In case you're wondering what a room at the (e)merge art fair looks like, here's the corner showing the work of Judith Peck on the dark wall and Jeannette Herrera on the console and one of my pieces on the stripey wall.
Saturday, October 04, 2014
(e)merge on Saturday
In case you're wondering what a room at the (e)merge art fair looks like, here's the corner showing the work of Judith Peck on the dark wall and Jeannette Herrera on the console and one of my pieces on the stripey wall.
Friday, October 03, 2014
Three of a kind at (e)merge
Tim Vermeulen, Lenny Campello and Judith Peck (e)merge art fair, Washington, DC Rooms 205-206, Capitol Skyline Hotel Photo by Akemi Maegawa |
VIP night at (e)merge
We had some good opening night sales - five of my pieces and one of Elissa Farrow-Savos' major sculptures (see image to the right), which went to the collection of a well-known DMV art collector.
And a shout out to DMV uberartist Victor Ekpuk, who bought my piece in the WPA's room at (e)merge; it is always an honor when a fellow artist buys your work!
Wednesday, October 01, 2014
Tuesday, September 30, 2014
Estate of David Seymour (CHIM)
Monday, September 29, 2014
Opportunity for Artists
Exhibition Dates: November 22, 2014 - January 10, 2015
Internationally known Projects Gallery announces a call to artists for “Square Foot Art Basel Miami Redux.” During this year’s world-acclaimed Art Basel Miami, Projects Gallery will again create a mosaic-style wall in its trendy Wynwood Lofts gallery in the Wynwood Arts District of Miami. A minimum of 100 artists will be selected on a first-come basis. Creating a grid comprised of 12”x12” individual spaces with works of all styles and media, Projects Gallery will provide artists an opportunity to be part of the Art Basel Miami art fairs events. This remarkable gathering of international art fairs and renown emerging venues, such as Aqua, Art Miami, Concept, NADA, Pulse, Red Dot, Select, Scope and numerous others, creates an arts-conscious concentration uniquely found in Miami every year in early December. It attracts collectors, curators and artists worldwide in a variety of settings with a level of enthusiasm and energy that is fitting for this international destination.Open to all artists working in all styles and media. The only requirement is that all works must conform to a dimension of 12”H x 12”W, inclusive of any framing. Juried by Projects Gallery Director, Helen Hyder, and international artist, Frank Hyder, the first 100 artists to apply are guaranteed at least one space on the grid.
Questions? Contact info@projectsgallery.com or call 267-303-9652.
Sunday, September 28, 2014
Saturday, September 27, 2014
WPA changes
I'm thrilled to share with you today that Washington Project for the Arts has revealed a dynamic new visual identity, including a complete redesign of our website and an enhanced ArtFile Online.Several months ago, we engaged ripe, a DC-based design studio, to help us develop a bold new "look and feel" for WPA. Informed and inspired by our vision for the future, the modern and forward-thinking design strengthens our position as the largest visual arts based membership organization in the DC area.The clean aesthetic and black and white palette allows our artists' work to be the focus - across all platforms. The website offers an opportunity for increased interactivity between our artists and audience by making ArtFile Online - our signature service for member artists - the centerpiece of the site, giving greater accessibility to artists' work for viewing and purchase.The rebrand is part of our larger organizational strategic plan, timed to our upcoming move to a vibrant space in the U Street corridor cultural district and our 40-year anniversary milestone in 2015.
Thanks for your support!Lisa GoldExecutive Director, WPA
Friday, September 26, 2014
The Senate and the First Amendment
Are they smoking dope in the Senate? Why is anyone wasting time trying to change this:
"Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances."
Virginia Museum of Fine Arts Fellowship program
All applicants must be legal residents of Virginia and student applicants must be enrolled full-time in degree-seeking programs.
The deadline for Fellowship applications is November 7, 2014. Full eligibility criteria, an application, and a printable PDF flyer can be found on this website.
Thursday, September 25, 2014
Simon Monk at (e)merge
"Mind the Store" Oil and Alkyds on Wood by Simon Monk |
We will be in rooms 205 and 206.
