New Artists, New Art

Longview Gallery will be showcasing the works of several standout new artists showing with Long View Gallery including Ryan McCoy, Shaun Richards, Jordan Bruns, Zach Sherif, Tom Burkett, Amy Genser, Shawna Moore, Michelle Peterson-Albandoz, and Clyde Fowler. In addition to highlighting the work by each of these new artists, several of Long View Gallery’s favorites will be showing as well.

Opening Reception: Thursday, February 17th, 6:30 - 8:30pm
Show Dates: February 17, 2011 - March 13, 2011

Look for Ryan McCoy to steal the show here as well...

Cuban artists on racism in Cuba

For years now, I've been writing about the harsh racist attitudes and realities of contemporary Cuban society in Cuba's "Worker's Paradise". And a while back I barked at the Congressional Black Caucus' spectacular ignorance of the plight and long history of oppression of Afro-Cubans by a long line of racist Cuban governments, including the Castro brothers' never-ending brutal dictatorship.

I sent a copy of this post and commentary to every single member of the Congressional Black Caucus; not a single one responded.

And now, a traveling art exhibition, by Cuban artists, partially showcases what I have been talking about for a long time:

"Rebellion is in the air. Whether in the cities of Africa and the Middle East, or within disparate communities of artists, people are examining the current status of human rights and finding it lacking.

While street crowds are forcing political change, the liter­ati are prodding more benign conversation about perceived inequities.

A case in point is the taboo-bashing exhibition "Queloides: Race & Racism in Cuban Contemporary Art" at the Mattress Factory. "Queloides" translates as "keloids," protruding scars caused by trauma, which exhibition curators apply to the wounds racism has inflicted upon the body politic."

Armando Marino's The Raft, part of the Queloides exhibit at the Mattress Factory in Pittsburgh - Photo by Tom Little
Read the review by Mary Thomas, Pittsburgh Post-Gazette, here.

Torpedo Factory Art Center’s Annual Call

Deadline: February 28, 2011.

Open call for Washington, D.C. area (the ole DMV) metro area artists for Torpedo Factory Art Center’s 2011 annual jury for artist members. Drop off date: February 28, 2011. The Torpedo Factory's annual jury will be held February 28 - March 3, 2011.

The Torpedo Factory houses more than 165 artists in combination studio/gallery space. The application form and submission requirements are available on their website www.torpedofactory.org/jury. Accepting submissions by emerging and established artists in all media.

Direct inquiries to Michele Hoben at mphoben@aol.com.

Opportunities for Artists

Deadline: April 30, 2011.

Call for Entries: The Graceful Envelope Contest - Artists everywhere are invited to participate in the 2011 Graceful Envelope Contest, conducted by the Washington (DC) Calligraphers Guild under the sponsorship of the National Association of Letter Carriers.

There is no entry fee.

This year's theme is "Time Flies," so design an envelope that explores good times, quality time, the times of our lives, time travel, or any other idea you have time to develop.

Address the envelope artistically to:
The Graceful Envelope Contest
Washington Calligraphers Guild
P.O. Box 3688
Merrifield, VA 22116.

This is the contest's 17th year. The Smithsonian Institution's National Postal Museum created and administered it until delegating responsibility to the Washington Calligraphers Guild in 2001. The National Association of Letter Carriers exhibits the winners, which are also exhibited online at www.calligraphersguild.org. The complete Call for Entries (including categories for children) is posted on the Washington Calligraphers Guild website or you may contact contest coordinator Lorraine Swerdloff at swerdloff@gmail.com.

Torpedo Factory Art Center Visiting Artist Program

Deadline: February 28, 2011.

The Torpedo Factory Art Center (TFAC) invites emerging and experienced artists to apply for one, two, or three-month residencies (June, July and/or August, 2011). The TFAC (www.torpedofactory.org) in Alexandria VA is home to more than 140 visual artists working in 82 studios. Artists create in a wide variety of media including painting, fiber, jewelry, ceramics, printmaking, and sculpture. The TFAC is open to the public every day; visitors are invited and welcomed into studios to watch artists at work, ask questions, and purchase original art.

Visiting artists will be provided with studio space and will be able to display and sell original work. Finalists will be selected by yours truly.

There is no application fee.

Download the Prospectus and Application Form from www.torpedofactory.org/vap. Send questions to: vap@torpedofactory.org.

Ultra Realistic

It's always the hair that gets you out of the "ultra" mood...

Tonight at the Phillips

Millennium Arts Salon, in collaboration with the Phillips Collection, and sponsored by The DC Council on the Arts and Humanities, has a cool panel discussion at the Phillips tonight, Monday, February 7, 2011, starting at 6:00 PM.

Panelists will explore the topic of Washington artists with a special focus on African American artists and their contribution to the creative milieu of DC.

The panel will be moderated by Professor Emeritus and cultural historian Richard Long, Institute of Liberal Arts, Emory University, Atlanta. The panel will include: Professor Adrienne Childes, Art Historian, University of Maryland; Billy Colbert, Artist, Washington, DC; Lisa Gold, Executive Director, Washington Project for the Arts; Judith Greenberg, Director, The Kreeger Museum, Washington, DC; and Claudia Rousseau, Art Critic and Art Historian, Montgomery College, Maryland.

