ABMB Week: Thursday Report

There was definitely a different "vibe" today with the crowds at Context. For starts, there were a lot of art students floating around, plus several major collectors finally made their way over from Art Miami and from ABMB itself.

I dropped Audrey Wilson at the fair around 11AM and had her switch a couple of Elissa Farrow-Savos' sculptures. I then headed to Hialeah to visit my mother.

On the way back I stopped at Casablanca Bakery and stocked up on Cuban pastries, yuca rellena, croquetas (ham, cheese and chicken), papa rellena and pasteles de guayaba con queso for the crew back at Wynwood.

Brutal traffic back to the fair, but got there in time to avoid the monster Florida showers which fell all day.

Over the last couple of days we had sold two works by DMV painter Tim Vermeulen, and today he scored not one but four commissions (all from the same DC expat, now Florida-based collector).

I took a little walk to capture a good shot of a terrific piece by the DMV's Mark Jenkins (with Fabien Castanier Gallery).

Back in our booth... hosted a Facetime call from Anderson, and the little dude always brings me good luck... then a visit by the DMV's super artist Akemi Maegawa, and she also always brings good luck.... and I finally broke my personal ice with a major double sale of my largest drawing in the booth and a second smaller drawing to a very beautiful and talented Miami Beach personal consultant.

Soon afterwards, the very talented Audrey Wilson breaks her personal ice with a sale of her electric glass work from her Collection of Abstuseness series to a DC collector!

Collection of Abstuseness: Operation Big Bugs by Audrey Wilson
Pate de verre, kiln formed tempered glass, refractory glass, found objects

Soon afterwards I get a commission from one of the board members of Site Santa Fe based on my works that embed digital components... Five commissions on one day must be a Context Art Fair record!

As the skies continue to fall with thunderous rain (which in these giant tents sound like monstrous WWI trench gunfire), we begin to pack to head off as the fair closes, when one of those magical moments happens when a collector approaches a piece, looks at it and says: "I'd like to buy that."

The "that" is my largest work in the fair.

Nice way to close the day.

ABMB Week: Opening Day

First of all... good morning Atlantic!

We leave Hollywood Beach around 9:30AM (the fair opens to the public at 11AM)... it's a 15 mile drive, which in this area's unpredictable traffic, today takes almost an hour and a half! Last night the drive from Wynwood took over two hours as 95 North was essentially closed - all four lanes closed for miles and one slow row of cars driving on the side of the road - It was because of construction.

The word "construction" is used here ironically, as there was one guy - yep, one dude - with a small painting machine - not the kind that you drive to paint the road stripes, but like a hand held one... and a second dude with a potent flashlight, while the first "worker" was repainting the road's traffic lines.

Miles of closed 95 North for this...

Several DC folks come by (yesterday JT Kirkland and John Adams); today Judy Berman, Gabby from Strathmore Hall, the immensely talented Sharon Moody, as well as other interesting people, such as uber collector Ardis Bartle and blue chip artist Sandra Ramos.

The Lenster with Sandra Ramos

Jodi Walsh's work at Context

Sometime in the late afternoon the horrible news about the terrorist attack in California begin to filter in, casting a shadow on the day.

View of one of the aisles at Context Art Miami

ABMB Week: VIP Opening night

After a dozen hours of so of intensive work... we're ready for opening night: 5-10PM. Photos by J. Jordan Bruns.

The crowds, booze and small food begins to circulate, tightly-dressed women in lethal-looking six inch heels begin their improbable strolls with plastic wine glasses in their manicured hands; third generation Cuban-American girls, four or five inches taller and 25 pounds lighter than their political refugee grandmothers, and slim as rifles, shoot selfies in front of the artwork and languages from all over the world comment on the art.

We almost immediately sell Dulce Pinzon's very last Superman photo. It is followed by a sale of one of DC artist Tim Vermeulen.

Sculpture by Alma Selimovic

Tim Vermeulen at Context

Outside one of the five giant tents that make up Art Miami and Context Art Miami in Wynwood

ABMB Week: Day before the VIP Opening

The key art fairs from the two dozen or so which make up Art Basel week in the Greater Miami area have theor VIP opening tomorrow... so for many galleries, including us, Monday is debarkation time and hanging time.

Thus the dance of the vans and trucks begins as parking space is sought for unloading operations; we get there early and find a Doris Day spot right across from Context Art Miami.

Soon afterwards artist Jodi Walsh shows up and she also finds a good parking spot. Jodi trekked from Texas, and with her husband Ron, will help man the booth.

A few hours later and many sheckels spent in parking fees, the booth looks like this:

Around 4PM exhaustion takes over and we all head our separate ways... during the day we've run into fellow DC area gallerists Adah Rose and Gabriella Rosso.

Back in Hollywood, the piggies get some Jacuzzi love...

ABMB Miami - VIP Opening Night Minus two

Miami's always growing skyline... tomorrow is the van dance of trying to find a parking spot close enough to unload the van... and then installation begins...