In addition to Monk's amazing work, we will also feature the work of DMV artists Audrey Wilson, Judith Peck, Tim Vermeulen and Elissa Farrow-Savos (who sold over a dozen sculptures at (e)merge last year!).
We will also show the work of former DMV painter (and now a California girl) Jeannette Lilith Herrera.
Opportunities for Artists
Wednesday, September 24, 2014
Julian Navarro to direct Context Art Miami
After a comprehensive selection process, involving several national and international candidates, it was determined that Julian Navarro was the appropriate choice to continue to grow and elevate the importance of the CONTEXT Art Miami fair."The appointment of Julian Navarro to the position of Director of the CONTEXT fair will strengthen the importance of the relationship between participating galleries, artists, collectors, curators, art professionals, the Fairs selection committee and the overall curatorial program", said Art Miami LLC Partner & Director, Nick Korniloff. Julian Navarro has been promoting the work of established and emerging artists focusing on contemporary art, from conceptual work to large-scale installation, performance and sound art. Since 2001, Julian has developed art projects nationally and internationally in collaboration with galleries and art institutions.CONTEXT is the sister fair to Art Miami dedicated to the development and reinforcement of emerging and mid-career artists. CONTEXT Art Miami's open atmosphere creates a meaningful dialogue between artists, galleries and collectors while providing the ultimate platform for the presentation of cutting-edge and emergent talent. Eighty international galleries, vetted by the CONTEXT Selection Committee, exhibit highlights from their gallery programs, solo artist exhibitions and curated projects. The combined efforts of CONTEXT and Art Miami provide a unique and alternative opportunity for leading primary dealers and their artists to be marketed and promoted internationally during the most important week for contemporary art in America.In addition to its roster of international exhibitors, CONTEXT Art Miami will present curatorial projects, solo and special exhibitions as part of its 2014 edition. The full list of exhibitors and programming will be announced later this month.
Monday, September 22, 2014
Opportunity for Artists
LINES DRAWN: America's Artists Look Beyond the Politics of Red and Blue
OPEN CALL FOR SUBMISSIONS FOR A JURIED EXHIBITLINES DRAWN: America’s Artists Look Beyond the Politics of Red and Blue
Artists resident in the United States are invited to submit original works of art for a juried exhibit timed to the 2014 Congressional elections; the exhibit will open Saturday, Oct. 11, 2014 at CHARLES KRAUSE/REPORTING FINE ART Gallery in Washington, DC.
Works of art submitted for this exhibit should provide visual evidence of social, economic or political issues which the artist believes are being ignored or inadequately addressed by our Government and political leaders due to the extreme partisanship and political paralysis which characterize Washington today. Artists may also submit artwork which examines the causes of the current political paralysis and/or focuses attention on those political leaders the artist holds responsible for the current paralysis/breakdown of our political system.
SUBMISSIONS: Please send no more than 2 high resolution jpegs of each work, its dimensions, suggested retail price (gallery commission 40 per cent) and Artist’s Statement for each work to LINESDRAWN2014@gmail.com
SUBMISSION DEADLINE: OCTOBER 3, 2014
ARTIST’S STATEMENT: Please limit your statement to 150 words. It should state the issue the art work addresses and why the artist believes the issue is important to the future well-being of our country.
SELECTION PROCESS: All work submitted for this exhibit will be reviewed, and the winning entries selected, by a jury of experts selected by Washington’s Millennium Arts Salon.
NOTIFICATION OF WINNING SUBMISSIONS: Artists whose work has been selected for the exhibit will be notified on Sunday, October 5th and will be expected to have their work delivered to the Gallery no later than Thursday, October 9, 2014.
THE EXHIBIT: LINES DRAWN: America’s Artists Look Beyond the Politics of Red and Blue will open on Saturday, October 11, 2014 at CHARLES KRAUSE/REPORTING FINE ART Gallery /1300 13th Street NW, Washington,. DC 20005
FOR MORE INFORMATION, PLEASE See Future Exhibitions at www.charleskrausereporting.com or contact Charles Krause at ckrause@charleskrausereporting.com
Sunday, September 21, 2014
Art studio space to rent in Bethesda...