Registration required here.

Select 2011

I was invited to participate in the WPA SELECT 2011 WPA Art Auction Gala, which will take place on Saturday, March 12, 2011 at 6:30 PM at 700 Sixth Street,NW in Chinatown. The space is owned by Akridge, who is providing a unique, approximately 20,000 sq. ft. space to showcase all the wonderful artwork that has been selected, while also allowing for 500 dinner guests. I dropped my artwork recently and the space looked terrific for an art event.

The WPA Art Auction Gala is usually one of the hottest tickets of the art season, routinely selling out several weeks in advance.

For 2011 the curators are:

· Vesela Sretenovic - Curator, The Phillips Collection

· Frank Goodyear - Assistant Curator of Photographs, National Portrait Gallery

· Milena Kalinovska - Director of Public Programs, Hirshhorn Museum & Sculpture Garden

· George Ciscle - Curator-in-Residence, Maryland Institute College of Art and Founder of The Contemporary Museum in Baltimore

· Helen C. Frederick - Professor & Director of Printmaking, George Mason University and Founder, Pyramid Atlantic Art Center, Silver Spring, MD

· Claire D'Alba - Assistant Curator for Art in Embassies

· Annie Adjchavanich, curator at HSPACE Gallery, Costa Mesa, CA.

Details here. By the way... here's the drawing that I will have at the auction:

Eve, Running Away from Eden. 15 x 39 inches. Charcoal on paper.
Circa 2010 by F. Lennox Campello

Select: the WPA 2011 Art Auction Exhibition includes work by Karin Abromaitis, Carlos Amorales, David Amoroso, Sarah Z. Barnes and Michael W. Anthony, Kyan Bishop, Margaret Boozer, Michael Borek, Kevin Bradley, Nicole Brugnoli Whipkey, Renee Marcus Butler, Colby Caldwell, F. Lennox Campello, Christine Carr, Mei Mei Chang, Chan T. Chao, Richard Chartier, Amy Chase, Natalie W. Cheung, Roman Cho and Tatiana Wills, Charles Cohan, Cynthia Connolly, Joseph Corcoran, Pepe Coronado, Roy Crosse, Matias Cuevas, Brian D. Dailey, Stephen Dallmus, Adam de Boer, Oletha DeVane, William Downs, Mia Feuer, Eric Finzi, Paul Frank, Helen C. Frederick, Breon Gilleran, Janis Goodman, Laura Jane Hamilton, Don Ed Hardy, Jessica Todd Harper, Leonard Harris, Davey Hawkins, Alexander Heilner, Pablo Helguera, Danny Heller, Tayo Heuser, Bernhard Hildebrandt, Ryan Hill, Michael Horsely, Karen Hsiao, Fleming Jeffries, Tendai Johnson, Elizabeth Kendall, Susanne Kessler, Avish Khebrehzadeh, Jae Ko, Magnolia Laurie, Pepa Leon, Adam Lister, Laurel Lukaszewski, Marco Maggi, Kimberly Manfredi, Isabel Manalo, Ben Marcin, Brooke Marcy, Gene Markowski, Virgil Marti, Allyn Massey, Patrick McDonough, Elizabeth McGrath, Jeff McMillan, Jaclyn Mednicov, Linn Meyers, Maggie Michael, Greg Minah, Elizabeth Lundberg Morisette, Phil D. Nesmith, Carrie Nobles, Kendall Nordin, David Page, Ruth Pettus, Phyllis Plattner, Susana Raab, Kelly Richardson, Marie Ringwald, Stuart Rome, Debra Ruzinsky, Jim Sanborn, Emily Sartor, Kim Schoenstadt, Joyce J. Scott, Hadieh Shafie, Whitney Sherman, Mike Shine, Steven H. Silberg, Alan Simensky, Jenny Sidhu Mullins, Kerry Skarbakka, Jo Smail, Susanna Starr, C.R. Stecyk III, Daniel Steinhilber, Betsy Stewart, Mike Stilkey, Soonae Tark, René Treviño, Blake Turner, Lina Vargas De La Hoz, Eli Walker, Solomon Wondimu, Dave Woody, Sue Wrbican, and William Wylie

Pack it in

The grub is ready, firewood chopped and in the fireplace, the beer and wine are chilled, Little Junes has his football sweater on, and now we just await the start of the game. I'm still smarting at the worst-officiated Super Bowl in history (Super Bowl XL) and so in an anti-Steeler mood.

My prediction? The Packers will send four wide receivers to spread the defense and make the Steelers' secondary quite vulnerable.

Packers 24-17.

Elise Campello reviewed again

She gets a nice shout out in this review in The Olympian.

On a more serious note, Elise Campello as Olive Ostrovsky sings beautifully and powerfully on “The I Love You Song” with backup by Moon and Anastasia, and in duet with Fry on “Second.”

"In Unison: 20 Washington, DC Artists", presently on view at the Kreeger Museum through February 26th has been getting a lot of attention in the scant art press around the DMV.

