Saturday, September 21, 2013
Friday, September 20, 2013
DC and California: Works by Sidney Lawrence
"DC and California: Works by Sidney Lawrence"
Opening Tuesday, Oct. 1, 6-8 pm
Artist talk Friday, Oct. 11, noon (approx. 40 minutes)
Where: University of California Washington Center's Alcove Gallery
1608 Rhode Island Ave NW (one block east of Connecticut Ave at Scott Circle, look for the flags).
Exhibition continues through Thursday, Oct. 31.
Day hours are 8 am to 8 pm. Weekend entry by door security. Gallery is to the left, with occasional UCDC events.
Information: sidneylawrenceart.com or 202-246-6963
Opening Tuesday, Oct. 1, 6-8 pm
Artist talk Friday, Oct. 11, noon (approx. 40 minutes)
Where: University of California Washington Center's Alcove Gallery
1608 Rhode Island Ave NW (one block east of Connecticut Ave at Scott Circle, look for the flags).
Exhibition continues through Thursday, Oct. 31.
Day hours are 8 am to 8 pm. Weekend entry by door security. Gallery is to the left, with occasional UCDC events.
Information: sidneylawrenceart.com or 202-246-6963
Thursday, September 19, 2013
Go to this tonight!
Ryan McCoy - Paintings
Opening Reception
Thursday, September 19th
6:30 - 8:00pm
6:30 - 8:00pm
RSVP at the facebook event page
Show Dates: September 19 - October 20
Long View Gallery is pleased to announce RYAN MCCOY :: PAINTINGS, an exhibition by Ryan McCoy, opening on Thursday, September 19, with a public reception from 6:30-8:00pm. The exhibit will be on view through October 20, 2013.
In RYAN MCCOY :: PAINTINGS, McCoy presents a new body of work where he attempts to structure meaning through specific materials to create a personal iconography about time, place, and memory.
“With a consideration for the limitations of written language – that words are just approximations of thoughts and feelings – I attempt to structure experiences and memories from my life through material. The materials I use signify important moments from my life. The materials, representing otherwise disparate moments, are structured onto the canvas or into a space to create new intersections of meaning for me. They are a physical representation of how I feel and think; I try to say what I cannot say with words. This forms the basic logic through which the work is made. I try to just make really honest and personal work.”
McCoy’s work has been exhibited nationally and internationally, and is included in collections on four continents. McCoy earned his MFA and BFA from George Mason University and teaches at various schools in the DC metro area.Long View Gallery
Warning to Artists
I know a lot of you have artwork on Saatchi Online... so:
Dear Artist,
We have recently been contacted by someone called Sophie Dare who is claiming to want to acquire a lot of works by Saatchi Online artists. I have subsequently discovered that she is contacting artists directly and asking to buy multiple works from them and offering all kinds of incentives. We have heard that one artist (not from Saatchi Online) sent her many works a while ago as part of an agreement and never got paid.
So we would strongly advise not to respond to any emails from this person.
We are very sorry about this and are trying to be as vigilant as possible with cases like this in order to protect Saatchi Online artists.
Rebecca WilsonChief Curator and Director of Artist Development, Saatchi Online
Director, Saatchi Gallery
Wednesday, September 18, 2013
Is my Copyright Internationally Protected?
There is no international copyright protecting creative work in countries around the world. Each country has its own laws and regulations. However, most countries have signed on to one or more international treaties that provide protections for works within those contracting countries. The United States is a party to the following:
Read it all online here.
Read it all online here.
Tuesday, September 17, 2013
Catalyst Projects Opens New Gallery Space
Catalyst Projects is pleased to announce the opening of its new gallery and
project space at Monroe Street Market in the Brookland neighborhood of
Washington, DC, the center of a fast growing arts community.
The doors will open for Catalyst on October 10th with monthly, curated contemporary art exhibitions featuring artists from the metropolitan DC area and beyond. In addition to a robust exhibition schedule, Catalyst will engage the local DC community of artists and arts stakeholders by presenting panel discussions and artist workshops.
The doors will open for Catalyst on October 10th with monthly, curated contemporary art exhibitions featuring artists from the metropolitan DC area and beyond. In addition to a robust exhibition schedule, Catalyst will engage the local DC community of artists and arts stakeholders by presenting panel discussions and artist workshops.
Catalyst
was launched on January 1, 2013 by DC artists Zofie Lang and Gail
Vollrath. The duo met while exhibiting at Artomatic the summer of 2012
and soon after began talking about organizing a vehicle for networking
artists, collectors and other art enthusiasts. Since the beginning of
the year, Catalyst has organized two discussion panels; Miami Art Fairs, Real Deal or Hype? (hosted by the Hive 2.0 and Arch Development Corporation in Anacostia) and Art and Acquisition, A Conversation with Artists and their Collectors (hosted by the Hamiltonian Gallery and partners ArtSee and Artinista Art Advisory); an
art book swap (hosted by Capitol Hill Arts Workshop); and a happy hour
event (hosted by the Passenger) where the DC art community came together
to share their thoughts on the state of the arts in the region.
The
need to find affordable space where Catalyst could organize exhibitions
and host artist workshops was key to rounding out their programming.
In late January, Lang and Vollrath applied for one of 27 studios offered
through CulturalDC at Monroe Street Market. In July, Catalyst was
offered a six month lease for Studio 13, to begin in October 2013.