Saturday, September 20, 2014
Friday, September 19, 2014
Art All Night: Nuit Blanche DC
Art All Night presents an eclectic evening of music, visual and performing artists. Based on a festival concept that began in Paris, Art All Night offers residents and visitors an exciting opportunity to engage with DC arts and artists. Programming includes live painting, performances by local musicians, poetry readings and exterior lighting displays. Art All Night activates and enlivens neighborhoods with arts and cultural activities, contributing to the vibrancy of the city.Art All Night: Nuit Blanche DC will begin at 7:00 pm on Saturday, September 27 and conclude at 3:00 am Sunday, September 28. A full listing of programming is available online at www.artallnightdc.com. Additional information can be found at www.dcarts.dc.gov.The DC festival was founded in 2011 by Creative Director Ariana Austin, who is this year's project coordinator and was presented by Shaw Main Streets.This year, through the efforts of DCCAH, the festival will also include the Dupont Circle, North Capitol, H Street NE, Congress Heights, and Shaw Main Streets. Each of the five neighborhoods will host their own unique mix of artistic programming for audiences to enjoy free of charge. The DC Main Streets program is funded by the DC Department of Small and Local Business Development. DCCAH hopes to build on the success of previous events that attracted audiences of up to 15,000 people in one night."The Commission has supported Art All Night since its first activation, and we are thrilled to be able to expand it across the city for even more to participate," said Judith Terra, Chair of the DC Commission on the Arts and Humanities. "Art All Night is a fun and festive event that engages all residents across the city. With this festival, Washington, DC joins a global network of Nuit Blanche all-night arts events, that started in Paris in 2002 and has captivated audiences from Montreal to Melbourne.""Art All Night is a great example of how the arts drive economic development through creative place-making," said Lionell Thomas, Executive Director of the DC Commission on the Arts and Humanities. "The event is a great mechanism for increasing foot traffic to the neighborhoods and businesses, while spotlighting local arts and culture."
Thursday, September 18, 2014
Scotland Independence Vote
I love Scotland - I lived there from 1989-1992 and was seduced by one of the most beautiful nations on the planet and some of the hardest working, smart, people on the same planet... when you are in Scotland, and walk around the glens, and see the sun poke a hole in the clouds and shine on this planet's greenest pastures, one understands why people believe in magic. And thus my my heart says yes to independence, but the Scottish National Party -- like most politicians on the planet - are a bunch of crooks with half lies, empty promises and jingoistic fervor that history teaches us leads to no good end! What they have promised the Scots, if they vote yes, has been built mostly on deceit and promises of a super nanny state funded by disputed oil resources in the North Sea.
In spite of that, I would think that I would let my heart rule and I would vote yes to secede and take my own chances as an independent nation of very tough, brilliant people... same for the Catalans, who are in a similar situation in Scotland's ancestral home in Spain...
Here's what I'm afraid of -- if they secede...
1. The English will force them off the pound - as they should! Why would Scotland vote to leave, but keep the old currency?
2. They will also boycott any attempt by Scotland to join the European union - Even if they don't, it will take years for the Scots to join the EU.
3. They will actively work to isolate Scotland and teach those Celts a lesson!
4. Scotland is essentially a rural country with a very strong sense of identity, but lacks an industrial infrastructure - because the English have designed it that way for centuries; even the shipbuilding in Scotland is dependent on English imports.
5. The international courts will rule against Scotland for the oil wells outside of the CTML 12 mile limit - this is where future funding for the SNP nanny state is supposed to come from...
6. Scotland will depend on imports to form an industrial base.
7. The English will work to make that difficult.
8. A desperate Scotland will present a BRILLIANT opportunity for China (or Putin) to step in and "help the Scots."
Result? English arrogance and ethnic insolence (they consider Scots as WOGS) - will push the Scots into the arms of the old Reds and the new Reds; Mark my words... So I hope the Scots vote no. And of course... "IF IT'S NOT SCOTTISH ---- IT'S CRAP!"