In Unison: 20 Washington, DC Artists, is an exhibition derived from a monoprint project initiated by DC artist Sam Gilliam.

Gilliam "invited 19 established and respected painters, sculptors, printmakers, digital media and installation artists working in different styles, to join him in creating several print portfolios. Each made a set of five monoprints, one of which was chosen for the show by Sam Gilliam, Judy A. Greenberg, Director of The Kreeger Museum, Marsha Mateyka of the Marsha Mateyka Gallery and Claudia Rousseau, art critic and art historian."

As stated by Rousseau, “Creating a group portfolio and exhibiting together express the ideas of unity and identity that are underlying motives of the project, and which are vital to sustaining a thriving artistic community.”

Millennium Arts Salon is the exclusive sponsor of this major exhibition at the Kreeger

As far as coverage, most recently, TV Station WETA - DC in their "Around Town" segment, highlighted a film clip about the show. The clip features commentary by Corcoran School of Art Professor Janis Goodman, and artist Bill Dunlap (both of whom are in my 100 Washington, DC Artists book).

The show was also reviewed earlier in the WaPo by Kriston Capps. Read that review here

Mel Hardy, Chairman of Millennium Arts Salon has written a response commentary on the article by Kriston Capps, so read Capps' review first before you read the below response:

Kriston: Yours is a remarkable recitation of context for what you observed as the production of this sampling of a body of works of art created at GMU. What you could not have observed was the origination of vision of a major artist in Sam Gilliam, and its interplay under the sponsorship of a local arts-advocacy and arts-community building organization in Millennium Arts Salon, the fiscal convener of the exhibition.

Your attribution of the "patronage" of Kandinsky and Klee is a wonderful gift from you as an established art critic to each of the "In Unison" artists hanging at the Kreeger. It is lost on no one that Judy Greenberg's willingness to accept this exhibition represents a major advance in the careers of many of the artists.

In this, perhaps you may have missed the point with your focus on "looking back" to the restrictions imposed on innovation and creativity by our local Washington artists, by a less-than-assertive Washington cultural infrastructure. Your highlighting the preponderance of African American artists in the exhibition dismisses completely the sponsor's and project team's structured framework for persons across the spectrum of cultural, ethnic, aesthetic, experience, gender, and age identities to experiment with artistic and aesthetic dialogue whilst in the process of creation of works.

You could not have known Sondra Arkin's frustration with running her typical encaustics through a press only to work with the master printmakers to innovate in finding process to present her beautiful details. You could not have known the truly vanguard applications of tools by Akili Ron Anderson in the creation of his works, and for which each of the five "small paintings" he created are tour de force works of art.

To what many observers of this important exhibition, perhaps like yourself, might immediately attach to recent historical reference, "looking back" in your
parlance, you may miss the prospective references to our national need for modeling how Americans, regardless of station, cultural, or ethnic identity, can find ways to interact in the spirit of innovation, in the finding of new ways to re-calibrate our national dialogue for building a sense a national identity, an American culture.

The project team was lead by: Sam Gilliam in identifying the artists who would inspire a new Washington signature in collaborative creativity; Juanita Hardy of Millennium Arts Salon who initiated and funded the enterprise; Helen Frederick and Susan Goldman who "mastered" the printmaking and counseled many of the artists in innovation; Claudia Rousseau, who provided art historical and critical context; and Judy Greenberg, who housed this new vision of the American experiment with American inter-culturalism.

Of course, none of this is possible without the creatives themselves, and we are all grateful that the artists would lend themselves to this highly managed strategy. It is refreshing to read your review of the exhibition, Kriston, as your "backward looking" perspective provides that essential balance that fuels those of us in the creative classes to look forward to our leadership in the better America that is to come.

Joel D’Orazio

Art chairs, sculpture and abstract painting by architect turned painter/sculptor Joel D’Orazio. New as a Zenith Gallery artist, D’Orazio will be featured in a solo show, Listen to Me, at the Gallery at 1111 Pennsylvania Avenue NW, curated by Zenith Gallery.

The show opens on February 7 and will remain on display through May 13, with a “Meet the Artist” Reception on Wednesday, March 2, 5:30pm to 8:00pm.

Tonight? Open Source

It takes a lot to get DMVers to hit the road on a cold Friday night, but tonight you got to get off your snowmaggedon-fearing blues and go see "Open Source" at Carrol Square Gallery, co-curated by Tom Ashcraft and Peter Winant, both professors at GMU.

The show features work by Kelly Criscuolo-DeButts, Floating Lab Collective, Oliver Giron, Lindsay Hawks, Peter Lee, Brooke Marcy, Ryan McCoy and Alex Straub.

My predictions before I even see the show? Look for Ryan McCoy to steal the show.

OPEN SOURCE
January 28 - March 25, 2011
Opening Reception: Friday, February 4, 6:00 - 8:00 pm
Carroll Square Gallery
975 F Street, NW
Washington, DC 20004

Wanna go to three openings tomorrow?

There are three openings at the Arts Club of Washington (2017 I Street, N.W.), but the one that I'm really looking forward to is the one of new paintings by the superbly talented Mical Hunter.