The
new 500+ sq. ft. project space is located a few feet from the
Brookland-CUA red line metro stop, at 716 Monroe Street, NE. Gallery
hours are Thursday through Saturday noon to 7 pm, and by appointment.
Visit their web site for more information http://catalystartprojects.com
Contact them at catalystartprojects@gmail.com
Catalyst Projects
716 Monroe Street, NE, St. 13
Washington, DC 20017
Visit their web site for more information http://catalystartprojects.com
Contact them at catalystartprojects@gmail.com
Catalyst Projects
716 Monroe Street, NE, St. 13
Washington, DC 20017
Can I Register Multiple Works with the Copyright Office?
When copyrighting published works, each must be registered individually with some exceptions. For unpublished works, there is a bit more flexibility. First, though, to recognize when these exceptions are applicable, copyright holders must understand the difference between a published and unpublished work.
Copyright law defines “publication” as the distribution of copies of a work to the public by sale or other transfer of ownership or by rental, lease, or lending.
Read online here.
Copyright law defines “publication” as the distribution of copies of a work to the public by sale or other transfer of ownership or by rental, lease, or lending.
Read online here.
Monday, September 16, 2013
Objects of Desire
Please join lots of us for the exhibition opening of "Objects of Desire"
this next Friday, September 20, in Georgetown at Neptune Fine Art from 6 - 8
pm.
The opening is free and open to
the public.
The show was selected by the Washington Post's arts critic,
Mark Jenkins, as one of the "Best gallery exhibits this fall" and was an
"Editors' Pick: The Best Washington Art Shows and Events in September"
in the Washingtonian. In addition, a number of galleries in the Book
Hill neighborhood will be open, so it should be a lovely opportunity to
see art.
Here are the details:
Objects of Desire
Neptune Fine Art
1662 33rd Street, NW at Wisconsin Ave. and Reservoir Rd., Washington, DC 20007
Opening Reception: Friday, September 20, 2013, 6 - 8 pm
Exhibition runs September 18 - October 26, 2013
Artists
include: William Bruce Adair, Raya Bodnarchuk, Jeff Chyatte, Will
Clift, Tazuko Ichikawa, Elaine Langerman, Laurel Lukaszewski, Jimmy
Miracle, Wendy M. Ross and Foon Sham
At the Katzen now...
American University's Fall for the Arts will bring neighbors, students, faculty, and friends together through art. It's on exhibition now through Oct. 5th at the Katzen.
The day will feature an afternoon of dynamic Courses and Workshops including orchestral conducting, the history of audio recording, a playwriting class, and a discussion of the role of interruption as a catalyst for art, to name just a few. Classes suitable for children are so noted in the descriptions.
Surprise performances will pop up when you least expect them. The day will conclude with an early evening cocktail reception in the Katzen Arts Center and a Live Art Auction featuring local artists.
The event is open to the public and an invitation is extended to local residents, patrons of the arts, parents of AU students, and the entire AU community.
Check out the details, the artists, and the terrific artwork here. There's an amazing Alan Feltus that someone will get for a steal! Also check out this gorgeous Tim Tate!
You can register here.
The day will feature an afternoon of dynamic Courses and Workshops including orchestral conducting, the history of audio recording, a playwriting class, and a discussion of the role of interruption as a catalyst for art, to name just a few. Classes suitable for children are so noted in the descriptions.
Surprise performances will pop up when you least expect them. The day will conclude with an early evening cocktail reception in the Katzen Arts Center and a Live Art Auction featuring local artists.
The event is open to the public and an invitation is extended to local residents, patrons of the arts, parents of AU students, and the entire AU community.
Check out the details, the artists, and the terrific artwork here. There's an amazing Alan Feltus that someone will get for a steal! Also check out this gorgeous Tim Tate!
You can register here.
Sunday, September 15, 2013
Call to Artists
Call to Artists
WHERE: Bethesda, MD
*Complimentary breakfast and lunch for participating artists.
*Free parking within 1 block.
*Limited to 140 booth spaces of juried fine art and fine craft.
*Estimated attendance: 20,000.
*$2,500 in cash awards.
*24-hour security.
*Booth sitters.
*Entry/booth fees: $30/$425 (10x10); $850 (10x20).
WHAT: An Outdoor Fine Arts Festival
WHERE: Bethesda, MD
WHEN: Saturday and Sunday
May 10-11, 2014
NOTEWORTHY:
*Complimentary breakfast and lunch for participating artists.
*Free parking within 1 block.
*Limited to 140 booth spaces of juried fine art and fine craft.
*Estimated attendance: 20,000.
*$2,500 in cash awards.
*24-hour security.
*Booth sitters.
*Entry/booth fees: $30/$425 (10x10); $850 (10x20).
*For more details about the show, click HERE
The Bethesda Fine Arts Festival was ranked #78 of the 200 Best Shows in the USA by Sunshine Artist
Magazine in September, 2008, making it the highest ranked fine art
festival in Maryland. Artists report consistently high sales every
year. Electronic application available on the festival's website.
Celebrating Norm Parish
Millennium Arts Salon - In cooperation with many Arts organizations will join in celebrating the life of Norman Parish on Saturday Afternoon, November 2, 2013.