Need to borrow...
Send me a note if you can lend me some and I will pick them up and return them after the fair.
Wednesday, September 17, 2014
Live Art Auction at Katzen
Moyens' collection is unique - the museum exhibited works from the collection in 2006, Remembering Marc and Komei, to rave reviews. Moyens has an interesting back story; he left France in 1946 with $40 in his pocket and arrived in Washington. He became a translator at the World Bank and began to collect art. By 1970, the Corcoran Gallery of Art honored him with an exhibition of his collection. He regularly attended the biennial exhibitions at Venice, São Paulo, Tokyo and Paris as well as Documenta, the Guggenheim and Pittsburg Internationals, the Salons de Mai and Whitney Annuals. According to one review: "At the core of Mr. Moyens’ sensibility is a taste for the fantastic, the magical, and the surreal expressed with realistic detail… Another characteristic common to all of these works is a particularly European pleasure in materials, care and craft of application, and preciousness in handling and feeling… an essentially European and cosmopolitan sensibility.”See the auction items and then and bid here.
As Moyens' collection grew, he opened his own gallery, Gallery Marc in 1969. Six years later, he joined forces with Komei Wachi to open Gallery K. Besides the great European works in the collection, Moyens also bought the works of important Washington artists represented in the auction, artists like Ed Bisese, James Bumgardner, “Big Al” Carter, Pat Craig, Betsy Falk, Ruby McLain Grady, Robert Hynes, Alfred McAdams, Jody Mussoff, Franklin White, and Washington ex-pats John Harne and Alan Stone. There are also examples of American Folk Art, and Latin-American and Southwestern landscape painting of extremely high quality. Moyens and Wachi both passed away in 2003.
Fall for the Arts is a fundraiser, and all proceeds benefit the arts at AU. Tickets are $25 and $10 for students and those under 18. For workshop schedules, online tickets, and auction information, visit the Fall for the Arts website here.
There are some great deals to be had in this auction, for example:
Robert Hynes Joe's Soluner Tables, 1976
Graphite on paper, 23 x 27 in.
Starting Bid: $100
Tuesday, September 16, 2014
Red Dirt Studio is moving - Party!!!
Monday, September 15, 2014
Sunday, September 14, 2014
Bethesda Fine Arts Festival Call to Artists
WHERE: Bethesda, MD
Saturday 10-6; Sunday, 10-5
*Complimentary breakfast and lunch for participating artists.
*Free parking within 1 block.
*Limited to 140 booth spaces of juried fine art and fine craft.
*Estimated attendance: 20,000.
*$2,500 in cash awards.
*24-hour security.
*Booth sitters.
*Entry/booth fees: $30/$425 (10x10); $850 (10x20).
The Bethesda Fine Arts Festival was ranked #78 of the 200 Best Shows by Sunshine Artist Magazine in September, 2008, making it the highest ranked fine art festival in Maryland. Extremely wealthy community: Average household income, $129,440; median housing value, $734,614. Knowledgeable, art buying public attends. Artists report consistently high sales every year. Electronic application available on the festival's website.
Application Deadline: 12/05/14
Notification: 01/23/15
Booth Fees Due: 02/13/15
Online application available at:
http://www.bethesda.org/bethesda/arts-festival-application
Saturday, September 13, 2014
Opportunity for Artists
LINES DRAWN: America's Artists Look Beyond the Politics of Red and Blue
OPEN CALL FOR SUBMISSIONS FOR A JURIED EXHIBITLINES DRAWN: America’s Artists Look Beyond the Politics of Red and Blue
Artists resident in the United States are invited to submit original works of art for a juried exhibit timed to the 2014 Congressional elections; the exhibit will open Saturday, Oct. 11, 2014 at CHARLES KRAUSE/REPORTING FINE ART Gallery in Washington, DC.
Works of art submitted for this exhibit should provide visual evidence of social, economic or political issues which the artist believes are being ignored or inadequately addressed by our Government and political leaders due to the extreme partisanship and political paralysis which characterize Washington today. Artists may also submit artwork which examines the causes of the current political paralysis and/or focuses attention on those political leaders the artist holds responsible for the current paralysis/breakdown of our political system.