The reception is Friday, February 4th, 6:30 to 9 PM, in the Monroe Gallery. (There are three shows opening same night in different galleries).

Tools Every once in a while I see an art critic write something so preposterously wrong about the technical aspect(s) of a genre of the visual arts, that I'm always wondering if they are aware at the multitude of readers who must be laughing at them, or at the very least wondering how this person got a track in writing about the visual arts when they can't tell a watercolor apart from an oil painting (this has happened), or praise an artist's technical ability when those with an eye for such things detect an over abundance of mud or titanium white. 

Technical ability by itself does not great art make, and this Yoddaism permeates down the critic's voice to often mean that the idea, rather than the delivery, is what counts. I'm not in that camp, but coexist peacefully with it. However, when a writer decides to praise an artist's technical ability as part of the review, then I think it's fair game to criticize the critic if he/she is blundering into areas where he/she has no training, the "eye", or perhaps experience to make such statements. For example, for years I've read many critics praising John Currin, or Lisa Yuskavage, and a few other blue chip artists for many things, including technical ability. The idea is that their lowbrow subject matter is presented as ironic, and with superb technical skill. 

And yet the first time that I saw both these artists' works many, years ago (and more recently), I was dumbfounded to discover that their technical ability is at best, average. This puts a question mark in my mind, as to why so many critics write about their painting skills, as if to excuse the lack of depth of the visual subjects favored by both these artists (Disclaimer: Lest I be policed, and although I am somewhat slamming his work, I own a very, very early John Currin which was a gift ages ago).

There are exceptions, of course. For example, with the paintings of Gregory Gillispie one can argue that they exist in a somewhat same visual genre as Currin and Yuskavage, etc. 

And critics have praised Gillispie's technical skill as a key and integral part of his success and perhaps even his sad end. 

 But in his case, his work merited the kudos for technical ability. He was a painter who knew the ins and out of the magical world of what happens when a brush and a set of oil paints meet in a true master's hand.

Donelly & Finsen at City Gallery

Nancy Donelly and Jill Finsen will have new works at City Gallery (804 - H St NE, DC).

The opening is this Saturday, Feb 5, 6-9 pm and the show continues until Feb 26, when they'll have a nice closing party, 3-5pm.

Opportunity for Grants

Creative Capital is now accepting Letters of Inquiry for grants in Film/Video and Visual Arts. The Inquiry Form will be available online until March 1. Please visit creative-capital.org/apply to read the grant guidelines and access the Inquiry Form.

Creative Capital provides integrated financial and advisory support to artists pursuing innovative and adventurous projects. We support artists whose work is provocative, timely and relevant; who are deeply engaged with their forms, yet also boldly original; who create work that carries the potential to reshape the cultural landscape.

To be eligible to apply, an artist must be:

* A U.S. citizen or permanent legal resident
* At least 25 years old
* A working artist with at least five years of professional experience
* Not a full-time student

Learn More at an Info Session:
Creative Capital staff members will lead in-person information sessions across the country this month (all times are local, RSVP required to grants@creative-capital.org):

* February 3, New York City, New Museum, 7:00pm
* February 3, Santa Barbara, CA, Contemporary Arts Forum, 4:00pm
* February 4, San Diego, CA, UCSD Visual Arts Facility Performance Space, 4:00pm
* February 5, Los Angeles, REDCAT Lounge, 2:00pm
* February 5, Cambridge, MA, MIT (Building 10, Room 105), 12:30pm
* February 9, Kansas City, MO, Charlotte Street, 5:00pm and 7:00pm
* February 11, Chicago, IL, at Nightingale Theatre at 6:00pm
* February 13, Cincinnati, OH, Contemporary Arts Center, 2:00pm
* February 15, Louisville, KY, Museum Plaza, 6:00pm

Online information sessions will also be offered:

* February 3, 12:00pm EST
* February 11, 2:00pm EST
* February 17, 6:00pm EST

Visit creative-capital.org/infosessions for details and to RSVP.

Go see an art show this weekend!

All the Wrong Art

February is documentary month at MoMA and it is the month that they have the most
resources to put behind promoting these features. This series also occurs over two Modern Mondays. It all starts with Robert Williams and ends with David Choe.

It compliments the artists of the Hurley Featured Artist tee program (many of these artists appear in these films). This is the last program that former DC area curator Annie Adjchavanich initiated as the curator at Hurley out in the Left Coast.

Annie tells me that she's interested in bringing the series to DC and beyond, and I for one think that it would be a great idea for a DMV museum to pick up on.

Ron Magliozzi, the MoMA NY curator who organized the Tim Burton exhibit in NY (will be at LACMA May 29, 2011–October 31, 2011) worked with Annie to make possible the event that is presented by Hurley. The series is co-curated by Greg Escalante,
co-founder of Juxtapoz Magazine.

All the Wrong Art: Juxtapoz Magazine on Film at the Museum of Modern Art, NY, Feb 7-14, 2011. After most films, there are discussions with the filmmakers and the artists.

I am told that the scheduled theater currently holds 225 people and that MoMA is trying to move the films to a larger theater due to the overwhelming popularity
of this series.

