Wanna go draw?

The Capitol Hill Arts Workshop (CHAW) hosts a drop-in “Working from the Figure” session on Fridays, February 5, 2016 and February 19, 2016 from 6:30-9:30 p.m. at CHAW, 545 7^th Street, SE.

Work on drawings or paintings in front of a live model in a session without formal instruction, facilitated by artist Will Fleishell. Please bring your own drawing materials. Easels are available. The session is $15 for drop-in students. For more information, visit www.chaw.org or call (202) 547-6839.

RIP David Quammen

David Quammen passed away yesterday... Some eloquent words about this fixture of the DMV art scene by DMV art critic and artist Kevin Mellema, and at the bottom a painting of Quammen by DMV uber artist Erik Sandberg.

RIP ... We lost Dave today... Folks outside the DC arts community won't know him, but Dave was... Dave was.... well, Dave was Dave.

To say the least, Dave was a unique character. He didn't leave any gas in the tank when he left. We should all be so inspired. 

He entered our lives when he became a figure model posing around the DC area. Later on, he took over the MOCA gallery in Georgetown. 

After years spent around him, there certainty will be no shortage of Dave stories to tell. His epic battles with the MOCA landlord became city wide PR battles gone wild that spilled over into the City Paper. .... They alone were worth the price of admission. This photo, as an example, was done in the midst of one such skirmish. 

But my favorite Dave tale comes from his modeling days before all that.. He was a tenacious model that simply would not give up on a pose no matter how bad it hurt to go on holding it. ...

One night he was on the model stand with another model who had her back to him. She took a fairly simple standing pose, while Dave took a semi-reclining pose akin to the 'Dying Gaul' from the Parthenon... His entire weight held up by one arm for 20 minutes.

Somewhere towards the middle of that, it started to wear on him. Sometimes you bite off more than you can chew, but Dave wouldn't spit it out no matter what. It was a point of pride with him, and we all respected and appreciated such.

Everybody has their limits, and clearly Dave was in well over his head on this one... .. A few more minutes ticked by, and Dave's arm started to give it up for him... By the end of the twenty minutes the entire modeling stand was shaking rapidly from the considerable muscle spasms in Dave's arm.

The buzzer went off, and his torture ended. He sat up, his torso beet red, flush with blood from the exertion. Wiped out, he sat there trying to regain his breath and composure before the call for a new pose... When the other model turned around and said to him... "That wasn't so bad!"... It was a classic line. Couldn't have been more contrast between the average model, and Dave's efforts. Nobody put it all on the line the way he would.

He went on to run MOCA with the same no holds barred gusto....

Underneath the outrageous antics, and occasional irascible episodes, Dave was a genuinely kind and generous man. He prided himself on making MOCA an equal opportunity place for all comers. The art world hates that sort of thing, but Dave stuck to his guns to the bitter end. In some fundamental way, the people were more important to him than the art. He was a curator of people. Nobody could put together a wild collection of people the way Dave could....

It's common to hear people eulogized as 'unique' and 'irreplaceable'. In Dave's case, it's all true. In fact, it's simply unthinkable that we'll see the likes of him again in our lifetimes...

Dave made the DC art scene more colorful, and less buttoned-down boring. We often take **art** as some deathly serious affair. Dave was having none of that, he was all about having fun with it.

We could all do well to remember such, and carry a bit of that with us going forward.... God speed Dave.

                                                                           - Kevin Mellema

Anger. Oil on Canvas, 2009 by Erik Thor Sandberg

Hirshhorn and Latin American artists

Since 2014, the Hirshhorn Museum and Sculpture Garden Library (HMSG) has received grants totalling $15,000 to catalog materials of Latin American artists.

Details here:  https://blog.library.si.edu/2016/01/new-to-the-hirshhorn-library-latin-american-artists/

Interesting that one of the things that they have collected is a recent catalog of Cuban artist Sandra Ramos show in New York. At the same time, the Hirshhorn has not once, but twice been offered original paintings by Ramos as gifts from two separate collectors and both times the museum has declined them. 

Most unusual vintage watercolor at auction

Someone in Florida has this most unusual watercolor that I did at the University of Washington School of Art in 1977 as part of some class assignment. 

It was an early exploration of my interest in tattoos as art and a predecessor to my current "Written on the Body" series. It has a starting bid of $150, which is a steal for works of that period.

Bid on it here.

Wanna go to an opening tonight?

Renée Stout: Tales of the
Conjure Woman

American University Museum
at the Katzen Arts Center

January 26 - March 13, 2016

Opening Reception: Tonight, Saturday, January 30, 2016, 6:00pm - 9:00pm 

Renée Stout: Tales of the Conjure Woman opens at the American University Museum at the Katzen Arts Center on January 30, 2016 and will remain on view through March 13, 2016. A gallery talk with the artist will take place on Saturday, January 30, 5-6pm and opening reception will take place 6 - 9pm.

The exhibition features recent work by Washington, DC-based Renée Stout, who is best known for her exploration of vestigial retentions of African cultural traditions as manifested in contemporary America.

For many years, the artist has used the alter ego Fatima Mayfield, a fictitious herbalist/fortuneteller, as a vehicle to role-play and confront issues such as romantic relationships, social ills, or financial woes in a way that is open, creative, and humorous. The exhibition focuses on the artist's assumed role through an array of works in various media. As Stout explains, "The common thread running through bodies of my work of the past several years is the continuing need for self-discovery and the need to understand and make sense of human motives and the way we relate and respond to each other."

Art Scam Alert!

Beware of this scammer: 

Kenneth Anderson (kandy1111@outlook.com)
Hi there,
I'm an art lover/collector and I'm collecting a few pieces for my new house. I came across your artworks and I find them captivating. I would love to have some of your pieces. Send me pictures and info about your available works including their sizes,materials and prices so I can make an order.
Thanks,
Kenneth.