Norman Parish and the Parish Gallery of Georgetown has meant so much to so many: visual artists from around the world...the book signings and artist talks...the photography community...the collectors...the celebrities...the Art Dealers Association...his many, many gallerist friends...All of us have benefited from that signature smile, that stentorian voice, that wonderful jazz, and that conviviality that was so much of the experience fostered by Norm Parish and his widow Gwen through 22 years, 170 exhibitions, and countless special events at the Gallery.
Let's celebrate Norm's life, and gather to recommit ourselves to embracing each other in the community of art fans and patrons so beautifully fostered at the Gallery.
As details firm, look to this space for details on venue and time. Those of you who wish to support this celebration, please write back to mel@millenniumartssalon.org with your expressions of interest.
Saturday, September 14, 2013
Opportunity for Artists
Deadline: Friday, 10.18.13, 5PM | application fee: $30
Open to contemporary artists, independent curators and arts organizations. Flashpoint Gallery showcases bold, new work and cultivates emerging and mid-career artists working in a variety of media including site-specific installations, performance pieces, new media and other experimental forms. Proposals must be submitted online. Visit our website for more information about Flashpoint Gallery and our Request for Proposals.
Opening in G'town tonight!
“The Art of Political Change” is an invitational show curated by DMV area artist Roy Utley – the show is all about art and politics and has been getting quite a bit of pre-opening attention from the press in this most political of towns.
The Opening Reception is tonight from 6:00
to 10:00 and runs through September 28 at
the legendary MOCA DC gallery in Georgetown, and there’s an Open mike political poetry night on Sept 20 from 6:00
to 10:00, followed by a Film screening night on Sept 21 from 6:00 to 10:00 (hosted
by Lucy Gebre-Egziabher) and a Closing Party on Sept 27 from 6:00 to 10:00. MOCA is at 1054 31st Street (Canal Square) in G'town.
The
show features distinctive works of social commentary by a diverse group of Washington area artists, including yours truly. They come from all across the artistic landscape –
painters, sculptors, poets, filmmakers and more. The dozens of works on display
by the artists will connect with the viewer on a personal visual level, as only visual art can, while the
live video feeds will enable everyone with internet access to view the events as they happen.
See ya there!
See ya there!
Friday, September 13, 2013
Under $500 at MAP
UNDER $500: Benefit Exhibition and Artwork Sale
CALL FOR ENTRY: Maryland Art Place (MAP) is seeking artists for “UNDER $500” their upcoming benefit exhibition and artwork sale.
It is scheduled for Friday, December 13 and Saturday, December 14, 2013, and this
two-day event is intended to promote the sale of artwork by artists in
the Maryland region. Artists may submit 1-3 works for consideration. Each individual piece must retail for $500 or less. Proceeds from the sale of artwork will be split 50/50 with each artist, with an optional 75% or 100% donation in support of MAP.
MAP envisions this to be a great opportunity to get your work noticed and purchased by area buyers & collectors just in time for the holidays! Participating artists will receive one free ticket to the opening event on Friday, December 13.
MAP envisions this to be a great opportunity to get your work noticed and purchased by area buyers & collectors just in time for the holidays! Participating artists will receive one free ticket to the opening event on Friday, December 13.
Selected artists
will be issued an UNDER $500 Profile Form in an effort to simultaneously
promote the artwork and artist during the event.
For complete guidelines visit mdartplace.org.
For complete guidelines visit mdartplace.org.
Thursday, September 12, 2013
Pro Panels Anyone?
I'm looking to borrow a set of Pro Panels (or something similar) that I can use at the (e)merge art fair next month.
In exchange I will give the lender a small framed original drawing?
Pro Panels anyone?
Send me an email to lenny@lennycampello.com
In exchange I will give the lender a small framed original drawing?
Pro Panels anyone?
Send me an email to lenny@lennycampello.com
Wanna go to an opening party?
“The Art of Political Change” is an invitational show curated by DMV area artist Roy Utley – the show is all about art and politics and has been getting quite a bit of pre-opening attention from the press in this most political of towns.
The Opening Reception is Sept 14th from 6:00
to 10:00 and runs through September 28 at
the legendary MOCA DC gallery in Georgetown, and there’s an Open mike political poetry night on Sept 20 from 6:00
to 10:00, followed by a Film screening night on Sept 21 from 6:00 to 10:00 (hosted
by Lucy Gebre-Egziabher) and a Closing Party on Sept 27 from 6:00 to 10:00. MOCA is at 1054 31st Street (Canal Square) in G'town.
The
show features distinctive works of social commentary by a diverse group of Washington area artists, including yours truly. They come from all across the artistic landscape –
painters, sculptors, poets, filmmakers and more. The dozens of works on display
by the artists will connect with the viewer on a personal visual level, as only visual art can, while the
live video feeds will enable everyone with internet access to view the events as they happen.
My
own exposure to political art is that (in the past) it has been usually (or maybe mostly) the left doing negative
artwork about the right.
And that's cool! Political art is seldom "positive" (other than in Nazi Germany, the former USSR, North Korea and Cuba - that's a smiling lot ain't it?).
The Presidency of George W. Bush left behind a huge
trail of political art of all genres, all harshly critical (and a lot quite threatening) of the former President.