There will be three free Hurley tee shirt giveaways while supplies last;
Monday, 2/7 -Robert Williams: Mr Bitchin
Thursday, 2/10 - The Treasures of Long Gone John
Saturday, 2/12 - Bloodbath - A film about Elizabeth McGrath

Complete film series listing is here and also here.

Also check the MoMA website for more details.

American Contemporary Art magazine

The current issue is online now and has several DC area reviews. Read it online here.

Artalking


That's the very donna calda Sheila Giolitti to the left, the hard-working owner and director of Mayer Fine Art, my Norfolk, Virginia based art dealer and by far the Tidewater area's best art gallery and certainly the one with the most art fair visibility (she's considering starting to do the South American art fair circuit), and my calientisima wife Dr. Alida Anderson, talking about art at a recent art party at the Campello household.

And yes... Little Junes sleeps right through all the yakking and music of these gatherings; is that a cool kid or what?

Wanna go to an opening tomorrow?

Resonant Forms An exhibition featuring artwork by Martha Jackson-Jarvis (who is one of the 100 artists in my book), Alonzo Davis, and Frank Smith.

The show is co-presented by the Brentwood Arts Exchange and the Prince George's African American Museum and Cultural Center.

Dates: February 1 - April 9, 2011.
Opening Reception: Friday, February 11. 5-8pm

Brentwood Arts Exchange @ Gateway Arts Center
3901 Rhode Island Avenue
Brentwood, MD 20722

No shortage of shovels

For years I've been bitching about the decline of visual arts coverage in the Washington Post, but with the recent departures of both Jessica Dawson and Blake Gopnik, the Post's visual arts coverage has hit rock bottom, and yet they continue to dig.

Campello reviewed

Not me, but my actress daughter Elise (again)... read the review online here.

Things I wish someone had told me...

From January 25 through February 8, anyone can list on Ebay Auction-style for free at any starting price, including high-ticket items. List up to 100 items, and pay only if your item sells.

So what have you got to lose (other than time)? Go ahead and list some artwork and see what happens...

Peret

What happens when you mix Cuban rumba with Spanish Sevillanas music and dancing and then you set up a street party on the streets of Santiago in eastern Cuba? Check out Spanish legend Peret in the video below:

Heard on Univision

Interesting discussion on the salary of the 13 highest paid American presidents from all over the Americas... the highest paid is Pres. Obama ($400,728 a year), next is Mexican president Felipe Calderon at $198,288 and then Brazilian Prime Minister Dilma Rousseff at $187,428.

Bolivian President Evo Morales, who also happens to be the first indigenous native American president of any nation in the New World, is at the bottom of this scale and makes $24,096 a year and yet still gets paid more that a dozen other Presidents in the Americas.

Interesante, no?

Vincent Gallegos

I've been meaning to mention this for a long time, but I am a huge fan of Vincent Gallegos' blog and photography, and essentially a while back I realized that Gallegos is easily the best "event photographer" in the DMV.

In fact, he's work is so cool that I'm beginning to think that Vincent has now transcended the "photographer presence" and he's one of those key parts of our area's cultural tapestry that makes his presence itself a lynch pin success for that event.

If Gallegos is there for your opening, taking pics and mixing in, then you know you've got a kewl opening going on.

Check him out here and be prepared to see what one day will be a historical record of the DMV visual art scene and then more.

Next Friday: Open Source

It takes a lot to get DMVers to hit the road on a cold Friday night, but next Friday night you got to get off your snowmaggedon-fearing blues and go see "Open Source" at Carrol Square Gallery, co-curated by Tom Ashcraft and Peter Winant, both professors at GMU.

The show features work by Kelly Criscuolo-DeButts, Floating Lab Collective, Oliver Giron, Lindsay Hawks, Peter Lee, Brooke Marcy, Ryan McCoy and Alex Straub. It actually opened today, but the reception is next Friday.

My predictions before I even see the show? Look for Ryan McCoy to steal the show.

OPEN SOURCE
January 28 - March 25, 2011
Opening Reception: Friday, February 4, 6:00 - 8:00 pm
Carroll Square Gallery
975 F Street, NW
Washington, DC 20004

Artists' Websites: Carol Brown Goldberg

Carol Brown Goldberg has been exhibiting in Washington, D.C. since 1975. She earned her BA in American Studies at the University of Maryland, and then trained at the Corcoran School of Art under Gene Davis, winning the Eugene M. Weisz award upon graduation. Since that time, her paintings have been in over a hundred solo and group shows in the United States, Europe, Russia, and Central America.

She is one of the 100 DMV artists in the book 100 Washington, DC Artists.

Jessika Dené Tarr at Hillyer

Opportunities for Artists

Deadline: April 6, 2011

The Joan Hisaoka Healing Arts Gallery is now seeking artists for the development of its Art Advisory.

The Art Advisory, a full service entity of the gallery, will assist private collectors, corporations, and healthcare facilities in transforming their home or office environments through the thoughtful integration of artwork to create spaces that enhance creativity, promote tranquility, and offer inspiration. From their news release:

We currently seek works by painters, photographers, sculptors, printmakers, muralists, installation and new media artists to support our developing advisory services and future projects. Chosen Advisory artists will work with the gallery to sell existing works or to create commissioned pieces specific to future clients' needs.

