perspective?

I am sure that there exist versions of the unknown supper created by pedantic, history-aware artists of all sorts.

Religious art has pretty much been pushed aside by the postmodernists, in what can best be described as a self-mutilation of intelligent subject matter. It would be interesting to see a new contemporary view of religious art, and allow us to discover how today’s artists would interpret our diverse religious backgrounds.

Is that a great idea for an up-and-coming curator or gallery to take on or what? But I want to see The Christ as a Semite and I want to see the middle of the matzoth on the Seder plate broken in two with the larger piece hidden, to be used later as the afikoman.

GASP at Artists in Middleburg

 

Earlier today I stopped at the Artists in Middleburg art gallery in Middleburg, Virginia (which is one of the nicest and cutest little towns less than an hour's drive from the DMV.

The Artists in Middleburg (AiM) is "a 501c3 nonprofit organization. Based out of a small art gallery in Middleburg, AiM hosts themed exhibitions each month for local artists as well as offers art classes, from Plein Air experiences to sculpting instruction."

On exhibition was GASP (GREAT ART SMALL PRICES), which features artwork under $500 and which runs through January 10, 2021.  This is a terrific show, loaded with exceptional art and clearly worth the short drive to Middleburg between now and Christmas if you're looking for that most super special of gifts: original art!

The show was juried - not sure who the juror was, but as readers of my writing know by now, I love to not only tell you who the prizewinners were, but also who I'd would have given the prizes to... this is always a healthy exercise (in my opinion anyway), as it is a great example of a Campellification of that well-established art saying: "art is eyes of the beholder... in this case "it depends who the juror is."

By now I have juried hundreds of art shows at all levels of the art cabal food scale, and I am always honored to be a juror, no matter for what of for whom.  I am also an opinionated juror, but that opinion always comes from a good place.

Best of Show was awarded by the juror of GASP to Greek Man, a stone, Smalti, 14k gold, and Swarovksi crystals mixed media piece (14.25 x 13 x .5 and selling for $475) by artist Charlene Sloan.

First place went to Winter's Day End, a lovely oil landscape painting by Laura Hopkins.

The second place award went to Hanging on the Vine, Mixed Media (20 x 25, $500) by Maribe Chandler-Gardiner, and third place to a spectacular sunset oil painting by Sharon Clinton titled (of course) Sunset (oil, 12x19 and $375).

Congratulations to all the prizewinners - well deserved!

Now... for my personal choices.  

First and foremost, I really, really liked all the paintings in the show by that same Sharon Clinton, including that prizewinning Sunset, and also After the Storm, a highly demanding and superbly executed small (8x10 inches) oil - I would have chosen either of those two as Best in Show.

That's Sunset to the right - showcasing the power of color when executed by a talented painter.

The paint application shows an exuberance of that certainty in applying and mixing paint that only comes after a thousand mistakes - each one a learning episode in the glorious path to dominance over the medium.

Another prizewinner for me would have been Jill Garity - her End of Summer (Oil, 16 x 12 for $485) was exceptionally well painted and clearly she has mastered also the palette knife . Garity writes that most of her paintings are "a combination of places that are both real and imagined.They are begun with rough shapes and a pattern of light and dark and are then developed with layers of opaque paint and glazes. Underlayers peeking through providing interest and visual texture. Use of the palette knife in places also provides a randomness that provokes creativity and often takes me on a path I had not planned."  Another winner would have been Contemplating Jackson Falls (Oil, 8 x 6 for $285).

Besides Clinton and Garity, an artist named Anne Reid also caught my eye.  Reid is what my art school professors would have described as a "painter's painter." Her brushwork is forceful and skilled, and it is the application of paint that makes her work stand out.  I quite liked Afternoon Drive (Mixed Media, 5 x 7 for $175) and The Farmer (Mixed Media, 9 x 12 for $450).

That's The Farmer to the right - note the way that Reid has decided to define the road just trod by the tractor.  Notice that colors, and shapes, and texture define the road, in an abstract way that once inside the entire composition becomes a highly realistic road! And yet, if you put a roughly square frame around that foreground road, you have quite an intelligent abstract work!

What else did I like?

I liked Margaret Cassidy's photos, Peggy Weed's Chicks (which was the rest of the Campello family's top pick!), Karen Merkin's Purple Onion, and a few others.

Some constructive criticism: I want several of the artists in this show - including some of my prizewinners - to read this article from over a decade ago: How to Sign Your Artwork.

This is a jewel of a small, intimate show in a memorable small town full of cool little shops and top of the line restaurants - the fried oysters at King Street Oyster Bar are really good, and the Thai food at Thaiverse Restaurant was among the best Thai food that our family has ever had.

Opportunity for Photographers

 The Shining a Light International Photography Contest is organized by the Muhammad Ali Center. 

The topic of this year's contest is “Water”. 

The Muhammad Ali Center requests submitted photographs pertinent to the above described topic. Images should relate to women's work, lives, sanitation, and hygiene involving water. 

Photographs from this contest will be used to produce a documentary-style exhibition of 30-45 photographs, which will be exhibited at the Muhammad Ali Center in Louisville, Kentucky beginning Saturday, March 6, 2021.

For more details, please see the section "contest theme" here.

No Entry Fee. 

Details here.

Academy graduate

As I noted earlier, when I was in the Navy I did dozens of illustrations and cartoons for many newspapers (such as The Stars & Stripes), and sketches of my shipmates and other US Navy sailors in ports in the US and European ports. Most of these drawings, cartoons, and paintings were given away to my shipmates over the years, but I also kept many of them - this one has been in storage for over 40 years and was recently found! Some of you asked for more... so here is another one!