Some of it was very smart and intelligent and some of it downright offensive and mean, and c'mon - once you step into the White House, you sort of expect to be the target focus of harsh political criticism.
Some
artists, such as Richard Serra’s crayon drawing of an Abu Ghraib prisoner with the caption "STOP BUSH”, employed that time sensitive and horrifying war issue to achieve
instant fame, and now the minimalist sculptor is perhaps best known for that rather simplistic and powerful piece,
which essentially got him a ticket to a Venice Biennale.
From my experience/exposure, other than a few right wing nuts here and there, anti Presidential political art
has been all but AWOL during the Obama presidency, perhaps because the
mainstream media has been rather successful in re-calibrating their approach to the President and
also in exacting harsh revenge on anyone who dares to deviate from a overly positive
depiction of our current President.
Even Shepard
Fairey’s embarrassing path to the famous “HOPE” poster art from the
historic 2008 campaign (he ripped off the image from DMV area
photographer Manny Garcia) was not enough to stop the National Portrait
Gallery from acquiring the artwork, in violation of its own rules about
acquiring portraits of living persons only ifdone from the live subject.
They also ignored the fact that the image had been ripped off from
another artist.
I
sent them an email asking for clarification on this issue, and since I
never heard back, then I wrote them a letter... still waiting for a
response.
In view of the current multiple woes of
the administration, ranging from the NSA revelations to the IRS scandal and
others, the vast left wing nuttery has begun to turn on the President, and I will be curious to
see if Utley’s political show addresses the anti-Presidential venom so common
to past political American art, but now with an Obama focus.
It is clear from Dana Ellyn's always sharp eye and caustic talented brush, that the answer is apparently yes!
![]() |
| “He’s Making a (Kill) List” by Dana Ellyn |
I love this country! See ya there!
The artists are:
Alicia "Decoy" Cosnahan
Roger Cutler
Gregg Deal
Cheryl Edwards
Dana Ellyn
Ric Garcia
Lucy Gebre-Egziabher
Grayson Heck
Jeannette Herrera
Regina Holliday
Kevin "Jazi" Irvin
Danny Jean-Jacques
Hanna Kebbede
Fareeha Khawaja
Peter Krško
Carolina Mayorga
David R. Quammen
Lisa Dee Schumaier
Matt Sesow
Eric “E-Baby” Smith
Henrik Sundqvist
Roy Utley
Asad "Ultra" Walker
Wanna go to an opening today?
40 for 40: Celebrating Four Decades of GRACE
September 12 – November 2, 2013
Opening Reception September 12, 6-9pm, free and open to the public
The Greater Reston Arts Center (GRACE) is pleased to present 40 for 40: Celebrating Four Decades of GRACE, from September 12 through November 2, 2013. A retrospective exhibition marking GRACE’s 40th anniversary, 40 for 40 celebrates the organization’s continuous engagement with contemporary art in the metro D.C. area since its founding in 1974. The show will feature a selection of forty artists who have exhibited at GRACE, or have been closely involved with the organization, over the course of the past four decades.
Launching the 2013-14 exhibition season and the Greater Reston Arts Center’s 40th year of operations, 40 for 40 will feature works in a broad range of media including painting, drawing, sculpture, photography, glass, and ceramics, the exhibition will celebrate the variety and quality of work that has been exhibited at GRACE since its inception.
Speaking about the exhibition, Curator of Exhibitions Holly Koons McCullough said, “This show highlights the impact the Greater Reston Arts Center has had within the regional artistic community. Some of the artists on view in 40 for 40 literally founded the institution. Others had exhibitions here that would become important milestones in their careers. Still others exhibited works that have come to define GRACE’s unreserved embrace of contemporary art in this region, in all its diversity and vigor.”
40 for 40 will present works by some of the pioneers of the institution, including Brenda Belfield, Judith Forst, Joan Kelly, and Connie Slack. These artists held positions on GRACE’s staff and board, and helped to develop the organization’s overarching mission of engaging and educating the community in contemporary visual art.
Other works on view reflect GRACE’s more recent exhibition history, such as a luminous Mylar sculpture by Rebecca Kamen, a site-specific ceramic installation by Elizabeth Kendall, and cerebral wood-based sculptures by Foon Sham and Evan Reed. Together with works by the other noted contemporary artists featured in 40 for 40, these pieces reflect the broad-minded, progressive nature of GRACE’s exhibitions, particularly since the institution relocated to its current site in Reston Town Center in 2006.
“We are thrilled to be able to highlight the rich and vibrant history of the Greater Reston Arts Center,” notes Executive Director Damian Sinclair. “For over forty years the work of this organization has been central to the cultural growth in our region and we look forward to being a leader of the artistic community in the next forty years.”
Most of the works in the exhibition are available for sale, and many of the artists are donating 50% of sale proceeds back to GRACE in recognition of the organization’s anniversary and in support of its future.
Artists Represented in 40 for 40: Celebrating Four Decades of GRACE
John Adams, Ann Barbieri, Joanne Bauer, Brenda Belfield, Ed Bisese, F. Lennox Campello, Michael Cantwell, Dickson Carroll, Travis Childers, Ellen Cornett, Laura Edwards, Elissa Farrow-Savos, Judith Forst, Heidi Fowler, Suzi Fox, Rik Freeman, Rebecca Kamen, Joan Kelly, Elizabeth Kendall, J.T. Kirkland, Craig Kraft, Robert Lobe, Dalya Luttwak, Carolina Mayorga, David Meyer, Marco Rando, Matt Ravenstahl, Evan Reed, Pam Rogers, Dana Ann Scheurer, Eveleen Severn-Sass, Foon Sham, Connie Slack, Robert Straight, Tim Tate, Novie Trump, Shinji Turner-Yamamoto, Mary LaRue Wells, Millicent Young, and Andrew Zimmerman.