We accept two and three-dimensional works of art, including works on paper (edition of 500 or less) and Giclée prints (edition of 250 or less). Individual art works will not be selected from the call; rather, we will invite selected artists to be non-exclusively represented by the Advisory. After an initial review process a preliminary selection of artists will be asked to deliver/ship one work to the gallery, upon which the final decision will be based. Consequently, all artists, except installation & new media artists, should plan to be available to deliver or ship one work for either the week of July 4 or July 11, exact review dates TBD. Exceptions will be made on an individual basis. To be considered for the Art Advisory artists must complete the Call to Artists form and submit materials according to the set guidelines, postmarked by APRIL 6, 2011. For guidelines and Advisory Prospectus please see the gallery website: www.smithfarm.com/gallery.

Participating Jurors include: Rosana Azar, Creative Adventures; Myrtis Bedolla, Galerie Myrtis; Mary Early, Hemphill Fine Arts; Lillian Fitzgerald, National Institutes of Health; Helen Frederick, George Mason University School of Art and Design; Anne Marchand, Professional Artist; Foon Sham, University of Maryland College Park; Alec Simpson, Brentwood Arts Exchange at Gateway Arts Center; and Tim Tate, The Washington Glass School.

Dr. Fred at the WPA

Dr. Frederick P. Ognibene, Deputy Director for Educational Affairs and Strategic Partnerships at the National Institutes of Health Clinical Center in Bethesda, MD, has been elected Chair of the Board of Directors for Washington Project for the Arts (WPA).

A notable collector of contemporary art and a generous patron of emerging and mid-career artists, Fred Ognibene has twice been a member of the WPA board (1995-2003 and 2008-present). His collection, which he has been cultivating since 1984, includes over 200 works by national and international artists. Many works in his collection have been loaned to museums and arts organizations for exhibition; a number have been donated by Dr. Ognibene to the permanent collection of the Hirshhorn Museum and Sculpture Garden.

"WPA plays a vital role in promoting excellence in contemporary art throughout the greater Washington area," said Dr. Ognibene. "It's quite an honor to be entrusted with leading this 35-year organization through its next phase of growth and development." Since its inception in 1975, WPA has showcased the work of thousands of artists and has touched hundreds of thousands of visitors and viewers with its programs and projects.

Ognibene succeeds outgoing board chair Andres E. Tremols, co-founder and partner of Vivo Design. Tremols's three-year tenure began with WPA's separation from the Corcoran Gallery of Art in 2007. During his years as board chair, Mr. Tremols reestablished WPA as a fully-independent non-profit organization, rebuilt the Board of Directors, and initiated WPA's long-term Strategic Plan, among other initiatives. "I could not have accomplished so much without the tremendous talent and effort of our entire board, including my successor, Fred Ognibene. With Executive Director Lisa Gold at the helm and Fred steering the board, WPA is in excellent hands." Tremols will remain a Director on the WPA board.

In addition to changes in the leadership role, three new directors have been elected to the WPA board. They are Michael Rankin, Managing Partner of TTR Sotheby's International Realty, DC, MD and VA; Judy J. Sherman, an independent curator and Project Manager/Art Consultant at The Ralls Collection in Washington, DC; and Jocelyn Sigue, an independent producer and writer with a background in broadcast journalism. "I am delighted to welcome this trio of thoughtful, energetic and productive board members," said Fred Ognibene. "They join a very strong and effective board - WPA should anticipate very exciting results."

Norfolkin'

I'm in Norfolk, where it is very cold and rainy, but I hear that it is snowmaggedin' in the DMV and now I have to look forward to driving back tomorrow in the middle of all that!

Feh!

Seventh Annual Bethesda Painting Awards

Deadline: Friday, February 25, 2011

The Bethesda Arts & Entertainment District is currently accepting applications for the seventh annual Bethesda Painting Awards, a juried competition honoring four selected painters with $14,000 in prize monies. Deadline for submission is February 25, 2011. Up to nine finalists will be invited to display their work at a Bethesda gallery.

The competition will be juried this year by Philip Geiger, an art instructor at the University of Virginia; Evelyn Hankins, associate curator at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and Jinchul Kim, a painting professor at Salisbury University.

The first place winner will be awarded $10,000; second place will be honored with $2,000 and third place will be awarded $1,000. A “young” artist whose birth date is after February 25, 1981 may also be awarded $1,000.

Artists must be 18 years of age or older and residents of Maryland, Virginia or Washington, D.C. All original 2-D painting including oil, acrylic, watercolor, gouache, encaustic and mixed media will be accepted. No reproductions.

Each artist must submit five digital files or slides, application and a non-refundable entry fee of $25.

Applications are available online at www.bethesda.org.

The Bethesda Painting Awards were established by my good friend and Bethesda philanthropist, art collector and community activist Carol Trawick in 2005.

