Campello at auction

A British antique art dealer has one of my drawings from eleven years ago up for auction. It starts at 195 pounds, so it's a great deal!


Check it out and bid on it here. Hurry! Only 14 hours left!

Planning Process

Just got the news that I've been selected by Helen Allen (former creator and Executive Director of PULSE Art Fairs; former Executive Director of Ramsay Art Fairs; and current partner for the upcoming (e)merge art fair in Washington, DC) to exhibit at the Arlington Art Center's "Planning Process" exhibition.

More later on what I'll be doing, but from the prospectus:

PLANNING PROCESS is a juried drawing show with a difference: All of the drawings selected for inclusion must be studies created in preparation for finished artworks. Winning studies will be shown alongside finished pieces in a variety of media: A sculptor or a painter could show sketches alongside finished objects . . . a video artist could show storyboards alongside video . . . an installation artists could show plans alongside photos documenting a finished project—or a recreation of that project onsite.

O'Sullivan on the Washington Glass School

No secret here that I am a HUGE fanboy of what the WGS and what many other DMV area glass artist have done to make the DMV one of the leading contemporary art glass centers on this planet (when are our "local" art museums going to "discover" this?)

And in reviewing "The Washington Glass School: The First 10 Years" , now on display at Long View Gallery in the District, the senior Washington Post visual arts critic, Michael O'Sullivan, eloquently interprets just what makes this substrate (glass) so special and yet so different.

On the one hand, glass is pretty. It's hard not to like the way it looks: the luminous color, the way it plays with light. On the other hand, maybe glass is only pretty. How do we know that the beauty is also capable of brains?

The rest of the show is proof that it is.

Read the O'Sullivan review here.