Public Programs:
Opening Reception
Thursday, September 12, 6-9pm. Free and open to the public.
40th Anniversary Family Day
40 for 40 public celebration and family day
Sunday, September 5, 2-5pm. Free and open to public.
September 12 – November 2, 2013
Opening Reception September 12, 6-9pm, free and open to the public
The Greater Reston Arts Center (GRACE) is pleased to present 40 for 40: Celebrating Four Decades of GRACE, from September 12 through November 2, 2013. A retrospective exhibition marking GRACE’s 40th anniversary, 40 for 40 celebrates the organization’s continuous engagement with contemporary art in the metro D.C. area since its founding in 1974. The show will feature a selection of forty artists who have exhibited at GRACE, or have been closely involved with the organization, over the course of the past four decades.
Launching the 2013-14 exhibition season and the Greater Reston Arts Center’s 40th year of operations, 40 for 40 will feature works in a broad range of media including painting, drawing, sculpture, photography, glass, and ceramics, the exhibition will celebrate the variety and quality of work that has been exhibited at GRACE since its inception.
Speaking about the exhibition, Curator of Exhibitions Holly Koons McCullough said, “This show highlights the impact the Greater Reston Arts Center has had within the regional artistic community. Some of the artists on view in 40 for 40 literally founded the institution. Others had exhibitions here that would become important milestones in their careers. Still others exhibited works that have come to define GRACE’s unreserved embrace of contemporary art in this region, in all its diversity and vigor.”
40 for 40 will present works by some of the pioneers of the institution, including Brenda Belfield, Judith Forst, Joan Kelly, and Connie Slack. These artists held positions on GRACE’s staff and board, and helped to develop the organization’s overarching mission of engaging and educating the community in contemporary visual art.
Other works on view reflect GRACE’s more recent exhibition history, such as a luminous Mylar sculpture by Rebecca Kamen, a site-specific ceramic installation by Elizabeth Kendall, and cerebral wood-based sculptures by Foon Sham and Evan Reed. Together with works by the other noted contemporary artists featured in 40 for 40, these pieces reflect the broad-minded, progressive nature of GRACE’s exhibitions, particularly since the institution relocated to its current site in Reston Town Center in 2006.
“We are thrilled to be able to highlight the rich and vibrant history of the Greater Reston Arts Center,” notes Executive Director Damian Sinclair. “For over forty years the work of this organization has been central to the cultural growth in our region and we look forward to being a leader of the artistic community in the next forty years.”
Most of the works in the exhibition are available for sale, and many of the artists are donating 50% of sale proceeds back to GRACE in recognition of the organization’s anniversary and in support of its future.
Artists Represented in 40 for 40: Celebrating Four Decades of GRACE
John Adams, Ann Barbieri, Joanne Bauer, Brenda Belfield, Ed Bisese, F. Lennox Campello, Michael Cantwell, Dickson Carroll, Travis Childers, Ellen Cornett, Laura Edwards, Elissa Farrow-Savos, Judith Forst, Heidi Fowler, Suzi Fox, Rik Freeman, Rebecca Kamen, Joan Kelly, Elizabeth Kendall, J.T. Kirkland, Craig Kraft, Robert Lobe, Dalya Luttwak, Carolina Mayorga, David Meyer, Marco Rando, Matt Ravenstahl, Evan Reed, Pam Rogers, Dana Ann Scheurer, Eveleen Severn-Sass, Foon Sham, Connie Slack, Robert Straight, Tim Tate, Novie Trump, Shinji Turner-Yamamoto, Mary LaRue Wells, Millicent Young, and Andrew Zimmerman.
Public Programs:
Opening Reception
Thursday, September 12, 6-9pm. Free and open to the public.
40th Anniversary Family Day
40 for 40 public celebration and family day
Sunday, September 5, 2-5pm. Free and open to public.
Wanna see one of the largest collections....
On September 22 is the Open House for
Light Street Gallery in Baltimore featuring the collection of Steven & Linda
Krensky.
This is a fantastic private collection and assortment of art that is easily the largest collection of art by DC area artists going back more than three decades of serious collecting.
Nearly every DC area artists is represented in this collection - including many pieces that were done when some of these artists were students (and some of those are now professors!).
10 am to 8 pm - complete with some wings that are bigger than most chickens - tasty and delivered fresh throughout the day by Sun Hing takeout across the street.
1448 Light Street in Baltimore - call for map or directions - 240.506.8943 -
RSVP is required - so call ahead or be sorry!
This is a fantastic private collection and assortment of art that is easily the largest collection of art by DC area artists going back more than three decades of serious collecting.
Nearly every DC area artists is represented in this collection - including many pieces that were done when some of these artists were students (and some of those are now professors!).
10 am to 8 pm - complete with some wings that are bigger than most chickens - tasty and delivered fresh throughout the day by Sun Hing takeout across the street.