Dawson leaving the WaPo

The WaPo's Galleries critic Jessica Dawson, who for about 10 years has freelanced the Galleries column for the Washington Post (and who prior to that used to freelance art reviews for the Washington City Paper) will be departing the Washington Post as that newspaper's visual art critics' bleeding continues and Jessica is heading to a new gig at the Hirshhorn Museum, where she will join the museum's staff working on the Hirshhorn's Bubble.

We wish Jessica the best at her new job.

More later...

The Dynamics of the DC Art Scene

The Art Dealers Association of Greater Washington, in partnership with The Kreeger Museum, are putting together a panel discussion on how Art Dealers, Collectors, Curators and Museum Directors interact to support the visual arts in the DC area.

The Kreeger Museum,
2401 Foxhall Road NW
Washington, DC 20007

Thursday, February 24, 2011
6:30pm - 9 pm

Tickets: $20 / The Kreeger Museum Members: $15
Includes a cheese and wine reception.

Preceding the panel discussion, guests will have an opportunity to view In Unison: 20 Washington, DC Artists, the culmination of a project initiated by artist Sam Gilliam, consisting of monoprints by 20 artists from the DC community, who typically work in different styles and mediums.

For reservations, call 202-338-3552.

Panelists include:
- Juliette Bethea, Collector
- Dr. Johnnetta Cole, Director, National Museum of African Art
- Judy A. Greenberg, Director, The Kreeger Museum
- Gisela Huberman, Collector (and proud owner of my work)
- Jack Rasmussen, Director and Curator, American University Museum at the Katzen Arts Center
- and moderator Bill Dunlap, Artist and Art Critic and TV talking head, and one of the 100 in my book about DC artists.

Considering the focus of the panel, am I the only one who finds it odd that missing from the panel are any art dealers?

Grouchoquotin'

"Outside of a dog, a book is a man's best friend. Inside of a dog it's too dark to read."

- Groucho Marx

Sacred Heart Of Healing


I am often asked by collectors about Tim Tate's former signature pieces, his series of hearts. The above is Sacred Heart Of Healing (about 16 x 8 x 4 in. or 40.6 x 20.3 x 10.2 cm) and this is the sister piece to the one in the Smithsonian American Art Museum.

The Tate hearts are only available in the secondary art market, as is this one. If you are interested and would like details, send me an email to lenny@lennycampello.com.

Select


The Washington Project for the Arts (WPA), the mid-Atlantic's premier alternative arts organization, has announced the dates for its Annual Art Auction Exhibition and Gala, SELECT. The curated exhibition will be on view Saturday, February 19 through Saturday, March 12, 2011.

Saturday, March 12, 2011 marks the 30th anniversary of the organization's well-known arts gala that includes a curated silent auction of more than 100 contemporary works by top contemporary artists, formal dinner, and performance art. Tickets to the auction gala start at $300. I have been selected to participate in this auction for the second year in a row.

The event will be held at 700 Sixth Street, an Akridge-managed property, in northwest Washington; it is expected to draw over 500 art enthusiasts.

In advance of the March 12 event, WPA will host an exhibition opening reception on February 19 from 6:00 to 9:00 pm and Curators' View on March 1 from 6:30 pm to 9:00 pm. These two events are free and open to the public. At the Curators' View, each Select curator will present and discuss their exhibition selections. In addition, WPA's prized Alice Denney Award will be presented by Robert Lehrman to Washington-based artist William Christenberry for his support of WPA and sustained commitment to the DC arts community.

The SELECT exhibition will be on view 11:00 am to 6:00 pm, Wednesdays-Saturdays, through March 12th. For a complete list of participating artists or images, please contact Kristen DeMarco at auction@wpadc.org.

Rattner Museum theft

"Bronze sculptures stolen from a Bethesda museum and vandalized were reportedly worth about $90,000. The thief allegedly sold them to a scrap dealer for $150.

The artworks are back at the Dennis and Phillip Ratner Museum, after a worker at Montgomery Scrap in Rockville realized he had bought stolen goods. But most were "damaged beyond repair," Montgomery County police said Wednesday."

The cops had issued an arrest warrant Wednesday for Daniel Conticchio, 27, of the 4500 block of Ninth Street NW. Read the WaPo story here.

According to a later story in The Gazette, "Jessica Rivas, 22, listed on court records as living on the 9300 block of Old Georgetown Road in Bethesda — about a mile from the museum — was arrested Thursday at the same time as Daniel Conticchio, 27, of Washington, D.C., police said."

According to the Gazette, "Police issued a warrant for Conticchio's arrest Wednesday and found him and Rivas asleep in Conticchio's car in the Wildwood Shopping Center parking lot at Old Georgetown Road and Democracy Boulevard in Bethesda Thursday."

Makes my head hurt.

Early Campello

They have this computer program display at the Smithsonian Natural History Museum where you line up your face on the screen and it takes a shot and then transforms you into what you may have looked like as one of pre Homo Sapiens species. At the risk of opening myself to a million jokes (such as my wife: "You don't look that much different"), below is the Lenster as a Neanderthal.


By the way, read this fascinating NYT article on Neanderthal mating with modern homo sapiens and leaving his DNA on Europeans.