SUBMISSIONS: Please send no more than 2 high resolution jpegs of each work, its dimensions, suggested retail price (gallery commission 40 per cent) and Artist’s Statement for each work to LINESDRAWN2014@gmail.com
SUBMISSION DEADLINE: OCTOBER 3, 2014
ARTIST’S STATEMENT: Please limit your statement to 150 words. It should state the issue the art work addresses and why the artist believes the issue is important to the future well-being of our country.
SELECTION PROCESS: All work submitted for this exhibit will be reviewed, and the winning entries selected, by a jury of experts selected by Washington’s Millennium Arts Salon.
NOTIFICATION OF WINNING SUBMISSIONS: Artists whose work has been selected for the exhibit will be notified on Sunday, October 5th and will be expected to have their work delivered to the Gallery no later than Thursday, October 9, 2014.
THE EXHIBIT: LINES DRAWN: America’s Artists Look Beyond the Politics of Red and Blue will open on Saturday, October 11, 2014 at CHARLES KRAUSE/REPORTING FINE ART Gallery /1300 13th Street NW, Washington,. DC 20005
FOR MORE INFORMATION, PLEASE See Future Exhibitions at www.charleskrausereporting.com or contact Charles Krause at ckrause@charleskrausereporting.com
Friday, September 12, 2014
New G'town mural
Thursday, September 11, 2014
Wednesday, September 10, 2014
DC COMMISSION ON THE ARTS AND HUMANITIES 2014 Annual Meeting
As members of the creative community your attendance and participation are vital to the success of our agency. We invite you to take part in our Annual Meeting and offer your feedback on how we can best serve the residents and visitors of the District of Columbia.
Monday, September 08, 2014
BODY/BUILDING at Maurine Littleton
The Maurine Littleton Gallery will be presenting BODY/BUILDING.... a group interdisciplinary exhibit of thought, architecture and art.
Featuring the work of Erwin Eisch, Nancy Genn, Sergei Isupov, Iliya Isopov, DMV über artist Michael Janis, Richard Jolley, Dorothy Simpson Krause, David Dodge Lewis, Stanislav Libensky, Colin Reid, Ginny Ruffner, Joe Sanders, Holis Sigler, James Tanner and Therman Statom.
BODY/BUILDING... From the press release: "investigates radically different subject matter approached with similar sensibilities. Exploring human and architectural forms through Vitreographs (prints made from glass plates), ceramics and glass sculpture, each artist conveys structure & relationships in literal, figurative and poetic terms.
The human form and its relationship to the things we make, has transfixed architect and artist a like for centuries. The ancient Roman architect Vitruvius believed the precise mathematical relationships that exist in the human body should be followed in architecture. Plato opined that by defining a singular human archetype, it was possible to create environments that would be universally appealing and accessible to all. As our identities become more complex and our relationships with each other more interconnected, mankind still seeks to find a harmony where the body and space blurs.
Alternately eloquent and visceral, BODY/BUILDING offers a collection of what most fascinates us: our bodies, our buildings and our relationships. The works contained within are inclined to represent just enough so that we, the viewer, are encouraged/obliged to imagine the rest: the rest of the building, the rest of the body, but most importantly, the rest of the story."
Maurine Littleton Gallery
1667 Wisconsin Ave. N.E.; Washington, DC
Sunday, September 07, 2014
Lida Moser's Book
Children, Valley of Matapedia, Quebec by Lida Moser 1950 |
There is one book about Lida Moser. It was published in 1982 and it is titled Quebec a l'ete. These days you can only find it in rare book dealers, where it sells for over $1,000.
Lida wanted to publish another book, and she applied multiple times to the Bader Fund to try to get the funds needed to catalog her photographs and publish a book, but she was never funded by them.
I'm gathering the idea to work with Schiffer Books (my publisher) to see if they are interested in doing a book on her photographs.