1448 Light Street in Baltimore - call for map or directions - 240.506.8943 -
RSVP is required - so call ahead or be sorry!
Wednesday, September 11, 2013
Tuesday, September 10, 2013
Things that I notice...
A few days ago, my amazing athlete wife, who twice represented the US in world competitions, and was once ranked fifth in the world, and was twice the Maryland state Triathlon champion, decided out of the blue to run a half marathon.
So on Sunday she ran the Parks Half Marathon, which starts in Rockville and ends in Bethesda. Even though she hasn't competed in over a decade, she still managed to beat her predicted time by almost nine minutes and finish in the top 10% of runners..
But that's not why I'm posting this.
Over the years of both running and (more recently) waiting at the finish line for my wife, I have perfected the art of people watching, or in this case, of runner watching.
I have noticed a new, unique class of runners, that I must comment on, but first a little side story.
Anderson and I get the the finish area (corner of Elm and 47th Street), and it's pretty crowded, but I noticed about half a block of sidewalk on the inside line that's all empty, and thus we walk over some orange cones and stand there to cheer the runners and wait for mommy.
A race official comes over and warns me that the owner of the house behind me has been coming out and shooing people away from "her sidewalk."
I thank him and shrug my shoulders. After all, this is the People's Soviet Socialist Republic of Montgomery County, and last I've heard, everyone (except David Gregory and apparently this lady) knows that public sidewalks are public property.
Surely enough, soon a nice lady comes out of her huge dacha and asks me politely to get off her sidewalk.
I look at her, sensing that a learning moment for this otherwise Bethesda progressive... cough, cough... is about to take place.
"This is a public sidewalk," I say, also nicely, and pointing to the sidewalk areas that extend beyond the facade of her huge, massive house.
"It's in front of my house," she responds.
"That is obvious to the most causal observer... so it's that park," I note, pointing to the park across the street, "But it is still a public park... and so is this sidewalk..."
"Please get off my sidewalk," she re-affirms, her face full of indignation.
"No," I say, and then add, "Are you aware that it is probably some sort of misdemeanor to claim and usurp public property as your private property?" I say nicely to her. She looks a little puzzled.
"Maybe I should get a nice policeman and ask him if it is some sort of an offense for a citizen to try to kick another citizen out of public property." I start looking around.
She looks a little concerned, and I can tell that my use of the word "citizen" has kicked some dust in her Bolshevik brain... but then she turns around and leaves in a huff... probably returning to her favorite MSNBC show.
Immediately several other citizens, until then crowded in the other side of the orange cones, begin migrating onto "her sidewalk."
Back to my initial observation about runners.
Over the last few years I have detected a whole new "class" of runners whom:
(a) don't usually "look" like serious runners (gaunt, and sunburned, and wearing alien-looking sunglasses, and really expensive running shoes that always look new, because they only run 500 miles per shoe set before replacing them - I know this) and
(b) come to these organized races looking like they're getting ready for WWIII.
They have the most amazing and latest Under Armour outfits: compression socks, glow in the dark running shoes, Batbelts with ten pounds of super-Astronaut food stuff in all kinds of compartments, water camels on their backs, Ipods strapped to their upper arms, really expensive watches that can pinpoint your location on planet Earth within inches, etc.
They looks like dressed down Borgs on PT day!
Funny thing is that the winners of these races are usually long-legged, sleek, beautiful African runners in tiny running shorts, regular running shoes and little else!
Just sayin'
So on Sunday she ran the Parks Half Marathon, which starts in Rockville and ends in Bethesda. Even though she hasn't competed in over a decade, she still managed to beat her predicted time by almost nine minutes and finish in the top 10% of runners..
But that's not why I'm posting this.
Over the years of both running and (more recently) waiting at the finish line for my wife, I have perfected the art of people watching, or in this case, of runner watching.
I have noticed a new, unique class of runners, that I must comment on, but first a little side story.
Anderson and I get the the finish area (corner of Elm and 47th Street), and it's pretty crowded, but I noticed about half a block of sidewalk on the inside line that's all empty, and thus we walk over some orange cones and stand there to cheer the runners and wait for mommy.
A race official comes over and warns me that the owner of the house behind me has been coming out and shooing people away from "her sidewalk."
I thank him and shrug my shoulders. After all, this is the People's Soviet Socialist Republic of Montgomery County, and last I've heard, everyone (except David Gregory and apparently this lady) knows that public sidewalks are public property.
Surely enough, soon a nice lady comes out of her huge dacha and asks me politely to get off her sidewalk.
I look at her, sensing that a learning moment for this otherwise Bethesda progressive... cough, cough... is about to take place.
"This is a public sidewalk," I say, also nicely, and pointing to the sidewalk areas that extend beyond the facade of her huge, massive house.
"It's in front of my house," she responds.
"That is obvious to the most causal observer... so it's that park," I note, pointing to the park across the street, "But it is still a public park... and so is this sidewalk..."
"Please get off my sidewalk," she re-affirms, her face full of indignation.
"No," I say, and then add, "Are you aware that it is probably some sort of misdemeanor to claim and usurp public property as your private property?" I say nicely to her. She looks a little puzzled.
"Maybe I should get a nice policeman and ask him if it is some sort of an offense for a citizen to try to kick another citizen out of public property." I start looking around.