This one is from a series of cartoons that I did for a base newspaper where the main character was a sentient money changing machine.

Opportunity for Photographers

The Shining a Light International Photography Contest is organized by the Muhammad Ali Center. 

The topic of this year's contest is “Water”. 

The Muhammad Ali Center requests submitted photographs pertinent to the above described topic. Images should relate to women's work, lives, sanitation, and hygiene involving water. 

Photographs from this contest will be used to produce a documentary-style exhibition of 30-45 photographs, which will be exhibited at the Muhammad Ali Center in Louisville, Kentucky beginning Saturday, March 6, 2021.

For more details, please see the section "contest theme" here.

No Entry Fee. 

Details here.

Adrian and Mila

Adrian and Mila
2020 by F. Lennox Campello

 

Birth Control Glasses

 One of the things that every Navy sailor or veterans knows about is the curious case of Navy-issued glasses, known to sailors as "Birth Control Glasses" or "BCG."

Somehow these nerdy glasses became hip in the 2000s, a great testimonial to the overwhelming power of Millennials and follow-on generations to enjoy what their predecessors abhorred and detested.

Upon arrival to boot camp, one of the first things confiscated - if you wore glasses - were your nice, hopefully cool "civilian" glasses. They were almost overnight replaced with BCGs, which had the magical power of turning anyone, no matter how beautiful or handsome, into an immediate geek, not worth procreation.

Therefore, one of the first things that most sailors then did upon graduation from boot camp was to head to the Navy Exchange, find the eye doctor, and order some "civilian" glasses. Only those unfortunately born to be nerds, kept their BCGs, and I suspect that the BCGs and their original glasses were quite similar.

When I was stationed in San Diego in the late 1970s, our gang of squids and leather necks used to have as part of our group a Third Class Hospital Corpsman (HM3) who worked at the medical facility next to the San Diego boot camp area, which I think also served the Marine Corps boots in the Marine base on Barnett Avenue next to the Navy base then in Point Loma and now closed for many years.

This HM3 managed to have access to all the BCGs that boots would discard when they got their civilian glasses at the Point Loma base, and he'd rescue them from the garbage dumps and save them in a box.

Why would an HM3 save BCGs by the dozens each week you ask?

Each weekend, my then girlfriend Andrea, who was the only one among us losers who actually had a car, would pack her Toyota with my friends and I and drive us to the border with Mexico, where we'd head for Tijuana, or "TJ" as sailors call it, for a night of drinking and fooling around - is was essentially the only option for the under 21 crowd, as back then the only place around San Diego where a Navy sailor under 21 could get a drink was at the Enlisted Club on base (weird to think that back then a sailor could drink booze on base, but not out in town if you were under 21).

Going to the Enlisted Club deserves another story... suffice to say that usually there were usually a few hundred sailors and Marines in there and four women. If you brought a girl to the club, you better be ready to fight a few dozen drunks messing with your girl every few minutes.

So we'd go to TJ, and Andrea (who was perhaps the nicest person whom I've ever met) would drop us off at the border crossing and either agree to pick us up early the next day... or sometimes wait in the parking lot while she studied (she was in college).

When I say nice, I mean super nice!

We'd then head to the border crossing and once in Mexico hail a taxi.  As most of us were usually busted a few days after payday, the "in-betweens" is where the BCGs came into play.  First we'd hail a taxi and - since I spoke Spanish - I'd explain to the cab driver that we'd trade him a few pairs of prescription glasses for a ride to town.

That's some of us in the pic below...

It always worked - every single time! A few times (to my surprise) the driver would even start trying glasses until he found his prescription - that always left a bit of squirm in the pit of your stomach to realize that the driver needed glasses and didn't have any until that point.

At the bar(s) we'd bring out the box and start trading drinks for glasses... with the bar tender, with the bouncers, with the bar girls, with the customers... essentially with anyone interested... and who needed glasses.

It always worked!

The trick was to estimate (and we got good at it) how many glasses we'd need at one or two o'clock in the morning when we'd need them to get a cab back to the border crossing.

And that's how discarded BCGs bought all kinds of things in trade for a bunch of broke-ass American sailors in search of a drink!

Dan Marino

"Dan Marino"
1983 limited edition lithograph 4x4 inches

Opportunity for Photographers

The Sony World Photography Awards are organized annually by World Photography Organization and sponsored by Sony. 

The Sony World Photography Awards features four competitions: 

1. Professional competition

2. Open competition

3. Youth competition

4. Student competition

No Entry Fee. 

Details here.

The Macha

The Macha

c. 2019 Original charcoal and conte on unfired Bisque

"The Macha" is an original charcoal and conte drawing on unfired broken Bisque - the plate is curved and sticks out about 1 inch from the wall once hung -- It is signed and dated in pencil recto and titled, signed and dated in marker recto on the verso. Again... the work hangs on the wall and projects about 1 inch off the wall, so it's a bit three-dimensional... 

The Macha is the Celtic Goddess who is the protector of women and children.

Feet wet

 Sometimes people ask me why I'm always drawing mostly women... like the Carlos Gardel song says: "Si soy así ¿qué voy a hacer? pa' mí la vida tiene forma de mujer..."

"Feet wet (soon to be feet dry): Cuba loses another daughter" Charcoal and conte on paper 1990s In a private collection in Boston

This is "Feet wet (soon to be feet dry): Cuba loses another daughter" circa late 1990s, done after President Clinton imposed the "feet dry/feet wet" policy which condemned to jail thousands of Cubans trying to escape from Castro's Workers' Paradise and who were caught "feet wet" and returned to the prison island. It is in a private collection in Boston. 18x24 inches, charcoal on paper.