Saturday, September 06, 2014
Sandra Ramos at the Katzen
EXHIBITION OVERVIEW
Curated by Diane Camber, this exhibition is comprised of prints, video, collage, and installations created by Cuban artist Sandra Ramos. This artist reflects on the conflicting experiences of living in her beloved homeland with all of its many challenges. Her work often takes a narrative form in which she depicts herself as a child-like explorer or modern day Alice in Wonderland. Ramos' prints and mixed media works feature exquisite craftsmanship and use of color and naiveté, tempered by wit and irony. This exhibition reflects the mordant wit for which Cubans are famous, as well as a kind of nostalgia and exuberance particular to the artist.
Friday, September 05, 2014
Great opportunity! Deadline next week!!!
There is not enough that I can say to recommend The Strathmore Fine Artists in Residence initiative (Fine AIR) to all emerging artists.... I have been lucky enough to have been a mentor twice, and can therefore testify what a boost to an artist's career this program is... and it deals and teaches so many diverse areas.... there is nothing even close to it in the DMV, maybe even the nation.
It was established to help cultivate local visual arts talent by connecting established professionals in all aspects of the field with up-and-coming artists. Emerging artists will be in residence in the Mansion at Strathmore from January – August 2015. During this time, each artist will have the opportunity to develop an audience in the DC metropolitan area, perfect their craft, create and implement an outreach, educational, or special event proposal for Strathmore’s consideration, and premiere a new body of artwork, including a collaborative piece with one’s mentor, commissioned by Strathmore in a culminating exhibition.
The exhibition of new work will take place in August of 2015 and will reflect the artistic growth of the artist in residence. Throughout the residency artists meet with a professional artist mentor for career guidance and artistic critique; attend career development workshops; and have the opportunity to teach, lecture, volunteer, exhibit or otherwise participate in Strathmore visual arts programming. Apply here: http://www.strathmore.org/education/series/view.asp?id=10102314
Eligibility:
The Strathmore Fine Artist in Residence Program is open to all emerging visual artists. All media accepted.
Fine AIR Program Timeline
• September 8, 2014 Deadline for application
• September 15 – 18, 2014 Select applicants invited to interview
• September 29, 2014 Notification of acceptance
• October 2014 Fine AIR contracts finalized
• November 2014 Incoming Fine AIR class announced to the public
• January 2015 Official start of the Fine AIR program
• August 2015 Exhibition of new work
A Residency at Strathmore includes:
• An exhibition of new work at the Mansion at Strathmore, Summer 2015
• Strathmore’s consideration of an outreach, educational, or special event proposal
• A professional artist mentor throughout the residency
• Career Development workshops and experiences provided by Strathmore
• A stipend of $1,000 (Studio space and housing are not available with this residency)
Artist responsibilities include:
• Mandatory attendance at a Fine AIR welcome event, scheduled meetings with artist mentor, and career development workshops provided by Strathmore.
• Creation of a new body of saleable work, including a collaborative piece created with one’s mentor, to debut at the 2015 Fine AIR Exhibition at the Mansion at Strathmore.
• Creation of an outreach, educational, or other visual arts event proposal for Strathmore’s consideration for future seasons.
• Volunteering at “Discover Strathmore” and “Strathmore Arts Festival” events and by providing an artist demonstration, pop- up of artwork for exhibition and/or sale, or related artistic presence.
• Volunteer to teach, lecture, and/or demo for the visual art department at least once during residency. Strathmore charges admission for these programs and all proceeds go toward supporting the Fine AIR program.
Thursday, September 04, 2014
Miami in sight
Wednesday, September 03, 2014
Tuesday, September 02, 2014
Do not miss this opening!
Opening Reception: September 6 from 6 - 9 PM (My birthday!)
Fax: 202-885-1140 museum@american.edu
Washington, DC 20016
Admission Free
Tue-Sun, 11:00-4:00
Fully Accessible
See Directions
Monday, September 01, 2014
(e)merge coming up!
We will be in rooms 205 - 206... Please come by and say hello... We will be showcasing the work of Tim Vermeulen, Judith Peck, Jeannette Herrera, Simon Monk, Audrey Wilson, Elissa Farrow-Savos and the kid.