She looks a little concerned, and I can tell that my use of the word "citizen" has kicked some dust in her Bolshevik brain... but then she turns around and leaves in a huff... probably returning to her favorite MSNBC show.
Immediately several other citizens, until then crowded in the other side of the orange cones, begin migrating onto "her sidewalk."
Back to my initial observation about runners.
Over the last few years I have detected a whole new "class" of runners whom:
(a) don't usually "look" like serious runners (gaunt, and sunburned, and wearing alien-looking sunglasses, and really expensive running shoes that always look new, because they only run 500 miles per shoe set before replacing them - I know this) and
(b) come to these organized races looking like they're getting ready for WWIII.
They have the most amazing and latest Under Armour outfits: compression socks, glow in the dark running shoes, Batbelts with ten pounds of super-Astronaut food stuff in all kinds of compartments, water camels on their backs, Ipods strapped to their upper arms, really expensive watches that can pinpoint your location on planet Earth within inches, etc.
They looks like dressed down Borgs on PT day!
Funny thing is that the winners of these races are usually long-legged, sleek, beautiful African runners in tiny running shorts, regular running shoes and little else!
Just sayin'
Monday, September 09, 2013
Art Scam Alert!
Beware of this scam artist:
From: Alison McCoy (a.mccoy009@yahoo.com) Sent: Mon 9/09/13 10:26 AM To: lennycampello@hotmail.com (lennycampello@hotmail.com)
Hello,My name is Alison McCoy. I found your profile on the internet. I am interested in purchasing an artwork from you for the decoration of my guest room at my new residence in Munich, Germany. Would appreciate if you can send me few pictures of the works you have available for sale so that I can make an easy choice of mine. Better still, send me a web link where I can have a view of your recent works.I look forward to read back from you.Thanks.Alison.
36 STUDIOS - PART 2 (Charm City Edition)
Remember when Mera Rubell kick started a sudden new interest in DC area artists with her studio visits? If not, read all about it here.
Anyway - it's all about to happen again in B'more!
Anyway - it's all about to happen again in B'more!
Mera Rubell, co-founder of the Rubell Family Collection and co-owner of the Capitol Skyline Hotel and the Lord Baltimore Hotel, will be conducting studio visits of Baltimore-area artists in a 36-hour marathon session from 6:00 am Saturday, October 26 through 6:00 pm Sunday, October 27, 2013.Reporters interested in joining a portion of the 36 Studios tour may contact Lisa Gold at lgold@wpadc.org to make arrangements. For more information about 36 Studios, SELECT 2014: WPA Art Auction Exhibition and Gala, or Washington Project for the Arts, please contact Blair Murphy, Program Director, at 202-234-7103 x1 or bmurphy@wpadc.org.
Ms. Rubell will be conducting the studio visits in her role as a curator for SELECT 2014, Washington Project for the Arts' 33rd annual art auction exhibition, taking place at Artisphere in Rosslyn, VA from February 27 through March 21, 2014. (Artwork will be available for purchase the night of the SELECT gala, March 22, 2014. Check WPA's website next month for details.) Rubell, who is based in Miami and New York, but frequently visits Washington, DC and Baltimore, MD for 36-hour periods to visit her hotel properties, is known for her passion for contemporary art and her deep commitment to artists. Since the family's acquisition of the Lord Baltimore Hotel in the spring of 2013, Rubell has been increasingly interested in the vibrant Baltimore art scene and engaging with artists there.
In 2009, Rubell and WPA Executive Director, Lisa Gold, conducted a similar studio visit marathon when Rubell participated as a curator for WPA's 2010 auction exhibition, selecting works by 16 artists from the DC region and generating a substantial buzz in the art community. While 36 straight hours of looking at artwork may be considered extreme by some people, Ms. Rubell and her husband, Don, often conduct brief, intense studio visits during their collecting trips to China or Europe, so this project is just business as usual for the Rubells.
"We are thrilled that Mera is set on exploring and discovering the artists of Baltimore, " says Lisa Gold, who will again be accompanying Ms. Rubell on her studio visit marathon. "I was so impressed with Mera's focus and intensity during the entire duration of our last adventure. I'm sure she'll bring it all back to Baltimore so these artists better have their game on!"
Artists will be invited to sign up for a studio visit appointment via an open call. Any practicing artist with a studio in the Baltimore area (inside I-695) can submit their name, contact information, studio address, and website URL to WPA through the WPA website by midnight on October 1 to be entered into a lottery for studio visits. 36 artists will be selected and their studios plotted on a map which will be used to determine appointment times beginning at 6:00 am on Saturday, October 26. From these visits, Rubell will select 12-15 artists whose work will be included in the SELECT exhibition and art auction gala.
At Gallery Har Shalom...
Gallery Har Shalom announces
the opening of "The Power of Color," an exhibit that includes acrylic
paintings by Alexandria artist Ana Elisa
Benavent, blown glass by Bethesda artist Jane Callen, fiber art by Bethesda artist Floris Flam, and photography by Richard Paul Weiblinger of Laurel, MD.
Opening Reception: Sunday, September 22, 2013, 11am - 1 pm
Exhibit dates: Through Monday, October 28, 2013
Call for hours and directions: 301-299-7087
For further information and directions to Gallery Har Shalom, please call the Har Shalom office at 301-299-7087.
