Today...
Sunday, May 30, 2021
Saturday, May 29, 2021
Not Frida Kahlo
Those are not Frida Kahlo's eyes... those are my eyes, circa 1980 or so when I was a student at the University of Washington School of Art - the photo was part of a photo project by a Seattle photographer named Judy (I forget her last name)...
The Eyes of Lenny Campello circa 1980 |
Friday, May 28, 2021
At the Pike Place Market in Seattle
Lenny Campello at the Pike Place Market circa 1980 |
As I've noted here before countless times, almost everything I know about presenting, selling and discussing art I learned at the Pike Place Market in Seattle, where I sold my art school assignments and other work while I was an art student at the University of Washington.
Thursday, May 27, 2021
Unicorn Mare and Foal
Just out of the blue a nice collector from West Seattle sends me a nice note with a couple of images... she acquired this hand-colored print at an antique shop in Tacoma.
"Unicorn Mare and Foal" is part of a series of fantasy drawings and prints that I did while I was at the University of Washington School of Art for illustration class and for a private limited edition of a book that a friend of a friend was printing.
All of these were sold at the Pike Place Market.
Tuesday, May 25, 2021
Tuesday, May 18, 2021
Sunday, May 16, 2021
Thursday, May 13, 2021
Wednesday, May 12, 2021
Tuesday, May 11, 2021
Thursday, May 06, 2021
East City Art launches their Artist Directory!
After six months of development, the East City Art team has just finished the ECA Artist Directory which provides an alternative to WPA's soon to be discontinued art file.
As one of the requestors, the directory was created at the request of many artists who wished to see it continue.
Here is the link - CLICK HERE.
ECA soft launched it last week and it officially went public Friday, April 30. Here are some of the Directory's features:
- Self-serve with a user-friendly interface. Artists can link to their payment processor and ECA never takes a commission
- Artists can post their artist statement, CV, website, social media, coming exhibitions
- This is tied to ECA and function as a classifieds section of ECA, benefiting from ECA's traffic
- The new ECA site is scheduled to launch May 24 and will have a cleaner plug-in to the directory
- Speaking of traffic, the directory will be fine-tuned for SEO. Online and social media ads will feature Directory. They are also planning systematic promotions and communications to ensure continued Directory interest.
- The cost is $120 per year.
Sunday, May 02, 2021
Edzell Arch
As I've noted before, Queen Victoria, on her way to the Highlands, used to travel through the tiny Scottish village of Edzell, in the Angus region of Scotland. Thus, the locals built an arch to honor their English queen.
From 1989-1992, I lived a few minutes from the village of Edzell, and the arch was a much visited subject of my drawings back then. Below are some examples of those works from those years. These are all in multiple collections in Scotland and the US.
Wednesday, April 28, 2021
My X/19
1980 or so in Seattle, Washington... with my little beautiful Fiat X 1/9!
Lenny Campello in his Fiat X 1/9 circa 1980 |
Tuesday, April 27, 2021
Monday, April 26, 2021
Our City, Ourselves: Women Photograph Washington
The DC Commission on the Arts and Humanities now has an exhibition on view in their virtual gallery space, Our City, Ourselves: Women Photograph Washington.
I highly encourage you to spend some time in the exhibition; it celebrates not only the talented and perceptive women photographers working in the District over the past 40 years, but also the history and evolution of the city itself.
You can see the exhibition webpage here: http://bit.ly/CAHOurCityOurselves or you can go directly to the virtual gallery here: http://bit.ly/OurCityOurselves.
Monday, April 12, 2021
Sunday, April 11, 2021
My gift to the "woke" crowd: the racist Che Guevara
"The black is indolent and lazy, and spends his money on frivolities, whereas the European is forward-looking, organized, and intelligent."
-- Che Guevara
"The black is indolent and a dreamer; spending his meager wage on frivolity or drink; the European has a tradition of work and saving, which has pursued him as far as this corner of America and drives him to advance himself, even independently of his own individual aspirations." -- Che Guevara
"Mexicans are a band of illiterate Indians" -- Che Guevara
Saturday, April 10, 2021
Anderson's top 6 - OK six and a half - picks for the upcoming NFL draft
Anderson's top 6 - OK six and a half - picks for the upcoming NFL draft:
1. Trevor Lawrence
2. Zach Wilson
3. Mac Jones (possible Trey Lance)
4. Kyle Pitts
5. Penei Sewell
6. Ja'Marr Chase
Things that are not OK - and I'm going to start calling them out
One of the most common ingredients of the artworld, and sometimes a formidable tool for emerging artists to build a resume (if you want to know what it is sooooooo important that you develop a valid and sustainable artistical resume, then you need to take my next "Bootcamp for Artists" seminar) is to respond to call for artists, art competitions, etc.
There's always a set of deadlines.
A deadline for entries to be in - the most important deadline for the artist.
A deadline for the hosting entity to respond with notifications of acceptance or rejection.
A deadline for delivery of accepted artworks
A deadline for pick up of exhibited/unsold artwork at the end of competition (if local delivered)
Three of the four key deadlines fall on the artists - and generally speaking, if you miss any of the first two (entry deadline and delivery deadline), then you are OUT!
If you miss the last deadline, there's often a daily "storage charge" until the artwork is picked-up.
One thing that I have been noticing more and more lately, is that hosting venues are often - anecdotal data seems to indicate most of the time - Missing THEIR deadline to notify artists and respond with notifications of acceptance or rejection.
This is not only unprofessional, but puts an extra burden on the shoulders of the artists, who may only have a tight window for decision-making related to the submitted artwork.
What is up with that? Why are we allowing the hosting venues to simply (often without a reason) go silent as deadlines pass and then ad hoc notify artists?
I have been on the jurying end of this process dozens if not hundreds of times, and thus as the poet Marti wrote: "I know the monster well, for I have lived in its entrails."