Torpedo Factory Art Center Visiting Artist Program

Deadline: February 28, 2011.

The Torpedo Factory Art Center invites emerging and experienced artists to apply for one, two, or three-month residencies between June 1 and August 31, 2011.

The Torpedo Factory Art Center (www.torpedofactory.org) in Alexandria, Virginia is home to more than 140 visual artists working in 82 studios. Artists create in a wide variety of media including painting, fiber, jewelry, ceramics, printmaking, cast and stained glass, and sculpture. The Torpedo Factory is open to the public every day; visitors are invited and welcomed into studios to watch artists at work, ask questions, and purchase original art – allowing the public an opportunity to share in the excitement and fascination of the creative process.

The projects undertaken by Visiting Artists for this self-directed, creative residency must be compatible with available working studio spaces and facilities.

Visiting Artists will be provided with studio space and will be able to display and sell original work.

Finalists will be selected by yours truly. There is no application fee.

Download the Prospectus and Application Form from www.torpedofactory.org/vap.

Annual Jury for TF Artists

The Torpedo Factory Art Center has announced the 2011 Annual Jury for Artist Members (February 28-March 3, 2011).

The application form, submission requirements and instructions are available at this website. Please direct inquiries to Michele Hoben, jury chair.

Next at the Arts Club

There are three openings coming up at the Arts Club of Washington (2017 I Street, N.W.), but the one that I'm really looking forward to is the one of new paintings by the superbly talented Michal Hunter.

The reception is Friday, February 4th, 6:30 to 9 PM, in the Monroe Gallery. (There are three shows opening same night in different galleries).

Opportunities for Artists

On-line gallery. AddictionAndArt.Org is seeking artworks addressing the complexities of addiction and recovery to post/share with a worldwide audience - for the good of mankind. Works in any media, completed in any year are eligible. www.addictionandart.org - go to "Share Your Art" in the menu. Questions: editor@addictionandart.org or call 301-639-3520 for submission information.

By the way, Big Think just listed the Addiction and Art book as one of the top 10 art books of 2010!

Artist talk tonight

Newly minted Baltimorean and realist artist Hyeseung Marriage-Song has been invited to speak at the Charcoal Club of Baltimore’s monthly meeting on Thursday, January 20, 2011, at 7 pm at the Meadow Mill Building, Studio 213, 3600 Clipper Mill Road.

Marriage-Song, 32, is a realist artist represented by the Eleanor Ettinger Gallery in New York City, located in Midtown and Chelsea. She studied at the prestigious Water Street Atelier and Grand Central Academy in New York under Jacob Collins and recently moved to Baltimore with her husband who is on the faculty of Physics and Astronomy at Johns Hopkins University in Homewood. Marriage-Song primarily works in oil, creating portraits, nudes, still lifes and landscapes from life, eschewing photographic references. On Thursday, she will be speaking about her work and techniques as well as demonstrating her alla prima technique with the help of a live model chosen from the audience.

Marriage-Song has shown in numerous group shows in New York City, Atlanta and Houston. She is an Elizabeth Greenshields Recipient and an Art Renewal Center Competition Finalist and award recipient in the Figure Painting Category. Her studio is in School 33 Art Center, in Federal Hill, which is a program of the Baltimore Office of Promotion & The Arts.

The Charcoal Club was established in 1883 and is the country’s second oldest art club. The club provides a nude model for a small fee and encourages art appreciation through group shows and speakers.

Next at Brentwood

Resonant Forms An exhibition featuring artwork by Martha Jackson-Jarvis (who is one of the 100 artists in my book), Alonzo Davis, and Frank Smith.

The show is co-presented by the Brentwood Arts Exchange and the Prince George's African American Museum and Cultural Center.

Dates: February 1 - April 9, 2011.
Opening Reception: Friday, February 11. 5-8pm

Brentwood Arts Exchange @ Gateway Arts Center
3901 Rhode Island Avenue
Brentwood, MD 20722

Open mouth

I had one of the most shocking, unexpected meetings - ever - today. I am still dumbfounded by the news, and the only reason that I am not pulling my hair out is because the person on the other side who told me the shocking news is someone I trust and consider a friend.

Still... Feh!

At Civilian

"Civilian Art Projects presents climate, control, a three-person exhibition curated by Kristina Bilonick and Karyn Miller featuring J.J. McCracken, Jan Razauskas, and Millicent Young. The name climate, control refers to the artists' response to their immediate surroundings, as well as the exacting nature of their practice. The artists in this exhibition work in drastically different materials - from clay and horsehair to drawing and paint - but in each of their works, there is an intense focus on the precision of artistic production, and a sense of significance in the medium they chose to work in. The artists cull the fodder for their work and in some cases their materials from their immediate surroundings. Miller points out though, that, "at the same time there is an openness to chance which gives it a kind of negative tension." The exhibition opens to the public on January 21, 2011 and will be on view through February 19, 2011 at Civilian Art Projects in downtown Washington, DC."

Exhibition on view: January 21 - February 19, 2011
Opening Reception for the artists: Friday, January 21, 7-9 p.m.
Artist Talk: Saturday, February 19, 4p.m.