Benavent (www.anaelisabenavent.com) explains that she paints emotions in colors. In her words, " . . . large fields of colors start talking to and playing with each other, layer over layer . . . ." She exhibits at The Art League Gallery at the Torpedo Factory in Alexandria and at Foundry Gallery in Washington, DC.Gallery Har Shalom, located at Congregation Har Shalom, 11510 Falls Road, Potomac, MD
Callen (www.ncagg.org/gallery/callen) blows glass in clean shapes inspired by nature's colors. Her intention is "to maintain a beginner's heart and mind: open, no assumptions except love." She blows glass at Glen Echo Park and has also studied at DC Glassworks/Sculpture Studios and Corning Museum of Glass.
Flam (www.florisflam.com) enjoys using a wide range of fabrics and quilting threads and often incorporates her own dyed and painted fabric. She discovered the world of art quilts in 1986 and, since 1991, has studied design and technique at workshops at the Quilt/Surface Design Symposium in Columbus, OH.
Weiblinger (www.weiblingerphotography.smugmug.com) prefers images with chromatic strength and notes that photography allows him to "pursue the art of transforming everyday objects into images that progress from 'everyday' to art." A self-taught photographer, his work has been shown in numerous juried exhibits and included in magazines such as Smithsonian Zoogoer and Audubon Naturalist.
Opening Reception: Sunday, September 22, 2013, 11am - 1 pm
Exhibit dates: Through Monday, October 28, 2013
Call for hours and directions: 301-299-7087
For further information and directions to Gallery Har Shalom, please call the Har Shalom office at 301-299-7087.
Sunday, September 08, 2013
Enough...
Ladies and gentlemen, enough with dictatorships, with the last dictatorship of the Americas. Stop supporting the Castro government. Enough. Whomever supports the Castro government dirties their hands with blood.-- Carlos Rafael Jorge Jimenez, Cuban doctor exiled in Brazil, during a presentation to Brazil's Congress, 9/4/13
Opportunity for Artists
EMULSION - The First Annual East City Art Regional Juried Show
Prizes
$1,250 First Place Prize
$750 Second Place Prize
$500 Third Place Prize
Entry Fee
An entry fee of $35 made out to East City Art Media LLC is required
The entry fee must accompany the application for it to be considered complete.
Location
Gallery O on H located at 1354 H Street NE in the heart of the Atlas Entertainment District
Exhibition Dates
Opening Reception Saturday November 9, 2013
Exhibition on view from November 9, 2013 through January 14, 2014
Juror
Lauren Gentile
Contact
For all inquiries please direct emails to editor@eastcityart.com
EMULSION
This call for entry is open to all residents of the Washington-Baltimore combined statistical metropolitan area as defined by the US Census. This is an opportunity for artists from the central Mid-Atlantic to showcase the extraordinary diversity in regional contemporary art.
An emulsion combines two seemingly incompatible ingredients to produce a third yet entirely new substance. In this spirit, East City Art’s EMULSION seeks to combine the culturally different yet geographically close regions of Washington and Baltimore and to combine a wide array of art forms and mediums from two-dimensional work to performance based pieces.
East City Art envisions EMULSION as an annual event that will exhibit the brightest talent from the Mid-Atlantic region. We expect EMULSION to grow over time to include more entries, an increase in prize money and visibility beyond the Mid-Atlantic to the national and international level.
Download the prospectus here.
Important Dates
Prizes
$1,250 First Place Prize
$750 Second Place Prize
$500 Third Place Prize
Entry Fee
An entry fee of $35 made out to East City Art Media LLC is required
The entry fee must accompany the application for it to be considered complete.
Location
Gallery O on H located at 1354 H Street NE in the heart of the Atlas Entertainment District
Exhibition Dates
Opening Reception Saturday November 9, 2013
Exhibition on view from November 9, 2013 through January 14, 2014
Juror
Lauren Gentile
Contact
For all inquiries please direct emails to editor@eastcityart.com
EMULSION
This call for entry is open to all residents of the Washington-Baltimore combined statistical metropolitan area as defined by the US Census. This is an opportunity for artists from the central Mid-Atlantic to showcase the extraordinary diversity in regional contemporary art.
An emulsion combines two seemingly incompatible ingredients to produce a third yet entirely new substance. In this spirit, East City Art’s EMULSION seeks to combine the culturally different yet geographically close regions of Washington and Baltimore and to combine a wide array of art forms and mediums from two-dimensional work to performance based pieces.
East City Art envisions EMULSION as an annual event that will exhibit the brightest talent from the Mid-Atlantic region. We expect EMULSION to grow over time to include more entries, an increase in prize money and visibility beyond the Mid-Atlantic to the national and international level.
Download the prospectus here.
Important Dates
- September 9, 2013 – Deadline for entries (must be postmarked by that date)
- September 27, 2013 – Notification of accepted artists completed
- October 5, 2013 – Last day to respond to notification
- October 7, 3013 – Acceptance list published on East City Art
- October 26-27, 2013– Artwork delivered to gallery
- November 2-3, 2013 – Work Installed by East City Art and Gallery O on H staff
- November 9, 2013 – Show opens to the public
- January 17, 2014 – Exhibition closes
- January 18-19, 2014 – De-installation/Artist Pick-up artwork
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